Donald Fagen croons from fifth avenue
about having a transistor radio and a large sum
of money to spend as we jet along Main Street
in our ragged white Cutlass Supreme stained
with the burn of mud and snow from the winter
and spring back roads, my ex wife at the wheel
behind her black rimmed glasses, her eyebrow
raised as beautifully as John Belushi's; storefronts
are shuttered except for Ruth's Diner, with inbred
apple pie cherry puffed heads with staring possum
eyes in coveralls dusted by granite from the nearby
quarries we park our car in at night to get stoned;
we're en route to the Shaw's Supermarket in Montpelier
that sells our favorite hummus, and we scare off the
deer at night in our driveway who come to drink from
the small creek we get drunk and swim in, the neighbor
lady yelling at her kids at far too early an hour for the
hangovers we earned from a whole case of
Long Trail Double Bag ale we split watching Joseph
Campbell videos filmed on Skywalker Ranch and old
episodes of Star Trek, and so we threw a half-drunk
beer bottle "photon torpedo" at that loud, roly poly,
mu mu clad klingon that shattered against one of the
trees in our backyard woods, but everyone was too out
of it from the bugs and the humidity to notice or much care
up here in redneck space where no one can here you scream.
Kevin Ridgeway was born and raised in Southern California, where he currently lives and writes. He spent many years in the rural northeast, where he hopes to someday return. His work can be found or is forthcoming in Chiron Review, Nerve Cowboy, LUMMOX, Right Hand Pointing and The Mas Tequila Review. His latest chapbooks are On the Burning Shore (Arroyo Seco Press) and Riding Off Into That Strange Technicolor Sunset: Dallas-FT. Worth Poems (The Weekly Weird Monthly).