When You're Hungry, You Think of Bread, by Mather Schneider

All of a sud­den Noelia want­ed a Moringa tree. Moringa trees were the new thing, hot on the inter­net. You could make tea from the leaves, they would cure what ails you, a mir­a­cle plant, like a beanstalk to con­nect heav­en and earth.

Noelia is Mex­i­can, and one time when we were in Her­mosil­lo we vis­it­ed her uncle Raul. Peo­ple rarely vis­it­ed Raul, he lived in his dead mother’s house all by him­self and he tend­ed a lit­tle gar­den and was a bit of a mys­tery. He was friend­ly and smiled and showed us around the house, but not all the rooms. The house was small like almost all the hous­es down there and it had rough wood roof beams and a wood stove. The only fur­ni­ture was a table in the kitchen. No tv, no bed, no com­put­er. Raul didn’t need any of that stuff I guess. When it came time for us to leave he didn’t want us to leave, and he shook my hand and held it for a long time. He gave Noelia a lit­tle jar of Moringa seeds that he had gath­ered from the Moringa trees in his yard.

That jar sat in our cup­board for 3 years until the oth­er day, when sud­den­ly Moringa seeds were the hot new thing. Noelia took out the jar and shook it. It’s like a jar of mir­a­cles, she said. She pre­pared a spot in the dirt by our patio, buried a few seeds and watered them. She was very hap­py and beau­ti­ful in the sunshine.

The next day hap­pened to be the fourth of July, which doesn’t mean a hell of a lot to Noelia, and even though I’m a white Amer­i­can it real­ly doesn’t mean much to me either. How I got here to Tuc­son so far away from where I grew up in Illi­nois, and how Noelia got here so far away from her fam­i­ly, well that’s one of those things, long sto­ries for anoth­er time. We watched some fire­works that our neigh­bors set off but it wasn’t very inspir­ing. It all felt kind of sil­ly look­ing up into the sky and wait­ing for the bright lights that were nev­er quite what you hoped they would be.

The next morn­ing, and this is where it starts to get strange, there was a dog on our patio. We don’t have a dog, but there was a dog lying right in that spot of dirt where Noelia had plant­ed her Moringa seeds. It was a male pit­bull, tan, big, old and sad look­ing. Dogs hate the fourth of July, and appar­ent­ly this one had been fright­ened by the fire­works and had run away from its home and end­ed up there on our patio. He didn’t look well at all, he looked hope­less and lost, lying in the new­ly turned dirt, which must have been cool in July desert heat. We approached him, care­ful­ly, but didn’t dare to touch him. He didn’t seem aggres­sive, but he didn’t wag its tail either. I put a dish of water out for him, and Noelia made him some scram­bled eggs. His ribs poked out and there were scars on his body. He didn’t want the eggs, but drank about a half gal­lon of water, and then went to sleep.

He slept all day there, and lat­er the eggs dis­ap­peared. He didn’t seem inter­est­ed in leav­ing, he didn’t budge. Noelia was kind of irri­tat­ed about her Moringa seeds, but she also felt sor­ry for the dog. She has a huge heart, and is not ashamed of it. The pain and con­fu­sion in a dog’s eyes some­times, you know? He looked like the kind of dog that had not had much love in his life, didn’t have a lot to live for, prob­a­bly nev­er had. I won­dered what his name was, no col­lar, no clue. I imag­ined he had lived in the same small yard all of his life, until this one noisy night of gun­shots and fire­crack­ers when he blind­ly ran, some­how escaped his fence and ran the streets. What was after him he’d nev­er know.

The next day he was still there in that same spot of dirt. I went around the neigh­bor­hood and asked some peo­ple. Nobody knew any­thing. I didn’t want to call the pound, I knew they would kill him. Nobody would want this ugly guy. The thought of hav­ing a dog around wasn’t so bad real­ly. But, still, I knew he would leave shit in our yard and eat a lot of food and be a respon­si­bil­i­ty for us. Maybe he would bite us one day. I try to be real­is­tic, I try to be prac­ti­cal. But I could tell Noelia was already in love with him. She went to the store and bought a bag of dog food and we put it in a bowl and he ate it up. But he still didn’t warm to us, he just looked at us like he was ask­ing us a ques­tion. He looked at us like he was sure we under­stood the ques­tion and sim­ply refused to answer, which made him sad­der than ever.

I want­ed him, but I didn’t want him, which is the way I am with life. I knew how I was sup­posed to feel, but there was a part of me that just want­ed that dog to dis­ap­pear and leave me alone.

It rained that after­noon, one of those hell-fire mon­soon rains we get here in the sum­mer, and how that dog would ever sniff his way home after that I had no idea. A rain­dog, I thought. And I thought of Tom Waits’ song Rain­dog and how we loved that song in high school. As young peo­ple we had thought of our­selves as rain­dogs, all those friends of mine back in Illi­nois I had not seen in 25 years. We were so melo­dra­mat­ic and corny, thought we knew everything.

Noelia and I had to go to work the fol­low­ing day, and when we got home from work, the dog was gone. Noelia cried a lit­tle. I was sad too, but I was also relieved. Feel­ings are con­fus­ing. It’s ok, I told her, he prob­a­bly found his way home. But she didn’t believe me. She’s not THAT gullible. I’ll make you a nice din­ner, I told her, and we’ll watch the nov­ela on tv. We always watched the Mex­i­can nov­ela which came on at 6 while we ate din­ner. It was nice watch­ing the dra­ma of the char­ac­ters’ lives, which became so ter­ri­ble and then so per­fect so quick­ly. How the women cried and were so beau­ti­ful, the men so hand­some, and how they rose to their many sud­den and unpre­dictable chal­lenges. It was all very corny, but some­how we loved it and it helped.

I was putting the final touch­es on the enchi­ladas when Noelia got the phone call from her sis­ter Rosi­ta in Her­mosil­lo. I looked at her face while she lis­tened and thought, Oh, shit, what? The nov­ela was about to start. Noelia’s beau­ti­ful Yaqui face went pale. How I loved those high cheek­bones and that long black hair and those huge dark eyes. She hung up the phone and walked to the bed­room. I fol­lowed her, put my arm around her where she was sit­ting on the bed. Mi tio Raul esta muer­to, she said. Her uncle Raul was dead.

Mur­dered. Some­one had bro­ken into his house and beat him on the head until he was dead. He had lain on his floor for 3 days in the Her­mosil­lo heat naked until he was bloat­ing and stink­ing. Noelia’s moth­er had found him.

I am a cold bas­tard, a cold white bas­tard, and I am not proud of it. But I was hun­gry, you know, and I got up and ate some enchi­ladas. Noelia didn’t eat any­thing. I watched the nov­ela for 15 min­utes but I couldn’t escape it, so I turned it off and went to bed.

We had to go to Her­mosil­lo. God, how my wife missed her fam­i­ly. She missed Mex­i­co so much, the fam­i­ly, the dra­ma, the close­ness, the shared life. We lived in Tuc­son, where we’d end­ed up. I missed my fam­i­ly too, but that was buried deep­er, and I don’t talk about it.

We drove south, through the bor­der at Nogales, past the tarpa­per shacks on the hill­sides, through the small pueb­los, Imuris with its smok­ing carts of carne asa­da, Mag­dale­na, that “mag­i­cal town,” and San­ta Ana with its cop­per wares and big stone stat­ues and foun­tains. It was the qui­etest trip we had ever tak­en. “Every­thing is so green,” Noelia said. Her his­to­ry, her beloved Mex­i­co, green from the rains.

Every­one was at the tiny funer­al par­lor in Her­mosil­lo, and there was very lit­tle park­ing. I final­ly inched in between two cars on a side street and prayed our new car would not be scratched or dent­ed. Inside was the fam­i­ly, dozens of them, most of whom had not seen Raul in years. Nobody knew what hap­pened, why it had hap­pened, how some­body could beat an old man until he was dead and leave him lying naked like that, what he had done to deserve it. The lid was closed, of course. They said he was so bloat­ed they had to put him into a plas­tic bag and it took three men to shove him into the cas­ket. Noelia joined the fam­i­ly and I sat alone, the white ghost among them, lis­ten­ing to the Span­ish which I only half under­stood. Most of them looked at me and won­dered what I was doing there, where I had come from, what my sto­ry was, and I was won­der­ing the same thing.

After a cou­ple of hours we all pulled out and head­ed to the church. Again, park­ing was a night­mare. The church was hot as hell, which sounds corny, I’m sor­ry, but it’s true. The women fanned them­selves and the men mopped their faces with col­or­ful hand­ker­chiefs. The priest said his thing, most of which I didn’t understand.

Ceme­ter­ies in Her­mosil­lo are not like those in Tuc­son. There is no grass and hard­ly a tree and the graves are crammed togeth­er and the head­stones are crum­bling and many of the graves sunken in. I couldn’t believe how many holes were already dug and ready. There were so many we didn’t know which one was ours, or rather, which one was Raul’s. There were so many you had to be care­ful not to fall into one.

Right before they put the cas­ket in the red ground, Noelia’s moth­er leaned over the cas­ket and start­ed cry­ing, very loud and the­atri­cal. It remind­ed me of a nov­ela, corny, I thought, just for show. I am not proud of these thoughts. Some­one asked me if it was true that grin­gos buried their dead stand­ing up, feet down. I said, No, we bury our dead the same way you do, lying down. One day you’re here, the next you’re gone, that was the pre­vail­ing sen­ti­ment. I’m not sure if it does any good to real­ize that.

Two Mex­i­can kids with ban­danas over their faces low­ered the cas­ket into the ground and start­ed to shov­el the dirt. You know that sound of the dirt clods hit­ting the cof­fin? With their ban­danas over their faces they looked like ban­dits. One of them had a Super­man T‑shirt on.

Noelia stood very close to the bur­ial and I stood back. It was late after­noon and the sun burned the side of my face. It was then that I had the strangest thought, which is so corny I hes­i­tate to tell it. I thought of the dog that showed up on our patio, its sad lost eyes, and I thought that maybe some­how there was a con­nec­tion between that dog and poor dead uncle Raul. I imag­ined the fear he must have felt when they broke into his house, and came for him, the hor­ror of being beat­en on the head and left to die, know­ing no one would come to help him, know­ing there was no escape. I won­dered if he had tried to run. Why had he been so iso­lat­ed from his fam­i­ly? Why had we not vis­it­ed him or thought of him in 3 years, those Moringa seeds in the jar in the cup­board? I imag­ined him lying on his floor, feel­ing his life slip­ping away, his soul trav­el­ing through the dark night all the way to us there in Tuc­son, to appear to us in the form of that dog, with his eyes that looked so human, ask­ing for help. Or maybe he just want­ed to say good­bye? We were afraid to touch him, and we fed him scram­bled eggs, and I wished he would just go away. And then he did.

There was a man sell­ing ras­padas at the ceme­tery, an old brown wrin­kled man with a big smile. He scooped the ice into cups and poured the sweet syrup over them, straw­ber­ry, tamarind, vanil­la… I watched him work­ing under his lit­tle umbrel­la at his lit­tle cart, and thought, every day he was there, sell­ing sweet ice among the dead.

The mourn­ers slow­ly sep­a­rat­ed and start­ed to leave and the old ladies urged every­one to get togeth­er again, and not just when some­one died.

Rush hour traf­fic was insane in Her­mosil­lo, and I cussed when I hit the pot­holes. Usu­al­ly before we leave Mex­i­co we will buy some seafood and tor­tillas, but this time I asked Noelia if she want­ed to, and she said “No.”

When we got home to Tuc­son I would like to tell you that the Moringa plants were sprout­ing, but that would be corny, and any­way not true. There was noth­ing but the dark red dirt, pat­ted down where the dog had lain. I don’t know how long it takes Moringa plants to sprout, so we’re still hope­ful. Whether they can do all those things they’re sup­posed to be able to do, well, I’d like to believe it, you know. I real­ly would.

schneider44Math­er Schnei­der is a cab dri­ver who divides his time between Tuc­son and Mex­i­co. He has 4 full length books out avail­able on Ama­zon and has had poems and sto­ries pub­lished in the small press since 1993.

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Jimmy the Baker’s Pocket MFA, poem by Dennis Mahagin

Read­ing is easy,

writ­ing is hard;

so we watch a little

TV, sour­dough

loaf, fudge

brown­ie, our very

souls

becom­ing human

scones, juicy peach

cob­bler, reluctant

steam from pie holes,

each to her own

nour­ish­ing

scene,

edi­fied, serially

and hor­rif­i­cal­ly

 

scarred.

Den­nis Maha­gin is a poet from the Pacif­ic Northwest.

His work appears wide­ly, in print and via the Web.

His lat­est col­lec­tion is enti­tled “Long­shot and Ghazal.”

The book is avail­able from Mojave Riv­er Press:

http://​mojaveriver​press​.storen​vy​.com/​p​r​o​d​u​c​t​s​/​8​4​2​1​4​1​1​-​l​o​n​g​s​h​o​t​-​g​h​a​z​a​l​-​b​y​-​d​e​n​n​i​s​-​m​a​h​a​gin

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what i did in the war, poem by Matt Borczon

its hard
to explain
to civilians
that my
gun was
locked up
in an iso
container
for the
whole time
I was
in Afghanistan
that I
did not
fight this
war I
worked in
a hospital
at the
craziest
point of
the war
but no
I did not
fight the
war
I watched
it from
the distance
of a
sev­ered arm
watched through
the holes in
marines chests
and stomachs
through the
eye sockets
of children
shred­ded by
hell­fire helicopters
but I
did not
fight the
war
I prepared
gauze for
wounds and
vac­u­ums to
suc­tion blood
I cleaned
dead bodies
for coffins
for planes
for home
for broken
families
I bleached
mattresses
between patients
and served
meals to
sol­diers with
no hands
to eat with
but I
did not
fight the
war
I searched
for missing
limbs and
spoke with
angry village
elders and
was hit
by an
Afghan prisoner
for trying
to help
him stand
but I
did not
fight the
war
and it
wasn't until
I was in
Kuwait at
a stress
debriefing
that I
ever heard
the words
com­pas­sion fatigue
or sec­ondary PTSD
so I came home
unaware of
how it
would feel
to hear
helicopters
at night
or how
nightmares
could make
me soak my
sheets with
sweat and
how panic
would make
me ruin
my children
or how I
could lose
days upon
days in
memories
keeping
the company
of ghosts
fantasizing
about my
own death
in order
to feel
like an
end was
in sight
but I
did not
fight the
war
I inhabited
the war
was forced
by blood
to adapt
by death
to adapt
by shock
and awe
to adapt
until the
day they
sent me
home with
no gauze
no bleach
no morphine
pump no
tool or
instructions
to readjust
to turn
it off
to forgive
or forget
so no
I did
not fight
the war
but I
am still
fighting
every single
day.

borczonlets see what can I tell you as far as a bio, Grad­u­at­ed from Edin­boro Uni­ver­si­ty with an art degree and no job prospects. Start­ed writ­ing back in grade school been at it pret­ty much ever since, joined the Navy reserve in 2001 went to Afghanistan in 2010 as a corps­man in the busiest com­bat hos­pi­tal in the world at that time. Came home and tried to for­get every­thing I saw. That didn't work. Even­tu­al­ly I start­ed writ­ing about it and that is how it all got from there to here. In my civil­ian life I am a prac­ti­cal nurse for a social ser­vice agency and I build cig­ar box gui­tars and cook­ie tin ban­jos for fun. My work has been in/on pres­sure press, bust­ed dhar­ma, dead snakes, big ham­mer, hang­ing loose and in the col­lec­tion 100 poems by the soul col­lec­tive. I am work­ing on a man­u­script of my war poems that I hope to get togeth­er some time before I die.

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By September, poem by Wendy Carlisle

I’m ready for the casu­al kind­ness of fall,
ready to work the angles of chill, to 

close the deal on the first hard frost and wave
farewell to the san­guinivors that bur­row in-

to the skin under my elas­tic straps
and feed on me and leave behind a histamine

that stings like sin. When they dis­ap­pear, who knows
where chig­gers go but ticks hang around only

the cold shuts them down. When Mary got a tick
in her armpit, she had it checked for Lyme’s

dis­ease. That wouldn’t occur to me.
A cou­ple good frosts and adiós ticks.

By Decem­ber, the dogs and I walk back down
the hill to the creek and nev­er get a nip. 

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The Professor and the Rodeo Queen, poem by William Ogden Haynes

Col­lege stu­dents excel at excus­es and before
I met the Rat­tlesnake Queen I thought I had
heard them all. She said she would have to miss

my class for two days to make some appearances
in South Alaba­ma. When I asked what kind of
appear­ances, she proud­ly announced that she was

crowned the Queen of the Rat­tlesnake Rodeo in
Opp, Alaba­ma. She showed me a pho­to­graph of
her­self with a strange­ly rep­til­ian smile wearing

a tiara and a large sash of snake skin. Since this
was my first her­peto­log­i­cal excuse, I went to the
library to find infor­ma­tion about Opp. It turns out

that every Spring for fifty years tens of thousands
of peo­ple con­verge on this small town where the
Jaycees have cap­tured a hun­dred or so rattlesnakes.

The rat­tlers are milked, dis­played, entered in a race,
fried and eat­en in sand­wich­es or bread­ed like chicken
ten­ders. Sou­venirs of snake skins, rat­tles, heads with

fangs, hats, belts, wal­lets and boots are bought and sold.
There is gospel, coun­try music, fun­nel cakes and snake
han­dling. It is a ver­i­ta­ble super bowl of snakery, the

Six Flags of slith­er­ing, a nexus of neu­ro­tox­i­c­i­ty. I chuck­led as I
asked my dean, a South­ern gen­tle­man, if mak­ing appear­ances as the
Rat­tlesnake Rodeo Queen was an accept­able excuse for miss­ing my

class. He became very seri­ous and made it clear that we should be
hon­ored to have this fine young woman in the Col­lege of Lib­er­al Arts,
and like the oth­er ser­pents, the Snake Queen was not to be tri­fled with.

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Three Poems, by Mary Benson

The Fear of Los­ing a Crum­my Wait­ress­ing Job

In a dream I’m lift­ing bus buckets,
arms brim­ming liq­uid sludge
while the cred­it machine shuts down

and the par­ty of sev­en­teen walks out
with­out tip­ping, and I don’t wake
until the fourth alarm.

I’m still in my underwear,
dressed in my finest hangover
after last night’s post-shift, shooting

shit with the cooks who all have girlfriends
that secret­ly despise me
for hang­ing around so late, and I search

for a pair of black pants in a pile
of black shirts caked
in day old mus­tard, search

for lip­stick in yesterday’s pockets
when I know all customers
are unimpressible,

and the job is tedium.
I’m claw­ing through apron piles
of rolled dol­lar bills for my eyeliner

because real­ly there is no light
in the job oth­er than that glance you get
from behind a kitchen window

from a cook you’ve already slept with
on a drunk­en occa­sion, or a wife
watch­ing her hus­band while he watch­es you

walk away, your back pock­ets stained
with mys­te­ri­ous condiments.

There real­ly is no oth­er point
in rush­ing there.

The Dunkin Donuts behind my Apart­ment Building

has my black iced dark roast ready
before I ful­ly enter the door.
The cashier with acne scars

who always looks on edge quivers
his wrists and says “how’s it going”
and I say “not bad,” and it goes
nowhere from there

because that’s con­di­tion­ing: nobody
is con­di­tioned to speak at Dunkin Donuts,
nobody is expect­ed to know names.

That’s a local cof­fee-shop thing where they ask
about your kids if you have them
or your job if you’ve ever men­tioned it.

I don’t have kids
and don’t par­tic­u­lar­ly love waiting
tables, espe­cial­ly today when I’m hung

-over with con­tact lens­es still glued
in place and a cig­a­rette wait­ing to be lit
but the small Puer­to Rican girl with the beautiful

freck­les doesn’t ask questions
and today the man­ag­er with the gray­ing orange
hair and blue eye-shad­ow is yelling

at a new girl for ring­ing in two cof­fees instead of one,
and I wish it wasn’t so entertaining
to watch the heat rise
to the girl’s cheeks

while the manager’s eyes bulge
in that way that says “I’m in con­trol now”
because I’ve been there before

in so many jobs
where I hat­ed heavy female
man­agers because they were always

the most volatile towards girls
who wore eye­lin­er and small jeans,

but there was a comfort
in the top-20 playlist
on loop, and the anonymi­ty of ticket
num­bers, and that one spot to fixate

on in the dis­tance beyond
the coiled line of con­struc­tion workers
and antsy chil­dren, espe­cial­ly on mornings

like today where there’s a fight
between two teenage girls in the park­ing lot,
and a Coola­ta just flew from
a parked car window.

Servers walk­ing Home at Night

To the cat-calls erupting
from the slowed SUV,
we deal with slobs all night

and know how to walk away
from a shat­tered pint-glass,
a baby’s per­sis­tent howl,

a man who wants something
we don’t sell. We car­ry keys
bunched like knives,

Trav­el-sized hair­spray cans.
Des­per­ate weapons, but we make a living
dart­ing between trashcans.

We make a killing
on our feet. We clock in
know­ing cer­tain things will happen,

like large parties
who don’t tip. Five babies
in one booth. So to the bodies

sway­ing in the gas station
glow, we’ve clocked out.
To the crowd emptying

from the strip of bars,
we reek corn oil
and drug­store makeup.

Let us have this one.

Mary Benson photoMary Ben­son cur­rent­ly lives in Somerville, MA. She earned her MFA in Cre­ative Writ­ing from Les­ley Uni­ver­si­ty with a focus in poet­ry in 2013. Her writ­ing often stems from expe­ri­ences in var­i­ous ser­vice indus­try jobs, a work­ing class upbring­ing in rur­al New Hamp­shire, and strange frag­ments of child­hood memory.

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Five Poems by Randi Ward

Gate

Oh mer­ci­ful
gate, break
these legs
for me
so I don’t
have to
walk home.

Pro­ces­sion

Blow­ing
through red
lights on
our way
to the graveyard—
death
stops for no one.

Daisy

Pluck a ray
from the eye
of day; each petal
is a flower—
tossed
away.

Old Timer

Whit­tling corn
flow­ers from water
maple twigs
in sama­ra rain.

Wid­ow

Wan­der­ing
fence lines
limp
as a morning
glory’s spent
petals.

wardRan­di Ward is a writer, trans­la­tor, lyri­cist, and pho­tog­ra­ph­er from West Vir­ginia. She earned her MA in Cul­tur­al Stud­ies from the Uni­ver­si­ty of the Faroe Islands and is a recip­i­ent of the Amer­i­can-Scan­di­na­vian Foundation's Nadia Chris­tensen Prize. Ward is a Push­cart Prize and Best of the Net nom­i­nee whose work has appeared in the Anthol­o­gy of Appalachi­an Writ­ers, Asymp­toteBeloit Poet­ry Jour­nalCimar­ron Review, The Cort­land Review, Thrush Poet­ry Jour­nal, Ven­cil: Anthol­o­gy of Con­tem­po­rary Faroese Lit­er­a­ture, World Lit­er­a­ture Today, and oth­er pub­li­ca­tions. For more infor­ma­tion, vis­it: www​.randi​ward​.com/​a​b​out

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Tramp On Your Street, essay by the Legendary Jim Parks

 

Six Shoot­er Junc­tion – He had a spir­it bag mas­querad­ing as one of those filmy lit­tle white plas­tic num­bers they give you at Wal-Mart to car­ry small purchases.

As the days of the tri­al wore on, he put his hand inside it and rubbed cer­tain objects – a feath­er from a raptor's wing, a piece of jade or agate picked up on a moun­tain slope, a claw of some wood­land crea­ture – and if you looked close­ly, you could see that his eyes were nei­ther open, nor closed. He was in a rap­ture, a near-trance, deep in meditation.

One after­noon, while a wit­ness droned on and the attor­neys leapt like over­heat­ed hounds at points of pro­ce­dur­al and evi­den­tiary arcana pass­ing in the breeze of the still and rank dragon's breath of the court­room, I joined him there for a few moments and saw a steep gorge and a nar­row, pre­car­i­ous path that skirt­ed the chasm in which I was def­i­nite­ly fol­low­ing in someone's foot­steps – and then the moment passed, and when I looked up, Bil­ly Joe Shaver, seat­ed at his place inside the bar, at the defense table, was star­ing me in the eye.

He was there to answer for his part in the kind of has­sle from which only an out­law trou­ba­dour, a word­smith capa­ble of writ­ing about how a cow­boy “filled up his boots with his feet,” or that when Hank sang, he sang every word, “look­ing right straight at me,” could emerge with any degree of aplomb, much less main­tain the cool and calm demeanor of a honky tonk hero.

He was indict­ed for assault with a dead­ly weapon against a man who bran­dished a switch­blade, stirred people's drinks with its keen­ly whet­ted blade, and insult­ed his wife's hon­or by sug­gest­ing in loud tones and a rude man­ner that on a day long before, she was the cause of a for­mer husband's sui­cide by shoot­ing him­self in the head while she was in the next room. This scene had become a rou­tine irri­ta­tion, when­ev­er the cou­ple appeared togeth­er in pub­lic in and around Waco or its south­ern sub­urbs. The old boy who shot him­self had a large family.

The truth emerged, lit­tle by lit­tle, that the defen­dant, who was of an age that if con­vict­ed and sen­tenced to serve a lengthy prison term, would prob­a­bly spend his last days behind bars, was actu­al­ly act­ing in self defense, as his attor­ney Dick DeGuerin had told the jurors in his open­ing state­ment. There was no dis­pute that while he and his wife Wan­da had been out drink­ing a beer at a neigh­bor­hood bar on open mike night, Bil­ly Joe shot their inter­locu­tor in the mouth with a tiny .22 revolver, a der­ringer you could con­ceal in the palm of your hand.

It was the source of the dif­fi­cul­ty, not the lit­tle revolver, but what was com­ing out of the man's mouth; that was not its only ram­i­fi­ca­tion, as it turned out.

Quite sim­ply, once the deed was done, Shaver col­lect­ed his wife, got in his car, and split, head­ed for Austin. He didn't see any need to stick around, and he had his rea­sons. Jurors acquit­ted him of the charge. He lat­er plead guilty to pos­ses­sion of a firearm in a place where alco­holic bev­er­ages are sold and con­sumed, a minor crime that is hard­ly of the mag­ni­tude of a first class felony.

After a con­sid­er­able length of time – way more than a year — I got one of those once-in-a-life­time inter­views scrib­blers rarely see, the one where the per­son the scrib­bler intend­ed to inter­view actu­al­ly inter­views the scrib­bler. It was as if on an ordi­nary jour­ney, bear­ing the wood, bear­ing the water, I crossed paths with the Bod­hisatt­va, who await­ed me at an obscure turn on that pre­cip­i­tous path I had start­ed down so many moons in the past. Howdy, there.

In the hard­ware sec­tion of a local lum­ber yard, I shopped for a work light to use in shoot­ing video, and, absorbed with the task, looked up once again to con­front Bil­ly Joe Shaver lamp­ing me down the length of a con­sid­er­able beak, the kind that labels a man as a breed. His father was a Black Foot.

This time, he was smil­ing, where before on that day in the court, he was frankly star­ing at an intrud­er in his world.

On the time line of the leg­endary, there are infre­quent and obscure dead­lines, syn­co­pat­ing punc­tu­a­tions that are hard to dis­cern – abbre­vi­at­ed moments in time, for which one waits.

I just now remem­ber who you are,” he said, as if resum­ing a con­ver­sa­tion inter­rupt­ed only a few moments before. “You're that old boy from down at Hous­ton, always doing things with words, aren't you?”

Yes, that's me. I remind­ed him we met dur­ing an obscure year at an old and long-for­got­ten bar down­town in the Bay­ou City, not far from the cour­t­house square, where song­writ­ers show­cased their wares sev­er­al decades in the past. We talked about how Elvis dur­ing a per­for­mance made every­one feel like he was look­ing at them, and so did Hank Williams. Many peo­ple who caught their act have said so.

I have some­thing I want you to know about what hap­pened,” Shaver said. “That night I shot that old boy, I didn't say, 'Where do you want it?'”

He paused, let that sink in. His antag­o­nist had invit­ed him to see him out back, and Shaver made a bee line for the door after first going to his car to leave, then chang­ing his mind. He want­ed to let his eyes adjust to the dark­ened porch and pic­nic area after the neon and stage lights of the bar. It was a show down, and not one he nec­es­sar­i­ly pro­voked. Watch this.

In a verse of a song he inscribed, “Wacko From Waco,” he said, “I don't start fights; I fin­ish fights, and that's the way it's always been.” Had I heard it? I pro­nounced the new song smoking.

And, then, out of the blue, apro­pos noth­ing, he said it was not until his chal­lenger drew a pis­tol and aimed it that he defend­ed him­self with his firearm. Blow me down.

And yet, that was nowhere men­tioned in the offi­cers' tes­ti­mo­ny or any of the wit­ness­es',” I replied. “Why didn't you tell them?”

They didn't ask,” Shaver replied. The state­ment hung in the air like Span­ish moss in a mighty oak, the kind ger­mi­nat­ed pri­or to the coro­na­tion of Eliz­a­beth I. He looked as dead­ly seri­ous as any seri­ous man to whom I have ever spo­ken about any seri­ous mat­ter. I nev­er asked him. At least, not with words. He told me.

I've kept that rock in my hand – until now – because I knew there would be a bet­ter time to play it, a time when it would count. There is a rea­son for that. It's a les­son taught by one old boy who does things with words to anoth­er old boy – one who does things with words. I am tru­ly grate­ful. Some­body tell those folks in Austin. Remind them, too. They seem to be in a mood to call the ques­tion, the one about “wear­ing” firearms open­ly, so stip­u­lat­ed in the Texas Constitution.

That's what I thought about while I napped and Bil­ly Joe Shaver and Willie Nel­son sang and played new songs on the David Let­ter­man Show. When it comes to car­ry­ing a gun, there are things you don't tell the cour­t­house clique – unless they ask. So mote it be.

Screen Shot 2015-09-10 at 5.28.10 AMJim Parks is a cop shop and cour­t­house print side reporter with a 6‑year his­to­ry of print­ing dai­ly news on var­i­ous social media web­sites. Start­ed in San Fran­cis­co, drift­ed home to Texas and didn't stay at the Hous­ton "Chron­i­cle" long enough to dam­age the rep before mov­ing on to the Deep South and sun­ny Flori­da. Hav­ing returned to the Lone Star State in utter capit­u­la­tion, the blo­gos­phere feels just like home, if not sweet, then cer­tain. Truck dri­ving man, farm­hand, deck­hand, ram­bling man and scrib­bler, don't mess with this critter's food or his woman.

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Whatev, fiction by Misty Skaggs

On prom morn­ing, she was awak­ened by the croaky sound of Daddy’s decrepit old roost­er, over the hill at the barn. Day­break. Rose had always liked the sound of that word. And the con­no­ta­tions she imag­ined along with it. She thought about the night sky shat­ter­ing, about sharp, black shards falling and impal­ing some unsus­pect­ing, old woman shuf­fling down the street in Chi­na or some oth­er some­where on the oppo­site side of the world. ‘Out of sight, out of mind,’ her Nan­na would say. 

“What­ev,” Rose mum­bled, feel­ing par­tic­u­lar­ly grown up in her silky, pink penoir as she stood alone in the kitchen and watched a pot of cof­fee slow­ly percolate. 

That’s what her boyfriend would say. What­ev­er. Brax­ton, her boyfriend, was hot and fun­ny and smart and what­ev­er. He was the cap­tain of the bas­ket­ball team in a town that was too poor and too hilly for foot­ball. He had sandy blonde hair that fell across his fore­head just right and he had a full ride schol­ar­ship to UK, where he would study equine sci­ences. Some­day, when he grew up, they would live hap­pi­ly ever after on a horse farm in the rolling blue­grass out­side Louisville. Close to the city, where there are avenues and boule­vards filled with strangers instead of ridges and hollers pop­u­lat­ed by the same old peo­ple who could nev­er under­stand an excit­ing, illic­it love like the one that had bloomed inside Rose for Braxton. 

After think­ing it over long and hard, Rose had decid­ed to do her own hair for the big night. And as she itched at the aqua­ma­rine, plas­tic rollers she’d slept on, she wished that her Moth­er could see her today, help her pile up her curls just right. Those girls at the beau­ty shop were jeal­ous and mean, so she stayed home. Alone. With part of her inher­i­tance, she had rent­ed a limo and a hotel room with a hot tub. She knew that Mom­my and Dad­dy would approve, so long as she was hap­py. She’d also dropped quite a chunk of her parent’s hard-earned, life sav­ings on a boob job the sum­mer before she start­ed teach­ing eighth grade, the sum­mer after she lost sev­en­ty-five pounds. You’d think those old bid­dies down at Deb’s ‘Dos would have been proud of her, final­ly pay­ing a lit­tle bit of atten­tion to her looks. It had tak­en her thir­ty some odd years to blos­som. She sipped sug­ary sweet cof­fee and remind­ed her­self that Brax­ton said they’re just haters and that he sends her a dozen ros­es from a secret admir­er to school every Valentine’s Day. He doesn’t know the truth, couldn’t guess that she hadn’t loved him at all at first. Her feel­ings for him came along lat­er. Rose smiled out the win­dow at the birds singing and imag­ined her­self with a tacky car­na­tion pinned crooked­ly to her brand new chest and let those feel­ings and her secrets float free and fill up the kitchen around her. 

Brax­ton was too sweet and young and beau­ti­ful to ever sus­pect that she had made him love her, that she had been in the back­ground watch­ing his whole life unfold. If she had her way, he would nev­er know that their loved bloomed out of her plot­ting. She wait­ed for his hor­mones to devel­op, watched his eyes widen and a book fly down to his lap when she’d lean over his desk to show off the good doctor’s good work. He would nev­er believe that she had test­ed the lim­its of his devo­tion over and over, trained him like a horny, pup­py dog. To Rose his moody green eyes and lithe young body didn’t real­ly mat­ter. What had mat­tered to her, at first, was that Brax­ton came by those pierc­ing eyes as a birth right, passed down from his Mom­my. All that mat­tered was that his moth­er loved him best. And through that cocky boy who saun­tered into her junior high school Eng­lish class, Rose could find a way to bust anoth­er woman’s heart into pieces. 

She shud­dered as the ancient roost­er mus­tered the ener­gy and crowed into the sun­rise one more time, a bro­ken sound to match the bro­ken sky. She remem­bered those eyes pin­ning her down twen­ty years ago as she fum­bled through her teenage years. How those eyes peered into her lumpy, awk­ward body and how those sen­su­al, sen­sa­tion­al, x‑ray eyes lit up when they found the most vul­ner­a­ble, painful spot to strike. She had been help­less against the beau­ty and cru­el­ty back then, but she had vowed to make things right. Rose was qui­et and patient. It took years to slow­ly and spite­ful­ly ingra­ti­ate her­self into the small-town social world she used to envy. And she knew, even as she had gig­gled and gos­siped through the baby show­er thrown to cel­e­brate his arrival, Rose knew that Brax­ton would be her revenge. The town would be scan­dal­ized. His moth­er would just die. Maybe she’d even make the nation­al news. And besides, Brax­ton would be a real babe in his rent­ed tux.

skaggsMisty Skag­gs, 33, rarely ever leaves the holler anymore.

 

 

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Skinny Dogs and Spotted Horses, fiction by Catfish McDaris

Quick trad­ed a Bowie knife and an Arkansas tooth­pick for a cayuse with brown clouds across its white rump. The horse looked strong and knew how to dance and fly. Quick har­nessed a rope bri­dle and threw an old Mex­i­can sad­dle blan­ket over her. The horse gal­loped so fast, he thought his skin was peel­ing back like a shed­ding snake. Quick rode back to the sta­ble for his gear and the skin­ny black dog that he’d been giv­ing scraps to, fol­lowed them out of town. The first night they camped under some cot­ton­wood trees, he had some grain and there was scrub grass for the horse. He stirred up a pot of cof­fee and made some veni­son stew, throw­ing the dog some deer jerky. The stars were hap­py and mak­ing love in the sky. Then the dog start­ed fart­ing and the horse must’ve felt chal­lenged. The: who stepped on the bull­frog con­test, was on. Quick moved his bedroll back from the fire, he didn’t feel like get­ting all his hair singed off in case of explosion.

mcdarisCat­fish McDaris won the Thelo­nius Monk Award in 2015. He’s recent­ly been trans­lat­ed into Man­darin, French, Pol­ish, Swedish, Ara­bic, Ben­gali, Span­ish, Yoru­ba, Taga­log, and Esperan­to. His 25 years of pub­lished mate­r­i­al is in the Spe­cial Archives Col­lec­tion at Mar­quette Univ. in Mil­wau­kee, Wis­con­sin. He’s list­ed in Wikipedia. His ances­tors are from the Ani­waya Clan of the Chero­kee Nation.

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