Under the De Soto, fiction by Barrett Hathcock

We had a roof­ing job in Eure­ka Springs. Stu­pid name for a town. It’s up in the top cor­ner of Arkansas, almost in Mis­souri, stuck in this Ozark gul­ley, every street a down­ward spi­ral. There are no grids in Eure­ka. It’s all very dis­ori­ent­ing. Fol­low­ing the Steel Cloud into town, I got lost right away.

I was back work­ing for Bil­ly. He’d moved up in the roof­ing world and was doing hotels, re-tar­ring and re-grav­el­ling, and we kept doing these lit­tle trips out from Dal­las. I’d go with him and we’d hire a bunch of hands wher­ev­er we end­ed up. We’d do a week in Galve­ston, two days back home, a week over in Bossier City, four days back home. He just kept com­ing up with the jobs, each building’s super let­ting us know about a bud­dy he had.

Back in Dal­las, Bil­ly had his old lady and a kid in school, though it didn’t seem to slow him down in the social depart­ment. I had Elise, who was always ask­ing how long I’d be gone, but it was only ever a few days. When roof­ing jobs dried up in the win­ter, I’d sub around the local mid­dle schools. Elise didn’t like it, the unpre­dictabil­i­ty, but it wasn’t like we ever went hungry.

We were there to re-tar this old hotel down­town. I’d got­ten lost but before long I saw the Steel Cloud parked in front of what I assumed was the hotel. It was the only build­ing tall enough to dis­ap­pear into the fog. I asked a bell-hop and he said they were on the roof giv­ing it the once over.

Up top was in bad shape, beyond patch­ing. Appar­ent­ly, it’d start­ed leak­ing all over a wed­ding par­ty in the ball­room in Sep­tem­ber and that was just it. Bil­ly was lay­ing it on Ralph, the day man­ag­er, even though the con­tract was already sewn up. Bil­ly marched off square footage, called me over and said, “This here is my lieu­tenant Mr. Thomas,” and gen­er­al­ly made tar sound com­plex. I played obe­di­ent sec­ond-in-com­mand, which was basi­cal­ly why he kept hir­ing me.

The good thing about the job was that they gave us rooms in the hotel—no more sleep­ing in the van. It was Octo­ber and slow. Bil­ly and I each had our own suite, which meant I had a lit­tle liv­ing room with a table and a couch and my own cof­fee mak­er and mini-fridge. Ralph said we could just charge what­ev­er to our rooms, but Bil­ly gave me the eye. He said he was off to find some hands and that we’d start tomor­row straight up like nor­mal and that I should go enjoy myself. But not too.

It was about six when we all got set­tled in. Bil­ly left me stand­ing there in front of the old hotel, dri­ving off in the Steel Cloud to god knows where. Ralph was shrug­ging into his rain jack­et, head­ing home, and saw the Porsche pull away.

Must be nice,” he said.

Don’t you know it,” I said back.

All that was left was for me to do was find some­where to eat. The weird moun­tain road slant­ed down under my feet. It was like I was back in geom­e­try class, but trapped inside some shape. The town was like a game of Tetris with the stag­gers. The roads split at strange angles, and spade-like sides of build­ings sud­den­ly came at you. There was a restau­rant up on the sec­ond floor, and I could hear laugh­ter and some­one play­ing the gui­tar and singing that Daniel song by what’s his name. The queer with the glass­es. Don’t have it.

I went walk­ing uphill on the main drag, and the side­walks were full of peo­ple, most­ly old couples—ladies pulling their hus­bands through the streets, all of them in white sneak­ers. I’d walk up to a restau­rant, look in the win­dow, but inside I’d see noth­ing but shoul­ders, so I kept walking.

I decid­ed I need­ed more cig­a­rettes, so I hiked on down to the truck. On the way I passed by this piz­za place with an awning and an Arkansas flag and a lit­tle rain­bow flag. No one in there. Across the street was an Indi­an food place, but I’d only had Indi­an once before. I’d enjoyed it, but I didn’t know what any­thing was called. Elise had ordered every­thing for me. Lord knows when she’d become such an expert. Kept walk­ing down hill, feel­ing the grav­i­ty pull at my shins. A lit­tle moun­tain creek ran behind the shops to my right. I have to admit it was charm­ing in a way. There were ice creams shops and fudge shops every block or so. Lots of clum­si­ly hand-done signs and fly­ers every­where. Come see the Eure­ka Sings pro­duc­tion of The Lit­tle Fox­es! This Thurs­day! That type of thing. I passed a gui­tar shop, stopped and looked in the win­dow. The brown back­sides of acoustic gui­tars hung float­ing from the wall. The sign said closed but inside an old man with too much beard sat with a gui­tar, point­ing to the gui­tar of anoth­er man, telling him where to put his fin­gers. They start­ed strum­ming togeth­er and I walked on, not want­i­ng to inter­rupt with my staring.

Got to the van, pulled out my cig­a­rettes from the glove box. Van was most­ly emp­ty now that all the gear was on the roof. Just a sleep­ing bag and a lantern and a milk crate of parts. It looked like a box of met­al cor­ners. I began to walk back uphill the way I came, puff­ing along, mov­ing slow­er now. The day was heav­i­ly cloudy and all the build­ings in the town looked like cook­ie dough—beige and unfin­ished. But the col­ors of the shops stood out. There was anoth­er quilt shop with a lit­tle rain­bow flag. It was like the town would not be bat­tened down by weath­er or geog­ra­phy or noth­ing. I blamed this on the tourists, who appar­ent­ly was this town’s thing. The stu­dent was chop­ping reg­u­lar­ly away at his gui­tar when I came back by, though I couldn’t tell what song he was playing.

Elton John, that’s the guy.

I was com­ing back up the hill where I would turn to get back to the hotel, and there was the piz­za place and the Indi­an place. I went for the pizza.

Inside was lots of green vinyl and tele­vi­sions. I sat down and start­ed look­ing over the menu, and went through it almost three times when I saw the lady up at the counter. She was look­ing at me, regard­ing me like an animal.

You order­ing or just here for the TV?”

Order­ing,” I said.

Well come on up.”

I ordered a medi­um with pep­per­oni, black olives, and arti­choke hearts.

Mmm,” she said. “Yum­my. You must be from some place else.”

You could say that.”

That’ll be eight dol­lars. You want to drink? Which state?

Huh? Yeah, large Sprite.”

Which one?”

Oh, orig­i­nal­ly? Out west some­where. One of the boxy ones.”

She smiled. She was a tall gal, not that pret­ty, with a plain even­ly wrin­kled face and large teeth, the kind you’d keep inside your smile. She had long gray­ing blonde hair that she held in a low pony tail. She wore a T‑shirt that said Eure­ka! It sure beats the shit out of Hot Springs.

Be about ten min­utes. You eat­ing here?”

Yeah,” I said, tak­ing my change. I pulled a paper from the stack near the reg­is­ter. I saw anoth­er lady spread­ing out my cheese, like she was sprin­kling dust. She took the piz­za board and walked over to a big met­al box, and pulled down one of the hor­i­zon­tal draw­ers and slid the piz­za in place. She was short­er, wide hipped with iron grey hair, cut high and tight like she was a fresh recruit, but it was hiply gelled into lit­tle frozen waves. She pulled a cig­a­rette from behind her ear and nod­ded at the lady who had tak­en my order and then dis­ap­peared in the back.

I sat down with my paper but couldn’t con­cen­trate from watch­ing the weath­er on TV. They were say­ing some big storm was on its way in, mov­ing over from Okla­homa going to hit Arkansas around eight. I had to remind myself what state I was in. Right as the weath­er­man was say­ing that the sta­tion had us cov­ered, a wind swept down­hill out­side the open door and the lights in the restau­rant hic­cupped. I checked my watch: 7:40. I went back up to the reg­is­ter. The tall one was stand­ing there with her paper tent­ed out in front of her. She fold­ed down a cor­ner at my approach.

Is there any way I can get that to go,” I asked.

Get it any way you want it,” she said.

Great, thanks.” She walked over to the oven, pulled on the thin door and peered in. “Three min­utes,” she said.

Cool.”

What brings you to Eureka?”

Roof­ing. I’m work­ing up at the hotel.”

Which one? The Cres­cent or the Basin Park.”

I don’t know. The tall one.”

Oh, the Basin Park. The one just up the hill.”

That’s it.”

Used to work there.”

Yeah?”

Oh yeah, everybody’s worked there. They come to town and work with at the Basin Park, or at the Cres­cent, or at the hos­pi­tal. Ain’t nowhere else to work in town.”

Yeah.”

Up until they quit and open up their own shop.”

Yeah? I noticed there were lots of shops around.”

The tourists love it. Ain’t nobody in this own actu­al­ly from this town.”

Where you from?”

From way they hell down in Hilo.”

What brought you here?”

Who can remem­ber? Peace of mind? Been here almost twelve years.”

There was some­thing about this woman. There was an open­ness to her that com­fort­ed me. It wasn’t sex­u­al. It wasn’t mater­nal. Occa­sion­al­ly, I find this rap­port with old­er women, women I don’t find attrac­tive nec­es­sar­i­ly and yet who I can talk with. And I enjoy talk­ing with them because our talk feels free, cleansed of the hor­mones that clog almost all my oth­er con­ver­sa­tions, not exclud­ing those with Elise.

This your lit­tle store?”

Yep. You got it. We been in busi­ness just over a year now.”

Right then the oth­er woman walked by the open door­way car­ry­ing a large plas­tic jug of some­thing. She didn’t stop.

Start­ed clean­ing rooms up at the hotel. Then worked the front desk, night man­ag­er, saved up enough and we bought this build­ing. Took a while to fig­ure out what we want­ed to do with it.”

You could have opened a fudge shop.”

Too much fudge in this town already,” she said smiling.

She went back to the oven and pulled open the door, and pulled out the disc of my piz­za. She slid it into a box with an aggres­sive, expert casualness.

You want pep­pers and shit?” she said.

No thanks.”

All right. You come back tomor­row after the storm, have a beer.”

Two slices down I walked into the hotel, and I was imme­di­ate­ly flagged down by the kid at the front desk. Hadn’t been there a day yet and already they knew me by sight. He said he had a mes­sage for me. So chew­ing on my third slice, I unfold­ed the pink piece of paper on top of the piz­za box as I rode the ele­va­tor up to my room. My plan was to buy two cokes from the machine and mix it with the bot­tle of Evan Williams I had in my bag, ride this storm out in style. The mes­sage was from Elise. The lit­tle “please call” box was checked and in the open, free response area it said, “You for­got your cell phone again.”

***

The storm front hit as soon as I got up to my room. Start­ed watch­ing some movie on the tele­vi­sion but the screen kept turn­ing jagged when­ev­er the wind picked up. I think it was one the Nation­al Lam­poon Vaca­tion ones. I nev­er under­stood why they were called that.

Final­ly, at about ten, after the storm had raged and set­tled and raged and set­tled, and I’d fin­ished the piz­za and one of the Cokes, I decid­ed to call Elise back.

Some peo­ple might be about to go to bed, you know,” she said.

Since when do you go to bed this early?”

Since when do you care what time I go to bed?”

Look, I’m sor­ry. I’ve been working.”

At ten at night? It’s rain­ing over there. I know this. You didn’t go to Mars, you know.”

The red planet.”

So what you were out par­ty­ing with Bil­ly until all hours?”

Just din­ner.”

What did you have?”

What?”

What did you have?”

A steak.”

Mmm. Man­ly.”

I knew you’d say that.”

Don’t say it with such exhaustion.”

I’m not exhausted.”

You sound exhaust­ed,” she said.

You sound exhausted.”

Well I have a per­fect­ly good rea­son to be.”

I do, too.”

Look, are we going to talk like this all night?”

Just then the line stut­tered and went to dial tone. Even though I knew what was going on I kept call­ing her name Elise? Elise? Elise? over and over, though I also kept telling myself to just shut up and call her back.

You didn’t have to hang up on me,” she said.

I didn’t hang up. Some­thing with my …”

Calm down. It was just a joke.”

I don’t want to fight,” I said.

We’re not fight­ing. We’re just shak­ing it out.”

What does that mean?”

You know, like when ath­letes fin­ish doing some­thing, they shake their arms out? Shake shake shake.”

I’ve nev­er done that,” I said.

Like when we watched the Olympics. The runners?”

Okay, I remember.”

See? No big deal.”

Well what do we have to shake out?” I said.

I don’t know. You tell me. You’re the one that up and ran to Arkansas.”

I didn’t run. I just took a job with Billy.”

You ran.”

I take jobs with Bil­ly all the time.”

Yes, but usu­al­ly there’s like a note or we talk or you know, you tell me before you split.”

I told you …”

Yeah, you like shout­ed it as the car was speed­ing away.”

I did not.”

Did too.”

Okay, look, how are things?”

Things are great. Things are pregnant.”

What?”

Things thinks they are preg­nant. Things are grow­ing big and round and like Saturn.”

What? Wait, what did you just say to me?”

The pow­er stream shud­dered and dimmed, the cater­pil­lar of snow descend­ed diag­o­nal­ly across the screen of my tele­vi­sion, the entire room hic­cupped and my phone went dead again.

God­damn fuck­ing hick town,” I said when she picked up.

I’m preg­nant,” she said. “I’m preg­nant, Tommy.”

How can you be pregnant?”

Real­ly, they didn’t teach you this.”

No, I mean, you know what I mean.”

Look it hap­pens. It can hap­pen. It has happened.”

But I thought you were on the pill.”

I am. Well, I was.”

You got off the pill? When? Weren’t you going to tell me?”

I got off yes­ter­day when I found out I was pregnant.”

Why?”

Because if you stay on the pill when you’re preg­nant, you fuck them up. You give them like horns and shit.”

Real­ly?”

Oh, Jesus, Thomas, yes, real­ly.”

But before …”

Before I was on the pill. Remem­ber, every day. That lit­tle damn hock­ey disc.”

Then I mean, I under­stand, but how then did—”

I don’t know,” she said, sigh­ing into the phone, sound­ing gen­uine­ly con­fused by it all. “Maybe it was the antibi­otics a cou­ple of weeks ago.”

The anti what?” I said.

The antibi­otics I got for the sinus infection.”

They can do this?”

Yeah, they can.”

But did we even?”

There’s no one else.”

I didn’t say that.”

Let’s just say I could feel where you were going.”

Alright sor­ry, jeez.”

I’m not feel­ing so well.”

I can tell.”

Sym­pa­thy, Thomas, what I need at this moment is a moun­tain of sympathy.”

Okay, sor­ry. What did the doc­tor say?”

I wait­ed for her to speak, and I kept wait­ing and noth­ing, and then I sud­den­ly real­ized that the phone was dead again.

I haven’t been to the doc­tor yet,” she said when I got her back on the phone.

What do you mean?”

I mean, I haven’t been yet. I did the stick.”

You peed on the stick?”

Yes.”

Well, then, I mean, I’m not try­ing to dis­cred­it you or any­thing, but we don’t real­ly know what we’re talk­ing about yet. You got to go to the doc­tor. You just did the lit­tle pee stick.”

I peed on three of them.”

Well, that fine. I’m not …”

Yes, you are. Yes, you are. You are saying …”

I’m not say­ing any­thing. I just think we need to confirm.”

Con­firm what?”

Con­firm the preg­nan­cy. How many weeks along? Do you know that?”

I think three.”

Okay, that’s fine, but we need to con­firm every­thing. Why three?”

That’s just sort of my hunch.”

Well how late are you?”

Well tech­ni­cal­ly I’m not late yet.”

What do you mean ‘tech­ni­cal­ly’?”

I mean that I’m sup­posed to start tomorrow.”

You mean you’re not even late.”

Yes, tech­ni­cal­ly as of now I am not offi­cial­ly late. But the stick says.”

Well why did you even take the stick if that—”

I had a hunch okay? I had a hunch in my fuck­ing preg­nant bel­ly okay? Women just know.”

Just know.”

Women just—”

I know. I heard you. Okay.”

I had a feel­ing about the antibi­otics,” she said.

Why did you say any­thing before we—”

I for­got, okay?”

Jesus, don’t get hysterical.”

Do not use that word. What­ev­er you do, do not use that word around me ever again. Do I make myself clear?”

Roger.”

Do I?”

Roger.”

Now, I don’t like talk­ing about all this over the phone any more than you do, but what would you have me do?”

Well you could wait until I got home.”

And when is that going to be?”

My mind went numb. I was look­ing out the win­dow at the rain falling in the street light and the leaves of the trees shud­der­ing inter­mit­tent­ly into the light, like the branch­es were try­ing to shake off the rain. For a moment, I couldn’t get back to the room where I was. I had no idea how long it would take to do the roof upstairs.

It’s rain­ing here,” I said.

I already knew that part, Thomas.”

***

The next day it was still rain­ing, but one of those decep­tive sprin­kles, where you think it’s real­ly noth­ing but as soon as you get out in it, you seem to be cov­ered in nee­dles of water. The town was back alive, its tourist blood flow­ing. Old ladies hauled their hus­bands up and down the side­walks, the lit­tle rain­bow flags beck­oned, and the cute bub­bling stream from the day before now had real vio­lence too it. All around us grav­i­ty was hav­ing its way. The side­walks were moat­ed with rain­wa­ter, too fast and deep to walk through.

After cof­fee and a muf­fin from one of the cute spots down the street, I got up to the roof. The new hands were there, stand­ing sto­ical­ly in the rain and smok­ing, but there was not a thing to do, and Bil­ly was pissed. He paced around on his cell phone despite the rain. I wor­ried that he might get elec­tro­cut­ed but I wasn’t the type of per­son to say any­thing. Final­ly, after like an hour of this, he told me to go down­stairs and tell the man­ag­er the day was a bust.

I rode down the ele­va­tor next to a cou­ple of guests, drip­ping the whole time and try­ing not to look dan­ger­ous. Some­thing about con­struc­tion or repair just makes peo­ple nervous.

Ralph was easy. He seemed to like me for a rea­son I couldn’t fathom.

Yeah, I fig­ured,” he said, sit­ting in his chair and play­ing on the com­put­er, its blue glow light­ing up his big glass­es. “We got­ta just hang on until this thing pass­es. Prob­a­bly tomor­row some­time. Look, there was some­thing I want­ed to dis­cuss with you. I mean I could talk about it with Bil­ly but it’s about this weekend.”

I had the feel­ing that Ralph dis­liked Bil­ly. Bil­ly was one of those peo­ple who unnerved some peo­ple. Well, most peo­ple real­ly. There was noth­ing vis­i­bly wrong with him, but he had a slick con­fi­dence that creeped peo­ple out. He could stand there and com­pli­ment your car, go on and on about it, and fill you with the notion that he was about to steal it with your wife inside.

Do y’all want cash or is a check okay?”

I answered with­out real­ly think­ing about it.

Cash, def­i­nite­ly. We need it to pay the hands. If we don’t pay them dai­ly, they’ll skip out on us. Then we’re back on square one, pick­ing up Mex­i­cans every morn­ing. Got to keep them faithful.”

I fig­ured as much. Okay, so y’all have today’s and then I was think­ing. I was think­ing of pay­ing the rest tomor­row before I split for the weekend.”

Don’t come back in on the weekends?”

Not if I don’t need to. I’m sure you under­stand. And I sure as hell ain’t going to let Ken­ny have all that cash. You met Kenny?”

No.”

Yeah, well, you will this week­end. Sat­ur­day man­ag­er. Couldn’t wipe his ass with­out pulling a muscle.”

That’s fine. I’ll dou­ble check with Billy.”

Yeah. Okay. I guess that’ll be fine,” he said. “Tell him I’ll have the mon­ey tomor­row after­noon. Y’all be tar­ring by then?”

Yeah, if this stu­pid weath­er cooperates.”

***

What did he say?” Bil­ly asked when I got back upstairs.

He says cool. Get to it when we get to it.”

Yeah? Want his mon­ey back?”

Huh, no. Noth­ing about that.”

Cool. He say any­thing else?”

Nah, he was busy. Cool with all of it.”

Bil­ly smiled for the first time that day, almost invis­i­ble under all that rain and his ball cap. “Cool deal,” he said.

After grab­bing a cig­a­rette from the com­mu­nal pack we’d kept in the shed, he called the Mex­i­cans still stand­ing still in the rain over toward the edge of the roof.

Hola, viejos. Aqui venido. We’re com­ple­to hoy. Sies­ta all day, com­prende? Mañana morn­ing, bright and ear­ly. Bring a friend, mas o manos? Ami­ga de la roofer? Comprende?”

The Mex­i­cans nod­ded in uni­son, and Bil­ly slid one of them a fold of mon­ey. He looked at it for a sec­ond, made some mute ges­ture toward his friend, and they trudged away.

I got enough for one more day of that,” he said.

It’ll let up. I watched the weath­er this morning.”

Since when did you become mis­ter weatherman?”

Since you brought me out to the Big Rock Can­dy Moun­tain, sir.”

He laughed and lit his cig­a­rette, and said, “Well that set­tles it.”

Yeah?”

I’m head­ing to Lit­tle Rock.”

Yeah?”

Got some busi­ness there.”

Yeah, more tars jobs?”

Tar pit more like it.”

Huh?”

Fig­ure it out.”

Yeah?”

I’ll be back Sunday.”

Sun­day, what I’ll do until?”

You know what to do.”

Well—”

Do you know what to do? You know how to do this? That’s why I brought you, right?”

Yeah, I know what to do. I know how to roof.”

Good. That Ralph off this week­end, right?”

Yeah, some week­ender is com­ing in. Kenny.”

Right, good. You just keep your nose straight. Don’t drink too much. Hire anoth­er hand if you need to but no more than four. Five would be just greedy. Here.”

He reached back in his coat and pulled out the rest of his cash, tight­ened up in one his daughter’s hair bands, hand­ed it over to me.

You make that work, how­ev­er pos­si­ble. I don’t want any calls from you begging.”

Hey, we’re set. Weather’ll clear out this after­noon. You come back Sun­day we’ll be pack­ing up and load­ing out Mon­day by lunch with cash in hand.”

Good. I com­prende that.”

You lin­ing up some work down in Lit­tle Rock?” I don’t know why I was press­ing him that morning.

Let’s just say I’ve got a solo gig there for the time being,” he said. And with that he blew out smoke that got caught between us in the rain. And he looked at me from under the brow of his cap with a plain male frank­ness. I hate to say that, but there was some­thing male about it. It was some kind of straight-on pre­ver­bal male com­mu­nion, out there in the smoke and rain. It was a look that said, shut up with your god­damn questions.

So I shut up.

***

The rest of the day was like my own per­son­al vaca­tion in Eure­ka. I went for an ear­ly lunch at the piz­za place. The tall blonde was there again, and she sat down and ate across from me. Said was bet­ter to eat ear­ly before the nurs­es came. Her name was Ser­e­na. Said every Fri­day was Nurse Day and all the ones from the hos­pi­tal would twad­dle on down. Her part­ner came by lat­er, her name was Tra­cy, and it final­ly dawned on me that they were togeth­er. I’m cool with that. I nev­er wor­ried about what oth­er peo­ple did to each oth­er, but I didn’t see it at first. Any­way, they told me that if I had the day I real­ly should dri­ve around and look at the scenery. They said stay away from all the old lady shops unless I need­ed a quilt for my lady back home. But I said no thanks. We’re all full up on quilts. I asked them about the gui­tar shop, and they said yeah that was Tex and he was legit, been there longer than anyone.

Is he a native?”

Heck no. He’s from Vermont.”

They said after that come back for din­ner. It was lasagna night.

Y’all do lasagna?”

We’re not just a piz­za joint,” Tra­cy said.

What if I want to see some of the oth­er nightlife in your fine town?”

Well that’s fine, they said, but don’t go drink­ing on an emp­ty stomach.

And so I trouped on down to the van. I passed by the gui­tar shop but it was closed with a lit­tle clock that said he’d be back at 2:20. I bought a car­ton of cig­a­rettes to share with the hands (one of Billy’s secrets). It was still rain­ing a lit­tle but I man­aged to find my way out of the gul­ly and got on the Pig Trail, which turned out to be real­ly High­way 23. I rode for a lit­tle while with the hori­zon jump­ing up and down.

Final­ly, I just pulled the car over at this lit­tle look­out point and I got out and lit a cig­a­rette and stood for a while. It was more than beau­ti­ful, the way the trees all ran up and down the hills in their fall col­ors. I was above every­thing, look­ing down on the hill­tops and down there it looked like some great crum­bled rusty machine, all quilt­ed togeth­er. The rain had stopped and there was a pleas­ant chill to the air, a cold­ness brought in on the storm’s heels. I could tell it would clear up the next day and that we’d have three days of hard work ahead of us with­out Bil­ly to make peo­ple ner­vous. I fin­ished my cig­a­rette and start­ed anoth­er. There was nowhere to sit down so I just kept stand­ing but didn’t seem to mind. The wind was free and light like it was final­ly done with sum­mer, and it pushed me gen­tly to the edge, and the crum­ple quilt­ed sur­face of the tree­tops bowl­ing out below me made me feel like I could fall into them. I thought about lasagna night and hav­ing a beer with Ser­e­na and Tra­cy. It was so won­der­ful in that moment feel­ing that I had nowhere to be, no one I was sup­posed to call. The next cig­a­rette was already gone, so quick, and it seemed waste­ful to start anoth­er right away. I couldn’t chain smoke like I was 20 any­more. I stood out there just breath­ing for anoth­er five min­utes before I got self-conscious.

I drove back into town and found my hotel park­ing lot and began to trudge back up the hill. The gui­tar guy was back in the store, stand­ing at the reg­is­ter read­ing a Thomas Har­ris book, and I came in and said, can you give me a lesson?

A cow­bell clunked to announce my entrance.

You buy a gui­tar, I’ll give you a les­son,” he said.

I don’t want a guitar.”

Well then.”

You know Tra­cy and Ser­e­na up at the piz­za place? They’re old friends of mine. I’m new to town and they said you were the man to see.”

That a fact?”

You bet,” I said.

Well,” he said, slid­ing a gui­tar pick inside his paper­back to mark his place, “let’s go pick you out something.”

And we spent the next hour hud­dled togeth­er, each on stools as he tried to teach me an E chord and then a G chord. We start­ed on D but then his next les­son came. My fin­ger­tips were sting­ing raw, like they’d each been indi­vid­u­al­ly scorched. But I didn’t want to leave. There was some­thing about strum­ming out that E that felt so good despite the pain, like a big twang­ing exhale.

You come back tomor­row I’ll teach you ‘Mar­gar­i­taville’,” Tex said.

I need to buy a guitar?”

We’ll work on that.”

Back at the piz­za place that night, I had lasagna, and I told Tra­cy and Ser­e­na about my day. They were right proud, and I was proud telling them. It was strange being so proud in front of them. Tra­cy would get up and tend to the ovens while I was talk­ing. A bowl­ing league had come through and set up in the restau­rant, all wear­ing iden­ti­cal pink shirts, snap but­tons with short sleeves. They must have won because they were loud and kept tot­ing pitch­ers out to the tables, two at the time. I was eat­ing up near the reg­is­ter, almost like the help.

Tourists,” Ser­e­na said. “From Lit­tle Rock.”

My boss is in Lit­tle Rock,” I said.

Every­one is in Lit­tle Rock. It’s where every­one wants to be.”

Not me.”

Well you’re the first. Where do you want to be, then?”

I didn’t know but I was on my sec­ond plate of lasagna and third beer, and my bel­ly had this radi­at­ing, warm full­ness to it, and I just want­ed to bring every­one togeth­er, the bowlers, Ser­e­na and Tra­cy, and make a giant gui­tar out of them and strum them over and over.

Then I went back to the hotel and stayed up watch­ing Law and Order reruns until Elise called at ten-thirty.

I’m not pregnant.”

What?”

I’m not pregnant.”

What do you mean you’re not pregnant?”

Just what I said. It’s a no go. I’m with­out child.”

But yes­ter­day.”

I know, I know. I went to the doctor.”

Already?”

Yes, already. What, now you’re mad I went to the doc­tor too fast? Yes­ter­day you were all go to the doc­tor.”

It’s just I didn’t think …”

What?”

I thought maybe you’d wait until I got back home.”

Well sor­ry to dis­ap­point you.”

I’m not dis­ap­point­ed, it’s just—”

You’re not dis­ap­point I’m with­out child.”

No, I’m dis­ap­point­ed it’s just—”

This—”

This—it’s hap­pened so fast.”

Tell me about it. So when are you com­ing home?”

I don’t know.”

You have a ballpark?”

Ball­park four days.”

Four day ballpark.”

Can you live with that?”

I guess. What’s your next job?”

Don’t have one yet. Billy’s scout­ing work in Lit­tle Rock.”

Great. What’s with all this Arkansas work?”

I don’t know. He’s got a thing for Arkansas.”

Thing. Fling’s more like it. You alone in there?”

Just me and the mini-fridge and Law and Order.

Good boy.”

Thanks.”

Come home soon.”

I will.”

Soon soon.”

I will.”

I want to have a baby now.”

I under­stand that.”

I don’t think you do, but that’s okay. I don’t need you to understand.”

You just need me to like donate.”

Yes. But there are oth­er rea­sons I need you too.”

Well that’s com­fort­ing,” I said.

***

            The next day we were back at work, and I was play­ing fore­man. The hands brought somebody’s broth­er and the three of them made quick work of the scrap­ing, and by ten they were heat­ing tar and get­ting every­thing ready. The smell was already thick in my nose. I was in the read­just­ment peri­od where the smell comes back at you and takes over every thought. After a day or so it just becomes back­ground, but there is always the first day of hav­ing to stom­ach it once again. I was pre-embar­rassed about lunch, what Ser­e­na and Tra­cy would think with me com­ing down the hill smelling like turd.

And that got me to think­ing. Why was I embar­rassed about what they thought of me? I hard­ly knew these peo­ple. But as the morn­ing wore on, and I stood there and smoked, I couldn’t shake it, this sud­den car­ing about how I smelled and know­ing that I smelled worse the longer I stood up there. Sud­den­ly every­thing seemed too tight, from the cig­a­rettes to the tar to the cov­er­alls I was wearing.

I decid­ed to go down­stairs and check on the mon­ey. I hollered at the hands, who kept on pour­ing, and rode the ele­va­tor down to the lob­by. The whole way I could feel peo­ple lean­ing away from me, the smell push­ing them, dis­gust­ing. I was dis­gust­ed myself for the first time I could remember.

Here you go,” Ralph said.

Thanks for this.”

Hey, sure. Makes it eas­i­er on me. Now I don’t have to wor­ry about Ken­ny screw­ing things up. He’ll be around this after­noon. I’m prob­a­bly about to cut out myself. Y’all got every­thing you need?”

Oh yeah. No wor­ries. We’re pour­ing steady now.”

Bil­ly being cool?”

Cool as a cucumber.”

Good. I didn’t see him out this morn­ing, won­dered if he maybe had too much to drink.”

Nah. He was up there. Maybe had cof­fee in his room. We’ve got suites,” I said, stupidly.

Prob­a­bly right. So lis­ten, y’all be careful.”

Sure thing. Them hands are tight.”

Those peo­ple up there spee­ka da English?”

They do all right.”

I stood there too long. The con­ver­sa­tion was over and I knew it, could feel it, but for some rea­son I stayed still, like I want­ed him to bless me or some­thing. Maybe it was the lying about Bil­ly, though I don’t know why that would have caught me up. Bil­ly was just Bil­ly. Who cared if he wasn’t around. Though if he was around, let’s be hon­est, I wouldn’t have done what I did. Maybe I was feel­ing some pre-guilt. I swear I hadn’t even thought of it yet but maybe my body could feel it, could smell the crime com­ing off of me like that tar.

Because what hap­pened was I rode the ele­va­tor back up to the roof, the fat enve­lope of cash in my inside pock­et, and I got out to the shed and lit anoth­er cig­a­rette. The Mex­i­cans were still at it. It was com­ing up on lunch break, but I just couldn’t do it. I couldn’t go back to the piz­za place smelling like tar. And I couldn’t stand there for the rest of the day pre­tend­ing to be the boss. And what was most fright­en­ing was that I real­ized that I couldn’t talk to Elise again. The thought of hav­ing to talk to her on the phone again that night and the night after and deal with her spas­tic charm—I couldn’t do it. And to go back home and hash out all of that crap with the preg­nan­cy, to fig­ure out if she was preg­nant or not, or if she was fak­ing and why, and did she real­ly want to have a child and when did this come up, when did she real­ize this. I knew what she would say anyway.

I don’t know. It struck me right as I was telling you that I wasn’t preg­nant. I real­ized that I actu­al­ly did want to be pregnant.”

Which was fine for her, but it wasn’t fine with me. I could see that. The tar was spread­ing and set­tling, cool­ing steadi­ly, and the roof on this old hotel would be like new in two days, ready for anoth­er twen­ty years of rain­fall. And that’s how I start­ed to think of my own life at that moment, that after so many years of one thing, a man had to make changes, a man had to revis­it the sur­face of his life and check for leaks.

And so I knew what to do. I took out the cash Bil­ly had giv­en me and stuffed it in the com­mu­nal cig­a­rette car­ton. That still left Ralph’s enve­lope com­plete­ly untouched. Screw Bil­ly. He would do the same to me, I thought. I waved over to the Mex­i­cans, indi­cat­ed I was going to take a piss. They’d find their mon­ey. That was nev­er a problem.

And then I rode down the ele­va­tor, swung by my room and got out of my jump suit and back into my reg­u­lar Wran­glers. Threw my shit into my bag and took the stairs down. No sight of Ralph. I walked quick­ly down the street, the fat enve­lope of mon­ey in my coat pock­et, heavy and grimy. I passed the piz­za place, just now open­ing up for lunch. I want­ed to stop in and tell them good­bye, tell them every­thing, but I knew bet­ter. It was bet­ter to dis­ap­pear sud­den­ly from their view. Besides, I couldn’t set­tle there. I need­ed to find my own some­where new.

I kept walk­ing down the hill, spot­ting the van in the dis­tance. Bil­ly could get anoth­er for cheap. It wasn’t like I was steal­ing his lit­tle Porsche. I stopped for a moment, won­der­ing if I was real­ly about to do this, all the com­pli­ca­tions it would bring. Would Bil­ly come after me for nine grand and an old Volk­swa­gen van with 200 plus miles on it? I was stand­ing in front of the gui­tar store. Inside Tex was lean­ing into the counter, almost done now with that Thomas Har­ris nov­el. The cow­bell on the door clunked as I entered.

Back for more, eh,” he said, not look­ing up.

Back for that gui­tar,” I said.

***

            I sped down the Pig Trail, the wave of the hori­zon whoosh­ing by, and I made my way through the Ozark Nation­al For­est as fast as I could. I just knew that I was about to see some patrol­men peek over the hill behind me and flip his lights. But instead it was just me and all that grav­i­ty, all those irreg­u­lar lines. As soon as I got up any speed, I was brak­ing hard to keep it on the black­top. All the van’s ingre­di­ents shift­ed with every turn, the sleep­ing bag rolling like a tum­ble­weed, the milk crate of met­al cor­ners slid­ing back and forth. To keep my gui­tar from get­ting hurt, I sat it upright in the passenger’s seat and strapped the seat­belt across its big bel­ly. I made it to the inter­state and got through Lit­tle Rock with­out too much think­ing, even though Bil­ly was there some­where in its hills, hump­ing some­one, the Steel Cloud parked out front. Real­ly more than any­thing he would prob­a­bly be proud of me. He’d write it off, insur­ance would pick it up. I was ashamed of what Ralph would think, but this seemed like wor­ry­ing about Ser­e­na not lik­ing my tar smell. Since when do I care what these peo­ple think? These strangers? What about what I think of myself?

After Lit­tle Rock, I fell into silence and sim­ply drove, mak­ing sure not to speed. I was going to be fine. I stayed this way until I hit Mem­phis. It was the bridge that did it. As I came up its incline, the illu­mi­nat­ed M‑of its lights shook; I’d some­how caught up to that front that had come through Eure­ka. The wind descend­ed and shook the van as I slow­ly made my way up the bridge. I could see the out­line of down­town in the dis­tance but only as a dense rec­tan­gu­lar shad­ow in the gray half-light. It was some­where around din­ner­time. My plan was to get all the way to Chat­tanooga before set­tling in.

I got up under that glow of the De Soto Bridge, under its arc of light bulbs, and all that light made me feel a bit more safe—a bit more like I wasn’t about to get flung off into the riv­er for what I’d done. And it was just then, under that light that I saw the sign across the riv­er, the red elec­tron­ic sign stuck on some build­ing down­town: The Birth­place of Rock and Roll. And that’s what broke me down, made me see what I was real­ly doing to Elise.

It had all hap­pened by now: the Mex­i­cans would have dis­cov­ered their mon­ey, rifling for the cig­a­rettes after lunch. By now Ken­ny the idiot week­ender would have fig­ured out that I’d flaked, when all the noise from the roof had stopped hours too ear­ly. By now he would have called Ralph and Ralph would have called Bil­ly, and Billy—emerging from God knows what scenario—would have called my cell phone, which was sit­ting on the kitchen counter back in Dal­las, right where I’d left it on pur­pose. I was tired of talk­ing to Elise even before I’d left for the job. I wasn’t plan­ning on leav­ing her. I had nev­er thought about it before, but then there you go.

By now she knew. Only six hours ago every­thing was nor­mal, but by now she had to know. She would have picked up my cell phone, and Bil­ly and her would have had the strangest con­ver­sa­tion. Full of con­fu­sion and expla­na­tion. It prob­a­bly took them a half an hour to fig­ure out what I’d done.

And what exact­ly had I done? Only what every man has a right to do, at least two or three times in his life, and that’s start over. Find a new spot on the map and make him­self up from scratch. I didn’t know that then. In fact, run­ning across that bridge and see­ing that sign, it felt like a true Sign—like God had come down to let me know that Elise real­ly was pregnant.

***

There was some mean­der­ing before I got all the way to the coast. Some false starts. I stayed around east Ten­nessee and the Car­oli­nas for six months, just bounc­ing around, work­ing day labor. I turned myself back into a hand, tak­ing dai­ly bits of cash and cig­a­rettes, mak­ing friends with the Mex­i­cans where I could find them, speak­ing their lan­guage, help­ing them find the work that was out there. I’d stay a week in the same place but no longer. I was lay­ing low until I felt the fog had cleared.

No one came for me. That’s how I knew she wasn’t real­ly preg­nant. If that was the case, she would have real­ly found me. If it were true, she would have gone hysterical.

Now, all this time lat­er, I’m not proud I did it, but I under­stand why. You’ve got to pro­tect your­self. That’s what I learned in Eure­ka. You’ve got to clear out a new space for your­self, not box your­self in, patch your leaks, find your true home. That’s what Ser­e­na and Tra­cy had done, prob­a­bly what Tex had done too. Everybody’s got that right. You’ve got it, too, if you want it.

 

 

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Tipping the Jug*, poem by GC Smith

Red­necks and blackmen
old bud­dies and friends
will stand now together
with a clay jug of corn
they'll drink to their health
and com­fort each oth­er with lies
and com­fort each oth­er with lies

They'll talk of their dogs
and the ducks that they've shot
of hunt­ing through Low­coun­try winter
with their brag­ging of deeds
in the depths of dark piney woods
they'll not men­tion who shot the cow
they'll not men­tion who shot the cow

They'll avoid the commotion
of the farmer's vile notion
to sim­ply be paid what he's due
They'll vow to hide from him
and nev­er men­tion that cow
as they drink deep of the old moun­tain dew
as they drink deep of the old moun­tain dew

*apolo­gies to Rob­bie Burns

GC Smith is a south­ern­er. He writes nov­els, short sto­ries, flash fic­tion, poet­ry. Some­times, but not in nov­els, he plays with dialect, either Cajun or Gul­lah-Geechee ways of speak­ing. Smith's work can be found in: Gator Springs Gazette, F F Mag­a­zine, Igua­na­land, Dead Mule School of South­ern Lit­er­a­ture, Naked Humorists, The GLUT, Flask Fic­tion Mag­a­zine, N.O.L.A. Spleen, NFG Mag­a­zine, Cel­lar Door, The Beat, Dis­patch­es Mag­a­zine, Beau­fort Gazette, Coyote's Den, South­ern Hum, Lam­oille Lamen­ta­tions , Quic­tion, The Land­ing, The Haunt­ed Poet, Fla­vor a Deux, The Bin­na­cle, Stymie Mag­a­zine, Ban­nock Street Books. He has four nov­els, WHITE LIGHTNING –Mur­der In the world of stock car rac­ing and THE CARBON STEEL CARESS, A Low­coun­try P.I. nov­el, IN GOOD FAITH, A John­ny Don­al P.I. nov­el, and Mud­bug Tales: A Nov­el In Flash­es, wit' recipes. His poet­ry book is A South­ern Boy's Meanderings.

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The Hills are Alive, essay by Anna Lea Jancewicz

Yeah, every­body has a dead grand­moth­er sto­ry. They’re not sexy and nobody’s buy­ing. But this sto­ry is mine, and it’s not so much about the woman as it is about the place. I’m from a lit­tle coal town, McAdoo, in North­east­ern Penn­syl­va­nia. A place where peo­ple still use clothes­lines, and it has noth­ing to do with being green. A place where wed­dings and fam­i­ly reunions mean at least a fist fight, and maybe one of Aunt Vera’s boys piss­ing in somebody’s car to teach them a les­son. A place where it’s hard to say whose sin will draw the nas­ti­est whis­pers, the cousin who’s sus­pect­ed of covert abor­tions, or the cousin who had the gall to earn a PhD. A place where aunts will still rec­om­mend spik­ing a baby’s bot­tle with Karo syrup, and stare slack jawed when you reveal that all of your chil­dren made it through infan­cy with­out ever touch­ing lips to a rub­ber nip­ple. A place where a cousin can snarl about all the ille­gal Puer­to Ricans and not under­stand why you burst into laugh­ter and shake your head. A place where uncles cap­ture snakes from inside hous­es in paper gro­cery sacks, where a black bear might just amble out of the strip­pins, where great-grand­fa­thers sit with Phillies base­ball games on their tran­sis­tor radios eat­ing toma­to and oleo sand­wich­es before they die of black lung and are buried in their Knights of Colum­bus uni­forms, swords by their sides. A place where Grannies yell at kids in words that are not Eng­lish, and the onion domes of Byzan­tine church­es rise once-resplen­dent in once-gold­en paint above streets crammed with clap­board hous­es and Amer­i­can flags. 

Because this is Appalachia, but this isn’t the Appalachia you think of, with blue­grass and corn­bread and kids named Bil­ly Bob. This is where kids are named Stan­ley, and you can’t pro­nounce their last names, what with the sz’s and cz’s and w’s that sound like v’s. And the Stan­leys all say youse guys. This is the Appalachia where grand­moth­ers don’t flinch to say cock­suck­er in front of you when you’re lit­tle enough to only pic­ture an awk­ward sit­u­a­tion for a chick­en, but Protes­tant is whis­pered, a dirty word. This is the Appalachia where you vaca­tion Down The Shore, and pep­pers are man­gos and you sit on your dupa and shut your trap for two-tree min­utes now, hen­na?

The colos­sal maw of an aban­doned strip mine yawned behind my grand­par­ents’ house, the house that my Pop­pop built him­self, just down the big back lawn and across the alley from the loom­ing house that he was born in, the house that my Granny and Grand­pap lived in until they died, where Granny’s par­ents had been laid out for their home-funer­als, back when such a thing was what was done. My sec­ond cousins lived in one half of that house, and the youngest was just my age. The sum­mer they final­ly paved that alley, she and I got in a fight, each of us on either side of the cool­ing asphalt, and one of us hit the oth­er in the fore­head with a well-pitched rock. I can nev­er remem­ber which one of us threw the rock and which one of us bled. We were that close. When she got knocked up at fif­teen, I thought Well hell, I can’t judge. There but for the grace of God and my par­ents’ trusty pick-up truck go I.

Because my mom and dad got out, had packed up every­thing we owned and moved us, pick-up truck­load by pick-up truck­load, to Vir­ginia in 1979. I was four. The world had been all of a cou­ple miles squared, and every per­son I’d ever seen had known my name, known my fam­i­ly. I’d thought black peo­ple were only on TV. But you’ve heard the Bil­ly Joel song, so you know that part of the sto­ry. The coal was gone, the fac­to­ries were clos­ing. “It’s get­ting very hard to stay…”

But back I came, each sum­mer wowed by the hori­zon appliquéd with ghosty blue sil­hou­ettes of moun­tain tops, back to this place that seemed on one hand burst­ing with mag­ic and wild­ness, and on the oth­er just plain back­ward. Down at the bot­tom of Logan Street, behind Poppop’s house, there was the Shit Crick, into which all the borough’s raw sewage was emp­tied. There were no big box stores, no fast food restau­rants. We’d get on the high­way in Poppop’s big green Oldsmo­bile, cruise-con­trol it to the Frackville Mall for that. I’d perch on the arm­rest beside my grand­fa­ther as he sang Sina­tra, keep­ing my eyes peeled to catch sight of the gold­en arch­es high atop the hill as the mall came into view. Or we’d wind down the moun­tain to Walt’s Dri­ve-In for soft serve ice cream cones, watch golfers on the dri­ving range behind, bring back a CMP sun­dae for Nan­ny. Her favorite, chocolate/marsh mellow/peanuts. What McAdoo had was the fire­house, with booze at night. An Ital­ian place, for pitza, the kind that drips orange grease to bleed through stacked paper plates and needs to be fold­ed in half to fit in your mouth. An inex­pert­ly hand-paint­ed sign nailed up crooked­ly out­side somebody’s door, adver­tis­ing ETHNIC FOOD, and that means piero­hi, halup­ki, halush­ki. There was a roller rink, but that was closed down every sum­mer, or maybe just closed down for good. 

My cousin and I roamed, played all the make-believe games. We watched Hatchy Milatchy on black and white TV, and put on dance shows for Aunt Peg­gy when she came home from work­ing at the Kmart in Hazel­ton, and dressed up in Granny Palmer’s old hand­made floor-length slips and her oth­er acces­sories, antique hand­bags and scarves, that my Nan­ny still had saved in a trunk. We picked Queen Anne’s Lace and put the flow­ers in glass­es of water and food col­or­ing, watched the blooms turn col­ors. We argued over which celebri­ties we’d mar­ry, we argued over which of her teenage sis­ters’ boyfriends was the cutest, and when we got a lit­tle old­er we’d skulk in alleys and sneak cig­a­rettes and sing Guns N’ Roses. 

These were my sum­mers, until Nan­ny got sick.

***

It’s a few days after my four­teenth birth­day, and I’m stand­ing in the Decem­ber rain, strad­dling one of my cousins’ old ten speed bikes, watch­ing some strangers dump back­hoe shov­el­fuls of cold wet dirt on top of my grandmother’s cof­fin. Nan­ny is down in that hole, not wear­ing the col­or­ful poly­ester pantsuit she asked to be buried in. She’s wear­ing the mint green gown that she wore for one of the twins’ wed­dings. They said what she want­ed was tacky. I went back to the house with every­body else after the funer­al, but they were all eat­ing and talk­ing, and I didn’t feel like doing either. I came back, by myself, to watch this.

There are sev­er­al acres of ceme­tery out here on the edge of town, butting up to the rail­road tracks, before you cross over to the long road through the woods where wild huck­le­ber­ries grow in sum­mer, where cold, cold water bub­bles up from moun­tain springs, the road that leads out past the cig­ar fac­to­ry, over to Tresck­ow, where both my aunts live. Chain link and crum­bling stone walls sep­a­rate sundry grave­yards that belong to dif­fer­ent church­es, fences that keep the dead Poles from the dead Ital­ians, the dead Irish from the dead Slo­vaks, the dead Rusyns from the dead Hun­gar­i­ans. I look out and see a wide expanse of gran­ite head­stones jut­ting from the var­ie­gat­ed drab greens, browns, yel­lows of grass that’s been frost­bit­ten. Look­ing back toward town, I see the slop­ing streets crowd­ed with clap­board hous­es, and the squalid onion spire of St. Mary’s against the low gray clouds.

***

She hadn’t been my favorite. My Pop­pop was ded­i­cat­ed to spoil­ing me, sneak­ing me sug­ary cere­als in tiny box­es and buy­ing me cheap toys at the IGA. She was ded­i­cat­ed to tough love, mak­ing me spend the whole sum­mer writ­ing out my mul­ti­pli­ca­tion tables, and telling me that wear­ing those tight jeans like my cousin did would give me crotch-rot. But then she got sick. Real­ly sick. She had at least two kinds of can­cer at the start, one of which required bed rest, the oth­er of which was best man­aged with an active lifestyle. We would walk two miles every morn­ing, in a big loop, very slow­ly, very care­ful­ly, and then she would spend the after­noon in her reclin­ing chair. I spent a lot of time with her. We talked a lot, like we nev­er had before.

She told me sto­ries. Her toes curled up girl­ish­ly, and she rubbed her feet togeth­er as she told them. Sto­ries about drink­ing fresh hot milk from the goats her par­ents had kept in their yard over on Jack­son Street. Sto­ries about her father Wasyl com­ing to Amer­i­ca from Rus­sia, how the coal com­pa­ny owned him, how he nev­er real­ly learned Eng­lish. Sto­ries about dat­ing my grand­fa­ther, illus­trat­ed by black and white pho­tos held into the albums with those lit­tle paste-on cor­ner frames; pic­tures of Pop­pop with slicked-back hair, in white tee shirts and blue jeans, look­ing like Mar­lon Bran­do, her by his side in bob­by socks, the cap­tions call­ing her Katie when I’d nev­er heard any­body call her any­thing but Kath­leen or maybe a few times Kathy. Sto­ries about my moth­er when she was lit­tle, about how she final­ly got so tired of wash­ing and brush­ing and iron­ing my mother’s hair that she one day sur­prised her by lop­ping it off with a sly pair of scis­sors after her bath; about how she got so sick of my moth­er sneak­ing out of the house with her bell-bot­tom jeans rolled up beneath her school skirt, those hip­pie jeans embroi­dered with a big pair of hands grab­bing the ass cheeks, that she stole them and burned them in the fur­nace. Sto­ries about nurs­ing school, work­ing at the hos­pi­tal, trav­el­ing on her cruis­es. The sto­ry of when I was born, two months ear­ly, tiny but strong, and she was there in her crisp white uni­form to assist Dr. Lee with the delivery.

But most of all, she liked to tell me about her favorite movie.

I’d nev­er seen it, The Sound of Music. We nev­er watched it togeth­er. It was the mid 1980’s of course, and my grand­moth­er didn’t own a VCR. The idea of pop­ping a tape in and watch­ing a movie when­ev­er you want­ed to was still an absurd exoti­cism. But this was even bet­ter. She recalled the plot for me a thou­sand times over. She described the char­ac­ters, recit­ed dia­logue, sang the songs. I felt like I knew the whole movie by heart. It made her so hap­py, even when she was exhaust­ed and strug­gling, even when she was so bent that she couldn’t lie in the bed any­more and had to spend all her time in that brown reclin­ing chair. She died in that chair.

We’d come up to vis­it for Christ­mas. My birth­day is the day after. I heard her the night before, up all night with my moth­er by her side, beg­ging my moth­er to help her kill her­self. Ask­ing for her sewing scis­sors, as if she’d be able to do the job with them. She told my moth­er that she could see her par­ents, stand­ing in the hall­way out­side her bed­room door, wait­ing for her. Then in the morn­ing, on the day I turned four­teen, she took one last gur­gling, labored breath. She was 54 years old. 

***

The rain has soaked through my clothes and I am freez­ing. The grave is filled and I’m alone here, the work­men are gone and it’s get­ting dark. I ped­al back up to the Slo­vak church, and I slip inside. The doors have nev­er been locked, day or night, any time I’ve tried them. That would nev­er hap­pen in the city where I live. But I’ve come here a lot, this is famil­iar. I kneel in front of the paint­ed plas­ter Blessed Moth­er in the dim and qui­et. Her eyes are like anthracite slag. I light one of the votive can­dles, add one more flick­er­ing flame to the field of squat red glass cylin­ders. I reach deep down into the pock­et of my jeans, and I pull out my rosary beads.

***

I’m sure I’ve been gone a long time, but nobody seems to have noticed. Most of my rel­a­tives have got­ten pret­ty drunk, even the ones for which it takes a hell of a lot. As I walk in, I hear an aunt say She held out for Christ­mas, she held out so she wouldn’t ruin Christ­mas for every­body. My Pop­pop turns his head slow­ly, slurs, one thick fin­ger point­ed at my chest, She died on your birth­day, so you can nev­er for­get her. 

I change into warm, dry clothes. I ghost past them, between them, eat a lit­tle frost­ing from my cake; it’s still in the fridge, pris­tine, with the plas­tic bal­le­ri­na on top. I go into my grandmother’s bed­room; nobody wants to be in there. I shut the door and curl up in the dark, in her chair. My hair is still damp. I’m remem­ber­ing when I was scared to sleep in the dark, in this room, and she told me The dark is noth­ing to be afraid of. God made the dark so that every body and every thing can rest.

I’m sob­bing now, chok­ing and heaving. 

And when I’m done, I breathe deeply. I rub the brown velour uphol­stery on the arms of her chair. I notice the remote con­trol for the tele­vi­sion on her bed­side table, just where she must have left it last. It’s bare­ly vis­i­ble in the dark, but it some­how catch­es my eye. I sigh, and I pick it up. My fin­ger touch­es the pow­er but­ton, and there it is. In Tech­ni­col­or. Julie Andrews, twirling around and around and around:

The hills are alive with the sound of music,

With songs they have sung for a thou­sand years…” 

***

My grand­moth­er left me her wed­ding ring when she died, she left it to me. My moth­er took it, said I couldn’t be trust­ed with it yet. My moth­er wore it on her own fin­ger, for years. As my birth­day approached, in 2004, she asked me if I want­ed any­thing spe­cial for turn­ing thir­ty. Yeah I said I want Nanny’s ring. She gave it up reluc­tant­ly, but now I wear it. It reminds me of where I’m from.

When peo­ple asked, I used to say Oh, from around Allen­town. Or maybe Do you know where Scran­ton is? Wilkes-Barre? But those answers are not quite true. So, you ask me now, ask me where I’m from. I’ll look at my fin­ger, and I’ll tell you:

Yeah, every­body has a dead grand­moth­er sto­ry. They’re not sexy and nobody’s buy­ing. But this sto­ry is mine, and it’s not so much about the woman as it is about the place. I’m from a lit­tle coal town, McAdoo…

Anna Lea Jancewicz lives in Nor­folk, Vir­ginia, where she home­schools her chil­dren and haunts the pub­lic libraries. Her writ­ing has recent­ly appeared or is forth­com­ing at Bartle­by Snopes, The Cit­ron Review, the­New­erY­ork, Riv­et Jour­nal, and else­where. Yes, you CAN say Jancewicz: Yah­nt-SEV-ich. More at: http://​anna​jancewicz​.word​press​.com/

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Where to Buy Your Weed, fiction by Misty Skaggs

Her trail­er was a ripe patch of excess, bloomed con­spic­u­ous­ly at the base of a cliff on the edge of a bone dry, Bap­tist coun­ty in East Ken­tucky. The half-acre around it was lit­tered with fad­ed Moun­tain Dew cans glint­ing in the sun­shine and dec­o­rat­ed hap­haz­ard­ly with a half dozen bust­ed toi­lets turned planters. Mary had filled them to the brim with rich bot­tom soil and plant­ed stur­dy annu­als that burst forth in bright col­ors come spring­time. And you could hear her rack­et from a ridge over. Nev­er music, just the strained voic­es of lone­ly peo­ple seek­ing solace over air waves. Her reg­u­lar cus­tomers learned to lean in when she hollered them across the thresh hold and into her home. They learned to brace them­selves against the blast of cack­ling talk radio hosts crack­ling out into the hill­bil­ly breeze via AM radio, the reg­u­lars plant­ed their feet against deci­bel after deci­bel blar­ing through the stacks of sec­ond hand speak­ers that tow­ered and teetered close to the droop­ing, water-stained ceil­ing. If you were a brand new cus­tomer just look­ing for a qual­i­ty buzz, it could be down­right overwhelming.

Mary her­self was too much–too big, too loud, too self-assured, too self-right­eous. She’d answer the door in a muu-muu splat­tered with crusty, sausage gravy and tacky flo­ral print. She’d tell you how Jesus don’t mind pot, but you bet­ter stay away from that ol’ Detroit dope. She con­duct­ed most all her busi­ness out of the kitchen. There was always an abun­dance of food bub­bling over on the stove and her rum­bling old refrig­er­a­tor was always stocked with strange, left­over smells and cold beer. The mis­matched can­is­ters lin­ing the counter tops were stuffed full of prod­uct. On the rare occa­sion she wasn’t cook­ing when you’d show up to score, she’d take your mon­ey all flopped out and sweat­ing across the queen size bed crowd­ed into the built-on, back room of the mobile home. And she’d pro­duce a thir­ty bag or a sixy bag or even a whole ounce or two out from under the folds of her dress. Or maybe out from under the folds of her pale, fleshy body. Nobody ever dared to ques­tion the hygien­ic aspect once they real­ized that sticky, hairy, bud smelled even stronger and danker than the dealer.

No one knew where she kept her crop, but she gave the liv­ing room over to the house plants. The ivy grew up over the arms of the couch and she warned guests to avoid the moldy Lazy Boy. Not for the sake of their pret­ty, clean clothes or pret­ty, clean lungs. Because once, the rot­ting plaid arm­chair had belonged to her Granny, and now it belonged to the rosary vine. Her favorite. Her Granny’s favorite. Mary kept the room cool and dark so that the thick, durable foliage of it shone under the light of a sin­gle lamp that faked sun­shine. And the blos­soms were back lit, flick­er­ing red and waver­ing like can­dles at the base of a shrine to home­grown botany. Every­body on this side of the state knew she was thank­ing the good Lord for her green, green thumb.

Misty Marie Rae Skag­gs, 32, hard­ly ever leaves the holler anymore.

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Uncles Charlie Loves You, poem by Misty Skaggs

I remem­ber tired, washed-out women
warn­ing us young’uns
with his name -
“Uncle Charlie’s gonna come,
gonna come all the way
out here
and get you."
I remem­ber we believed it.
I remem­ber the good ol’ boys
round­ing up a posse
fueled by boredom
and Pab­st Blue Ribbon
every damn time
he went up for parole.
He might get out,
he might come home.
No-Name Maddox,
back­woods bastard,
prog­e­ny of a prostitute
with no paved streets to walk.
He could’ve been one of them,
with a Mamaw out on Mauk Ridge.
Might’ve been anoth­er nobody
puffed up on Ken­tucky windage,
bed­ding high school girls
in the bed of a beat-up
pick-up truck
saying,
“I don’t know
what some­body is.”
Or maybe

Uncle Char­lie
could’ve been a coun­try preacher,
a pow­er­ful, prim­i­tive, baptist
run­ning the church house like a family.
A short feller filled
plumb up to the brim
with rur­al route righteousness,
bri­ar-hop­ping the pulpit
instead of hitch­ing to Haight-Ashbury.
The Holy Spir­it in his wild eyes
instead of homicide.
I know

I hear Kentucky
in his voice.
Hid­ing in the space
at the end of the words
where con­so­nants drop off
and disappear.

Misty Marie Rae Skag­gs, 32, hard­ly ever leaves the holler anymore.

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Lock No. 10, essay by Megan Lewis

Park­er and he went out to the lock.

He drove fast down dark roads. Roads that remem­ber us still. He parked. Next to the his­tor­i­cal marker—

I think.

We stum­bled through a star­less night, right down to the water. Right down to the water’s edge and we sat on the grass—cool, damp.

Took his pipe out of his pock­et. A lighter too. Inhaled.

Kissed her, blew the smoke into her mouth. She didn’t cough.

Didn’t cough lying on the grass there. Down by the water. Out at the lock. And we laid back, sight­less, the night warm, and passed the pipe back and forth.

Tongues and spit and his hand beneath her shirt. My nip­ples hard and his fin­gers harder.

His pants slid down easy, even if her fin­gers were unsure, and there he was—and we both high—and in her mouth as he mur­mured all those words six­teen-year-old girls need to hear.

Hon­ey, baby, oh yeah, so good.

And his hand in my hair.

Not the Erie canal, not the one in the song, but a dif­fer­ent one along the Shenango—near the dam. Lock No. 10. That’s where we went. It was dead then—the rail­road came and killed it. And then the steel mills died and killed the rail­roads too.

Miles of track they ripped up.

She sucked him hard, moved her head up and down, her hand too, hair wild and messy and falling into her eyes.

The rail­roads killed the canal and the steel mills they killed every­thing. Killed my friend’s uncle, cut him right in half.

Beneath my tongue and in and out of space and a time and place we want to for­get but which remem­bers us still and will come for us when we’re old.

The mill jobs are gone, but only a few escape. They go and live in the city, by the three rivers, and pre­tend they got away but as long as the water is near they remain sight­less in the night and it’s all the same as if no one left.

We nev­er left.

Park­er and he went out to the lock and we’re there still. He eager in my mouth, press­ing toward the future, dying to escape, and her believ­ing if she sucks hard enough he just might—

He just might like me.

Oh hon­ey, baby, maybe next time.

he grass is cool and damp and we can’t see any­thing. The trains killed every­thing and I hear the whis­tles. The trains killed every­thing except the mills and the mills killed them.

Miles of track ripped up. Came across some rail­road ties aban­doned in the coun­try­side once. Out there fish­ing with my dad and the dog he shot. A Sun­day after­noon and I stood pre­car­i­ous on the ties they had forgotten.

He put a bul­let in her and claimed it was ’cause she was too stu­pid. Too stu­pid to live, that’s what he said.

Actu­al­ly, he said, he said that he took the dog to a farm.

Just for­got to men­tion that he shot her when he got there.

For being dumb.

When we were eight the union went on strike. A mill job was a good job, the kind you could keep, retire on and live a respectable life.

Even if the smoke made you cough and the asbestos scarred your lungs, like my neigh­bor. They gave his wid­ow a set­tle­ment and she put in a swim­ming pool and start­ed res­cu­ing dogs, some of them vicious; you’d be too if you had been kicked around like that.

He made good mon­ey, the kind your wid­ow can dig a cement hole with, a respectable death.

The union lost and the mills died off, most­ly, and the town went on. Most­ly too. A ser­vice econ­o­my now and the jobs pay less—but our hands are clean and no one gets cut in half anymore.

Most­ly.

My mom called me up the oth­er day, said so‑and‑so’s nephew shot him­self at the big hotel, the big hotel where she used to work.

A ser­vice econ­o­my and a bul­let in your brain, just like the dog. The best you can do when there’s noth­ing more to be done and the Steel­ers are on TV.

You know the water’s down there. And you hear the whis­tles in the dis­tance as he pulls his pants up and the shift ends at the mill and the train goes by and your throat is sticky and maybe your hair a lit­tle bit too.

The men stag­ger from the mill to their cars and from their cars to the bars and drink Yuengling. And you stum­ble blind and high and stu­pid back to the car.

And he turns to you, turns on you. Turns as he puts the car into dri­ve and says—

He says, if you tell Mag­gie about tonight, I’ll lie. And she’ll believe me.

You won’t tell. Won’t say a word about any of it—the trains, the town, the guy who got cut in half, the dead dog. And you’re going to leave here some­day soon and you won’t come back.

The dark roads remem­ber us still and he dri­ves fast. Through the town’s only stop­light. Past the bars where the men drink Yuengling and PBR. Past the boarded‑up mills. Down dim­ly lit streets, stop­ping in front of her par­ents’ per­fect lawn.

A dog barks and he doesn’t kiss her good­night, don’t know why you expect­ed him to. He just dri­ves away.

I hear the water still and the ties are some­where. Some­where we ripped them up.

Some­where. And there’s a dog.

And the men drink beer. And talk about the good old days. And watch the Steel­ers’ game and don’t talk about the guy who got cut in half.

And he’s one of them.

We’re out there, some­where, down by the water. And you—you got away, got cut in half a few times any­way, but you opened your eyes and you got away.

Sticky hair and all.

Pre­vi­ous­ly pub­lished in Prague Revue

Megan Lewis writes a weird mix of erot­i­ca and lit­er­ary fic­tion and has been known to occa­sion­al­ly mas­quer­ade as Park­er Mar­lo, usu­al­ly when refer­ring to her­self in the third per­son. She is also the nar­cis­sist behind Mug­wump Press (www​.mug​wump​press​.com), a shame­less­ly cap­i­tal­ist endeav­or. When not pimp­ing writ­ers or writ­ing fic­tion, Megan works as a free­lance edi­tor. Find her at www​.park​er​mar​lo​.com and @parkermarlo.

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A Happy Ending by Murray Dunlap

How are you doing, Ben?”

The cam­era man crunch­es down to take advan­tage of a bet­ter upshot.

Well, I’d tell you, but there is a stranger in my house who seems to be film­ing us,” I say with sin­cere astonishment.

`        “Pre­tend they’re not there. None of them,” my bud­dy says.

And who are they?” I ask.

They are mak­ing a movie of “us,”” he replies.

They obvi­ous ques­tion here, is who are “we?””

OK pal, you asked…  “We” are you and I. No fak­ing this. And “we” are the focus of a movie that “they” are filming.”

This is seri­ous­ly messed up.”

You asked,” my bud­dy says.

And I assume my injuries will be the focus of this ‘movie’?” I ask.

You betcha, Ben. Just maybe make your limp a bit worse for the sym­pa­thy vote.”

That is not nec­es­sary, bud. I limp, plain and simple.”

Ah, thank you,” my bud­dy replied (for you guys at home, his name is Michael).  “That sort of detail will make this movie make sense.”

And what is the point of this ‘movie?’” I ask.

It’ll have peo­ple amazed to see what you have been through. How you man­aged to press on. To ‘hang in there.’ Par­don the phrase,” Michael says.

Ah, so you’ve seen this movie,” I say.

Yep. Watch­ing it right now.”

My TV is bust­ed,” I say. “Watch­ing it how?”

We are it.”

This is a movie?”

Yep.”

Ter­ri­ble movie,” I say. “Who wants to watch a guy named Michael and a guy named Ben sit around talking?”

Well ‘we’ do, we’re watch­ing it right now!”

Hmmm. Weird.”

Hey, why don’t you tell us all about the wreck?”

Cut,” a dis­tant voice calls out.

Michael, what the hell IS this?” I ask sincerely.

OK guys,” a man who I assume is a direc­tor of some sort steps into the room. “”Let’s try to be more con­cise. And knock off on all the meta­nar­ra­tive crap!”

Um, well, you are the direc­tor of some film in my liv­ing room about me. How exact­ly do you think I can pos­si­bly have this NOT be meta­nar­ra­tive?” I ask.

Just keep going,” the direc­tor says. “And talk about the wreck.”

Fine.” As con­fused as I am right now, I’ll do just that. “The wreck. Not inter­est­ing. A man none of us knows ran a red light. The end.”

And…” Michael con­tin­ues, “Ben, tell us ALL what your injuries are.”

ALL?” I stam­mer. “This is ridiculous.”

Action!” the direc­tor calls out.

OK, OK, Ok… I have 3 frac­tures in my pelvis, a bro­ken clav­i­cle, 9 sutures in my head, five stitch­es in my ear lobe, and a severe trau­mat­ic brain injury,” I state.

Brain injury!” The direc­tor calls out. “Per­fect! You should riff on this… Brain injury, and trau­mat­ic too, and even SEVERE!”

Riff? Do you want our audi­ence, who­ev­er they are, to think I’m nuts with a brain injury?”

If that works…” the direc­tor stam­mers. “Then sure, you can be crazy!”

I’m get­ting crazy mad,” I reply.

Action!” our direc­tor shouts.

I’m real­ly becom­ing angry, brain injury or not!” I shout.

Just try again,” our direc­tor says.  Fol­lowed by, “Action!”

And so I made a movie, try­ing very hard to be ‘me.’ I played along, end­ed up on Oprah, and every­one went home happy..

Cut!” our direc­tor shouts. “This is get­ting WAY too meta­nar­ra­tive!   And give this dread­ful drea­ri­ness a hap­py end­ing! Action!”

Hmph,” I start. “How to end this on a hap­py note?  Well, the fact that a movie is being made about me is exact­ly a hap­py ending.”

But your audi­ence,” the direc­tor shouts. “What will they understand?”

OK.” I say. “How about a new house?  You know. The cab­in that I’ve always wanted…”

Out of the damn bud­get…” our direc­tor cries. “How on earth do we pay for a house?”

Well, you could chip in?” I stammer.

Horse­shit! Cut!” Our direc­tor looks as if he has giv­en up.

Hmmm,” I start. “What about Oprah?”

And why exact­ly, do we hope for that?” Michael says.

Because I do care,” Oprah appears from the shad­ows as if the whole thing was script­ed out.

Oprah… uh, uh, hel­lo there?” I scratch my head in disbelief.

Dar­ling,” Oprah cuts my ques­tion in half. “Any­thing is pos­si­ble in a movie… You know that.”

So what is your part, excuse me, your ROLE.”

Dar­ling,” Oprah begins, “My role, as you call it, will be to help the pub­lic get a glimpse of how it is, in fact, pos­si­ble to “hang in there.”

And will this movie be it?” I ask.

Of course Ben,” Oprah says. “And I’ll give your sto­ry a hap­py ending!”

How does this end?” I ask in confusion.

Let’s go see your cab­in in the woods,” Oprah states.

What cab­in?” I ask in utter disbelief.

Fol­low me…” Oprah waves her hand to the front door and pro­ceeds to exit my house.

Real­ly?” I ask as I fol­low Oprah onto the front porch. My ques­tion is answered when I see a shiny black limo in the dri­ve. And of course, we then are dri­ven to a pic­turesque cabin.

Here we are my good pas­sen­gers,” the limo dri­ver says.

My good­ness! I am utter­ly bewil­dered. A porch over­hangs a beau­ti­ful lake.  My gosh! And once the dri­ver opens the front door, a dog comes bound­ing out to greet us!

Now THIS is a hap­py end­ing!” I scream with utter amazement.

Dar­ling, my dar­ling,” Oprah begins, “You know that I love to give people’s sto­ries hap­py endings!”

But I had no idea…” I drift into silence.

Ahh­hh, I see you like?” Oprah gives Michael and I a great big wink.

This is awe­some!” Michael interjects.

I agree, I agree.” I have to admit. “Awe­some. Per­fect really.”

Are you hap­py?” Oprah asks.

My good­ness, Oprah,” I state. “Hap­py.”

 

The End (cred­its roll for our view­ers at home)

Mur­ray Dunlap's work has appeared in about fifty mag­a­zines and jour­nals. His sto­ries have been nom­i­nat­ed for the Push­cart Prize three times, as well as to Best New Amer­i­can Voic­es once, and his first book, an ear­ly draft of "Bas­tard Blue" (then called "Alaba­ma") was a final­ist for the Mau­rice Prize in Fic­tion. His first col­lec­tion of short sto­ries, "Bas­tard Blue," was pub­lished by Press 53 on June 7th, 2011 (the three year anniver­sary of a car wreck that very near­ly killed him…). His newest book is the col­lec­tion "Fires." The extra­or­di­nary indi­vid­u­als Pam Hous­ton, Lau­ra Dave, Michael Knight, and Fred Ashe taught him the art of writing.

See www​.mur​ray​dun​lap​.com for a look at hiswork.

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Making Art, poem by Tim Peeler

Mak­ing Art

He down shift­ed the Opal from third to second

As they approached the inter­sec­tion of Hook­er Road

And Arling­ton Blvd, swivel­ing his neck in an instant

Assess­ment as they sped on through the red light.

You crazy son of a bitch, his room­mate hollered,

Fight­ing the hot sum­mer wind to re-light a half-burned joint.

He was late; they had spent too much time arguing,

Then fight­ing after the intra­mur­al soft­ball game,

And now his mod­el would be wait­ing at the house,

The art class project due in the morning.

Two more run lights and a near crash at Elm and 5th

And he skid­ded to a stop on Avery Street,

Clat­ter­ing in his cleats down the sidewalk,

Smil­ing at her with his bust­ed lip and reach­ing out

His bloody-knuck­led hand; thank you so much

For wait­ing, he said in his pup­py dog voice;

Her hand held the green night­gown she’d picked out

For this por­trait he’d promised to copy for her

Boyfriend, and her beau­ti­ful face had the dark

Wor­ried look he would draw with­out the mark

He left there when she first refused to strip.

His room­mate lis­tened to them fight for the hour

It took the bong hits to do their work;

He’d heard it all before.

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A Wave of the Burger, by Dale Wisely

I'm in my patrol car
and I ges­ture to let a big guy,
dust­ed with white paint,
make a left in front of me.

He's dri­ving an old pickup
bur­dened by ladders.
There is a thick layer
of debris on the dashboard.
Cig­a­rette packs, food wrappers,
maps, receipts, work orders.

He cuts a big, slow,
slop­py arc across my path,
turn­ing the wheel with the heel
of one palm.

He's eat­ing a hamburger
and has it in the oth­er hand.

As he passes,
he salutes me with
a wave of the burger.

Fail­ing to do so would be
ill-mannered.

Dale Wise­ly grew up in Arkansas and lives in Alaba­ma, where he edits
Right Hand Point­ing, White Knuck­le Press, and One Sen­tence Poems.

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Two Poems, by Larry Thacker

I swim the vacuum 

between your atoms
sing along the dark
mat­tered strands
between galaxies
beyond imagination
wit­ness­ing the base
pat­tern of all worlds
the mys­tery scripts
hang­ing ornamented
about your thoughts
I hum under your feet
with­in the valleys
of fin­ger­print ridges
shrink­ing, expanding
destroy­ing, creating
my laugh and smiles
wrap­ping your world
in scales of D flat major
be still, and know me

Mean­ing 

There are days when every­thing means everything,
polar­ized against oth­ers when all is the frightening
pit of mean­ing­less­ness. Who is immune to the inner
script of the emp­ty end or, on bet­ter days, a hero’s
mys­te­ri­ous sto­ry in a world that screams both
sym­bol­ism and blank­ness as the bit­ter­est of kin.

We must lean in, and we do, and we fail and falter,
some­times emerg­ing slight­ly scathed and hardened
against our sil­ly demons, real­iz­ing how sky quakes,
earth sounds and flock deaths, fish kills, bee plagues
and rivers of snakes and win­ter tor­na­dos are neither
curs­es nor bless­ings, but are just sim­ple questions.

 

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