Prairie, fiction by Ben Werner

His team had won the state cham­pi­onship and after the cel­e­bra­tion on field petered out and the lights atop the poles had clunked off for the last time, he went to the par­ty.  Picked up Bre on the way there, and as soon as she was inside his truck she gave him a tongue-thick kiss, grabbed him around his neck, and then pulled away.

You’re all wet,” she said.  “Why are you wear­ing your jersey?”

We just won state,” he said.

Gross.  My hands are cov­ered in old sweat.”

Sweat of a state cham­pi­on linebacker.”

I bet all of you are doing it, huh?”

He didn’t answer.

God, you boys think foot­ball is the whole world, even after it’s over.”

He said nothing.

Well, I guess it’s only for one night.  Any­way, we’re state champs!”  She laughed and leaned over and kissed his cheek.  He smiled.  Wind blew ripped sheaves of clouds across the stars and moon and braced against his truck, tip­ping it at an angle against worn springs.

He parked beside the barn in the dirt lot crammed with cars and trucks.  Bre ran ahead through the cold wind and he walked, his shad­ow blur­ry and indis­tinct in the moon­light.  He opened the door of the barn to the faint organ­ic tang of manure and climbed the lad­der into the hayloft where every­one was gath­ered, imme­di­ate­ly filled two cups with beer, drank and refilled.  Swung on the rope swing and slapped hands and hugged.  Got drunk­er and hung his arms around jer­seyed shoul­ders while talk­ing about the game, past games.  Drank more and fell down the lad­der and puked out­side, returned and poked Bre’s ass with his fin­ger and laughed when she hit him soft­ly.  Took off his jer­sey and jumped bare-chest­ed in the crust­ed-over snow bank on the north side of the barn.

This is it,” some­one said.  “We did it.”

Peo­ple left or passed out and he bit Bre’s lip, felt her moan in his mouth.  They climbed down the lad­der and stum­bled through the dust to a horse stall par­tial­ly filled with hay bales and he jerked her pants down and pushed his fin­gers inside her, lis­ten­ing to her sur­prised, plea­sured gasp.

When I was com­plain­ing about your sweaty jer­sey,” she said, breathy, “I didn’t mean it.  I like it.”

The next after­noon he met with a group of seniors at the base of the old water tow­er, their eyes blood­shot and faces wan and tight.  He climbed the steel rungs, buck­et of black paint in hand, wind scour­ing the prairie and blow­ing up the cuffs of his pants and under his jack­et.  The town below him set out in pale squares, whites and reds and browns and the occa­sion­al flush of ever­green, and beyond it cor­ru­gat­ed dusky fields and unfarmable gray swaths.

I have to study for the ACT,” Bre had said.

This hap­pens once a lifetime.”

Go paint the tow­er, have fun.  I can’t.  I have to get a 28.”

He and the oth­ers paint­ed the tower’s peel­ing white sur­face, a math-club­ber named Orin mea­sur­ing and out­lin­ing the let­ters so it would be leg­i­ble, the wind a con­stant howl cut­ting his face raw.  The gray sky coughed a few tiny spher­i­cal flakes which the wind hurled against his jack­et like bits of Sty­ro­foam.  When they were done it said STATE CHAMPIONS 2006.  He held his emp­ty paint buck­et over the rail­ing and dropped it, watch­ing as it fell and hit the crin­kled blanched grass below, the lid pop­ping off with a metal­lic ping.

Back on the ground he looked up at the tow­er but the large let­ters wrapped around its curved sur­face and all he could see was TATE CHAM.  He clunked his truck into gear and drove to the bowl­ing alley.

They sat around a fake wood table, mul­ti-col­ored clown­ish rentals still on their feet, and watched the reg­u­lars tip and wad­dle around the place.  Laughed at their wrist guards, their con­cen­tra­tion on form as they whipped the ball down the lanes, their pot­bel­lies and tit-sag.  Light­ing one cig­a­rette off anoth­er, Bud­weis­er crimped between two fin­gers, bel­low­ing at each oth­er as the pins crashed and the own­er scold­ed them while she gath­ered emp­ty bottles.

That one could fit a bowl­ing pin up her twat and not even notice,” one of his friends said.

For­wards or back­wards?” anoth­er asked.  They laughed.

Can you imag­ine?” a girl said.

No. No I could not imag­ine a bowl­ing pin back­ward­ly rammed up my hypo­thet­i­cal twat.”  They all laughed again.

You’re so imma­ture,” the girl said.  “I mean can you imag­ine being here, like that?  Do you see how this is the high­light of their lives?  Sat­ur­day night at the bowl­ing alley, get­ting drunk and for­get­ting their lives blow.  It’s fuck­ing depressing.”

Maybe you should pull the bowl­ing pin out of your ass.”  More laugh­ter.  The girl lit a cig­a­rette and waved the smoke away from her face, ignored them.

None of you noticed but Orin fucked up the water tow­er,” he said.  “The let­ters are too big.  He didn’t stack the words.  In order to read it you have to dri­ve around the whole fuck­ing tower.”

Man, every­one has a bowl­ing pin shoved up their ass tonight.”

Fuck you guys,” he said.  “Let’s get out of here.”

They piled into a cou­ple trucks and drove back to the barn where they sat on the naked boards of the hay loft and played cards while they drank.  He got drunk and for­got the rules of the game and the oth­ers made fun of him, fris­beed cards at him, and after awhile they were all too drunk to play.  He called Bre to pick him up but she didn’t answer.  It was three in the morning.

He woke shiv­er­ing on two hay bales and walked down to his truck in the blue-gray of ear­ly dawn and drove home where he sat, unable to sleep.  Noth­ing was mov­ing in the morn­ing, the scrub Russ­ian olive trees along the edge of the yard hun­kered in gray twist­ed silence, no birds aloft in their branch­es, no wind or cloud, not even a dog yip or diesel grum­ble, noth­ing but dawn stretched tight in the sky and hard­pan prairie.  He climbed into his truck, an old list­ing Chevy, the tail­gate tied up with bail­ing twine and the engine filmed with dark gunk, but still turn­ing the tires, still run­ning good enough.  He backed out of the dri­ve of his par­ents’ house and head­ed southward.

No wind on the prairie either, which was abnor­mal of fall morn­ings when it often whipped shin­gles off roofs, pried slats from fences, uncorked fifty-foot pon­derosas from the lawn at the cour­t­house.  He drove the tar-patched two-lane and out­side his win­dow it was always dry yel­low cheat and sil­ver clumps of sage and the occa­sion­al rusty slice of bare dirt.  Way west were sil­hou­ettes of moun­tains, soft and thin and as tan­gi­ble as dreams.  Inside his head was a thud accom­pa­nied by a stal­e­ness along his tongue and teeth and a hol­low­ness in his body, the rem­e­dy for which he pulled damp and brown from a can and tucked in the trough of his low­er lip.

He drove with no des­ti­na­tion, radio long bust­ed, hang­over limp­ing back to where it came from, barb­wire fences sewing the ground on either side of him.  A dirt road kicked off to his left and he took it, jack­ham­mer­ing over the wash­boards out into the bad­lands.  Less plant life out there, most­ly crust­ed dirt bands of cream, laven­der, crim­son, hard cracked coun­try mot­tled with grit­ty scabs of snow left over from the first storm of the year.  His road curled up a bluff and past an oil pump and then down into a shal­low basin where more pumps dipped and rose in steady silence.  A faint sul­furous stench sat in the air and he wan­dered the web of two-tracks around the wells.  To the north on a grav­el and con­crete pad a new well was being drilled, the white and red scaf­fold­ing of the rig stand­ing above the prairie and the men on the deck small dark shapes punc­tu­at­ed by yel­low hard­hats.  He turned back towards the main road and even as he left the oil field he could see the rig in his mir­ror, high­er than all else, and he was unable to shed the last aches of the hang­over from his body.

Back north then, reflec­tor posts click­ing by, dash lines jump­ing into the square hood, still no drop of wind or fleck of bird, just flat fry­ing pan sky and shriv­eled prairie.

Eter­nal tarred cof­fee cup full of black spit, loose bolt rat­tle some­where in the door, rasp­ing bear­ing, pores leak­ing malt liquor, infi­nite Wyoming everywhere.

A brown ani­mal scut­tled across his lane and into the oth­er and he swerved at it, hit it with two quick bumps, and slid to a stop on the rum­ble strips and gath­ered dust on the side of the road.  He walked back to where the ani­mal should have been dead on the asphalt but it was gone.  He looked in the weeds on the edge of the road and saw noth­ing at first, but then, move­ment in the bar­row-ditch between a crum­pled sage and bed of prick­ly-pear cac­tus, a maimed bad­ger.  The thing was a mess of brown blood and fur but its eyes reg­is­tered him and it let out hiss­es and growls, still very alive and own­ing a mouth­ful of wet teeth, though the back half of it was smashed by his tires.  He pitched a rock at it and it humped and snarled and dug at the ground with its front paws, dug hard and fast and with feroc­i­ty which showed there was much between it and eter­nal dark­ness, coy­otes, hop­ping gangs of crows, worm­ing fly lar­vae, twist­ed hide and dust.

God-damned thing would get there though, and he snaked his belt from his pants.  Four feet of wide leather with a brass buck­le like Hell’s door­knock­er.  He eased clos­er to the ani­mal and it watched him and dug at the ground again, set­ting the sage­brush atrem­ble, and he swung the belt in a cir­cle and brought it down like he was split­ting log.  The thing screamed and tried to get at him and he swung again and it hissed and wailed in the dust and he thumped it again and again, and still it tried after him, bloody and froth-mouthed and red-eyed.  He went back at it, his belt slic­ing in arcs and the prairie filled with tor­tured screech­es.  Thing not dead still, he strung his belt back into his belt loops and retrieved a tire iron from under the seat of his truck.  Parts of the ani­mal were speared in sticky clumps on the cac­tus spikes and oth­ers were pound­ed into the dirt, but still it looked at him and coughed and opened and closed its mouth.  Its last breaths inter­rupt­ed by the muf­fled crunch of iron on bone.

Ben Wern­er lives and works in Cody, Wyoming, and is going back to school in the fall.

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Back End Errors

I'm not sure what's hap­pen­ing, but I'm los­ing sched­uled posts. There may be a delay as regards future posts depend­ing on how quick­ly I can work out what's going on.

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The Emily Interview, fiction by Stephanie Dickinson

 *

Remem­ber for me the day your moth­er made you quit school.

Feb­ru­ary 1902. I help her pluck two chick­ens and yet I want to clean away her crime. Wipe the red rain from the snow where the hens strug­gled to keep run­ning, their heads axed behind them. They are still fright­ened in death. I breathe the cut odor of quill and feath­er, the sev­ered wings. I shiv­er. Too cold for work dress and apron. “The pin­feath­ers,” moth­er says, “you’re miss­ing some.” Today is a school day and I won’t be going. I’ll nev­er be a schol­ar who eats whole para­graphs from the primer. I’ll not ride the cover’s black horse bear­ing Deme­ter and Perse­phone to the win­ter under­world, hooves pound­ing frozen ground, cleav­ing it. Hard­est-work­ing stu­dent, I prac­ticed my pen­man­ship. Two long tables, a board before me where I wrote with a stick sharp­ened, then charred. I’ll miss the roll call Emi­ly. Like a girl lying on her back in pas­ture grass, lazi­ly stir­ring the clouds. In the one-room where eight grades are taught by one nine­teen-year-old girl, her lessons were my rib­bon can­dy, satin curls with sil­ver stripes. “Pin­feath­ers, Emi­ly,” moth­er reminds. Tiny soft fleece to warm the eggs I pinch from the bro­ken body.

*

What was it like to cov­et a brother’s col­lege studies?

It is to be mes­mer­ized, to climb stairs in sum­mer when no one both­ers the books, to enter his room and kneel by the desk and reach for them. Heat breath­ing from the trees, heat in the fields where work­hors­es stand five feet high, each weigh­ing a ton. Gen­tle gray giants plod­ding through the south acre dumb to sen­tences. Igno­rant to turns of phrase. Dust from the dirt road ris­es as a wag­on pass­es by, dust falls on the ditch lilies. In my hands the heft of a book, the heav­i­ness of the cov­er, how for­bid­den, how dif­fer­ent from the wood­en spoon, the knife, the scrub board, the rag, the hoe, the har­ness, the blue grist stone. The scent of its pages. Latin, Cat­ul­lus, Pass­er, deli­ci­ae meae puel­lae, to touch the words, to taste them in my mouth. Anoth­er vol­ume. Geog­ra­phy. Maps. Bur­ma. Siam. Coun­tries in pale tan­ger­ine col­ors. French West Africa. The Vol­ta Riv­er. Gold Coast. My eyes leave the coast on the fine line like the del­i­cate leg of a dad­dy-long-legs. I am on an in-land voy­age of saf­fron ink. “Go fetch the clothes from the line.” Mother’s voice comes for me.

*

Tell me what a rumor of small­pox was?

We drink from the same dip­per. The Moses chil­dren sit around the school’s pot­bel­ly stove. Wilma. Francesca. Mag­dale­na. Fern. And the boys Math­ias, Arnold. Wilbur. They smell like wet feath­ers; gut musk­i­ness. Like clothes gone with­out wash­ing. I give them my bread, bacon crack­lings smeared over the large cuts of rye. They cough, blow their noses on rags, then knot them under their sleeves. Fern is my favorite. Del­i­cate as a grasshopper’s leap. When Fern falls sick, the red spots appear. My moth­er has already tak­en Anna out of school. How glad my sis­ter is soon to be mar­ried to the hand­some tin­ner Frank. But I who love books am made to tie on the apron. I stand over the papri­ka-scent­ed chick­en soup, star­ing into bot­tom­less­ness. “Stir, Emi­ly, just so the yel­low skin won’t form. Where’s your head?” My hand push­es the spoon through the kettle’s huge round. I pre­tend I turn to tal­low, melt away. A rumor of small­pox. Moth­er fears a daugh­ter with pocked face no man will mar­ry. A daugh­ter blind­ed. My turn to make the farm­house bread. Lips pressed, I obey, white knuck­led, I make fists of beat­en dough.

*

Do you remem­ber your wed­ding day?


My lips full, pouty. Look at me stand in sepia in 1906. I hold four long-stemmed white ros­es. Smol­der­ing beau­ty, I had to tame. Gold Coast, Africa—my heart’s desire—yet I chose the farm boy who made me wife. Rings giv­en and tak­en, then a bug­gy ride to Kadg­i­hn Stu­dio. My boy-hus­band eyes the pic­ture tak­er, I gaze into the far­away. My black hair’s kink refus­es its pins. The after­noon cook­stove-hot, I fol­low the binder that four work­hors­es drag through ripened oats. My hus­band thrusts his pitch­fork. I learn the truth of twine, cut and tie, chaff and straw, the bun­dles shat and sep­a­rat­ed. In the yel­low air the visions min­gle. Gold-paint­ed faces. Men sev­en feet tall in loin­cloths. The jaguar’s maw. Who remem­bers vows? Work is how we lived. Mar­ried in the morn­ing and in the after­noon our hon­ey­moon, we tramped the fields. Then in the dark­ness of our wed­ding bed more dirty sweat.

Stephanie Dick­in­son was raised on an Iowa farm and now lives in New York City where she strug­gles for the legal ten­der . Her nov­el Half Girl (win­ner of the Hack­ney Award giv­en by Birm­ing­ham-South­ern) is pub­lished by Spuyten Duyvil.  Corn God­dess (poems), Road of Five Church­es (sto­ries) and Straight Up and No Sky There (sto­ries) are avail­able from Rain Moun­tain Press. Her sto­ry “A Lynch­ing in Stere­o­scope” was reprint­ed in Best Amer­i­can Non­re­quired Read­ing and “Dal­loway and Lucky Sev­en” and “Love City” in New Sto­ries from the South, Best of 2008 and 2009. She is the win­ner of New Delta Review’s 2011 Matt Clark Fic­tion prize judged by Susan Straight. Her web­site is www​.stephaniedick​in​son​.net.  A new novel­la, Lust Series, is out from Spuyten Duyvil. It is vio­lent, goth­ic, rur­al, and both fem­i­nine and feminist.

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Just Figures, essay by Jackson Connor

Just Fig­ures

I. Cole­man

 

There’s noth­ing on the ice but wind. Tiny tides of pep­pery lake-effect snow whirl around the sur­face of the lake, weav­ing in and out of blue-tarp shanties that seem to coast across the ice exact­ly because they don’t move. But the only thing on the ice that feels real is the wind. I’m blind­ed to the things I can touch by the blow­ing cold which stings at my cheeks, sneaks into my snow­suit, tells me who I am.

I’m six, ice fish­ing with my dad, my Uncle Dal­lice, and my Aunt Jan. They set up the shan­ty the day before – two by fours, a blue tarp, some wood screws. It belongs to whichev­er of the three of them is head­ing out to the lake for a week­end. We cleaned out the holes they’d augered the day before, set the tini­est fish­ing poles, and lis­tened to the Cole­man lantern hiss. The steady hum against the wind still sneak­ing around outside.

Dad shows me how to set the line, where the peanut but­ter and jel­ly sand­wich­es are, and how to stretch out my legs with­out kick­ing my own or any­body else’s pole into the freez­ing water. The wind runs cold through Cana­da and cold across Lake Erie, and cold through the low­est hills and barest trees in north­west Penn­syl­va­nia. In the mean­time, because of weath­er pat­terns that I don’t pre­tend to under­stand, Lake Edin­boro lies right along a snow­belt. They could get a cou­ple feet, four feet, six feet of snow in a sin­gle day. Lit­tle moun­tains blown into piles and blind­ing at the edges of the lake.

We pull pan fish out of that hole as fast as we can set the lines. Three shanties down from us, a cou­ple of fish­ers build a bon­fire on the ice with wood and gaso­line and a couch they’d brought out in the bed of a pick up. I don’t think that’s appro­pri­ate, but Dad says it’s okay, and it smells good, so I don’t com­plain about it any­more. The adults focus on their lines, stop­ping once and a while to recall a sim­i­lar fish­ing trip, a sim­i­lar win­ter, a sim­i­lar smell of fire. Sure, I enjoy the tiny fish­es gath­er­ing in a buck­et, but I do love to lis­ten to those sto­ries – that’s what it means to be a grown up, telling a good story.

The wind snaps the shan­ty tarp tight and whis­tles across the augered holes left out­side by dozens of anglers. The bon­fire on the ice smells thor­ough­ly warm­ing, piney, pop­ping and fizzing on the bright white lake.

I hold my hands out to our Cole­man lantern to warm them up. The steam ris­es in spi­ral­ing streams slow­ly from the cuffs of my coat. Dad tells me not to get too close to the met­al on the lantern. I say, “I know.” What does he think I am, three-years old? Then I put the palm of my hand flat on the steam­ing met­al of the lantern.

* * *

I don’t remem­ber much about being that age. I can’t chronol­o­gize events or describe in detail my psy­choso­cial devel­op­ment, though I envy peo­ple who can. On the oth­er hand, my fam­i­ly has a cat­a­logue of sto­ries they tell back and forth to each oth­er – a series of threads they fol­low in and out of our fam­i­ly his­to­ry – and this is one of them. I remem­ber what the shan­ty looked like, because we stored it or one just like it beside the garage out back for most of my child­hood. Cole­man lanterns are green with white print and, when they’re lit, two mesh nets light up like bio­lu­mi­nes­cent egg sacs. I can’t recall what col­or my snow­suit was or even whether the sand­wich­es were on white or wheat bread, but over the years I have entire­ly con­vinced myself that I knew what bio­lu­mi­nes­cence meant when I was six years old.

The met­al of the lantern bub­bled and blis­tered my skin. I recall this from hav­ing heard it, I think, more than from remem­ber­ing the event as such. I hear a siz­zling that nobody has ever men­tioned in telling this sto­ry. And, though I know this is inac­cu­rate, I imag­ine the smell of burnt hair. Per­haps those details are stan­dard in a minor-burn sto­ry. Per­haps my uncon­scious is remem­ber­ing beyond my con­scious mind. I said, “Ouch.” My dad grabbed me by the wrist and dunked my hand in the water before I could even reg­is­ter the pain. He said, “You’re okay, buddy.”

This sto­ry, I am cer­tain, could read as a para­ble – do what your folks say, or suf­fer the con­se­quences – and that’s fine, and maybe I’ll tell my own chil­dren the sto­ry that way some times, but my fam­i­ly has nev­er told it that way. I’ve heard this sto­ry from my mom, my dad, my Uncle Dal­lice, my Aunt Dix­ie, and my Aunt Jan, and I don’t know if I’ve ever heard it the same way twice, but I do recall that it always ends the same. Young Jack­son sit­ting on a frozen lake with one hand in the water and the oth­er hold­ing a peanut but­ter and jel­ly sand­wich. Some­times, they tell this sto­ry to talk about tough­ness. Some­times, they tell it to talk about sandwiches.

My hand hurt like hell, I’d imag­ine. The burn was bad, but not dan­ger­ous. We went on fish­ing, though Dad offered to take me off the ice back to the hotel. I nev­er loved fish­ing of any sort, but I always loved lis­ten­ing to those sto­ries from Dad and Dal­lice and Jan, the sounds of the wind on the lake, the bright hiss of a Cole­man Lantern, and the smell fire on ice.

 

II. Kaden and Pappap

 

The air sits heavy and still on the camp. The trees are heavy green and still. A cou­ple of whispy clouds are still. My nephew Kaden is five. He runs across the yard in his bare feet. He can’t cross a stretch of it, because after build­ing the chim­ney, Ange­lo and I end­ed up with grav­el mixed in with the grass and sand, and it hurts his feet. Pap­pap stands on the oth­er side of the stretch, maybe twen­ty feet away. Pap­pap says, “Come on over here.” Kaden tells him it hurts too bad to walk on the grav­el. Pap­pap says, “It won’t hurt if you walk on your toes and go ‘ooch, ouch, ooch, ouch’ the whole way across.” Kaden cross­es the grav­el. “Ooch, ouch, ooch, ouch,” he says.

Lat­er in the week, Pap­pap sees Kaden walk­ing across the same stretch on his tip­toes, say­ing “ooch, ouch, ooch, ouch.” This time, Pap­pap notices, the kid’s wear­ing sneakers.

My dad is Kaden’s Pap­pap, and, though Pap­pap doesn’t think of it con­scious­ly, he’s teach­ing the kid to be tough. My dad would nev­er say to his friends, neigh­bors, or fam­i­lies, “No boy of mine is going to grow up to be a pussy.” A young boy can play with dolls and cook din­ner with mom and watch British car­toons any time he wants, but when it’s time to be tough, a lit­tle kid should be tough.

I had a friend whose father stopped talk­ing to him for near­ly a year when that friend joined the cheer­lead­ing team at col­lege. When I joined, my dad want­ed to know what we did at prac­tice and whether or not I liked it. But, I’d imag­ine if I had called to tell him that my tri­ceps were sore from hold­ing peo­ple above my head all after­noon, he would have said, “Oh, for garsh sake, do you want me to dri­ve you up some cook­ies, hon­ey?” There are a mil­lion ways to be tough and cheer­lead­ing is as good as any of them.

He nev­er talks about his own tough­ness direct­ly. But we know – my tough friends and I know – the old man is tough. I’ve seen him dis­lo­cate fin­gers and the dried blood from get­ting “bumped in the head with a ham­mer.” He doesn’t brag about it, how thick his skin is, but he doesn’t com­plain either. The first time I pulled on a pair of box­ing gloves, he showed me how to use them.

Any­time the rodeo’s on tele­vi­sion (or the world’s strong­man com­pe­ti­tion, or lum­ber­jacks, or race­car dri­vers), my dad says, “I’ve always won­dered who can claim to be a badass in front of some­body who just got kicked in the ribs by a three thou­sand pound bull. What are you going to do to a guy like that?” He’s as tough as he can be, no doubt, but he also rec­og­nizes tough in oth­er peo­ple, and that we all have our talents.

Kaden scrapes his knees, and, in that instant between wound and pain while his brain ana­lyzes its new data, Pap­pap says, “You’re okay, bud­dy.” Kaden bumps his chin on the counter, Uncle Jack­son hits Kaden in the eye with an errant pitch of the whif­fle ball, younger cousin bash­es Kaden with a stick. “You’re okay, buddy.”

More than any­thing it’s a calm­ing mech­a­nism. The bot­tom line here is that you are okay. I heard those words as often as I heard, “Time for din­ner,” when I was a kid, and I knew (most­ly) what they meant even then. Don’t pan­ic. Pap­pap doesn’t tell Kaden to quit being a pussy, the same way he nev­er “tough­ened me up” when I was young. Young boys are allowed to be hurt, but if we’re going to cry, we need to know we’re going to be alright some time, prob­a­bly soon. Usu­al­ly soon­er than we think.

My dad nev­er told me to quit cry­ing or that he’d give me some­thing to cry about. He’s nev­er said, “Well, wah, wah, poor lit­tle baby” to me or to Kaden. If my dad’s any­thing like me – and the longer I know him, the more I think he is – cry­ing sig­ni­fies dan­ger. When it is used in vain – like a joy­ful scream or a jok­ing call for help – its over­all mean­ing is desen­si­tized. Con­sid­er: “Wolf! Wolf!” or “Fire! Fire!” or “I was too sick to make it to your class this morn­ing.” Cry­ing tells any­body who is with­in earshot that I am incom­plete, I lack health, I need atten­tion. Used appro­pri­ate­ly, cry­ing is more use­ful than a degree in com­mu­ni­ca­tions or a lifes­tudy of meta­physics. Pap­pap rec­og­nizes this. Kaden and I rec­og­nize this. And we do not cry in vain.

Pap­pap tells this sto­ry again and again, “Ooch, ouch, ooch ouch,” he says, and we see Kaden tip­toe­ing across the grav­el. It’s anoth­er thread that some­times starts with Kaden or to the chim­ney Ange and I built or to the yard at the camp. Try­ing to guess what might call the sto­ry into telling on any giv­en day is as dif­fi­cult as guess­ing what might come next. Often it’s this:

Kaden is six. He chas­es his shad­ow across the yard towards a steep bank on anoth­er thick green day. Pap­pap watch­es him pick up speed as he gets clos­er and clos­er to the edge of the yard. Like iner­tia, you can’t stop a child at play. Pap­pap stands up from his lawn chair in time to see Kaden launch him­self face and bel­ly first over the crest of the hill into the flower gar­den. Pap­pap gets to the edge of the yard as Kaden turns his head back up hill. Kaden says, “I okay, Pappap?”

 

III. John Wayne Speaks

 

Any­body can dri­ve a truck, but what my dad wants is a John Wayne, Ass­kick­ing, Son of a Bitch truck. That’s what he’ll tell you. It could be a boat or a gun or a jack­et. Life is big and tough and will knock you upside the head from time to time. He wants stuff in that will knock back. One time, he told me, “Any­body could fuck around and get a blender, but what I want is a John Wayne, Ass­kick­ing, Son of a Bitch blender.”

Dad doesn’t know John Wayne as the well-groomed met­ro­sex­u­al who smoked thin cig­a­rettes and hat­ed hors­es. He only knows Hollywood’s ver­sion of Mar­i­on Mitchell Mor­ri­son – the guy who could prob­a­bly stran­gle that bull with one hand, who tra­di­tion­al­ly beat the everlov­ing piss out of bad guys from the Wild West to Iwo Gima, who nev­er had call to ques­tion his own author­i­ty or both­ered with gray areas of mroal­i­ty, who could drawl and holler a woman into love with him or snap a thou­sand sol­diers to with a back­wards glance – he only knows The Duke, but he knows that ver­sion means a lot.

I have been con­di­tioned – by my lifes­tudy, in my pro­fes­sion, through my trav­el – to see how I have been con­di­tioned by my prog­en­i­tors. I’ve seen them being tough, and I’ve heard their sto­ries about tough­ness. Each time I take up a thread in my own telling of the sto­ry, I empha­size this man­ner, this way of being, this tough.

I rec­og­nize times when I act tough, because it’s what I’ve been trained to do, and because I rec­og­nize it, my mas­culin­i­ty con­stant­ly rais­es a series of com­pli­cat­ed ques­tions for me – am I rein­forc­ing the patri­archy by behav­ing this way? do I feel this way because it’s nat­ur­al or because I’ve been taught to feel this way? ulti­mate­ly, is my behav­ior more harm­ful than help­ful (to me, to my wife, to my kids)? For my dad, though, he don’t want no bat­tery-oper­at­ed, limps-along lawn­mow­er; he wants a John Wayne, Ass­kick­ing, Son of a bitch trac­tor. He wants to puff out his chest and point his fin­ger in some asshole’s face, and issue forth some come­up­pance. At times, in fact, I’ve felt this too, it’s actu­al­ly worth someone’s being an ass­hole just so we can puff up and point our fin­grs in his face.

The issue gets more com­pli­cat­ed for my dad, though. He’ll tell you this: John Wayne, Ass­kick­ing, etc., but when he gets his hands on my elec­tric mow­er, he thinks it’s neater than shit that this lit­tle engine can take care of this much grass with­out fuel, and, because of how they’re built (he tells me) this lit­tle thing will run for the rest of your life with­out ever going into the shop. And he might get him one just like it if he ever gets the mind to.

When Hum-Vs hit the mar­ket as con­sumer SUVs, my dad thought maybe he should have one. “Wouldn’t it be neat,” he said, “if a guy like me end­ed up with a truck like that and paint­ed it tit­tie-pink?” I was prob­a­bly six­teen-years old, and, to be com­plete­ly hon­est, I didn’t know whether or not paint­ing it pink would be neat at that moment. Dad said, “Well, hell, I’d still be the guy with the Hum‑V.” And that made more sense to me.

My sis­ter is tough, too. Make no mis­take. She’s nev­er had it easy: grow­ing up, sum­mers down at the camp – we both took baths under a hand­pump with well water; we used an out­house; we got bit up by mos­qui­toes and ants and mice and had to split and car­ry wood. She played her sports vicious­ly; learned to dri­ve in a 1977 deep blue Ford F‑250; went through sev­er­al years of drink­ing hard, smok­ing plen­ty, and wrestling her way into and out of bad rela­tion­ships (just like me). She’s ten­der and com­pas­sion­ate, a bril­liant no-bull­shit teacher, kind and gen­er­ous, but I wouldn’t sug­gest pick­ing a fight with her.

My mom would rather go into the next room and pass out from the pain in her back, than let on that she’s hurt and ruin some­body else’s good time. She tripped on a bas­ket­ball I had left on the stairs one time. She asked me to come give her a hand – didn’t yell for me, didn’t let on what was wrong – and the small toe on her right foot was upside down. (What would you call that? Dis­lo­cat­ed? Sprained?) “Hon­ey,” she said, “I sure wish you wouldn’t leave your stuff on the stairs.” And I’ve felt guilty about it ever since, though her toe is much bet­ter now.

A few weeks ago, I tore out some shelves in the bath­room. There were a few razor blades that the pre­vi­ous own­ers must have dropped behind the shelves. I reached to grab one, and I was in a hur­ry, and it was a bad angle, and I was dis­tract­ed, and I real­ly thought I had cut the tip of my fin­ger off. A lit­tle chunk of meat hung by an edge of skin, and I debat­ed cut­ting the rest of it off or try­ing to fix it as it was (the next day, a friend asked why I didn’t get it stitched up; truth be told, I sim­ply hadn’t thought of it). I put some antibi­ot­ic on it, and duct­taped it back togeth­er. I guess it has been almost a month, and there is hard­ly even a scar to show for it. Mom says, “You got that from me. I heal fast.” And that’s neat, but it doesn’t give us much to show for what we’ve been through.

I’ve been taught, trained, and con­di­tioned to be tough, for sure, but these threads get tan­gled some­times in the telling. If it’s the men who are sup­posed to be tough, what’s with all the tough women in my life? When one gets hurt, is it bet­ter to react in anger or com­pas­sion, return hurt for hurt or just be for­giv­ing? Some­times I tell these sto­ries, and some­one asks, “What’s your point?” And rather than come up with a point, I pick up a new thread, weave it across what­ev­er I’ve just told, walk back into the labyrinth, try­ing not to trip over what­ev­er the pre­vi­ous gen­er­a­tion has laid down. It’s a trap, a maze, a labyrinth. Unlike Daedalus’s labyrinth, we’re born into this maze, miles deep with threads from a thou­sand dif­fer­ent entrances criss­cross­ing each oth­er, tan­gling again on them­selves – for every one we tease out, we find anoth­er dozen have become more com­pli­cat­ed­ly entwined. Gen­der, geog­ra­phy, race, biol­o­gy, class, doc­trine – it is too easy to think we can talk about any one of those things with­out imply­ing the rest, and, yet, we know, also, it’s too much to talk about all of those things.

 

IV. Tough

 

My friend Ann wrote an essay called “Tough.” I first read it before it was pub­lished when it was called “Touch,” and I got why she called it that, but I didn’t get why she called it that. Where I’m from, steel-belt West­ern PA, and where she’s from, coal-town West Vir­ginia, touch and tough don’t just look alike in print, they work togeth­er. There is some­thing more to being tough than strut­ting or sneer­ing, and I think it has to do with how we are gen­tle as much as how we fight.

Her claim in the essay is that her peo­ple, boys and girls, are raised to be tough, to sit there and take what­ev­er comes their way – sor­row, pover­ty, dying young – and they do. They sit there, tough­ly. Every­thing that comes their way, they take it in, and they own up to it, and they die young, and they don’t com­plain, and when a ket­tle bot­tom falls from the top of a mine shaft and crush­es their spines, they accept their new phys­i­cal lim­i­ta­tions and the accom­pa­ny­ing pay cuts, but they’re tough about it for good­ness sake. No piss­ing and moan­ing. Nobody can take that away from them. She goes on to talk about rela­tion­ships and her stick­ing with bad men and being tough rather than look­ing for some­thing else. And again I want it to be called “Touch.” I don’t want it to be called “Touch.”

Some­times tough­ness is to grin and bear it. Some­times tough­ness is to fight back. Some­times tough­ness is to go with­out. Some­times tough­ness is to go out and get. Some­times tough­ness is sit­ting uncom­fort­ably if it means some­one else can be more com­fort­able. Some­times tough­ness is a strong sol­id punch in the face. Some­times tough­ness is not throw­ing the punch. Some­times need­less suf­fer­ing is masochism; some­times need­less suf­fer­ing is just prac­tice for the rest of our lives. We’ve seen tough­ness in our­selves and in oth­ers a thou­sand times a day since the day we were born, and we don’t have any idea what it is.

 

V. Not So Tough Now

 

[old fish, young fish, what is water?]

 

I went to col­lege. I went to the steel mill. I wrote and wrote and wrote. Life was hard. I was sad, and I wrote about that sad­ness and how hard it was to be sad. I worked hard, and I wrote about that work. I drank too much, smoked plen­ty, and clung des­per­ate­ly to women who refused to love me. I refused equal­ly well those women who clung to me. My friends clung to the same women, and this was our cycle. We fought each oth­er, with­out anger, with our fists and what­ev­er we could think of to say that would real­ly hurt. I’ve often thought that I chose my friends back Home based on their abil­i­ty to hurt me, to get me ready for the future, what­ev­er it might hold, and I’d imag­ine I did my share of tough­en­ing them up as well. I’ve been gone from these friends for a long time – gone to grad school, where sad­ness is often a dif­fer­ent kind of sad­ness, the sad­ness of knowl­edge: of both know­ing too much and nev­er know­ing enough. The same kind of emo­tion­al hurt comes at me when I’m in grad school as I was like­ly to find while work­ing at the mill. But the phys­i­cal pain isn’t there, the every­day sore­ness, stiff­ness, burns, nicks, scrapes, cuts, blis­ters, the smashed fin­gers, the torn fore­arm, the knot on the fore­head – this hurt, which makes pain ubiq­ui­tous, sim­ply doesn’t exist in the same way at university.

I’ve been walk­ing up and down this metaphor­i­cal fence since I was a child, act­ing tough, punch­ing bags, swal­low­ing more than I could chew – I had to be tough, but I nev­er knew it as being tough, only as the way things are. Dan reach­es out and smacks me in the face because I’m read­ing instead of fish­ing. I catch Dan with the back of my hand, because I’m curi­ous what braces feel like on my knuck­les. We toss each oth­er around. Kick each oth­er when we’re down. We jab. We knuck­le rub. We pinch and poke and twist and, when all else fails, we punch and punch and punch and punch until we’re cer­tain the terms of our friend­ship are clear. But there is no why to doing this. This is only how we live in this place. It is only life, not some­thing I am aware of. It’s not that I don’t know what I have, rather I don’t know there is any­thing to know about hav­ing it. In fact, I have not been called upon to be tough for any extend­ed peri­od of time since I start­ed grad school. At the same time, I became aware of class, real­ly aware of it, for the first time.

Class seems, some­how, unre­al – a false way of describ­ing my very true life. When folks talk about wealth and pow­er and mon­ey, it is hard for me to get into the con­ver­sa­tion, because those things seem so the­o­ret­i­cal. When folks talk about free­dom and equal­i­ty and jus­tice, I have a hard time find­ing any­thing to con­nect the con­ver­sa­tion to what I have known, to the sounds a 700 ton press makes punch­ing holes in stop sign chan­nel, to heft­ing cin­der blocks four high on scaf­fold­ing above my shoul­ders, to drink­ing beer for a dol­lar-ten a draft and shoot­ing pool for a quar­ter a game.

Still, it is in the midst of these con­ver­sa­tions that I start to see the threads. I start to see the labyrinth, though the beau­ty of this par­tic­u­lar maze is that it exists only as metaphor, such that any con­ver­sa­tion about it begins with the acknowl­edge­ment that it does not exist. We tease out anoth­er thread, we find our way to the entrance of the labyrinth. We pass through the entrance, think­ing we’ve found our way out, but this entrance guides us direct­ly back into the labyrinth and we find a dozen more threads that lead in a dozen new directions.

VI. Nature and Nurture

Venan­go Coun­ty Penn­syl­va­nia, where I come from, has more third gen­er­a­tion wel­fare recip­i­ents per capi­ta than any oth­er coun­ty in the Unit­ed States. I nev­er knew that grow­ing up, and I don’t imag­ine that it would have impact­ed my life too great­ly if I had known. What it means to me now is that this guy sit­ting three barstools down from me nev­er worked a day in his life, because his par­ents nev­er taught him to work, because their par­ents nev­er learned to work.

I don’t know if that’s true. Maybe the guy would have been unem­ploy­able even if he had punched his way out of a porce­lain womb in Bev­er­ly Hills. The the­o­ry is only the­o­ry – I tell my class­es about social con­struc­tions, prod­ucts of envi­ron­ments, how rhetoric and pow­er struc­tures shape our ide­olo­gies – I tell them that soci­ety is so pow­er­ful a force that it actu­al­ly shapes our biol­o­gy: we adapt phys­i­cal­ly to the world we cre­ate with lan­guage and desire.

My friend Pre­ston, on the oth­er hand, says, “It doesn’t mat­ter where you’re born, or what kind of crib you lay in, you are who you are. Your DNA,” he tells me, “is too strong, to give a rip about Nur­ture.” He’s a cytotech­nol­o­gist, which, he tells me, means he stud­ies stem cells – he’s an advanced biol­o­gist. Accord­ing to him, my the­o­ry is bunk. Soci­ety is bunk. Lan­guage is bunk. Nur­ture doesn’t mean shit when you set it right up against Nature.

I tell my stu­dents Preston’s ideas as well. And then we all set to try­ing to find our ways out of the labyrinth, try­ing to deter­mine whether class or gen­der or race are based in soci­ety or biology.

 

Ulti­mate­ly, I argue that we learn how to behave, that mas­culin­i­ty is a guise rather than just the way things are. And, if we take that the way things are to mean the way things are sup­posed to be, I believe that we should rather weight the cost vs ben­e­fits and decide whether or not things actu­al­ly are the way they should be or if we’re blind­ed by tra­di­tion. But I’m also open to sug­ges­tions. I admit the sta­tis­tic about third-gen­er­a­tion wel­fare recip­i­ents might be mis­lead­ing. It is pos­si­ble, I would allow, that these peo­ple are sim­ply born lazy (tru­ly, there’s no way of know­ing for sure). At this point, I can only say that my moth­er heard the sta­tis­tic and she is quite hon­est and trust­ing. I could replace the sta­tis­tic with a descrip­tion of my home­towns – Oil City and Franklin, Penn­syl­va­nia – slip­ping into the Alleghe­ny riv­er, mason­ry crum­bling, sink­holes belch­ing, cars rust­ing and lurch­ing through the mud. A third world ver­sion of the Amer­i­can Dream. Where Free­dom means free to tough­en up, to sit there and take it, to work sev­en­ty hours a week and be proud of your pain.

 

VII. How, After All, Do You Cir­cum­cise a West Virginian?

 

In my new life, I hear the jokes about my old life, about the tooth­less, the sleeve­less, the drunk hairy, the fat, the skin­ny, the back­woods, chick­en fuck­ing, the poor, poor, poor, igno­rant stum­bling mass of white trash stink­ing up Appalachia. In my new life, I see peo­ple pity the work­ers and keep a dis­tance, talk of Marx­ism and buy two hun­dred dol­lar shoes, lean in and ask, “How do you cir­cum­cise a West Vir­gin­ian?” though they are not moyles, and the clos­est they have ever been to Appalachia is fly­ing into Leguardia..

Per­haps the only thing that keeps Penn­syl­va­ni­ans from being the butt of so many jokes is that our accent is just not quite as thick rust­ed shut as West Virginia’s. West­ern civ­i­liza­tion knows about the down­trod­den in South Cen­tral L.A., because we’ve seen Omar Epps and Cuba Good­ing Jr. and the evening news cov­er­age of Watts riots, and most of us rec­og­nize the bad taste of mak­ing a joke at the expense of inner-city blacks. Such jokes are clear­ly racist, oppres­sive, lim­it­ing, hurt­ful. But, there is anoth­er kind of third world in these here Unit­ed States – it is in the tall hills of Appalachia. Look in the hollers and down the crick there, you’ll see poor. But lis­ten to them speak. By God that’s fun­ny. It’s like a car­toon of itself. Guldernit.

In Salt Lake City, NPR runs “Select­ed Shorts” at nine p.m. Fri­day night. I moved there five months before my grad pro­gram began. I worked hard all week in machine shops and steel mills, drank myself to sleep on Fri­day nights, ran twelve miles Sat­ur­day morn­ings. I didn’t know any­body, and those salt flats stretched on and on and on. Life was hard. The theme for “Select­ed Shorts” (an NPR pro­gram where famous actors read short sto­ries by famous writ­ers) one Fri­day evening was folk­tales. The show began with an anony­mous 14th cen­tu­ry French folk­tale called “The Stu­pids.” A fam­i­ly of roy­al­ty whose sur­name trans­lat­ed to Stu­pid and who might have been the prog­en­i­tors of Amelia Bedelia and Gomer Pile. I don’t remem­ber who read the sto­ry, but I remem­ber every time the read­er came to a bit of dia­logue from a mem­ber of the Stu­pid fam­i­ly, that she spoke West Vir­gin­ian with a touch of Ken­tucky. She read every bit of descrip­tion, action, and the dia­logue of the “nor­mal” char­ac­ters as though she were prac­tic­ing for the cotil­lion, but when one of these medieval French nobles mis­took a pine tree for his fiancé, his drawl grew into thick slow mountains.

And here’s the rub: I prob­a­bly still wouldn’t be able to artic­u­late my feel­ings about home if I hadn’t spent so much time away. I prob­a­bly wouldn’t talk about home with­out my doc­tor­al stud­ies. But­The accent upset me imme­di­ate­ly. And I’ve spent a lot of time won­der­ing why. Why does it mat­ter to me? Why do I care whether she uses an Appalachi­an accent or a Bronx accent? Why would such a thing have any impli­ca­tions regard­ing my life?

The answers are com­pli­cat­ed. The answers are sim­ple. It doesn’t mat­ter at all. It’s the only thing that mat­ters at all. The answer is bound up in oth­er ques­tions I have been ask­ing myself for years: are you a racist? a big­ot? do you hate peo­ple who live on the street? Are you fright­ened of for­eign­ers? And I’ve always want­ed to answer, “No, me, no, nev­er” to all of those ques­tions, but the truth is – the truth is more com­pli­cat­ed than that. Here’s the next equal­ly impor­tant ques­tion – how do you know? Because I have a lot of black friends or always give to the poor or sup­port fem­i­nists every­where. Why? Because, I have been taught that all peo­ple are equal. Because I nat­u­ral­ly believe that all peo­ple are equal. Because I want to heal the world, make it a bet­ter place for my kids, allow indi­vid­u­als around the world to live in har­mo­ny, put an end to war, dis­trib­ute wealth and pow­er equal­ly to the mass­es. Oh, those things are a lit­tle bit true, but there is also a great deal of guilt that goes along with nev­er hav­ing gone hun­gry, with nev­er hav­ing to skip a meal, with get­ting a dif­fer­ent pair of name-brand shoes for every sport I played..

I imag­ine most peo­ple out there who active­ly con­sid­er them­selves non­racist, non­big­ots, would say the same or sim­i­lar things. I’ll bet you cash mon­ey the woman read­ing on select­ed shorts is not a racist or a big­ot either. I’ll bet you it nev­er even crossed her mind to insin­u­ate that the Stu­pids are black, Irish, Jew­ish, Female, Queer, men­tal­ly chal­lenged, because those peo­ple are real peo­ple and they have feel­ings, too. White trash, now, that’s a dif­fer­ent sto­ry. They’re just lit­tle car­toon peo­ple with fun­ny voic­es, so who gives a shit if they get the rickets.

It is not all right to tell a joke that begins, “I’m not a racist, but did you hear the one about the two blacks who … ?” Blonde jokes are inap­pro­pri­ate. No thought­ful, sen­si­tive per­son would start a joke about veg­etable and end it with an invalid human being. On the oth­er hand, I’ll bet you’ll get a laugh from just about any­body if you say, “Kick his sis­ter in the chin,” in response to, “How do you cir­cum­cise a West Vir­gin­ian?” Appalachi­an jokes are still accept­able in the cities, on the radio, in acad­e­mia, in oth­er parts of Appalachia. The clos­est my wife had ever come to Appalachia, geo­graph­i­cal­ly, before she met me was New York City, and even she knew some West Vir­ginia jokes. Her fam­i­ly, none of whom has ever been any­where near Appalachia, who lives and breeds in Utah, who are kind, thought­ful deeply reli­gious peo­ple, nev­er mean­ing harm, have no prob­lem what­so­ev­er mak­ing fun of West Virginians.

They’re inbred, hyper­sex­u­al­ized – did you know there is a law in West Vir­ginia that says you’re allowed to fuck any­thing big­ger than a chick­en? – they’re lazy, unkempt, igno­rant, thought­less. Fuck­ing ani­mals. Shouldn’t it be enough that in order for the joke to work, a woman has to get kicked in the face? Well, it isn’t enough yet.

* * *

The Blue Col­lar Com­e­dy Tour could just as eas­i­ly be called The South­ern and Stu­pid and Proud of It Com­e­dy Tour. I used to say, I don’t blame Jeff Fox­wor­thy for amass­ing mil­lions of dol­lars by point­ing and laugh­ing at his neigh­bors. I used to say, I don’t care that Lar­ry the Cable Guy can say “Water-head­ed retard” with­out bat­ting an eye. What both­ers me is that we give these peo­ple an audi­ence. It both­ers me that these are edu­cat­ed human beings, per­pet­u­at­ing neg­a­tive stereo­types about human beings.

Well,” folks tell me, “Chris Rock makes fun of black peo­ple, and peo­ple think he’s fun­ny.” Well, folks who argue thus – I’m going to tell you this, and mull it over, chew on it for a while, don’t just agree because you feel like you should or dis­agree because you’ve been taught some­thing dif­fer­ent – shame on Chris Rock, too.

My stu­dents have raved about Mind of Men­cia, how this Latin Amer­i­can man deals with race issues and breaks down bound­aries by being polit­i­cal­ly incor­rect. He’s hilar­i­ous they tell me and inter­est­ing, because he says things oth­er peo­ple are afraid to say. I watched him for the first and only time on the rec­om­men­da­tion of my stu­dents and had to fight back tears. And not the laugh­ing kind. Car­los Men­cia stood up there and said he didn’t care about polit­i­cal cor­rect­ness, because he was just being hon­est. His humor, he claimed, only point­ed out the truths that oth­er peo­ple didn’t feel com­fort­able talk­ing about. He made fun of blacks for being incom­pe­tent, Mex­i­cans for being lazy, women for being emo­tion­al and over­ly con­cerned about their weight. He made fun of white peo­ple for their con­ser­v­a­tive pol­i­tics. He insult­ed the poor, preyed on the dis­pos­sessed, while con­stant­ly reaf­firm­ing the notion that he was rebelling against an author­i­ty that would have him keep qui­et for the sake of con­ven­tion­al notions of decen­cy. Men­cia cre­at­ed a false con­scious­ness that denied any objec­tion against him as prud­ish and back­wards; he put his own thoughts (which did absolute­ly noth­ing but rein­force over­wrought stereo­types) forth as rev­o­lu­tion­ary; he claimed to be under­min­ing pow­er struc­tures, when, in fact, he was only rein­forc­ing them. He took on the lan­guage of rev­o­lu­tion and used it to strength­en tra­di­tion­al and oppres­sive patri­ar­chal, racist sys­tems. He used easy and well-known jokes about gen­der, race, and class to encour­age overt big­otry, racism, and clas­sism – ooh, Men­cia, some rebel.

Sev­en years ago, I might have found some humor in Men­cia, or, at least, thought him harm­less. But, now, I’m try­ing to fig­ure out how these sorts of come­di­ans help to keep the sta­tus quo sta­tus quo-ing. I see that these jokes, these sto­ries, make the butts of the jokes some­how unhu­man. I rec­og­nize that when I have said, “You might be a red­neck if …” I have been com­plic­it in per­pet­u­at­ing dehu­man­iz­ing notions of igno­rance, lazi­ness, overt racism in my own peo­ple, when, in fact, the peo­ple I know are peo­ple, not the sil­ly car­i­ca­tures these jokes have made them out to be. Even my neigh­bor with his van up on blocks is human. Even my neigh­bor with the porch­ful of fire­wood is human. Even my neigh­bors next door and dis­tant who are the butts of every one of Jeff Foxworthy’s “You Might Be a Red­neck …” jokes are human.

I look at the way we’re taught to sit and take it. I lis­ten to how out­siders talk about Appalachi­ans. I’m com­ing to terms with the ways in which we social­ly con­struct each oth­er and our­selves to main­tain and uphold the (usu­al­ly dev­as­tat­ing) tra­di­tions of our cul­ture. I grew up tough. My friends and fam­i­ly mem­bers grew up tough, and we need­ed it, and we need it to deal with the steel, stone, and oil of our work­ing lives, to deal with drafty win­ters and sum­mer vaca­tions to Con­neaut Lake Amuse­ment Park. If we weren’t tough, we wouldn’t be able to sit here and take it when the out­side world calls us igno­rant. We can take that. And if we move into the out­side world from time to time and eat a bite of their sushi, they can take that. As long as we go back to what­ev­er hill­side we crawled out of, go on sleep­ing with our rel­a­tives, and forge that fuck­ing steel.

These jokes, char­ac­ters, sit­coms, and oth­er media like them are more threads that keep us bound up where we are, more entrances into the labyrinth, more ties that bind us to this way of life. They keep us bound where we are, keep us fright­ened of the out­side world – you hear that you and your folks are sub­hu­man often enough, and you start to believe it. Many of my peo­ple even take pride in these awful things that The Blue Col­lar Com­e­dy Tour says of them, not rec­og­niz­ing the ways in which they have been lim­it­ing, hurt­ful, degrad­ing. And, in this way, such folks walk deep­er into the labyrinth, refus­ing to see what they can see, because they’re blind­ed by the invis­i­ble maze, just as we’re blind­ing by the wind on the frozen lake.

Me, I made it out. The sim­ply expla­na­tion for this is that I got lucky, I sup­pose: through a strange series of events and, per­haps, a slight­ly dif­fer­ent set of desires than most of my peers, I took grad school over the steel mill. I can see, now, the labyrinth. Even if I can’t find my way out, I can, at least see it. And, most days, I think that’s nice, that knowl­edge, but the rest of the time, I know, the knowl­edge has cost me my home, my place in the world, a con­crete con­nec­tion to my much of my fam­i­ly and most of my old friends. And that’s just fuck­ing tough.

VII. Just Figures

I left it all behind for a while – the mill, the mason­ry, the refin­ery. I’ve tak­en to wear­ing dress shoes, even khakis some­times. I under­stand the under­ly­ing prin­ci­ples of chop­sticks. I almost won a cou­ple of awards. I did win some oth­ers. I’ve had din­ners and drinks with some of the best writ­ers in the coun­try. Except for a week in August and a week in Decem­ber, I leave West­ern Penn­syl­va­nia com­plete­ly behind, but it won’t leave me alone.

My wife and I and our three kids (and one on the way) and our cat and our dog and our presents drove from Athens, Ohio to Reno, Penn­syl­va­nia three days before Christ­mas 2006. Every once in a while, I opened up my cell phone to read the mes­sage I had received the day before. “Mugged in pitts­burgh sat­ur­day night, surgery fri­day. Severe pain. Hap­py hol­i­days. Vis­it me when you are home, don’ think i’ll be able to dri­ve for some time.” I like being able to keep in touch with my friends, but text mes­sages frus­trate me. Peo­ple don’t under­line book titles or cap­i­tal­ize pres­i­dents’ names. I am a dumb read­er and I need these cues – with­out them, I might end up think­ing the mes­sage bout Moby Dick is about a musician’s penis.

Dan, who had sent the mes­sage, hap­pens to have a fair­ly seri­ous heart prob­lem, along with a num­ber of fair­ly seri­ous health issues dat­ing as far back as high school. He’s also the type of guy who is liable to pick at a stranger just to see what it feels like to get beat up by this par­tic­u­lar per­son. The phrase “Severe pain” might have had some­thing to do with his rela­tion­ship or deal­ing with his sec­ond Christ­mas with­out his grand­moth­er or it might have been an exis­ten­tial state­ment, a promise, or a reminder of the fact that I once cracked a ver­te­bra in his back yard.

Dan called my folks’ house on Christ­mas Eve. This year, a call was the best he could do. I talked to him for a few min­utes and promised to vis­it him the next day. My par­ents asked how he was doing. I told them he got beat up pret­ty bad and he sound­ed tired. They said, “It’s a shame.” Then we played more cards.

A lit­tle anec­dote about Gor­do. I hit him over the head with a spade shov­el one time on acci­dent, hard enough that, I believe, I would have knocked most peo­ple out. Square on the head. He winced long enough for the shov­el to stop rever­ber­at­ing, and shook his head as though he real­ized for the first time in his life what kind of an idiot his best friend actu­al­ly was. Then he kept digging.

Christ­mas Day, when I got to his par­ents’ house, he hugged me at the door, the right side of his face swollen, bruised. His right eye sunken, almost invis­i­ble. I not­ed that it didn’t look that bad. He said the sur­geon did a hell of a job. He showed me where the doc­tor had put the tita­ni­um plates above and below the eye and one on the side. The doc­tor had recon­struct­ed his sinus­es, but he thought what hurt the most at that moment were the screws hold­ing that part of his face togeth­er. I spoke to his par­ents – them­selves a sec­ond set of par­ents for me for the past fif­teen years – while my wife talked to Gor­do about school and our upcom­ing baby. I tried to get some kitchen mag­nets to stick to his face, though I guess tita­ni­um doesn’t work like that. He had an appoint­ment with an eye spe­cial­ist the next week, because when he reads, the words at the right side of the page fall over onto the floor, because, after the bone col­lapsed and the mus­cle col­lapsed and his sinus­es col­lapsed, the mus­cle popped back up, but the bone stayed indent­ed, and there is a great deal of swelling, which is frus­trat­ing, because the best present he got this year was a first edi­tion copy of George Orwell’s war cor­re­spon­dence and some essays and he’s been want­i­ng to get his hands on that book for years.

On my way out, I hugged him and his folks and his fiancé. I told his dad that I wished we still had the box­ing gloves, I think I could take Dan this year. His dad said, “Bull­shit.” His mom told me con­grat­u­la­tions about the baby and to stay out of trou­ble and to keep in touch.

My wife scold­ed me after we left. Dan had been sweat­ing and breath­ing hard for the last half hour we were at his house. Sit­ting at that table for two hours was the most activ­i­ty he had engaged in for the past two weeks. She said, “We over­stayed. Couldn’t you see how much pain he was in?” The sim­ple answer is: “No.” But the truth is: of course I could see it. I stuck around, because I want­ed to watch my friend tough it out. He could hard­ly speak by the time we left, and he need­ed the counter to help him stand. I stayed there with him, though to leave would have been mer­ci­ful, because Dan can take it, and I know it, and he’d have done the same for me.

I told my cousins and my aunts and uncles about Dan get­ting mugged. He’s like a cousin to them or a nephew or a friend. They said, “Jees o Pete.” They said, “Well, I’ll be darned.” They said, “That’s a shame.” And it wasn’t enough. I had the sce­nario set up in my head, and I already knew they would say those things, and I knew it wasn’t going to be enough, and it wasn’t enough. For Christ­sake, I’ve been telling myself each night since then as I lie awake, it’s not enough.

Alright, I’ll say it: if there is one qual­i­ty that I admire above all oth­ers about my peo­ple back home, it’s how god­damn tough they are. Now I mean it. Every sin­gle one of them, I don’t care what they’ve done, from whom they’ve stolen, how many times they’ve been brought up on pos­ses­sion charges. If there is one thing, though, that keeps me away from home, that reminds me I can nev­er go back, that I absolute­ly can­not stand about my peo­ple, it’s how tough they are.

My mom tells me, “The sad­dest thing to me is that I’m glad it hap­pened to Dan. Get­ting hit like that might have killed some­body else.” My dad says, “Might have? You don’t hit a boy like that with your fist and smash in his face. Who­ev­er hit him, what­ev­er they hit him with, they were try­ing to kill some­thing.” My par­ents love Dan. He spent sev­en years full time in the steel mill, now he’s a year away from a degree in sec­ondary edu­ca­tion. They are damn near as upset that he got hurt as they would be if it had been me. But they’re right, and I’m glad it was him, too, by which I mean, I’m proud of Dan, too. By which I mean life is hard, and it just fuck­ing figures.

I nev­er thought about class when I lived in Penn­syl­va­nia. If I did think about it, I might have thought, the rich are rich and the rest of us do what we have to do. Since then, I have lived for a spell in Red Lodge, Mon­tana; Salt Lake City, Utah; Athens, Ohio, Greens­boro, North Car­oli­na, and Athens, Ohio again.. And even now, I’m only begin­ning to under­stand what class means. I have friends and inlaws who live in quar­ter mil­lion dol­lar hous­es who don’t think they are any­where near being rich. Peo­ple who scrape by on six fig­ures and who are embar­rassed when they buy five-year old cars.

I’ve been a part of these work forces and these acad­e­mias. I’ve drunk with them and made friends with them and oth­er emi­grants to the towns. I’ve made love to some of them and even held a cou­ple through cry­ing jags. But I have nev­er been in a place oth­er than Appalachia where a group of peo­ple meet news of such a mug­ging with as much com­pas­sion or com­pla­cen­cy. These peo­ple, my peo­ple, when we say, “It’s a shame,” we mean, “It’s a shame.” We don’t mean, “Let’s do some­thing about this,” or “I couldn’t care less.” We mean we wish it hadn’t hap­pened and the world is rough and life is hard and bad things hap­pen. But we also have this uncan­ny abil­i­ty to say to our­selves, “It just fuck­ing fig­ures.” I can do this. I’ve learned it, I’ve taught it. I can say, “Damnit, Dan. That’s hard to believe. The mug­ger didn’t take any­thing except your cell phone – have you read any­thing good late­ly.” In these oth­er places, in oth­er cir­cles, I would say, “Did you call the cops? Did any­body else wit­ness the event? Can you sue the city? I am not going to sleep until we clean up those streets.” But in West­ern Penn­syl­va­nia, I know, I am cer­tain, the best I can say is that life just fuck­ing fig­ures this way, and to tell Dan, “That guy did one hell of a job with the stitches.”

 

VIII. Syd­ney and Duff

 

Life is hard. We know this. And, yet, I don’t want any of my writ­ing to read, “It’s not easy grow­ing up (the way I grew up).” Because it was easy for me. My child­hood was as good as any I’ve ever heard of. And I’ve reached a point where I feel as though I have over­come (or at least am aware of) most of the neu­roses which are liable to have cropped up from such an upbring­ing. I’ve made it out into the world, and, for that rea­son, maybe my claims fall apart: that my home­town is a socioe­co­nom­ic labyrinth to its inhab­i­tants doesn’t ring quite as true com­ing from some­one who writes from the outside.

Now, my kids, they’re a dif­fer­ent sto­ry alto­geth­er. They spend their sum­mers in Penn­syl­va­nia. They spend their sum­mers in Mex­i­co. The camp still has an out­house, and the water comes from the well, but now there is an indoor toi­let and a hot water tank. They fish from the boat for eight-hour stretch­es in the hot Mex­i­co sum­mer and sit in the back of the Ford Focus for the three-day dri­ve to or from the ocean. They’re tough in their own way.

Above all else, it’s a defense mech­a­nism, I know that much. Think­ing I’m tough. It’s just a way to cov­er up the fact that I know I’m not. I read some­where a while back, “There are two types of men in this world, those who think they’re strong, and those who know they’re not.” It’s a gen­dered state­ment, I know that much, too. And it’s wrong, because I think that I’m tough. And I know that I’m not.

Tough­ness is not some­thing that I like to talk about, because just talk­ing about it makes most of us want to fight, want to throw the fuck down, or at least com­pare sto­ries about the tough­est guy I know. That’s not what any of this is about. I wouldn’t for a minute insist that I could walk into a bar down­town or out in the coun­try and kick a bunch of ass. Fight­ing isn’t our spe­cial­ty. If any­thing is our spe­cial­ty, it’s get­ting beat up, and, again, tak­ing it.

* * *

There is one sto­ry my friends from back home and I tell about the first sum­mer we worked in the mill together.

Stacey Con­fer was sit­ting in the break room, eat­ing left­overs. He said, “My wife yelled at me the oth­er day for smack­ing the kid around. She said it hurts him and it just ain’t right. I said, ‘Hon­ey, I’m just tap­ping him around, try­ing to tough­en him up a lit­tle bit, you know, pep­per him. If I don’t, the kid’s going to grow up to be a pussy.”

It’s been twelve years now, and we still quote Stacey from time to time. We all know it’s not easy grow­ing up with a girl’s name in a place where being a man is very spe­cif­ic and not up for debate, and make no mis­take about it. That old boy got pep­pered plen­ty him­self when he was young. And he’ll tell you him­self, he turned out just fine. I’m not always cer­tain why we tell that sto­ry. None of my friends ever got worse than a belt or a good spank­ing. On the oth­er hand, we have all been bit in the ass by our own Aussie Shep­herds. We have been mugged or had our legs run over by a jeep while we were passed out or got our arm pinned beneath 400 pounds of stop sign channel.

We have all, in short, been pep­pered, whether we’ve known it as such or not. And, I’d imag­ine, though we des­per­ate­ly don’t want such things for our kids, we all des­per­ate­ly need such things for our kids. I’ve got­ten out, and I teach a course about the dan­gers (to both men and women) of the mas­cu­line con­struc­tion we believe in our cul­ture. I’ve got out, and I don’t work at the mill any­more, hear the sto­ries, push the steel. I wear dress slacks and show­er in the morn­ing. My tough friends are in var­i­ous stages of still being trapped by our towns. They are going to need their kids to be tough, they are not going to want their kids to grow up to be pussies, but, if they’re any­thing like me, and, let me tell you, they can’t help being some­thing like me, they are going to hope like hell that their kids grow up not to be like them.

My kids scrape their knees, bite their lips, get splin­ters, and I don’t know how to feel about all that. I want to nur­ture them, to let them cry it out, to give them time and sing them songs. And I want them to suck it up. I want them to get tough, to pour the per­ox­ide on the cut, spit out the blood, cut the splin­ter out with a pock­et knife.

I don’t know which is the right avenue for them.[TIME FRAME] Yes­ter­day, their moth­er fin­ished the last step in the long process of earn­ing a PhD. I’m two years into a sim­i­lar pro­gram. My chil­dren have aca­d­e­mics for par­ents. We have more mon­ey than my par­ents had grow­ing up, but I know now we are nowhere near mid­dle class, but nei­ther are we any­where near the work­ing class fam­i­lies I grew up around. My chil­dren are grow­ing up in the uni­ver­si­ty. For them noth­ing is impos­si­ble. They are bound up in a dif­fer­ent class that doesn’t have so much to do with mon­ey as with edu­ca­tion. They speak about col­lege as the nat­ur­al step that fol­lows the nat­ur­al stage of high school. By the time they are in high school, they are already talk­ing about grad school. They will nev­er be wealthy, nor will they prob­a­bly wear steel-toed boots to work regularly.

Yet, I can’t help won­der­ing if maybe my notions of tough­ness and class are dan­ger­ous to them in ways that none of us can rec­og­nize at this point. I real­ize that by insist­ing they are tough, class aside, I am rein­forc­ing dan­ger­ous notions of mas­culin­i­ty. I also wor­ry that by priv­i­leg­ing tough­ness, I might be encour­ag­ing them to priv­i­lege tough­ness as well, to seek out pain in the same ways I have, to val­ue it in oth­ers above things such as busi­ness savvy and wit­ty ban­ter. I see my kids limp­ing about on stoved toes, rub­bing scrapes and bruis­es, cry­ing because their wrestling match with a friend got out of hand, and when I think to tell them to suck it up and be tough, the walls crop up, the bars fall into place; I see myself build­ing this impen­e­tra­ble pow­er struc­ture around them. I see my own class over­whelm­ing their own. More than any­thing, though, I see West­ern Penn­syl­va­nia pulling me back towards it no mat­ter how far I trav­el or how long I’m gone.
Jack­son Con­nor lives and writes pri­mar­i­ly in Athens, Ohio with his spouse Traci Con­nor the writer and their four badass chil­dren. His work has won awards and appeared in a num­ber of jour­nals. He has a blog about learn­ing how to write again after his press shut down and he lost his first nov­el last year.

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Two Poems by Timothy Gager

reply to the grumpy cashier at the fast food restaurant

Hel­lo Sunshine!

just make my damn sandwich

cause at min­i­mum wage

that’s what you’re here for

 

Just a reminder:

no one died on a cross

mak­ing that bun

the body of Christ

and the fact that I’m 40

doesn’t auto­mat­i­cal­ly mean

I’m check­ing out your body, Christ

I don’t want any­thing else,

only what I asked for

 

I think I’ve done this before

I’ve set my eyes on your sour puss,

smiled and said thank-you,

salt-pep­per-ketchup, please

go the fuck home

and con­tin­ue doing nothing.

 

Excla­ma­tion for a Separation 
which hap­pened long Ago 

Hey you. I’ve nev­er spo­ken badly
about you but I need to start.
I just want­ed to say how things are
for me regard­ing you. You
with no sense of forgiveness…believe
me when I say I still remem­ber the
time I had to wres­tle an apol­o­gy out
of myself I nev­er want­ed to give.
Boy was that a mis­take, I thought
you just want­ed to smell the blood
of my weak­ness so you could say,
Ha, I’m a shark! Now, I can no longer
speak or even look at you. It angers me
like a match spark­ing a gaso­line river.
I want you to die but not before I want
you to know that my feel­ings will remain
and that is a good thing. It is that rage
which nev­er again wish­es to break into your
heart; the way yours did to mine,
to hurt it, which moti­vates me to nev­er be weak or
give in to a cold heart­ed unfor­giv­ing fuck
like your­self who will nev­er have the
priv­i­lege of ever know­ing me again.
You will still use oth­ers for your personal
gain but it will nev­er be me. Here’s some
advice: I still see that you are up to your
old tricks so I hope you’ve learned after
your career falls flat on your blank
trans­par­ent face. that I think it would
work out nice­ly for every­one. Chalk it up to
lessons learned. It’s tak­en years of restraint
to not say I want to punch you in the face
then stab you. Too harsh? I’m not sorry!
See that! I’ve learned. I’ve just give you
fod­der to talk about me the way you
always did, at least today, feel what's real.

 

Tim­o­thy Gager is the author of eight books of short fic­tion and poet­ry. He has host­ed the suc­cess­ful Dire Lit­er­ary Series in Cam­bridge, Mass­a­chu­setts every month for the past eleven years and is the co-founder of Somerville News Writ­ers Festival.His work has appeared on NPR and in  over 250 online and print jour­nals since 2007. He has  been nom­i­nat­ed for the Push­cart Prize nine times.
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Dog, fiction by Charles McLeod

When I was twelve my dad stole pay­load from auger mines a coun­ty north of where we lived. Mom had fall­en off a truss bridge drunk the sum­mer pri­or and no thing, small or large, would bring her back. So my dad took to dri­ving, to bat­tle the sad­ness, but gas costs good mon­ey and to sup­port his habit he began filch­ing coal. His main prob­lem was there aren’t many places to sell coal back to, accept for oth­er coal plants. Ear­ly morn­ing he’d wait near the tall link gates of the com­pa­nies he knew of, the back of his pick­up weight­ed down so heavy it looked like it might snap. He was brain-soft from the loss of his wife and best friend, and the fore­men and plant man­agers and rig dri­vers would laugh at him while he stood there, his flask soot-cov­ered and true tar­nished in his flat, big hand.

No one ever bought the coal but his sto­ry got around. We bred hounds to make ends meet and our house was cov­ered in red dirt that their paws tracked in. We spoke of the nor­mal things a father and son can with­out a moth­er to run trans­la­tion. On week­ends Dad would drink heavy and we would line dance in our liv­ing room, a sta­tion from Lex­ing­ton reach­ing our tran­sis­tor. Behind the house the coal pile widened. Dad kept it under a green tarp next to the ken­nel, the plas­tic weighed down with rail pins. The par­ents of a boy from school won small at state lot­to and soon after bought a cable dish for their tele­vi­sion. This fam­i­ly would invite me over and we’d watch, in full col­or, all the things that got beamed in.

The dogs grew and got sold or had new dogs. The first week­end of spring­time the two men broke in. They’d fed the hounds pills past mid­night and returned before dawn and killed them. They explained this to me and my father while they tied us with wire to chairs. I was scared and thought about my moth­er and some of the shows that I’d seen on tele­vi­sion. One of the men took my dad’s socks off and pulled his big toes back and broke them. I knew this was hap­pen­ing on account of the coal, though the men nev­er said so. Out­side the winds snapped the tarp.

When light broke the two men untied me. I don’t remem­ber what either of them looked like, aside that they looked like men. Both of them had guns and chrome on their belt buck­les. The taller man eject­ed the clip on his gun and hand­ed the weapon to me. My father was passed out where he sat.

You’re gonna hit him until he gets awake and then you’re going to hit him back to sleep again, said the man who hand­ed the gun to me. If you don’t, I’ll put the clip back in.

I was bare­foot and could feel the red dirt between my toes. I took the gun by its bar­rel and hit my dad across the face with it. He woke up and tried to move his arms against the wire and almost tipped the chair over. I was cry­ing. I kept hit­ting at him. My eyes were closed and I could hear the met­al on his face and head. He made sounds but nev­er told me to stop what I was doing. I went at it like that until one of the men grabbed my shoul­ders and took back the gun. Their pick­up had a Vir­ginia plate with a “T” and a “2” in it. I told this to police on the phone when they’d gone.

 I live in North Dako­ta now, some miles west of Bis­mar­ck. I nev­er mar­ried and do not want to. A wife will lead to chil­dren, and I've seen what they’re capa­ble of.

Charles McLeod's fic­tion has appeared in pub­li­ca­tions and on sites includ­ing Alas­ka Quar­ter­ly Review, Con­junc­tions, DOSSIER, Five Chap­ters, The Get­tys­burg Review, The Iowa Review, Michi­gan Quar­ter­ly Review, Mid­west­ern Goth­ic, Post Road, the Push­cart Prize series, Third Coast and Salon, and is forth­com­ing in the antholo­gies New Writ­ing from the Mid­west and W.W. Norton's Fakes. His first nov­el, Amer­i­can Weath­er, is out now from Ran­dom House UK/Harvill Seck­er. His first col­lec­tion, Nation­al Trea­sures, is out from Vin­tage UK this August.

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Treet™, Trash, and Pride: Finding Out What It Means for Me to Be Southern, essay by Kevin Brown

I have lived almost all of my life in the South, but I have nev­er felt par­tic­u­lar­ly South­ern.  How­ev­er, the two years I have lived out­side of the South have taught me just how wrong I have been.  They have also caused me to strug­gle with exact­ly how I fit into the South and what one even means by claim­ing to be South­ern these days.  Luck­i­ly, they also helped me to devel­op a bit of South­ern pride, which I strug­gled with grow­ing up and con­tin­ue to do so.  In fact, I can remem­ber the first event that made me proud to be from the South, and it start­ed as noth­ing more than a joke.  A young woman I taught with was pass­ing me in the hall and sim­ply said hel­lo.  I respond­ed with “Howdy, howdy.”  I should point out that I do not have a well-devel­oped South­ern accent; in fact, for most of my life in the South, peo­ple asked me if I was from else­where, usu­al­ly the Mid­west.  I have also nev­er lived in Texas, but, for some rea­son, I have picked up say­ing, “howdy,” to people.

Rather than sim­ply walk­ing on to wher­ev­er she was going, she stopped and asked, “Why did you say that twice?”  Of course, there was no real answer to this ques­tion.  I believe she tru­ly want­ed to know why I had said it twice, but I had no idea then, nor do I today.  I’m sure that I’ve done it since then with no real rea­son; how­ev­er, since she asked, I gave her an answer.  I smiled and said, “Because I’m twice as proud to be from the South.”  Now, that was sim­ply not true.  I was in my late 20s, liv­ing out­side of the South for the first time in my life.  I had lived most of my life in Ten­nessee, but I had attend­ed grad­u­ate school in Mis­sis­sip­pi, so I was well versed in the South, and I can­not say that I was par­tic­u­lar­ly proud to be from there.

Since I knew that she was from New York state, I was sim­ply try­ing to be a bit mis­chie­vous, but I real­ly did not expect her next com­ment.  She took my com­ment seri­ous­ly, as I lat­er learned that she did not have a sense of humor, and looked at me incred­u­lous­ly, sim­ply respond­ing, “Why?”  It was at that moment that South­ern pride was formed in my heart, as I want­ed so des­per­ate­ly to have an answer for her ques­tion.  I want­ed to be able to explain to her every­thing that was great about the first twen­ty-sev­en years of my life because they were spent in the South.  Instead, I had noth­ing to say.

That encounter hap­pened ear­ly in the school year, in the fall semes­ter, but a lat­er event showed me that, no mat­ter what I thought about my back­ground, I was unde­ni­ably from the South, and it was up to me to own it.  I was hav­ing din­ner with a young woman I was try­ing unsuc­cess­ful­ly to con­vince to date me.  She was per­fect­ly will­ing to be friends, though, so we were out one night hav­ing piz­za at a restau­rant where the pow­er had gone out.  Thus, it took a long time to get our food, as they were try­ing to get every­thing back in order.  Luck­i­ly, per­haps, it gave us a long time to talk.

As was my wont, I was telling sto­ries about my child­hood and ask­ing her about hers.  She was from St. Louis, orig­i­nal­ly, and she had gone to col­lege in Rhode Island.  To the best of my knowl­edge, she had nev­er been to the South, nor has she to this day, over ten years lat­er (and, no, I do not count Mis­souri, espe­cial­ly St. Louis, in the South, Mark Twain except­ed).  We were talk­ing about foods of our child­hood, so I decid­ed to tell her about my favorite meal:  Treet™,[1] pork-n-beans, and mac­a­roni and cheese.  I don’t believe I men­tioned white bread and but­ter that we would have on the side, but that inclu­sion or omis­sion would not have affect­ed her response.  She looked at me and said, “No offense, but, what were you?  White trash?”

I would like to say that I had a response for this, as well, beyond sim­ply argu­ing that I was not white trash.  I had had a rather lengthy dis­cus­sion with one of my class­es about the dif­fer­ence in terms like “white trash,” “red­neck,” and “hick” ear­li­er in the year, so I should have been ready to have such a con­ver­sa­tion with her.  I was the per­fect per­son to edu­cate her about the con­no­ta­tions and deno­ta­tions of such terms and explain what life in the South was tru­ly like.  How­ev­er, I did not and, in fact, I could not do so.  The truth was that I did not know what I was.

Not sur­pris­ing­ly, since that time, I’ve done a good deal of think­ing about terms like these and where I fit in the South.  I’ve also talked to my fam­i­ly more and found out more about our back­ground.  Grow­ing up, both of my par­ents worked, and I nev­er heard sto­ries about their ear­ly mar­ried life, before I was born.  Since they’ve retired and since I’ve start­ed hear­ing more sto­ries from my old­er sis­ter, I have found out much more about what life was like in the eleven years my par­ents were mar­ried before I was born and when I was very young.  I can still say that we were not white trash, but I’m not sure exact­ly what we were.

Accord­ing to the Oxford Eng­lish Dic­tio­nary, there is no entry for “white trash.”  Instead, you have to find infor­ma­tion under the more gen­er­al head­ing of “trash.”  The fourth def­i­n­i­tion for that term is “A worth­less or dis­rep­utable per­son; now, usu­al­ly, such per­sons col­lec­tive­ly. white trash, the poor white pop­u­la­tion in the South­ern States of Amer­i­ca; now also used out­side the South­ern States of Amer­i­ca,” while a ref­er­ence to the fourth def­i­n­i­tion of “white” also tells the read­er that “poor white folk(s) or trash” is “a con­temp­tu­ous name giv­en in Amer­i­ca by Blacks to white peo­ple of no sub­stance (1836, etc. in Thorn­ton Amer. Gloss.).”  It is inter­est­ing to me that the OED ref­er­ences the racial con­flict between African-Amer­i­cans and the poor whites, as my only encoun­ters with any deroga­to­ry terms refer­ring to poor South­ern­ers has come from the white mid­dle- and upper-class, as in the case of my friend.

Look­ing back at my child­hood and just before I was born, part of this def­i­n­i­tion fits.  The fact is that we grew up poor, though I would nev­er have known it at the time.  My sis­ter tells me a sto­ry about the years just before I was born and a par­tic­u­lar­ly bad Christ­mas.  My broth­er, who is near­ly three years old­er than my sis­ter and ten years old­er than I am, once asked my moth­er if San­ta Claus didn’t like our fam­i­ly because we didn’t get very many presents.  Not sur­pris­ing­ly, his ques­tion so upset my moth­er that, from that year on, any extra mon­ey (and some that was cer­tain­ly not what any­one would define as “extra”) went to Christ­mas presents for the kids.  Thus, since I came along lat­er, I nev­er knew that we were ever in finan­cial trouble.

Of course, part of my igno­rance was sim­ply because I grew up around oth­er kids who were poor.  I accept­ed hand-me-downs from a good friend in my neigh­bor­hood who was two years old­er, and no one in my neigh­bor­hood made fun of me.  They wouldn’t, as they wore cloth­ing from their old­er broth­ers or cousins or friends.  In fact, I passed on some of those clothes to oth­er kids in the neigh­bor­hood when they were too small for me.

In our school sys­tem, not only was I not seen as poor, but my fam­i­ly was seen as well-off, despite all that I did not have.  Even though I was almost always the last in my neigh­bor­hood to get any­thing that was trendy, be it cloth­ing or elec­tron­ics, stu­dents at my coun­ty school envied me and where I lived.  Our neigh­bor­hood was named Mar­tin­dale Estates, and we had a neigh­bor­hood pool that fam­i­lies could buy into.  Many of my school­mates lived in trail­ers out in the coun­try, and they had few friends who lived with­in walk­ing or bik­ing distance.

I nev­er had to go on the free lunch pro­gram, unlike many of my friends.  Again, there was no shame about being on the pro­gram, and the teach­ers would often announce infor­ma­tion about the pro­gram to the entire class.  When­ev­er stu­dents had to sign up or go to a meet­ing about it, it was announced over the school inter­com, and stu­dents would sim­ply get up and go.  There was nev­er an attempt made to hide the names of the stu­dents to pro­tect them, nor did they have any shame about accept­ing the help.  Even in mid­dle school, where any­thing seems to be free game to use for abuse, I nev­er heard a stu­dent attacked for being poor.  I can only imag­ine that any­one who would have done so would have had to defend him­self against the entire school.

The part about being called “white trash,” then, that both­ered me so much is the impli­ca­tion that one has no worth or dri­ve.  Both of my par­ents attend­ed col­lege, though only my father fin­ished, and he went on to earn a Master’s degree.  When I was two, he got a job teach­ing at the uni­ver­si­ty they had both attend­ed, and my moth­er worked there as a sec­re­tary.  Thus, when I was grow­ing up, we were clear­ly upward­ly mobile, and my par­ents strong­ly encour­aged me to fol­low that path.  My broth­er and sis­ter, both of whom grew up dur­ing much more dif­fi­cult times, strug­gled in school and did not seem inter­est­ed in that approach to life.

It is this clas­sist tint to the term, not the racial one cit­ed by the OED, that can grate on a per­son.  In her arti­cle, “ ‘Exca­vat­ed from the Inside’:  White Trash and Dorothy Allison’s Caved­weller,” Karen Gaffney writes, “The stereo­type blames poor whites for their pover­ty, con­struct­ing them as infe­ri­or, alle­vi­at­ing respon­si­bil­i­ty from whites in pow­er who main­tain the sta­tus quo.… The empha­sis on trash con­structs poor whites as garbage, unde­sir­able and dis­pos­able, in order to pre­serve the non-trash sta­tus of mid­dle- and upper-class whites.”  My par­ents both grew up very poor, as my father’s father worked in the coal mines until he devel­oped black lung, caus­ing my father’s fam­i­ly to move repeat­ed­ly and live sev­er­al times in the hous­ing projects.  My moth­er can hon­est­ly say that she did not own a win­ter coat until she was in mid­dle school, and she and her three sis­ters shared one bed for many years.  My friend’s com­ment blamed my par­ents for the meal that I had told her about when, in fact, they were work­ing to raise our fam­i­ly up out of the pover­ty they had known into a bet­ter life.

A few years ago, a new Brady Bunch movie was released, where the Bradys still lived like they were in the 1960s and 1970s, but every­one else was in the 1990s.  At one point, Car­ol Brady is shop­ping, and she buys an inor­di­nate amount of red meat.  A neigh­bor sees her doing so and crit­i­cizes her for feed­ing her fam­i­ly meat (one must recall that the Bradys lived in Cal­i­for­nia).  Her response is that her fam­i­ly is grow­ing, and they need to eat meat to do so.

Grow­ing up in the 1970s, my par­ents took the same approach, as did almost all fam­i­lies then.  They paid lit­tle con­cern to high sodi­um lev­els, and low-fat was a fad that had not hit yet.  Their main con­cern was that we had some sort of meat at every meal, no mat­ter what it was; thus, if all they could afford was Treet™, then that’s what we got.  We ate Ham­burg­er Helper™, salmon pat­ties (made from salmon in a can), Tuna Helper™, spaghet­ti, Chef Boyardee™ piz­za with pep­per­oni (we had to have a meat, and it was cheap), and cube steak, among oth­er meals.  In each case, the meals were cheap, but they gave us the meat our par­ents thought we needed.

They had to feed a fam­i­ly of five on a bud­get, so they did the best they could.  Even today, my favorite meal of a can of Treet™, a box of mac­a­roni and cheese, a can of pork-n-beans, and a piece of white bread with but­ter is still quite cheap.  I went to the store to check prices, and a can of Treet™ was on sale for 99 cents (nor­mal­ly $1.29), a large can of pork-n-beans (31 oz) by a name-brand com­pa­ny was $1.69, and a box of fam­i­ly size, name-brand mac­a­roni and cheese was $1.94.  If one went with store brands, two 16oz cans of pork-n-beans were 80 cents, and the mac­a­roni and cheese was on sale for $1.00 (nor­mal­ly $1.25).  Thus, this meal for five would range between $2.79 (for store brands and with every­thing on sale) to $4.92 (for all name brands and noth­ing on sale).  This type of meal would stretch a thin food bud­get in ways that most meals would not and still give us the pro­tein they thought we need­ed.  One serv­ing of Treet™ alone would pro­vide each of us with six grams of pro­tein.  The mac­a­roni and cheese adds anoth­er six­teen grams, and the pork-n-beans would pack in six more.  This cheap meal pro­vides each of us with twen­ty-eight grams of pro­tein for a much low­er price than almost any­thing else we could afford.

Oth­er meals are sim­i­lar in cost and nutri­tion.  Ham­burg­er Helper with a pound of ham­burg­er would cost $5.94 for store brands and 15% fat ham­burg­er, and Tuna Helper with a can of tuna would cost $3.34 for store brands.  In both cas­es, though, when I looked Ham­burg­er and Tuna Helper were both on sale for $1.00, bring­ing the cost down to $4.79 for the Ham­burg­er Helper and $2.19 for the Tuna Helper.  The Ham­burg­er Helper would give us 26 grams of pro­tein, while the Tuna Helper serves up 25 grams.  Our par­ents could pro­vide us with about 25 grams of pro­tein for one meal for less than five dol­lars per day, and that amount is in 2008 mon­ey, not 1970s and 1980s income.  My friend’s inter­pre­ta­tion of our eat­ing habits shows only a mid­dle- to upper-class upbring­ing that is igno­rant of the strug­gles of the poor, no mat­ter where they may live.

Unfor­tu­nate­ly, those out­side of the South (or even those who live in the urban South with no knowl­edge of either the urban or rur­al poor), are unable to dis­tin­guish sim­ple pover­ty from white trash or any of the oth­er terms used to den­i­grate those who are strug­gling to sur­vive.  Some­times, though, my defen­sive­ness about grow­ing up in the South led to prob­lems, not the speaker’s igno­rance.  In the same year in Indi­ana, I had a con­ver­sa­tion with anoth­er young woman about my per­ceived lack of accent, and she used anoth­er term that is often used deroga­to­ri­ly and which I took as such, only to find out that I was the one who was mis­tak­en in this case.  I told her that I did not have a South­ern accent, and she sim­ply laughed and respond­ed, “Kevin, you’re some­where between hick and Southern.”

I should have known bet­ter than to take the term “hick” as an insult, and my only defense is that I was obvi­ous­ly hav­ing trou­ble deal­ing with peo­ple who did not under­stand the South.  Thus, my defens­es went up, and she had to explain what she meant to prove that she did not mean to den­i­grate me or my accent.  It is true that the def­i­n­i­tion of “hick,” accord­ing to the OED is “an igno­rant coun­try­man; a sil­ly fel­low, boo­by”; how­ev­er, the focus can be on the “coun­try” part, not the “igno­rant” part, which was my friend’s inten­tion.  It is true that my mother’s accent could eas­i­ly be described as a hick accent, as she sounds like she is from the coun­try, as opposed to the South­ern accents that movie stars usu­al­ly adopt, which sound like rich plan­ta­tion owners.

In talk­ing to oth­ers, I’m not even sure that “hick” is lim­it­ed to the South, and the OED cer­tain­ly doesn’t lim­it it geo­graph­i­cal­ly.  I had a friend in col­lege who was from rur­al Penn­syl­va­nia, and he often used the term “hick” sim­ply to refer to those who lived in the coun­try, as he did.  It was not an insult; mere­ly a descrip­tor of where one lived.  Unfor­tu­nate­ly, when used as an adjec­tive, it becomes a put-down, as in, “You went to that hick col­lege?” or “I used to live in a hick town, but then I moved to civ­i­liza­tion.”  Thus, accord­ing to my friend, even though I have an accent that is sim­i­lar to a hick, I am not a hick in the pejo­ra­tive sense.

How­ev­er, I did have at least two dis­tinct phas­es when I want­ed to be a red­neck, one of which was pre­cip­i­tat­ed by my friend from Penn­syl­va­nia.  When I was in col­lege, I often wore doo-rags to class, so I was always on the look­out for good ban­danas.  I had a Sovi­et flag and a Union Jack at one time, and, near the end of that phase, I found a large, pur­ple, pais­ley ban­dana (it was the late 1980s, ear­ly 1990s, OK?) that would hang halfway down my back.  I even tie-dyed some ban­danas.  How­ev­er, my favorite ban­dana was one that my friend bought when he was home in Penn­syl­va­nia over break; it was a Con­fed­er­ate flag.

We both not­ed the irony of a Yan­kee buy­ing me a Con­fed­er­ate flag ban­dana to wear on cam­pus in an area of East Ten­nessee that fought for the North, and that irony made wear­ing it that much more enjoy­able.  In fact, I have often tak­en great joy in pok­ing holes in Con­fed­er­ate mythol­o­gy by point­ing out that I’m from North­east Ten­nessee, so I know what it’s like to be both a South­ern­er and a win­ner.  Note that this type of com­ment does not make one pop­u­lar with oth­er South­ern­ers.  When I was not wear­ing said ban­dana, I often wrapped it like a head­band and hung it around my rearview mir­ror, as was the trend among red­necks when I was grow­ing up.  In fact, I once joked that all one need­ed to get free car repair ser­vice was such a ban­dana.  If you raised the hood on your car with that around the mir­ror, red­necks would come out of nowhere to help you fix what­ev­er was wrong with the car.  When I was younger (and dumb­er, I should add), I believed this was a clever insult; I know now that it says some­thing about the kind­ness of South­ern­ers that I took for grant­ed while grow­ing up here.

Accord­ing to the OED, a red­neck is “A mem­ber of the white rur­al labour­ing class of the south­ern States; one whose atti­tudes are con­sid­ered char­ac­ter­is­tic of this class; freq., a reac­tionary.”  It goes on to say that term was orig­i­nal­ly an insult, and it often still is, but it is “now also used with more sym­pa­thy for the aspi­ra­tions of the rur­al Amer­i­can.”  I’m not sure exact­ly where they see evi­dence of the term being used as a sym­pa­thet­ic one, though it’s cer­tain­ly been co-opt­ed by South­ern­ers much the same way that gays and les­bians have tried to take back “queer.”  In fact, when I was in high school, I worked at a Kroger gro­cery store with a fifty-some­thing-year-old woman named Mer­le.  Her son would often come and pick her up in his low-rid­er truck, which had the word “Red­neck” paint­ed on the top of the front wind­shield.  Of course, he wore this term with pride, much as Kid Rock and Toby Kei­th have done with “white trash.”

When I was a Senior in high school, I want­ed to be a red­neck, for some rea­son.  I am not sure why the desire hit me at that point, espe­cial­ly as I had spent much of my time try­ing to escape from the trap­pings of my South­ern upbring­ing.  I even mocked my best friend (and high school vale­dic­to­ri­an) out of some of his more extreme South­ern accent, includ­ing pro­nounc­ing “yel­low” as “yal­low.”  Thus, in addi­tion to the red ban­dana I had around my rearview mir­ror (this was before my friend from Penn­syl­va­nia had giv­en me the Con­fed­er­ate flag, of course), I took to try­ing to grow side­burns.  I am still not sure why I thought side­burns would help me be more of a red­neck, but it did not help.  For some rea­son, no one looked at me and thought I was any­thing oth­er than a gen­er­al South­ern­er, what­ev­er that is.

Of course, there are oth­er terms that igno­rant peo­ple use to describe those of us who are from the South, espe­cial­ly if we grew up poor.  We are called crack­ers, which the OED help­ful­ly defines as “a con­temp­tu­ous name giv­en in south­ern States of North Amer­i­ca to the ‘poor whites’; whence, famil­iar­ly, to the native whites of Geor­gia and Flori­da.”  Some peo­ple believe the term comes from “corn-crack­er,” which is defined as “a con­temp­tu­ous name for a ‘poor white’ in the South­ern States (from his sub­sist­ing on corn or maize); a ‘crack­er’. Also, a native of Ken­tucky.”  The OED does not believe “crack­er” has any­thing to do with “corn-crack­er”; instead, it gives anoth­er def­i­n­i­tion of “crack­er” which relates to peo­ple who boast.  The ear­li­est usages of “crack­er” cer­tain­ly have ele­ments of boast­ing in them, as this let­ter from 1766 shows:  “I should explain to your Lord­ship what is meant by crack­ers; a name they have got from being great boast­ers; they are a law­less set of ras­calls on the fron­tiers of Vir­ginia, Mary­land, the Car­oli­nas and Geor­gia, who often change their places of abode.”  Of course, since they were boast­ing in the South; the term that referred to boast­ing changed into a clas­sist epithet.

I did not hear “crack­er” when I was grow­ing up, only lat­er when I was in grad­u­ate school, and then only in books and arti­cles I read.  How­ev­er, I did grow up hear­ing about hill­bil­lies.  I grew up on the old coun­try music of the 1970s, a group that cer­tain­ly took pride in being hill­bil­lies.  Unlike “crack­er,” there is no inher­ent insult in the term, as the OED sim­ply defines a hill­bil­ly as “a per­son from a remote rur­al or moun­tain­ous area, esp. of the south­east­ern U.S.”  In fact, a news­pa­per quote from 1900 makes being a hill­bil­ly sound rather pos­i­tive:  “In short, a Hill-Bil­lie is a free and untram­melled white cit­i­zen of Alaba­ma, who lives in the hills, has no means to speak of, dress­es as he can, talks as he pleas­es, drinks whiskey when he gets it, and fires off his revolver as the fan­cy takes him.”  The lim­i­ta­tion to Alaba­ma is inter­est­ing, but most South­ern­ers these days would feel quite hap­py if they could live the life of this “Hill-Bil­lie.”

Unfor­tu­nate­ly, the term has tak­en on neg­a­tive con­no­ta­tions, as peo­ple have tak­en the term to refer to peo­ple who live so far out­side of civ­i­liza­tion that they are unable to sur­vive with­in it, as the tele­vi­sion show The Bev­er­ly Hill­bil­lies illus­trat­ed.  The stereo­type of a hill­bil­ly as some­one who did not wear shoes or who eats pos­sum on a reg­u­lar basis is eas­i­ly dis­cerned in the def­i­n­i­tion, but even the quote from the news­pa­per does not pass judg­ment on one who lives in this man­ner; it sim­ply states that one does.  In fact, most of that quo­ta­tion implies a pover­ty that has been and still is true for hill­bil­lies, in that they dress as they can because they have no means to speak of.  They live off of the land as best they can, as they are still so iso­lat­ed that they scrape to sur­vive.  Unlike white trash, though, they are not “worth­less” or “dis­rep­utable”; they are sim­ply poor.

The prob­lem comes when those who do not under­stand the dif­fer­ences between these groups (or the true usage of the terms) uses them inter­change­ably; thus, some­one who is sim­ply a hill­bil­ly becomes white trash, and a hick becomes a crack­er.  Ulti­mate­ly, these terms all alien­ate those to whom they are applied, keep­ing them from par­tic­i­pat­ing in soci­ety, keep­ing them from invad­ing the civ­i­liza­tion that those with mon­ey and pow­er have cre­at­ed.  In “Red­neck and Hill­bil­ly Dis­course in the Writ­ing Class­room:  Clas­si­fy­ing Crit­i­cal Ped­a­go­gies of White­ness,” Jen­nifer Beech writes, “Red­necks, white trash, and hill­bil­lies, then, are among the class­es of whites who lack the pow­er to define or shape cul­tur­al norms.”

When my friend asked me if I was white trash, she was com­ment­ing on much more than what I liked to eat when I was grow­ing up.  She was speak­ing of me as some­one who did not have the pow­er or abil­i­ty to con­tribute to the soci­ety of the greater Unit­ed States, some­one who could not make an impact beyond my poor coun­try school or neigh­bor­hood.  Most of my friends under­stood this idea and believed it them­selves.  One day, a group of us were sit­ting around a tree in the neigh­bor­hood talk­ing about what we might like to do one day.  Not sur­pris­ing­ly, as many of us played sports, we dreamed of becom­ing pro­fes­sion­als.  The old­est among us said sim­ply, “Nobody from Mar­tin­dale will ever amount to anything.”

If one is called “trash” long enough, he or she will begin to believe it.  Luck­i­ly, I knew enough to be offend­ed by my friend’s ques­tion and by the woman from New York’s ques­tion­ing of why I would be proud to be from the South.  What I still do not know is exact­ly what it means for me to be South­ern, though I know that I am.  I know that I pre­fer small­er cities that are more rur­al as opposed to any­thing urban, though I enjoy vis­it­ing cities, but I’m also not exact­ly sure what that means, if anything.

Over the past ten years, which include a move to the Pacif­ic North­west that only last­ed one year because I want­ed to get back to the South so bad­ly, I’ve at least come to admit that I love the South and being South­ern, but I sim­ply can­not define what that means, either in gen­er­al or for me specif­i­cal­ly.  I have tried to write about how I am and am not South­ern, but I end up falling back on clichés and stereo­types, using accents and love of sto­ries as some sort of arbiter of South­er­ness, mak­ing me no bet­ter than those who crit­i­cized where I’m from.  As I con­tin­ue to shape what being South­ern means to me, I know that I also must strug­gle against oth­ers’ por­tray­als of South­ern­ers as igno­rant and as the South as some place I should be ashamed of.  Per­haps in edu­cat­ing them, I can edu­cate myself, as well.

Kevin Brown is an Asso­ciate Pro­fes­sor at Lee Uni­ver­si­ty and an MFA stu­dent at Mur­ray State Uni­ver­si­ty.  He has one book of poet­ry, Exit Lines (Plain View Press, 2009), one pub­lished chap­book, Abecedar­i­um (Fin­ish­ing Line Press, 2011), and anoth­er forth­com­ing chap­book, Holy Days: Poems (win­ner of Split Oak Press Chap­book Con­test, 2011).  He also has a mem­oir, Anoth­er Way: Find­ing Faith, Then Find­ing It Again (Wipf and Stock, 2012), and a forth­com­ing book of schol­ar­ship, They Love to Tell the Sto­ries:  Five Con­tem­po­rary Nov­el­ists Take on the Gospels.  His poems have appeared or are forth­com­ing in The New York Quar­ter­ly, REAL: Regard­ing Arts and Let­ters, Folio, Con­necti­cut Review, South Car­oli­na Review, Stick­man Review, Atlanta Review, and Palimpsest, among oth­er jour­nals.  He has also pub­lished essays in The Chron­i­cle of High­er Edu­ca­tion, Acad­eme, Insid​e​High​erEd​.com, The Teach­ing Pro­fes­sor, and Eclec­ti­ca.



[1] Let me go ahead and dif­fer­en­ti­ate between Treet™ and Spam™ here.  Accord­ing to their ingre­di­ents, Treet’s™ main meats are “mechan­i­cal­ly sep­a­rat­ed chick­en” and “pork,” while Spam’s™ are “pork with ham.”  In both cas­es, of course, “pork” is noto­ri­ous­ly vague (which begs the ques­tion for Spam™ as to what the dif­fer­ence between pork and ham is, but I’m guess­ing that most of us would rather not know where the “pork” por­tion comes from), and the descrip­tions of “mechan­i­cal­ly sep­a­rat­ed chick­en” are not pleas­ant, so I’ll avoid going into that.  Suf­fice it to say that their parts of the chick­en one does not nor­mal­ly eat.  Treet™ also adds “baked Vir­ginia ham sea­son­ings,” as they adver­tise a “baked Vir­ginia ham taste.”  Spam™ also includes some­thing called “mod­i­fied pota­to starch,” which I’m guess­ing is used to thick­en it up.  Both also include preser­v­a­tives, though Treet™ seems to have a wider vari­ety of them.

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The Miner's Friend, by Jeff Kerr

I fight the Mack truck around the bends of the moun­tains and I’m god­damned tired. Going back to pick up the last load of coal at Num­ber 16 over on the Vir­ginia side. My arm is sun­burnt and hangs out over the truck’s dent­ed door where the name Cindy is paint­ed in icy blue fan­cy cur­sive writ­ing. Cindy is the name of my wife. I look to the right and see the stingy run of Ferrell’s Creek. I dri­ve by my home and see the dead swing set in the yard and won­der where the kids are. I won­der what Cindy is doing now. I blow the horn and lis­ten to that boom­ing moan like a ship out at sea instead of anoth­er sooty Mack truck com­ing back for anoth­er filthy load of coal.
I pass my house and I see Preach­er Dell out on his porch look­ing out at me across the way. I see him but I won­der if he tru­ly does see me for what I have become. I won­der if he sees me for what I had been. His old hand goes up slow­ly in greet­ing and I give the horn anoth­er blast.

I start mak­ing the uphill climb and around more curves, not see­ing what’s in front but only off to the side: green trees like giant heads of broc­coli, huge kha­ki sand­stone boul­ders, lime­stone rocks shaped like bro­ken dag­gers, patch­es of hous­es whip­ping through the trees. Keep my eyes on the road, I tell myself and let out a bunch of air from inside me. It’s a liv­ing, like they say.

I pass on over into Vir­ginia and go past shacks falling into them­selves and know that some­one still lives there. On the side of the road, in the grav­el and sand, a once pret­ty dog is now splat­tered, pink insides out of itself like a mel­on fall­en. Poor dog, I think. The road nar­rows more and I go by a row of just alike hous­es, the old coal com­pa­ny hous­es of way back old timey days. I’m glad I got my own place even it is man­u­fac­tured hous­ing. Ain’t nobody going to put me out. Not if I got any say.

My eyes dart side-to-side and I slow down and watch myself when­ev­er I pass over into this part of Vir­ginia, going around that uphill curve and then down into the val­ley. I dri­ve past the Miner’s Friend Tav­ern and I see the paint­ed sign with the pic­ture of a miner’s hel­met and burn­ing lamp and I tense up. There are coal trucks parked out front in the grav­el lot and I rec­og­nize a few of them and con­nect names and faces to those trucks. I feel my hand drift over the paint­ed let­ters that spell out Cindy. I don’t stop at the Miner’s Friend no more. I don’t stop nowhere no more but work and home. That’s the con­di­tions of my parole.

It used to be that I liked to par­ty. I hauled coal all day, got off work, show­ered the coal dust and grit from my body best I could, rub­bing every nook and cran­ny of my body. Then I but­toned up a clean shirt and my good jeans and went out to see what was going on. Some­times I’d sit in a friend’s house smok­ing dope and drink­ing beer. Oth­er times I’d be over on the Vir­ginia side where it was wet and sit in one tav­ern or anoth­er, drink­ing and lis­ten­ing to juke­box music. On Fri­day and Sat­ur­day nights a band might be putting down some boo­gie or pick­ing moun­tain music and

I’d go and lis­ten to it, dance with a girl lone­ly as me and drink in and out of what I thought was love.

My dad­dy would lec­ture me about my drink­ing and dop­ing and how it wouldn’t do me no good and mom­my would watch me with bit­ter eyes. She went to Preach­er Dell at the Free Will Bap­tist and prayed for me every Wednes­day night and Sun­day morn­ing. She even tried to get Preach­er Dell to come talk to me but he told her, “Wouldn’t noth­in’ to do for a riv­er but to let it run it’s course.”
Some­times some­thing stronger than a joint or a shot of whiskey would pass across the bar. Lit­tle fold­ed paper squares of cocaine or meth and I’d snort it in the tiny Lysol reek­ing bath­room and par­ty time would roll on to the dawn. My pay­check would be gone before Mon­day and the bills would pile up and would have to be late again.

I had me a daugh­ter by a fat girl named Bern over near Fish Creek. The baby was named Claris­sa. I got to see her every now and again, brought her a dol­ly or goody of some kind or oth­er. Some­times I brought them mon­ey, more often than not I didn’t, I’m ashamed to say.

I was in a tav­ern clear over near Grundy in Vir­ginia called the Ridgerun­ner. I was bent over a shot of Jim Beam and a Bud­weis­er, my head nod­ding and lis­ten­ing to Ricky Stum­ley talk my ear off about the good recep­tion his satel­lite dish was get­ting when I seen her in the cor­ner sit­ting with a cou­ple of oth­er girls. She was pret­ty, but not all made up. Had blonde hair falling down her shoul­ders. Built good and strong, but not what you’d call fat. Had dark eyes like oil. Sad eyes. She was look­ing at me and I smiled at her.
Lit­tle while lat­er she was sit­ting next to me and I was buy­ing her drinks and she was lis­ten­ing to my trou­bles. She told me her name was Regina.

We went and made out in my truck. The hours become a hot blur and then she told me she had to go. We met up at the Ridgerun­ner a cou­ple of times a week. Some­times we went back to my trail­er. I nev­er got to see where she lived. She always changed the sub­ject. I didn’t press it; she was fun to be with. She took my mind off of the coal truck, she made me for­get about Bern and my guilty mind over Claris­sa. Regi­na nev­er talked to me about get­ting saved or any of that. Her life was shots of Jim Beam, snort­ing lines of crank and turn­ing up the stereo when­ev­er the Ken­tucky Head­hunters was play­ing. She loved the way they did “Walk Soft­ly On This Heart of Mine.”

I was sit­ting in the Miner’s Friend. It was an Octo­ber Sat­ur­day after­noon, the leaves orange and red like fire made out of paper. The air out­side an ear­ly cold like the inside of a meat freez­er. The lights in the tav­ern were dim, the juke­box play­ing qui­et­ly. Old men and young men going to be old men soon were up and down the bar, talk­ing qui­et­ly, drink­ing. I had a beer in front of me and was star­ing down into it’s gold when they came into the bar.

They were Hutchin­sons, I knew that much. They were from some­where near Grundy and I had heard sto­ries about the Hutchin­sons all my life. Sto­ries about how mean they could be and all the guys they’d messed up. It was known that their dad­dy, Bobo Hutchin­son, had killed his own broth­er over an insult years ago and the law did nothing.

John Hutchin­son was weav­ing on the tav­ern floor look­ing up and down at all the faces at the bar. He had dark unruly hair in need of a cut. His beard was dark like the fur of some ani­mal. His broth­er, Sean, was a small­er shad­ow of him­self. He had green eyes that glowed like a bobcat’s. Sean was but thir­ty years old and was miss­ing most of his teeth. Nei­ther one of those boys held a job in their lives. They grew dope and sold it. They bought hous­es, insured them and burnt them down for the insur­ance mon­ey. They col­lect­ed wel­fare checks and spent the mon­ey on meth and booze. I didn’t want noth­ing to do with no Hutchinsons.

Hey, you Mullins?” asked John, look­ing at me. He had a wild smile break­ing up the tan­gle of his beard. I nod­ded my head.

Bud­dy, you been messin’ with the wrong bitch, you know it?” he con­tin­ued, look­ing side­ways at Collins, the bar­tender, who was reach­ing under the bar.

Leave it there, Collins,” said Sean, his hand dart­ing under his coat.

John came over to me. The smile was gone. I could smell whiskey on his breath. His eyes were red around the edges like he’d been up all night crying.

Stand your ass up,” he said.

I sat there on the barstool.

He grabbed me by the front of my jack­et and pulled from the barstool. The stool clat­tered against the curl­ing linoleum of the tav­ern floor.

I done told you to stand up!” he yelled.

Men left their stools and stood back. Some left, the door swing­ing open and the bright Octo­ber light a shin­ing rec­tan­gle against the tav­ern darkness.

"What’s he done?” asked Collins.

Sean turned to him, “He was messin’ with my brother’s wife. That’s what he done.”

I nev­er messed around with nobody’s wife,” I said, pulling away from John’s hold on me.

You tellin’ me you don’t know a girl named Regi­na Hutchin­son?” asked John, spit fly­ing from his mouth as he reached out and shook me by the arm.

She told me her name was Regi­na Thomp­son,” I said.

He’s a lyin’ stack of crap,” Sean said.

You think I’m goin’ to let you lay out a‑doin’ my wife and then sit in here brag­gin’ on it with these coal min­ing ass­es, you got you anoth­er think comin’ there, bud­dy,” said John.

I could see Sean pulling his hand out from under the folds of his coat just over John’s shoulder.

We’re goin’ to learn you but good,” said Sean.

I pushed against John and he stum­bled back. I punched Sean in the face, feel­ing the knuck­les of my hand break. I shoved past bar stools and pushed out through the door. Sun­light hit me and I squint­ed. I ran cross the grav­el lot to my pick­up. I got in, my hands shak­ing, blood run­ning in lines across my knuck­les. I start­ed the truck and heard the Hutchin­sons slam out of the Miner’s Friend. I heard their voic­es loud as I pulled out of the lot, grav­el spit­ting behind me. I got on the road and start­ed­back to the Ken­tucky state line. I saw a beat-to-hell Dodge pick­up pull in behind me through my rearview mir­ror. The truck rode my bumper around curves. I couldn’t con­trol the truck and slid off the road and bounced against lime­stone boulders.

I was shak­ing in the cab when they turned their truck around and drove back slowly.

They parked in front of me. The Hutchin­sons took their time get­ting out of their truck. They walked towards me. I could see them through the cracked wind­shield. I wiped the blood from my eyes. John had a Bowie knife about as big as a pirate’s cut­lass. Sean had a .38 with a butt bound with elec­tri­cal tape. They were both laugh­ing and jok­ing, but I couldn’t hear what they were saying.

I didn’t even think about it. I reached behind me and the shot­gun from the rack behind me in the cab. I broke the breech and saw there was a shell. I got out of the truck and snapped the breech shut.

He must think he’s a‑goin’ squir­rel huntin’” Sean said.

He hain’t goin’ to do noth­in’ but lay down and die,” John said, all the jokes and laugh­ing left his face. He held that knife in front of him and start­ed towards me.

I raised the shot­gun and didn’t even think about it. I fired and my ears filled with a cloud of noise. John stag­gered back. The front of his shirt bead­ed with blood. The beads grew dark­er and filled and he went to the ground on his knees like he had been knocked down into prayer. Sean dropped the .38 and bent over his brother.

John? John?” he kept say­ing, his voice break­ing like a scared child’s.

John’s eyes went pale and he mouthed some­thing I could not hear.

Sean bent his ear to his brother’s mouth. I saw Sean nod his head and whis­pered, “I will.”

John fell back on the ground. He looked up at the Octo­ber sky and shook like he was freez­ing. Sean held to his hand.

I threw the shot­gun across the seat of the truck and got in. I start­ed the igni­tion and looked at the Hutchin­sons there next to the road by the lime­stone bluffs of Ken­tucky. Sean looked up at me.

I pulled the truck back onto the road. I passed by the Hutchin­sons. Sean stood up from his broth­er and I heard him yell, “Mur­der­er! You killed my brother!”

I watched the Hutchin­sons dis­ap­pear in the rearview mir­ror, a bluff of lime­stone final­ly tak­ing them away from my eyes. My hands shook on the steer­ing wheel. I thought about dri­ving as far from trou­ble as I could get. I drove past my mom­my and daddy’s house. I drove past Preach­er Spivey’s house and the tears came.

I pulled off to the side of the road and sat in the truck with a mil­lion things going through my mind. I looked down at the shot­gun beside me on the seat. I knew I had to face things.

The judge gave me five years and let me out after one. The Hutchinson’s moth­er said that John prob­a­bly deserved the killing. She also said I should’ve put the gun on the girl while I was at it.

All I want­ed to do was straight­en the rags of my life out. I got my old job back haul­ing coal and I put a down­pay­ment down on a man­u­fac­tured home. It was real nice and came with every­thing you need­ed. I stayed away from dope and just a lit­tle beer now and again. I don’t hang out at the Miner’s Friend no more. I don’t go to the Ridgerun­ner. I keep my ass out of the taverns.

Some­times I go to the Freewill Bap­tist Church and sit with my hands fold­ed in my lap. I let Preach­er Dell’s words wash on over me like a hot riv­er of tears. I lis­ten to the choir sing their songs of redemp­tion and I shake sit­ting there in the pew, my hands fold­ed in my lap. It was there at the Freewill Bap­tist that I met a pret­ty girl named Cindy. She sang in the choir and was kind to me. She didn’t care none about my past. We got mar­ried and start­ed a fam­i­ly. I had her name paint­ed on the door of my coal truck in icy blue let­ter­ing like a tat­too. I want­ed peo­ple to know that she was always with me. I always run my hand over that name when­ev­er I dri­ve past the Miner’s Friend.

Jeff Kerr cur­rent­ly lives in Mil­wau­kee, WI. He has deep roots in the south­ern Appalachi­an moun­tains of the Ken­tucky and Vir­ginia bor­der coun­try. His work has appeared in Appalachi­an Her­itage, Now and Then, Hard­boiled, Plots with Guns, Hard­luck Sto­ries, Crim­i­nal Class Review and oth­ers. He has been a fea­tured read­er at Book Soup, San Quentin Prison among oth­er venues. His short sto­ry col­lec­tion, Hill­bil­ly Rich, can be ordered direct­ly at JeffKerr1965@​gmail.​com.

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Kicking to Go On, fiction by Samuel Snoek-Brown

His heart knocked like a fist against his breast­bone as his own knuck­les beat against the heavy met­al door. A des­per­ate yap­ping came ric­o­chet­ing toward him from inside. He bounced on his feet to keep warm; he hadn’t imag­ined a March cold front could sweep this far down into cen­tral Texas. And no one told him the door would be locked.

Then, the snick of a dead­bolt, and the met­al door scraped along the jamb and Bob­by was inside, still bounc­ing and breath­ing into his hands but inside now and ready to work.

The man who’d opened up for him said, “What the hell you doing here so ear­ly?” He had to shout over the voic­es of the caged and anx­ious dogs.

Just like to be ear­ly,” Bob­by said loud­er, unused to speak­ing over echo­ing ani­mals. “First day and all.”

Well shit, man. I stay away from this place long as I can. Cut out ear­ly, I say. Michael Sirus. Call me Mikey.”

Bob­by said his own name back, and they shook hands, and Mikey cocked his head toward the back. Bob­by looked instead at the man’s face, a thin pink scar ripped from the left cheek­bone down to the lip as though dis­ap­pear­ing into Mikey’s mouth. A long and cocky grin.

You ever done shel­ter work before?” Mikey said.

Nah,” Bob­by said. 

Why start now?” Mikey took them into lit­tle break room, the cin­derblock walls there a but­tery yel­low, all the lit­tle pores and cracks of the cement blocks put­tied up with thick paint. They leaned against the counter and Mikey poured cof­fee into two Sty­ro­foam cups. Bob­by shook his head and held up one hand, but Mikey said, “You’ll want this, trust me. I like to hit the whole pot with a few shots of Irish. Too damned cold late­ly for cof­fee alone.”

Bob­by smiled but kept eying the scar. He took the offered cup though he didn’t want the whiskey. Didn’t want to soft­en his mind against the work ahead.

Seri­ous­ly,” Mikey was say­ing. “Why work here?”

I like ani­mals,” Bob­by said. Mikey laughed and looked into his cof­fee cup. But Bob­by said, “No, no shit. They fas­ci­nate me.”

You’re gonna hate it here.” 

Ser­gio said the only peo­ple who work here are the ones who love ani­mals,” Bob­by said. 

That lit­tle Mex­i­can? Don’t get me wrong, I’m no racist, but that guy, he just gets a kick out of hir­ing grin­gos to work for him.” Mikey slugged the last of the cup and poured anoth­er. “He’s right, though. I dig ani­mals. Big fan of cats. But that’s why you’ll hate work­ing here. It’s killing them that gets to you.”

Bob­by looked at him. He set down his cof­fee cup, shift­ed his weight. Then, care­ful­ly, he said, “Huh?”

Euthana­sia, Bob­by. We all got­ta do it. Sim­ple as math. Only got three dozen cages, but we get in some­thing like half a dozen ani­mals a week, and we give away maybe two or three a month, rotate anoth­er fif­teen with the oth­er shel­ters in the area. That’s five or six too many, Bob­by. We put down an ani­mal or two a week.” 

Jesus,” Bob­by said.

Yeah,” Mikey said. “We keep friend­ly by shar­ing the guilt—only per­son here who doesn’t give the shots is Ma, the old receptionist.”

Jesus,” Bob­by said again. But he had count­ed on this.

Mikey had been right: Ser­gio and a guy named Elmo were the only His­pan­ics in the shel­ter. Ser­gio him­self addressed it in the break room the first time his and Bobby’s sched­ules over­lapped. He’d said, “Eh, gringo, why you wan­na work here with a cou­ple of Mex­i­cans? That ever keep you up at night? Know­ing you work for a wetback?”

Your shirt looks pret­ty dry to me,” Bobby’d said.

Ser­gio had laughed. He said, “You’re all right, Bob­by. I thought you’d be like every oth­er prej­u­diced gaba­cho in this town, but you’re all right.” Then he’d left. Bob­by had refilled his styrene cup and turned to the emp­ty door­way and said, “How do you know I’m not, you fuck­ing spic.” His words were calm. He tried them again. “Fuck­ing spic.” It still wasn’t right. So he’d prac­ticed at home as well.

But Ser­gio and Elmo, whom Bob­by nev­er met, they were it. Every­one else was white. Bob­by liked this, liked work­ing for a Mex­i­can. Up in Nor­mal, Illi­nois, there had been a black woman, LaShelle, who hired him as an exter­mi­na­tor. In the long win­ters, when the world froze over, he would lay in bed at night and dream of fuck­ing her, not because he liked her but because she was black. He’d heard, back in high school when kids still spoke this way, that it was all pink in the mid­dle, and he tried imag­in­ing that, her dark legs spread to show the lit­tle strip of magen­ta in all her wiry hair. He couldn’t get aroused. He tried imag­in­ing him­self angry with her, imag­ined beat­ing her, rap­ing her. Noth­ing worked. He didn’t feel any­thing. Most nights he got bored and watched a nature pro­gram instead, ragged hye­nas gnaw­ing a zebra while Bob­by cleaned his insec­ti­cide tanks and spray nozzles.

In the spring, he read the angry his­to­ry books the Revi­sion­ists wrote, strug­gling against the illog­ic when they said the Holo­caust had nev­er hap­pened, when they explained how six mil­lion Jews had scammed the world. He read that the Jews killed Jesus; Bob­by didn’t care about Jesus, or about Jews. He read that the Jews had all the mon­ey, but Bob­by had a home and nev­er went hun­gry. It was all one big con­spir­a­cy that Bob­by was out­side of. But he had stud­ied; he’d tried to learn hate because it was the eas­i­est emo­tion he could imag­ine feel­ing, the only one he thought would ever get through.

Then, in the sum­mer, when the fire ants maraud­ed north to Nor­mal and invad­ed the peace­ful sub­urbs with their red Texas fury, he would strap on the tanks of poi­son LaShelle gave him, and he would slip into the grow­ing heat to spray the world in chem­i­cal fog, killing every­thing, even that part of him­self that knew, knew he could nev­er be a racist no mat­ter what he said, or stud­ied, or killed.

There had been a news sto­ry, car­ried along the backs of the fire ants, trail­ing north from Texas. A man, a black man, tied to a truck in Jasper and dragged through the streets. Day­light. Sub­urbs. Horror.

As a boy in Nor­mal, Illi­nois, Bob­by had a dog: Sandy when they adopt­ed her, same col­or as Bobby’s hair. A Chow mix with a punched-in face and a curled-up tail that nev­er, ever stopped wag­ging. Bob­by changed her name to Lady after the dog in the Dis­ney movie, and he watched her shat­ter the milk bones he threw her after din­ner, and he walked her through the thin woods out­side Nor­mal, hop­ing the dog would sniff out inter­est­ing car­cass­es aban­doned in the woods. 

She got spooked in storms, kept try­ing to jump the fence in the back yard. His par­ents had rigged her on a run­ner, one of those chains clipped to a line high over­head, each end bolt­ed to a tree so every time the thun­der beat the sky she could dash about in a pan­ic but still not clear the fence. Now, instead of walk­ing Lady, he just stood over the fence and watched her, fas­ci­nat­ed, because some­times, strain­ing against the pull of her run­ner so hard she’d raise her­self up on hind legs and stay that way for half an hour, she’d bark at every His­pan­ic that walked their streets. Nev­er the white neigh­bors, some­times the black neighbors—but she def­i­nite­ly had it in for the Mex­i­cans, the Ecuado­ri­ans, and the two old Puer­to Ricans from New York. She strained against her leash, pulling the run­ner taut like a bow string, her­self the fin­gers hold­ing the tip of some invis­i­ble arrow, and she barked and barked at the His­pan­ic neigh­bors who passed their house. Bob­by nev­er knew why. But he want­ed to find out. She was a good dog in every respect he knew a dog could be, so he rea­soned that hatred must be good too. 

When he was grown and ready, he fol­lowed the trail of the fire ants south, to Jasper, but found noth­ing to help him, so he went then to the cities—Houston that hot and mug­gy fall, San Anto­nio in the gray winter—then north and west, to the hill coun­try. Peace­ful, but teem­ing with ants.

 * * *

What’s with the scar,” Bob­by said in the break room on his sec­ond day. Mikey was spik­ing the day’s sec­ond pot of coffee.

Won­dered when you’d ask. Came from the job. We had a real bitch of a cat once. Came in spit­ting and kick­ing and throw­ing one hell of a fight. She popped loose from Elmo and scrammed, shoom, right up the god­damn wall. You look at these walls.” Bob­by looked, the yel­low paint a slick skin on the cin­derblocks. “I still don’t know how she did it. Any­way, by the time we found her, she’d made it into here some­how—” He walked to the refrig­er­a­tor and swiped his hand back near the wood­en cab­i­net over­head. “Got up into that cab­i­net there, damned if I know how, and when I went in to get her, she shot out right at me and wrapped her­self around my head. Elmo try­ing to get her off, and her try­ing to stay on, kick­ing at me to get a bet­ter grip. It was like she was dig­ging a trench right in my fuck­ing face.” He rubbed a fin­ger along the scar, back and forth, remem­ber­ing the cat’s claw there. “Lucky there was just the one deep runner.”

Did you kill her?” Bob­by said.

Would you believe we found a home for that lit­tle bitch?” Mikey said. “Tame as a god­damn lap cat now. Fat, too.”

How do you know?” Bob­by said.

I’m the one who took her home,” Mikey said—a grin, long and jagged where it spread from his slit lips to the long pink line in his cheek. “She’s my cat now. Keep your ene­mies close—who said that?”

What’d you name her?”

Still just call her Bitch.”

And she’s tame now?”

More or less. Every now and then she gives me this look, though, like she’s remind­ing me what she did. Like she wants me to know she could do it again.” He laid his fin­ger along the scar and held it there.

I put the lock on the cab­i­net up there,” he fin­ished. “Ser­gio want­ed to nail it shut, but I said the lock would be more prac­ti­cal. Brought the lock in myself.” He smiled again, that long torn grin, and he raised his Sty­ro­foam cup to Bob­by. “That’s also when I start­ed bring­ing in the whiskey.”

 

Spring in Texas was where north­ern sum­mers come from, the heat stir­ring ear­ly before wav­ing off the hills and ris­ing up the con­ti­nent. Bob­by stood out­side his tiny apart­ment in the for­got­ten cen­ter of town. Ear­ly as April, already in shirt-sleeves, that last win­ter front long since swept away. He drank a bit­ter­sweet cock­tail of South­ern Com­fort in beer. A neigh­bor in jeans and a plaid flan­nel shirt stoked the coals in his tiny porch grill and sent over a plume of faji­ta smoke. Bob­by looked over and the two men nod­ded to each other.

Is it always this warm in April?” Bob­by said.

Warm?” the dark­er man said. “It’s bare­ly six­ty degrees out. Still feels like win­ter to me.”

What’s it nor­mal­ly get to?”

Shit, it ough­ta be sev­en­ty degrees already. Wish it was. I’m freez­ing out here.”

Hm,” Bob­by said. He ran his shoe through the dirt on his slab of porch, hoist­ed his spiked beer, and walked out into the shab­by com­plex yard. He’d seen a mound off in one cor­ner, and he went to find it. 

It lay like a dried fecal lump cast out from the frigid ass of a dinosaur. Prick­ly with tiny dirt clods, pocked with holes, still and asleep. He’d not seen ant hills like this in Illi­nois. He toed it, but noth­ing hap­pened. He set down his beer and cast about, look­ing for a stick. One lay off near the side­walk, and he got it and set to pok­ing, dis­sect­ing the mound. The bare brit­tle grass crack­led behind him, and he spun on the balls of his feet with the stick up, but it was only the neigh­bor walk­ing up to him.

They sleep until it gets hot,” he said.

Fire ants—I know.”

Lit­tle bas­tards,” the neigh­bor said. “Can’t kill em for shit.”

You can try,” Bob­by said. He turned back to the mound and poked deeper.

Hey, you want a bite of faji­ta, man? My old lady makes some mean sea­son­ing, straight from her mama’s mama back home. Good stuff.”

No,” Bob­by said.

Huh,” the neigh­bor said. He stood a moment, then left. Bob­by poured his beer over the strewn mound, stood up, went back into his own apartment.

Spic,” he said, to try the word out again, the first time since Ser­gio. It still didn’t feel right. Noth­ing felt right.

When he was four, he’d stood watch­ing Lady at the fence one hot after­noon, her still a pup­py and run­ning in cir­cles free because she wasn’t yet big enough to jump in the storms. He’d stood a long time. Final­ly, she’d run to the fence for a pat on the head, and he looked down not at her but at his own feet. They were cov­ered in a crawl­ing black fur, only it wasn’t fur, it was ants. He’d stood direct­ly in an ant hill all that time, and now the ants had swarmed his feet, deter­mined if not to move him off then to devour him there. He’d screamed, and his moth­er had come and col­lect­ed him kick­ing and punch­ing at her, and she’d set him, clothes and all, in the tub for a bak­ing soda bath. His feet swelled up and turned a cran­ber­ry col­or for two days, and he cried the whole time, but real­ly, he’d nev­er felt a thing.

* * *

 Bob­by watched.

Mikey fid­dled with an old tool box, extract­ing syringes and bot­tles, explain­ing while he worked. The cat squirmed in Bobby’s tight, thin arms. They both wore pow­dered latex gloves.

With cats, we use this,” hold­ing a bot­tle, “a seda­tive, mea­sured out accord­ing to what the cat weighs. Milder than the killer, and we don’t have to use it, nec­es­sar­i­ly, but you can feel how that cat is ready to pop right now, just shoot out your arms like it had a bot­tle rock­et up its ass. The first seda­tive makes it easier.”

It?” Bob­by said. “The cat’s a he, isn’t he?”

The cat’s about to get dead, Bob­by. It’s an it. That’s how I work. Got it?”

Mikey tapped the nee­dle, then reached over Bobby’s strain­ing arms and jabbed the cat in the rump; the cat kicked in vio­lent thrusts and twist­ed its head out of Bobby’s fist. It bit Bobby’s hand in the soft meat between the thumb and the first fin­ger, and it stayed there, dri­ving its tiny teeth deep­er into Bobby’s flesh through the latex.

Hoh-oh, shit,” Mikey said. He laughed. “Hang in there, Bobby.”

Bob­by hung in there.

Mikey had drawn out anoth­er syringe and poked it into anoth­er bot­tle. “We use a wicked lit­tle blend of seda­tives on the dogs, because they’re big­ger usu­al­ly. I don’t know exact­ly what the mix is. They send it to us ready made. I just do my end with the needles.”

The cat went limp, its jaw relaxed and its heart­beat slowed to match its long, heavy breath. The air was hot on Bobby’s hand, hot already from the wound, the blood col­lect­ing under the sec­ond skin of the glove. 

This here,” Mikey said, “is the nasty stuff. Pen­to­bar­bi­tal.” He flicked the nee­dle and squirt­ed a bit of the drug into the air. It land­ed on the cat’s face and ran into its closed eyes. “Cats, they get a hun­dred and twen­ty mil­li­liters of this stuff per kilo­gram of body weight. Stops the heart cold in just under thir­ty sec­onds. But dogs—” He jabbed the new nee­dle in, depressed the plunger, held it a moment, and slid it out again. “—Dogs only get twen­ty mil­li­liters per kilo. Now why the hell is that? Dogs get more seda­tive but less juice in the end?”

Bob­by had been lis­ten­ing, learn­ing, and he’d missed the moment. What used to be a limp and sleep­ing cat was now a cat col­lapsed, a body with a void inside. 

Damn it,” Bob­by said.

What?” Then, see­ing, Mikey said, “Yeah, it’s tough. I was so shak­en up my first time I couldn’t even cry until I got home. It was like I’d died, too.”

Bob­by looked at him.

Yeah,” Mikey said with his eye­brows raised, his head bob­bing in affir­ma­tion, “I cried. I bawled. Every­one bawls their first time. You will too, lat­er today or some­time tonight I guess.”

Bob­by stared, first at Mikey and then back down at the cat.

But the thing you got to remem­ber is, it’s just a cat, Bob­by. Just a cat. Or just a dog. Or what­ev­er. It don’t mat­ter. With me, it’s a kind of release, you know. You’re sav­ing them. You just got­ta keep say­ing that, Bob­by. Or some­thing like it. You got­ta have a gim­mick. Lov­ing death, being a mer­ci­ful angel for these lit­tle things, that’s my gimmick.”

What oth­er gim­micks are there?” Bob­by said.

Oh, lots. Jea­nine, she hates them. Not real­ly, but she makes a hell of a show of it—cusses up a storm when she’s in here. And Elmo, he always sticks them back­ward so he don’t have to see their faces. Shit like that.”

Bob­by nodded.

You got a girl?” Mikey said.

Bob­by shook his head.

Get one. A girl can help, you know, after doing this shit.”

I wouldn’t know what to do,” Bob­by said.

Mikey laughed. “Didn’t say you had to love her, Bob­by. Now here,” he said, wav­ing at Bob­by to retreat, “back up. They usu­al­ly shit and piss all over you when they go, and we’ve got­ta clean you and the rest of this place up. Then, I’ll go buy you a beer over at the `Coon.”

Lat­er, the gloves stripped away but the chem­i­cal smell still hang­ing on their raw hands and in their scrubbed shirt-sleeves, Bob­by and Mikey drank beers at the Rac­coon Saloon. After his fourth, Bob­by could speak. He said, “I can’t feel anything.”

I know,” Mikey said. “My lips are numb.”

No,” Bob­by said, “I don’t have feel­ings.” Mikey pulled at his lips, let a fin­ger trace the scar, and Bob­by dropped it. He said instead, “I think I’d like to try my first time with the nee­dles next week.” Mikey said sure and slugged his beer. Bob­by said, “I think I’d like to try it alone.”

Slow down, part­ner,” Mikey said. He laughed, then he didn’t laugh. “You’ll want to give it time, Bob­by. Take it slow.”

I know,” Bob­by said. “I know.”

  * * *

The spring of Bobby’s eighth grade year had been fren­zied with win­try storms, cold fronts bash­ing down from Lake Michi­gan or across the plains. The earth froze, thawed, per­co­lat­ed mud until it froze again. And in a lull one week, as the sun warmed a run­ny earth, Bob­by had walked his street each day with his hands over his nose. There’d been a smell in the neigh­bor­hood for days, and it was get­ting worse. His par­ents com­plained of the smell; his neigh­bors called once a day. Final­ly, Bobby’s father sent him around back to see if Lady had killed or shat some­thing foul enough to pol­lute the neigh­bor­hood. “When’s the last time you even saw that dog, Bob­by?” his father had asked. But back at the fence, star­ing into the wide pen that ran behind the house, Bob­by couldn’t find his dog. He whis­tled into the wet air. He climbed over the fence for the first time in a long time and start­ed clap­ping and call­ing Lady’s name. He walked to the tree near the house, where Lady’s plas­tic-coat­ed run­ner was bolt­ed. The oth­er end ran into a clus­ter of trees by the back side of the fence. Bob­by walked with the run­ner in his fist, the cord slip­ping through his fin­gers with a slow plas­tic burn, until he entered the trees. 

Lady must have been des­per­ate in the pre­vi­ous storm. She’d scrab­bled up the tree and between two high limbs, squat­ting in the crotch to jump and clear the fence in spite of her run­ner. But it had held. She’d snapped against the tug of the run­ner and fell almost to the ground. But only almost. The run­ner had stopped her. She swung now from the leash, a week lat­er, her head to one side and her black tongue fat and drained to the gray of over-chewed gum, hang­ing out her open jaw. Blood had crust­ed against her teeth and around the lit­tle fog-blue mar­bles of her dead, bulging eyes. There was a lit­tle pile of shit, nuggets cov­ered over in a black­er liq­uid in the grass beneath her, and her piss had mat­ted the fur around her hind legs and her tail. Flies crawled around her nose and inside her ears, prob­a­bly work­ing their way inside to lay lit­tle sacks of mag­gots on the soft folds of her brain.

He screamed. But it was like the day of the ants, the scream a noise issued from his throat like an alarm, for he found he did not love this dog, nor did he hate that the dog had died. There was noth­ing but a sit­u­a­tion that called for alarm, and this, in turn, alarmed him. Even at the age of thirteen.

His par­ents came out, and his father crawled over the fence and car­ried Bob­by out to his moth­er, then got a hatch­et and went back in to hack down the run­ner cord. Lady fell with a heavy flump. Bob­by scram­bled away from his moth­er and tried to climb back over the fence, tried to go and stand over the body, to see more clear­ly what the decom­po­si­tion was like, what the insects were doing with the corpse. But his moth­er caught him, and Bob­by was trapped on the out­side of the fence. He couldn’t get any clos­er, not to Lady, not to any­thing. He looked at the dog. He sniffed, closed his eyes.

Behind him, his moth­er touched his shoul­der and squeezed it, then laid her fore­head against his back, and said, “I know, I know, I know.”

  * * *

Mikey scraped a thin fin­ger­nail over the scar, down, back, down again, as though keep­ing the wound fresh.

Remem­ber,” he said, “they seem pret­ty docile at first, but they’ll get you.” Bob­by nod­ded, but Mikey went on. “No shit,” he said. “I knew this girl once, got down close to a mon­grel to kiss it—she’d do shit like that, kiss them right on the lips—and this lit­tle mutt snipped up at her and bit her clean through the lip. Right here, a canine on either side. Clean through.”

Shit,” Bob­by said.

And you know what that chick did? She went and put a ring through it, like she’d pierced her lip her­self. I’m not lying. Told that sto­ry like she was proud.”

Bob­by nod­ded. He snapped on two latex gloves, and he said, “Did you fuck her?”

That chick? Nah.”

Les­bian,” Bob­by said, nod­ding again.

I don’t think so. Shit Bob­by, you’re so prej­u­diced, man.”

Not real­ly,” Bob­by said. By he was try­ing. It was the only way. Dis­tance every­body, dis­tance every­thing, keep it all clean. Clean right through.

So,” Mikey said, shak­ing his emp­ty Sty­ro­foam cup. Late in spring and still the whiskey in the cof­fee. He sucked at the last drops, pitched the cup to the garbage can. “You ready for this?”

I’m going in alone?” Bob­by said.

You said you want­ed to.”

Yeah,” Bob­by agreed. It need­ed to be this way.

Mikey shook his head, walked through the door to the hall, and Bob­by fol­lowed, the two of them haunt­ing the after­noon shad­ows gray as the wire cages. Mikey unlocked cage num­ber eight, reached in, and pulled out a whim­per­ing dog. He closed the cage, pock­et­ed his thick ring of keys, and walked back through the echoes of the halls to the break room, alone.

The Labrador half-breed still had the bone-shaped tag some­one had clipped to her col­lar: Licorice. Named, made real; aban­doned, dead. She knew it, her end fore­seen in the same ani­mal fore­bod­ing that warned dogs of impend­ing thun­der­storms. Her haunch­es spread low in a brace against the stained con­crete floor, and when Bob­by took hold of her col­lar to coax her into the room, she added her own stain, the watery stream of ran­cid urine spread­ing under her rump and away from her tail. Bobby’s sweat mixed with the pow­der in the latex glove. Licorice whined once but then hushed, con­cen­trat­ing instead on scrab­bling her claws against the con­crete, seek­ing pur­chase in her own pool of stink. Bobby’s keys slipped and hit the floor, and Licorice jumped once, her hind quar­ters and then her forelegs com­ing off the ground so her whole body rose straight up in Bobby’s grip like an armadil­lo beneath a mov­ing pick-up. It was enough. Bob­by hauled her in swing­ing by her neck, and she skid­ded, her paws clat­ter­ing and slid­ing on the floor, and Bob­by kicked the door shut. She was inside.

Bob­by put his hands on his hips and looked at her. “You lit­tle bitch,” he said.

He left Licorice in her cor­ner, where again she whined and squat­ted on the floor, refus­ing ever again to move. Bob­by opened the old tool case on the table and drew out the fat plas­tic syringe and two bot­tles. One was half-full with flu­id the col­or of a bour­bon-and-coke. The oth­er bot­tle was small­er, glass wrapped in a paper druggist’s label. Bob­by pushed the nee­dle through the rub­ber seal on the first bot­tle and pulled on the plunger, draw­ing up the seda­tive. He mut­tered, said, “Cock­tail hour, sweet­heart.” He want­ed a drink him­self. Just not a bour­bon-and-coke. Not an Irish cof­fee from the break room pot. Some­thing stronger. Some­thing to put him under.

Bob­by squat­ted now, mim­ic­k­ing Licorice, and approached her in low shuf­fling motions. “Hey, bitch, hey lit­tle nig­ger bitch,” he said, low in his chest so the for­eign string of words hummed. “Come here you lit­tle black bitch, you kike bitch, you Arab bitch. Here lit­tle fag­got bitch. Come here bitch.”

Licorice shuf­fled a bit, too. She low­ered her head and whined. She stank of urine, and Bob­by saw she had pissed the floor in here, too.

He reached in as though to pet her, took her col­lar again but did not pull. He just sat there, her col­lar in his gloved hand, both of them pant­i­ng. He held her, his eyes and her col­lar: she stayed put. Her breath­ing slowed. She resigned, sighed, and lay on the floor with her jaw flat on the con­crete, her piss soak­ing into her fur. Bob­by reached around her and slipped the nee­dle eas­i­ly into the mus­cle of her hip, depressed the plunger, sent the murky amber into her.

Hatred, he once had thought, would be just that easy. Find it some­where and inject him­self with it. Love was far more dif­fi­cult; it had to be grown from the inside, like a mold, like those psy­che­del­ic mush­rooms hid­den under the wide clay pat­ties of cow shit down here. Hate—and death—came from out there some­where, acces­si­ble. But so far, it hadn’t been so easy. So it had come to mur­der, a cold gray room with buck­ets and anti­sep­tic and death in a syringe.

Licorice sighed again. She looked up at him with­out mov­ing her head. Bob­by retreat­ed, watched her a moment, then stood and leaned against the janitor’s table to wait. He closed his eyes. He lis­tened to his breath, to her breath; the heart­beat punch­ing in his chest was hers. He count­ed them, sev­en­ty, one-fifty, two-fifty, his heart rate increas­ing each minute until, when he had count­ed four hun­dred eighty beats, he knew about five min­utes had passed. He opened his eyes. Licorice slept, her breath­ing heavy and her own heart rate slowed to a peace­ful thump.

He turned and took out the small­er syringe, jabbed it quick­ly into the small­er bot­tle, and sucked up the poi­son inside. He depressed the plunger, wait­ed for the squirt, and walked back to Licorice asleep on the floor. He took a long breath, said “You fuck­ing bitch,” and stabbed her with the nee­dle. He called her a lit­tle white-trash whore, a wet­back poo­nan­ny that deserved what she got; his voice thin and arti­fi­cial but his pulse alive, his blood its own poi­son rac­ing beneath his flesh, seek­ing escape. His chest tin­gled, dead-alive with that prick­ling sen­sa­tion of some­thing asleep hav­ing just wok­en up. He could feel it in there. An army of fire ants tramp­ing across the inside of his ster­num, the sen­sa­tions he’d nev­er had across his feet as a kid now erupt­ing inside his ribcage. His own tongue fat in his mouth. Every­thing around him mov­ing, things he’d nev­er felt before. He licked his lips then left his thick tongue between them, a syrupy trail of sali­va falling hard and fat against Licorice’s slick black fur. He tried a smile and found one, los­ing it again to his con­cen­tra­tion but know­ing at last that he had a smile, sharp but gen­uine, and from there, who knew what he would dis­cov­er. He felt her side. Her heart had stopped for­ev­er, and for one of those thir­ty sec­onds, his had, too.

 

 

Samuel Snoek-Brown is a writ­ing teacher and a fic­tion author, though not always in that order. He's also the pro­duc­tion edi­tor for Jer­sey Dev­il Press. His work has appeared in Amper­sand Review, Red Dirt, Red Fez, and SOL: Eng­lish Writ­ing in Mex­i­co. An excerpt from his Civ­il War nov­el, Hagrid­den, appeared in a spe­cial issue of Sen­ten­tia. He lives with his wife and cats in Port­land, Ore­gon; online, you can find him at snoek​brown​.com.

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Missions after Midnight, poem by Misty Skaggs

The white, hot, halo­gen flash
of headlights
splits two lane darkness
of a Sat­ur­day night in the sticks.
We fly around curves.
Float up and over
hills
and hollers.
Asphalt slinks over ridges
like a fat,
black,
snake.

And we fol­low the snake.

Blind,
determined.
We are rur­al route heroines
to the rescue,
respond­ing to the ring­ing, rotary call
of our drugged up
damsel in distress.
“Please”, she pleads, “come and get me…”

The grind­ing, gray crunch
of gravel
blends with the hol­low howl
of a mutt dog.
A mangy stray with sag­gy tits,
and sad eyes,
tracks our slow progress,
as we creep
and we crawl
through the moon­lit trail­er park.

Mis­sions after midnight
are the most dangerous.
But we blus­ter on.
Lit­tle girls alone
in the bad­dest part of the backwoods.
No big, strong farm boys
to pro­tect us tonight,
Just our sense of right­eous bravado.
And the forty-five
And it’s loaded.

Tonight we ain’t lit­tle girls.
We’re grown women,
we’re cowboys.
Rid­ing out on a doomed round up
moti­vat­ed by fuzzy memory.
Urged on by nos­tal­gic recollections
of anoth­er used-to-be lit­tle girl.
A far away, freck­le faced lit­tle girl
with a gap-toothed grin
and a per­pet­u­al smear
of dirt,
highlighting
her high cheek bones
like blush.

She’s lost in a haze,
that long ago lit­tle girl
we can’t help but recall
when she calls out for help.
The two of us,
her cousins,
her kin,
her blood…

We see her deep set, bright,
blue eyes,
beneath the glaze
of Xanax
and Wild Turkey.
We see the blue eyes
of a lit­tle girl
who’s seen too much.
Blue eyes grown world weary,
and bitter,
and jaded,
and old
too soon.

We call her name.
Half whis­per, half holler,
half-hang­ing out the windows
of the near­ly new Mustang.
Our trusty steed is quiet,
cruis­ing up and down the aisles.
Sliv­ers of light

split the night.
Makeshift sheet curtains
pull back to prove
to the paranoid,
that we aren’t the cops.

And sud­den­ly, she appears.
Stum­bling out of the woods
at the end of the row
of Sil­ver Bul­lets and single-wides,
behind the Frosty Freeze.
Gone is the grimy, Bar­bie t‑shirt
and the ragged, ruf­fled skirt
we remember.
Replaced by daisy dukes
and scraped knees,
and sal­low skin hid­ing under
an over­sized hoodie.

No more chub­by cheeks
or crooked smiles.
Now it’s miss­ing teeth,
and tracks,
and stretch marks.
The lit­tle girl
we used to know,
has her own lit­tle girl
in tow.
The sleep­ing baby,
blue-eyed like her
brand new Mommy,
is an afterthought,
con­fined to car seat,
lined with the stray,
sharp,
needles
of white pine.

Misty Skag­gs, 29, cur­rent­ly resides on her Mamaw’s couch way out at the end of Bear Town Ridge Road where she is slow­ly amass­ing a library of con­tem­po­rary fic­tion under the cof­fee table and per­fect­ing her but­ter­milk bis­cuits. Her gravy, how­ev­er, still tastes like wall­pa­per paste. She is cur­rent­ly tak­ing the scenic route through high­er edu­ca­tion at More­head State Uni­ver­si­ty and hopes to com­plete her BFA in Cre­ative Writing…eventually. Misty won the Judy Rogers Award for Fic­tion with her sto­ry “Ham­burg­ers" and has had both poet­ry and prose pub­lished in Lime­stone and Inscape lit­er­ary jour­nals. Her short series of poems enti­tled “Hill­bil­ly Haiku" will also be fea­tured in the upcom­ing edi­tion of New Madrid. She will be read­ing from her chap­book, Pre­scrip­tion Panes, at the Appalachi­an Stud­ies Con­fer­ence in Indi­ana, Penn­syl­va­nia in March. When she isn’t writ­ing, Misty enjoys tak­ing long, woodsy walks with her three cats and watch­ing Dirty Har­ry with her nine­ty six year old great-grandmother.

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