Every Head is a World, fiction by Nels Hanson

The sud­den vision of the wings of sev­en-band­ed col­or made me halt as I head­ed for the doomed pig’s pen.

I blinked at the striped light like refrac­tions from twin prisms and the knife slipped from my hand and I swiveled and the men behind me parted.

In a trance I retraced my steps and sat down in the sun with my back against the barn’s hot wall.

Del­mus, you all right?” some­one asked, it sound­ed like Aaron Win­ters, and I heard myself answer, “I need to think a minute—”

An hour ago I had awak­ened under a grapevine, the emp­ty fifth of whiskey rolling from my chest as I jumped up and was run­ning drunk through the vine­yard toward the fran­tic barnyard.

I remem­bered the pick­ups arriv­ing for the har­vest par­ty, honk­ing horns and shout­ed greet­ings, bot­tles passed in a wide cir­cle, gun­fire as the men took turns shoot­ing Woody’s rifle, the blast at my ear when Aaron Win­ters rest­ed the bar­rel on my shoul­der and the run­ning horse weath­er­vane skat­ed down the barn’s tin roof—

Then the shout that the horse had escaped the cor­ral, Silva’s hired man had let it loose, and I hur­ried for the las­so and swung it wide over my head—the way Endi­cott had taught me 60 years ago—

I approached Kate’s ter­ri­fied pony that had run up onto the lawn by the house, under the kitchen win­dow where Kyla was hav­ing her morn­ing cof­fee and Kate ate her cereal.

Nice throw,” some­one said and I was lead­ing Sox from the barn­yard, say­ing, “Easy boy, easy,” now step­ping into the young orchard to qui­et it, to get away from the gun­ and from Bay­lor Clark who’d been nip­ping at my heels, insist­ing that Aaron Win­ters had struck oil west of New Lund, that if I didn’t fill him in he’d tell every­one about Kyla’s mother—

I’d heard some­one com­ing through the dirt, with my hang­over the foot­steps loud as a dinosaur’s tread.

Aaron?” I said. “You alone?” I sat out of sight, under the young Sun­crest peach, Sox’s rope tied to the branch.

Just me.” Aaron was plod­ding through the deep white-ash soil with­out his hat, his short shad­ow thrown behind him like a stunt­ed wing.

I fol­lowed your tracks— Fig­ured you were hid­ing— Or get­ting ready to ride off—”

He was breath­ing hard, it was work for him walk­ing through the plowed ground. Aaron put out a speck­led hand, grasp­ing the peach limb above my head. He blinked, his washed-out blue eyes gaz­ing down at me through the shade.

You’re not sore, about the weathervane?”

For­get it. You get rid of Baylor?”

How’d he find out about the oil lease?” Aaron put his oth­er hand on the branch.

He knows every­thing. He’s a spy.”

Your mother’s broth­er. Can’t do much, not with family.”

Baby Broth­er Is Watch­ing You,” said a voice among the silent leaves and I remem­bered I was drunk.

I was ready to wring his neck.”

It should have been fun­ny, com­ing from old Aaron, who wouldn’t hurt a fly.

Join the club,” I said, pick­ing up a dirt clod.

I got hold of myself,” Aaron said. “He’s spread­ing some pret­ty nasty stuff—”

I threw the clod over my shoul­der. Sox snorted.

Kyla’s moth­er?” I touched a fall­en cres­cent leaf, like the moon last night. “He’s full of shit.”

Old news,” Aaron said.

With my fin­ger I traced a cir­cle in the blonde dirt. The nar­row peach leaves stirred, cast­ing shad­ows like fin­ger­lings in a stream.

Lar­ry Jones knew some­thing about Bay­lor—” I drew a line through the cir­cle, then a sec­ond line, mak­ing a cross. “What was it, anyway?”

Aprons,” Aaron said, “lamb­skins.”

I looked up at Aaron’s white face.

Big prof­it. Sold them to the dif­fer­ent lodges. That’s why Bay­lor joined the Masons.”

I’m not surprised.”

That’s what I thought it was, any­way—” Aaron’s voice trailed off.

What do you mean?”

Some­thing Hazel told me. After Larry’s funer­al. Some­thing I’ve nev­er told any­one. Some­thing Lar­ry nev­er told me—”

Aaron stared off across the orchard.

Look­ing back, I can see he hint­ed at it, in ‘Raisin in the Dust,’ that part about the John­son Grass chok­ing the fields and ditch­es. About the seeds of some­thing evil here.”

My head hurt. When I looked up at the flick­er­ing leaves, the splin­tered light stung my eyes.

You shouldn’t have got drunk the night before your par­ty, some­one said at my right ear, it sound­ed like my dead mother’s voice. “All the Wild Turkey the But­ter­fly low­ered on the string, after you dropped the Ear­ly Times—”

Do I want to know?” My tem­ples hurt.

No,” Aaron said.

Tell me,” I said.

It’s painful.”

What isn’t?”

I want to tell you, Del­mus.” Aaron looked down at me. “For your mother’s sake—”

What’s she got to do with it?” I felt the old irri­ta­tion spark and rise like an orange flame.

I know you and Flo­rence didn’t get along, after your dad died. I think maybe you blamed her a lit­tle for Walt’s death.”

No,” I said. “I didn’t. It just went that way.” But I did, I always had. “I’m going to get me a switch, she’d say when I wouldn’t mind.

It’s got to stay here, between you and me.”

All right,” I said. I slashed anoth­er line across the cir­cle in the dirt, so it looked like a pie.

You were over­seas. It was when Bay­lor decid­ed he was going to write a book about Joaquin Mur­ri­et­ta and the buried trea­sure. Said if Lar­ry Jones could write a book about Mur­ri­et­ta, he could too, only ten times bet­ter. He wouldn’t fall for an old wives’ tale about some ‘fan­cy lady’ find­ing the gold, using a crys­tal ball. He didn’t have to be a ‘damned professor.’”

Yes,” I said. I made a fur­row in the dust with my fin­ger­tip. “That sounds like Baylor.”

I’d just been talk­ing about Mur­ri­et­ta— With who? Now the sec­tioned cir­cle looked like a puzzle.

Well, Bay­lor bought a great big new desk, set up an office. He had an old desk, real old. Real cheap. He tried to sell it to Lar­ry, then to me. It was just good for kin­dling. Plus it was his. Nobody want­ed it. Bay­lor began to both­er Flo­rence about it. He’d call and come over near­ly every day. Said he’d nev­er giv­en her a gift, always meant to and nev­er had.”

Shit.”

He wouldn’t let up. Said it was ungrate­ful if she didn’t take it, a present from her only broth­er. So final­ly, to shut him up, Walt went over in the truck. Bay­lor helped him load it, all the time brag­ging what a great desk it was, how hap­py Flo­rence would be when she saw it. Bay­lor said he’d be over lat­er to help them decide where to put it. They should put it some­where impor­tant, so peo­ple could see it.”

Aaron—”

I’m com­ing to it. When Walt got home, Lar­ry Jones was there. He’d had a hunch on a site and want­ed Walt to dowse it on the map. Oil. Lar­ry waved hel­lo and point­ed to the desk. ‘Bay­lor final­ly find a buy­er?’ Lar­ry said.

‘No,’ Walt said, ‘a god­damned gift. Would you help me unload it?’                      “‘Christ­mas comes ear­ly,’ Lar­ry joked, and Walt laughed, said what a both­er Bay­lor was. So Lar­ry and Walt got it down.

Walt had start­ed to dust it off, Baylor’d had it in the barn, when Lar­ry said, ‘You know, these were pret­ty com­mon once, mail order stuff. Just a cut-rate piece. But there was one thing. They all had a hid­den com­part­ment. I won­der if Bay­lor remem­bered to clean out all his secrets.’

Lar­ry was that way. He found Murrietta’s ivory-han­dled pis­tols in the cave.”

Yeah.” Lar­ry had brought one over. I’d held the heavy sil­ver pis­tol in my hand, grasped the white grips carved with screech­ing eagles.

Trea­sure,” said a dif­fer­ent voice. “Under a flat stone .… These aren’t rhine­stones but dia­monds in my dress—”

Lar­ry leaned over, reached way under­neath. Sure enough, there was a but­ton, it worked a spring release. A secret draw­er came open and Lar­ry reached in.

‘What do we have here?’ Lar­ry said. ‘Baylor’s trea­sure map?’

Lar­ry hand­ed Walt the piece of paper. Walt unfold­ed it.”

I looked up. Aaron took a breath, both hands on the limb, his white brows raised.

That’s the moment that killed your father—”

What?”

Walt turned white, took one step and col­lapsed. Just like that.” Aaron lift­ed a hand and snapped his fin­gers. “Like a hammer’d hit him.”

I nev­er heard that—”

No one has,” Aaron said, “I nev­er did, not till Hazel told me. I guess Lar­ry got Walt into the car and he and Flo­rence took him to town, to the hos­pi­tal. No use.

When Lar­ry brought Flo­rence home, Flo­rence asked Lar­ry to put the draw­er back in the desk. She asked him to drag the desk out in the barn­yard and pour gaso­line on it. She set it on fire her­self, with a kitchen match. Lar­ry and Flo­rence were stand­ing in the yard, watch­ing it burn, when Bay­lor drove in.”

And Bob Braw­ley died that same day, of fire, over Nagoya, 100 yards off my sil­ver wing—

‘What the hell’s going on?’ Bay­lor yelled. ‘What the hell?’

Flo­rence nev­er answered him. She nev­er spoke to him again. Remem­ber, when you got home from over­seas and he’d come vis­it, for cof­fee? She would sit there, star­ing at the wall, at Walt’s pic­ture of the graz­ing hors­es. ‘Florence—Florence, look at me when I’m talk­ing!’ Bay­lor would say. She nev­er turned. And lat­er, when she was in the hos­pi­tal? Bay­lor came to see her every day. She wouldn’t speak, she wouldn’t look at him, even when he begged her, as his sis­ter, his last blood relative.”

What was in the draw­er?” I stared up at Aaron.

A dia­gram. A map.”

What map?”

Gates,” Aaron said. “Each gate had a number.”

What gates? The ditch?”

At the bot­tom of the page each num­ber had a name. Each gate.”

Aaron looked down at me. His eyes were sad, watery.

I don’t under­stand.” Gate. Number.

The Klan,” Aaron said. “They killed Endi­cott Lowell.”

I watched the ground tilt and rise. I put a hand down for balance.

Jesus!”

The dirt glit­tered with grains of quartz and pyrite, threat­en­ing to ignite as a roar start­ed in my ears. Each sec­ond was like an arrow going in. Each minute. I could die now, turn to dust.

The case was final­ly closed:

Negro Rodeo Clown Killed in Mys­te­ri­ous Stampede!

It was Bay­lor and his “friends” who put chili pow­der under the bulls’ tails, between shows while Walt and I and Endi­cott had the pic­nic in the pas­ture under the oak, Endi­cott in his pur­ple pants and shirt and his face still paint­ed with white paste, the orange wig beside him on the blan­ket before every­thing was torn and soaked red .…

You all right?” Aaron asked after a while.

No,” I said. “Real tired.”

In the barn­yard a radio was play­ing, where ear­li­er the men had tak­en turns fir­ing Woody’s .22, where once Endi­cott had shown me how to throw a rope:

Just like this, Del­mus,” Endi­cott said, guid­ing my hand. “That­ta boy!”

You’re wear­ing your dad’s boots.”

Yeah,” I said to the sandy ground, “my Red Wings wore out.” I touched anoth­er fall­en yel­low leaf and again remem­bered the moon. “Like every­thing else.”

I want to talk to you,” Aaron said, “while we’re still sober.”

I’m not sober. I’ve been drunk since last night.”

Wild Turkey or Ear­ly Times? The bot­tle rolled from my chest when I woke under the grapevine. I thought it had fall­en and shat­tered by the elm.

I ran a hand through my hair, what was left of it.

I’ve been drunk all my life. Jesus—”

I fig­ured it was like that, when I saw you in town yesterday.”

Odd cycle.” I glanced down the row of young peach trees. “Strange weather.”

The wind is part of the process, the rain is part of the process .…  Like the phas­es of the moon—” Who said that? When?

I can feel it,” Aaron said. “Every­where I go. That’s why I want­ed to talk to you. I was going to wait until every­body left, but I don’t know if I can stick it out.”

You going?” I looked up. I didn’t want him to go. Aaron was the only one I want­ed to see.

No, not yet,” Aaron said. “I’ll stay a while.”

I appre­ci­ate it, Aaron.”

Let me sit with you a minute.”

I lift­ed my hand and gripped Aaron’s as he squat­ted down beside me.

There,” Aaron said, “that’s better.”

How slen­der his wrist was. Almost bone.

Remem­ber the mete­orite, Del­mus?” Aaron asked. “The one that hit the milkhouse?”

Walt’s shoot­ing star.” I nod­ded. “Rock of Ages.”

After the war a swarm of bees lived inside the thick walls and when I tore it down hon­ey flowed like liq­uid gold from a spig­ot and Kyla and I skimmed the pool with buck­ets and poured it into milk cans.

They saw it up in Fres­no,” Aaron said. “Been track­ing it. Some teacher at the college.”

‘Someone’s van­dal­ized it,’ he said, when Dad gave it to him. ‘This isn’t a nat­ur­al break.’

‘No,’ Dad said, ‘I guess God fid­dled with it.’”

It was sum­mer, hot July, I was 11. We’d been sit­ting on the screen porch drink­ing home­made root beer when we saw the sud­den blind­ing streak that lit up the barn and then an explo­sion, a tin roof boomed, sparks fly­ing up.

What is it?” Flo­rence cried.

A mete­or!” Walt said.

Walt and I ran out across the barn­yard. I saw stars through the hole in the milk­house roof. A black sil­ver­ish rock sat on the con­crete floor with the full milk cans. It was smok­ing, spi­rals going up toward the lit over­head bulb.

Don’t touch it—It’s still hot.”

Walt sent me back to the house to call Aaron.

The guy growled,” Aaron said, “but he took it.”

It’s still up there, at the col­lege museum.”

Made of nick­el. I fig­ured you’d remember—”

All the days of my life,” I said, drop­ping my hand in the dirt as I heard anoth­er sud­den buzzing voice in my head:

            “And the third angel sound­ed his trum­pet, and there fell a great star from heav­en, burn­ing as it were a lamp, and it fell upon the third part of the rivers and upon the foun­tains of waters; And the name of the star is called Wormwood .…”

Aaron set his hand on my shoul­der. With a sigh he got to his feet and stood in the deep earth, then reached around to his pants pocket.

Have a drink?”

He dropped a half-pint so I had to reach to catch it.

Thanks—”

Old Grand­dad. I drank the burn­ing whiskey, throw­ing back my head, and hand­ed it back.

Aaron took a dain­ty drink, coughed, took a bet­ter one. He screwed on the cap and back­hand threw the flat bot­tle in the air beyond the peach tree.

I start­ed to rise, to make a failed effort to grab it in time, and eased back down as I saw the glass fall safe­ly in the soft plowed ground, not like last night when I tripped and the Ear­ly Times float­ed from my hand and broke in a thou­sand wet pieces in the cres­cent moon­light .… “Damn it to hell,” I said on hands and knees before I heard the creak of a win­dow sash—

Wealthy man,” I said, look­ing up. “You must have found oil.”

Not yet,” Aaron said, “maybe nev­er. Maybe—”

He made a strange jerk­ing motion with his arm.

Aaron?” I thought he’d had a stroke, Aaron’s eyes were blank, emp­ty looking—

Then I rec­og­nized the sig­nal. I was tired, but I got to my feet. I gripped Aaron’s hand.

By the level.”

By the square.”

Widow’s Son.”

King Solomon’s Temple.”

Aaron stared steadi­ly at me. Now his eyes were clear, intent, blue.

Look at this,” Aaron said.

He was open­ing his shirt, show­ing his thin t‑shirt and bony chest, then reach­ing in, as if to grasp his kidney.

Aaron pulled out a var­nished peach fork.

Gave up the L’s?”

This is bet­ter.” Aaron held the V with two hands. “It’s Larry’s. Hazel gave it to me.”

I recalled it dim­ly. It had lain on the kitchen table as Walt and Lar­ry had cof­fee. But it was dif­fer­ent, there was some­thing bright fas­tened on the end with electrician’s tape.

What’s that thing?”

A piece of the mete­or.” Aaron smiled. “Walt fid­dled with it.”

You found oil with that?”

After years of dry wells. Lots of shale, tar sand. Ben­tonite that time. Nev­er oil. Then bin­go, first try with this and up it came.”

I didn’t even know you were drilling—”

Things were com­ing too fast. First Endi­cott, Flo­rence and Walt, Lar­ry. Now this.

When?”

At night. Secret. Capped it off. It want­ed to gush. Right under the sur­face. It’s been on the move. Migrating.”

You real­ly hit?”

Real pure, no sul­fur. I meant to bring a lit­tle for you to taste, sweet, but I forgot—”

Aaron let one arm of the rod swing down, rais­ing a hand to scratch his forehead.

Lots on my mind. A big pool, it looks like, a lake of oil, the way it came up. Lot of pressure.”

No won­der Baylor—the murderer!—was antsy. He smelled oil. Every­one had looked for 70 years—Standard, Shell, geol­o­gists from Ara­bia and Iran. There was a fault, but no one could locate the deposit.

Under­stand­ably, Aaron was excited.

It’s on the Island,” Aaron said.

Jesus— The Island?”

Aaron nod­ded. “Where the Kings’ two forks split apart for a mile.”

Jones always said it was on the Island—”

He didn’t have a shoot­ing star,” Aaron said.

Again he held it out with both hands, the rock shin­ing at the end of the V.

Let me see it,” I said.

Here.”

I gripped the peach fork that once had been Lar­ry Jones’. The Pro­fes­sor. It dropped straight down, the piece of star pulling heavily.

You sit­ting on oil?” Aaron frowned.

Naw, I’m rusty. The ditch line runs through here.”

I threw the stick back up, held it out light­ly in my palms, but again, with a will of its own, the shiny star shot down.

Pret­ty strong,” Aaron said, “give it here.” He took the rod, bal­anc­ing it belt high, lev­el with the ground, and I saw it plunge.

It’s not here.” Aaron tilt­ed his head to the side, feel­ing the pull through his hands. “It’s over there, real strong, right under the barn­yard. Or no,” Aaron said, swing­ing the branch up again, “it’s far­ther on, by the house.”

It’s the pump. Met­al magnetism.”

You sure?”

Either that or Kyla’s moth­er. The rhine­stones in her dress.”

Shall I play a record?” said a voice.

Unless it’s the old still,” I said. “In the cel­lar.” Sud­den­ly, I was thirsty again. “The raisin whiskey. The bar­rel of boot­leg wine.”

Or the book, behind the loose brick—”

What?” I turned. I’d been about to wade out into the dirt to retrieve the thrown bottle.

Ford’s book,” Aaron said, hold­ing the fork lev­el again. He squint­ed, look­ing at me. “Remem­ber the book?”

The book is gone,” I said.

The slen­der peach leaves flut­tered, cast­ing shad­ows across my father’s boots, and sud­den­ly I heard singing:

I’m next of kin / To the way­ward wind—”

Way­ward Song”, Larry’s book about Mur­ri­et­ta, the treasure.

No,” Aaron said. “It’s in the car.”

What’s that?”

Ford’s book—”

Whose car? Where?”

Mine. In the trunk, locked up. I got it start­ed. It was worth chanc­ing a tick­et, don’t you think, Delmus?”

You sure it’s safe?”

It’s in the tin box. Wrapped in the Ghost Shirt.”

I stared into Aaron’s blue eyes.

I’ve been look­ing for it.”

I fig­ured you had.”

Where’d you find it?”

I had it. Walt gave it to me. He was wor­ried you’d get killed in the war.”

From Ford to Walt to Aaron.

You didn’t throw it in Walk­er Lake?”

Ford had told them to, when he was dying in 1932 and read from the book and stopped the rain and then Ray­mond sang “Rock of Ages” and my grand­fa­ther gripped my hand—“My hand is a stone in a riv­er. Now the river’s in you—”

Nope.” Aaron shook his head.

Why not?”

I want­ed to dri­ve up today and drop it in Walk­er, weight the box with stones and watch it sink and dis­ap­pear through the clear water, so the sky wouldn’t rain and ruin the raisins.

But the book was Aaron’s now, and the Ghost Shirt sewn with the col­ored hawk like a but­ter­fly. Once it had belonged to Fall Moon, Ford’s first wife who knew the Ghost Dance—

The whole Valley’s a lake,” Aaron said. “A sea. At least it was at one time.”

Like Atlantis in reverse, I thought or remem­bered. “Edgar Cayce believed in Atlantis—” I’d told some­body, in a dream, maybe the woman who held the end of the string .…

You can lose some­thing any­where,” Aaron said. “Or find it.”

I’ve lost the touch,” I said, look­ing away, at Kate’s horse.

Now I want­ed to ride away, like Silva’s hired man. He’d tried to throw on the sad­dle blan­ket and Woody’s rifle spooked Sox.

Depends what you’re look­ing for. Gold. Oil. Water. Some­thing else.”

You were look­ing for oil.”

Remem­ber Ride Away? You and she won the Raisin Day Race, before the Bap­tists late for church ran her down, came back at night with the bloody front end and tried to pay 20 dollars?

I found oil,” Aaron said, “on the Island. Enough to float a bat­tle­ship. You’re in, of course, if you want to be. Any­way, you’re in my will. You know that. There’s some­thing else.”

What else?” I couldn’t take much more.

Del­mus,” Aaron asked, “what’s that?”

What’s what?”

With the divin­ing rod Aaron was point­ing at the horse.

I think it’s a horse,” I said. “I’m not sure anymore.”

Or a donkey?”

Horse,” I said.

Good. Now remem­ber the bur­ros, with the black cross­es on their backs?”

Jerusalem don­key, jack and jen­ny.” JJJ.

When did Jesus ride a donkey?”

On Palm Sunday.”

Who told the dis­ci­ples to meet at the house with the white horse?” Aaron asked.

Jesus did.”

What is Al-Buraq?”

A white ani­mal with wings.”

How big?”

Small­er than a mule, big­ger than a donkey.”

How far can it stride?”

As far as its eye can see.”

Who rode it to heav­en and back?”

Muham­mad.”

What hap­pened at the Dome of the Rock?”

The angel Gabriel took Mohammed to heaven.”

What will the Mah­di, the 12th Caliph, ride when he returns at the end of the world?”

The Moslems keep a black stal­lion in a stable.”

Is it ready?”

It’s sad­dled night and day.”

Who is the Mah­di, Delmus?”

Jesus.”

You’ve done your home­work,” Aaron said. “And a horse and don­key are broth­ers, aren’t they?”

I guess so.”

You know the poem about the donkey?”

No.”

‘The Don­key,’” Aaron began, he cleared his throat and lift­ed his chin.

It was a strange world. Aaron had just giv­en a his­to­ry les­son, now he was going to recite a poem in the mid­dle of the orchard:

 

‘When fish­es flew and forests walked

And figs grew upon thorn,

Some moment when the moon was blood

Then sure­ly I was born.’”

 

But why not? Aaron had a voice strong and sure as Raymond’s was when Ray­mond sang—

 

‘With mon­strous head and sick­en­ing cry

And ears like errant wings,

The Devil’s walk­ing parody

Of all four-foot­ed things.’”

 

Aaron had been a lay preach­er now and then, but no steady church would tol­er­ate his gospel—

 

‘The tat­tered out­law of the Earth,

Of ancient crooked will;

Starve, scourge, deride me: I am dumb.

I keep my secret still.’”

 

            Aaron had ini­ti­at­ed me into the Masons. “If a tree falls,” Aaron used to say, “the oth­er trees hear it. So do the stones in the Pet­ri­fied Forest.”

Lots of times Aaron addressed Larry’s class­es at Fres­no State—about pio­neer days, geol­o­gy, Indi­ans, even reli­gion and his per­pet­u­al motion machine—

 

‘Fools! For I also had my hour;

One far fierce hour and sweet:

There was a shout about my ears,

And palms before my feet.’”

 

I remem­bered now, I knew “The Don­key,” it was one of my favorites.

What’s it mean?”

Now Aaron was waiting.

I’m not sure,” I said.

Think hard,” Aaron said.

My memory’s no good any­more.” It was true, I had a bad headache. The sun made me squint.

If I’d dropped the bot­tle by the elm, how’d I get drunk and wake up in the vine­yard Sun­day morning?

There’s only one thing to remember.”

Who wrote it?” I asked. “A Mason?”

Catholic,” Aaron said. “Chester­ton. A drinker. He wrote ‘The Man Who Was Thurs­day.’ About Sun­day, which is all the days—”

I don’t think I’ve read it.”

Remem­ber that book Jones had, with the draw­ings the drunk­en Roman sol­diers carved on the wall of the guard­room? After the Cru­ci­fix­ion? After they threw dice for Christ’s pur­ple robe?”

I’m with the Mas­ter now,” I thought sud­den­ly, watch­ing Aaron’s bright eyes. “He wash­es his read hair in the blue bowl.”

            Who said that? Edgar Cayce, the Sleep­ing Prophet, in the book, “There Is A River”—

It was a man, on a cross, with the head of a donkey.”

Awful,” I said, “that’s awful.”

Yes, but you can learn from fools, even criminals.”

I could see Baylor’s head, on the body of a bull.

And from good things,” Aaron said. “The moun­tain dog­wood, four white petals, each one with a notch. The cross on the sand dol­lar. It’s the same one on the burro’s back. The monarch’s chrysalis on a blue gum leaf, hang­ing upside down in a ‘J’ above the milk­weed pods.”

Have you ever read about but­ter­flies?” asked the woman who low­ered the bot­tle on the shin­ing cord. “Ever seen the king of them all?”

All of nature was crucified?”

It’s all a bro­ken mir­ror of one thing,” Aaron answered, hold­ing the branch. “The red bud, Judas Tree, first to flower in the spring? The bloom­ing limb, where Iscar­i­ot hung? Christ’s pro­file in the line of the con­ti­nents, the con­ti­nen­tal plates? On and on, all pieces of one puzzle.”

‘Out of many, one,’” I answered.

That’s right! And not just once! Many times!”

You found it,” I said, watch­ing Aaron’s excit­ed face.

The Knight’s Grail, the Brim­ming Cup. The Philosopher’s Stone and Key. Aaron’s Rod. Oil, the for­mu­la to make lead into gold­, Murrietta’s gold turned to dia­monds dis­guised as rhine­stones in a dress—

You can’t find it alone,” Aaron said, blink­ing his eyes as if he woke from a dream. “Jones couldn’t find it. But I have a hunch. I can feel it, straight as a line, deep.”

Aaron cocked one eye, aim­ing down his point­ing arm past my shoulder.

It’s a long vein, sleep­ing, untapped—”

What is it?”

Aaron turned, drop­ping his hand.

What are you look­ing for?”

In the gust­ing breeze, Aaron’s thin hair blew back, white, like a prophet’s in a storm.

In late August of ’84 you stood west of Lemas with Aaron Win­ters who kept the book and star and with his peach-fork found the lake of oil on the Island, between the Kings River’s blue channels—

My hand is a stone in a riv­er. Now the river’s in you .…

I don’t know,” I said. “I don’t know what I’m look­ing for.”

But you’ve been looking.”

I’ve got a map,” I admit­ted, glanc­ing at Aaron. “A kind of map. Found it in a magazine.”

Oil?”

No— Some­thing else.”

What?”

I’m not sure.”

I’d laid it out on the bench in the barn, drunk, under the orange bug light, the night the Olympics opened in L.A. and Pearl Bai­ley led the crowd in “When the Saints Come March­ing In.”

Masons?” Aaron said.

Mason Val­ley,” I answered.

Walk­er Lake?”

Jack Wil­son.”

Wovo­ka?”

Ghost Dance. Mor­mon Trail.”

San Bernadi­no?”

Val­ley of Smoke,” I said, watch­ing Aaron’s face.

Then where?” Aaron asked quickly.

I hes­i­tat­ed

Tell me if you know!”

Ciu­dad de Nues­tra Seño­ra, Reina de Los Ange­les— The end of the trail.”

City of Our Lady,” Aaron said. “Queen of the Angels.”

Or Fres­no. Lemas,” I said. “New Lund.”

Aaron wiped at his eye.

I always told your dad, I said, ‘Walt, it’s right here where we stand. I can feel it, right under my boot, like a heart­beat, like a foun­tain ready to spout up!’”

I bent down, scoop­ing a hand­ful of dirt. I stood, let­ting the grains sift like gold dust through my fin­gers onto my father’s boots.

It’s the Gar­den,” Aaron said, one hand grip­ping the limb of the peach tree. “Right here. Right here where we stand!”

It’s every­where,” I said, open­ing my hand and drop­ping the white ash soil. “And nowhere. When you reach out it turns to dust.”

I’d for­got­ten to wear my cap. Where was it? The sun was burn­ing, straight up. High noon.

No,” Aaron said. “Not dust.”

Why not? Everyone’s going broke, Reagan’s get­ting ready to blow up the world and they’ve got his pic­ture in every store in town. Everybody’s asleep. We’re way east of Eden, past Goshen in the Land of Nod.”

It’s the weath­er,” Aaron said, star­ing up through the leaves. “Clouds and wind. Salt breeze. Sea.”

It’s going to rain,” I said. “Three years in a row.” No weath­er song of Wovoka’s, the Ghost Dancer, would stop the clouds soak­ing the dry­ing grapes laid out down the vine rows.

A rain that’s rain and isn’t, a rain like light that’s light but more than light. I’ve had dreams of a woman. A beau­ti­ful woman. She speaks to me, tells me things. Things if I told you, you’d think I was crazy.”

No, I wouldn’t,” I said. “Last night I dreamed a woman low­ered me a bot­tle of Wild Turkey on a string.”

Or was it a woman with a veil? Mys­tic smile .… “Mona Lisa men have named you—”
Who played the record and lift­ed the sparkling dress?

I’ve seen them,” Aaron went on, not hear­ing. “Every one of them.”

Seen who?”

All of them.”

All of who?”

Every­body— Jones. Your dad. Ray­mond. Endi­cott. Ford. They’re here, all around, like can­dles burning.”

Ghosts,” I said, look­ing at Aaron. “They’re all ghosts.”

No,” Aaron said. “Not ghosts.”

He slipped the forked rod over the limb and put out both hands, palms up. Now he flung them in the air.

Like a phoenix, a fire rush­ing from the ash­es. I’ve seen your friend Brawley.”

Bob was blown to pieces. Over Japan. Forty-five years ago.”

Aaron bent toward me. “In Necis Renascor Inte­ger,” he said soft­ly. “INRI.”

‘Reborn, intact and pure—’”

All of them. Every one. Your moth­er too. That’s why I had to talk to you.” He waved his arm side­ways. “They’re all here, waiting.”

For what?”

For the right time.”

Del­mus? Where’s the Big D?”

I heard the men call­ing from the barnyard.

Where was Del­mus? The wind blew, mov­ing the clus­tered peach leaves like fingers.

I don’t know what to say—”

What did Chester­ton say?” Aaron asked.

I don’t know.”

‘The Tav­ern doesn’t lead to the open road. The open road leads to the Tavern.’”

Aaron slipped the divin­ing rod back into his shirt and fum­bled with a but­ton. “Come on,” he said, “they’ll be out here in a minute.”

I untied Kate’s horse, then hes­i­tat­ed. I turned, look­ing into Aaron’s eyes.

Roma,” I said.

Amor,” Aaron answered.

We stood for a moment, look­ing at one anoth­er, and through one anoth­er, at the long ranks of dou­bles, of men and women lined up behind each of us for a thou­sand years.

Now the orchard seemed crowd­ed, there were whis­pers among the trees, the crack­le of silent, invis­i­ble fires, as if an army were encamped.

Every­body is alive again, I don’t know when they will be here, maybe this fall or in the spring, by the sprout­ing tree when the green grass is knee high,” Wovo­ka said when he woke from the trance, when the white eagle brought him back from heav­en to Walk­er Lake.

Ready?”

Aaron touched me on the shoul­der and we start­ed back to the barn­yard, through the young orchard and deep ground, me lead­ing the horse, Aaron walk­ing slow­ly behind me, his arm lean­ing on the horse’s back, the three of us 10,000 miles from Jerusalem.

Del­mus! Where you been?”

Tak­ing a breather.”

The barn­yard was strewn with trash, beer cans and paper plates, water­mel­on rinds, emp­ty .22 shells. The der­rick for the hog stood to the right of the barn door, where Silva’s hired man wait­ed, hands at his sides.

Aaron held the horse while I went into the barn, past the men in chairs drink­ing, a cir­cle play­ing pok­er around the bale of hay. I could hear the forklift’s motor, Brig­gs unload­ing the raisin bins south of the barn.

You going to shoot that hog?” Will asked.

Just as soon as I sad­dle this horse,” I said.

Going some­where?” said Bay­lor, look­ing up from his cards.

No,” I said.

I took the sad­dle from its peg, the bri­dle and Indi­an blan­ket, stepped back into the light.

The hired man posi­tioned the striped blan­ket and I threw on the sad­dle, lift­ed the stir­rup, tied the cinch. Aaron adjust­ed the bridle.

Okay,” I said, drop­ping the stir­rup. “Ami­go.”

Gra­cias, Señor.”

Por nada.”

Silva’s man swung up smooth­ly into the sad­dle. He touched the horse’s flanks light­ly with his heels and he was off, trot­ting down a vine row.

He held him­self a lit­tle like Celesti­no Rodriguez, the tail gun­ner on the Beau Geste. Head back, neck straight, chin square and level.

Cada cabeza es un mun­do,” Celesti­no used to say. “Every head is a world.”

He going to pick grapes from a horse?” Bay­lor asked.

Some­one laughed, drunk­en­ly. I ignored Baylor.

Who’s going to help me?” I asked.

Right here,” said Bill Woody, strid­ing for­ward. “I got the gun.”

Here.” Earl could hard­ly stand. “Have a drink.”

Okay—” I turned, put a hand on Aaron’s shoul­der. “For the road.”

For the tav­ern,” Aaron said, nod­ding seriously.

I took a drink, a small one, and hand­ed the bot­tle back to Earl.

Let’s go.”

With the oth­er men behind me, the sit­ters up from their chairs, we marched around the barn to the poor pig’s pen—past the A‑frames and the pul­ley and ropes, the swing­ing hook—

and I remem­bered the yel­low cres­cent moon above the roof and Kyla’s age­less attrac­tive moth­er at the upstairs window—

Are you warm, are you real, Mona Lisa?” sang Nat King Cole. “Or just a cold and lone­ly, love­ly work of art?”

Ever seen the king of them all?” she asked as I sat beneath the elm.

Smil­ing, in blue vel­vet span­gled with Murrietta’s diamonds—“I found the gold with a crys­tal ball,” she’d said, the swing­ing bot­tle of Wild Turkey safe­ly low­ered on the string—Dolly Mable dipped her head and lift­ed the shin­ing dress to reveal the striped span of the butterfly’s amaz­ing sev­en-col­ored wings—

Del­mus? You all right?”

It was Aaron’s voice. He was lean­ing over me as I sat against the barn wall. The men were behind him, look­ing down at me with 20 wor­ried faces.

Yes, Aaron,” I said. “I’m okay.”

What hap­pened to you?”

I remem­bered something.”

What did you remember?”

The cir­cle of drunk faces leaned clos­er to hear, waiting.

That I was happy—”

That was it. It was like déjà vu and now my friends were laugh­ing in agree­ment as Bill Woody lift­ed his rifle and fired five times in the air and the flock of pur­ple pigeons flew from the loft.

Nels Han­son has worked as a farmer, teacher, and con­tract writer/editor. His fic­tion received the San Fran­cis­co Foundation’s James D. Phe­lan Award and his sto­ries have appeared in Anti­och Review, Texas Review, Black War­rior Review, South­east Review, Mon­tréal Review, and oth­er jour­nals. He lives with his wife, Vic­ki, on the Cen­tral Coast of California.

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Interview with Chris Offutt from the Iowa Review

Don't miss it: Offutt inter­view by Alex Dezen

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APOSTROPHE AT THE WHATELY DINER, poem by Joshua Michael Stewart

The wait­ress has a hummingbird
tat­too behind her ear. She sings
Volare, over the clank­ing and clatter.
I sit in a booth next to a window.

I let the sun warm my hands
as I wait for my soup and bread.
This morn­ing I found a nest
of your hair in the upstairs drain.

I scooped it out with a wad
of tis­sue and flushed it down
the toi­let. It’s still your bathroom,
your curlers unmoved, my shaver

in the bath near the kitchen. How long
will you keep up with this haunting?
You’re the one I wish I could tell,
even if it would break your heart,

that my wait­ress has eyes so icy
blue they seem sil­ver. Looking
into them is to watch the dawn
break through a for­est in winter.

 

Joshua Michael Stew­art has had poems pub­lished in Mass­a­chu­setts Review, Eupho­ny, Rat­tle, Cold Moun­tain Review, William and Mary Review, Pedestal Mag­a­zine, Evans­ville Review and Blue­line. Pud­ding House Pub­li­ca­tions pub­lished his chap­book Vin­tage Gray in 2007. Fin­ish­ing Line Press will pub­lish his next chap­book Sink Your Teeth into the Light in 2012 He lives in Ware, Mass­a­chu­setts. Vis­it him at www​.joshuamichael​stew​art​.yol​a​site​.com

 

 

 

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Hasty Leverage, fiction by Brian Jones

They hag­gled out the terms.

You know I like to go fish­ing,” Ten said, “at least once a week.  I do not like to work indoors.  I won’t make much money.”

Well, but I like to have nice things.”

And I under­stand that, Joley, and you’ll have as good as I can pro­vide you with, but you’ll also just have to be reasonable.”

Joley sipped her beer.  The night felt oily, cold and good, on her bare arms.

Where’ll we live?”

Ten dug a thumb­nail into the pop tab of a Busch can.  The white spray flew up at Joley.  She reced­ed, blink­ing in out­rage her eye­lash­es now dewed with shat­tered foam; Ten snickered.

You turd!”

What’s wrong with my place, the one I got now?” Ten asked.

Joley bugged her eyes and slumped accusingly.

Ten,” she said.  “It’s a dirty, sin­gle-wide trail­er­house.  It’s falling apart.  There’s a big hole right in the mid­dle of the liv­ing room floor.  Nuh-uh.”

Ten shrugged.  “All right.  We’ll move.”

Okay, when?”

As soon’s you get moved in with me, we’ll move.”

Why do we have to wait until then to move?  That’s mov­ing twice.”

Because,” Ten said.  “Mar­ried peo­ple move together.”

The real truth was that in his heart, and for years, Ten had imag­ined the entry into his mar­riage house as a roman­tic thing.  Drink­ing beer all day, haul­ing box­es with his shirt off.  Cussing and fart­ing around, laugh­ing with his friends, who’d help him out.  Tak­ing breaks to eat deliv­ery pizza—standing up, no napkins—while his pret­ty wife stayed in the house, unload­ing and orga­niz­ing the mar­i­tal estate.  She’d wear a sun­dress, order the piz­za, go on the beer runs–and when they were done for the day, she’d sit on his lap on a chair in the lawn and lis­ten to his bud­dies’ sto­ries and laugh at his jokes, at his own sto­ries.  Laugh when he and his friends start­ed play-wrestling late at night, when the beer got ahold of them.  Then she’d drag him into the house by the buck­le of his belt while the boys hollered and cat­called from the cir­cle of lawn chairs.  Tick­ling his bel­ly with her fin­gers, kiss­ing him, lov­ing him, hold­ing him, send­ing fire through his brains–and she’d fall asleep and he’d go back out­side to con­tin­ue drink­ing beer, and the boys would roll their eyes and make their bawdy com­ments, and she’d be wait­ing in bed for him when he returned at dawn.  That’s how he’d always seen it.

But I’ll have to move once,” Joley said, “then move again.”

Hon, we can’t get mar­ried and you still be liv­ing with your par­ents.  Not even for a lit­tle while.”

Why not?”

Dammit Joley, there’s just a way things are.”

***

Joley’s moth­er, Laris­sa, encour­aged the marriage.

He’s just so good-lookin’,” she said.

He is.”

You two’d have such good-lookin’ babies.”

Mama!  Do you like Ten, Daddy?”

Sure I do,” her father said.  He was read­ing a Play­boy mag­a­zine at the kitchen table.  He was hap­py at the prospect of get­ting Joley out of his house:  the gro­cery bill, the phone bill, the gas bill, her car pay­ments, insur­ance, her clothes …

***

Ten’s full name was Bran­don Mus­tang Bass.  He was the tenth child of Pene­lope Ruth Bass and Cha­son Bass, Jr.

The bob­ber hit the pond and made a thwock sound like a ten­nis ball.

Good lay,” Jason said.

That’s what they tell me,” Ten said.

They sat in Jason’s dad’s motor­boat on swivel­chairs that went the full three-six­ty, on seat-cush­ions that wheezed and dripped old water.  The pond’s sur­face was peace­ful and reflect­ed the sun and the image of the boat.  They drank beer for three hours with­out say­ing hard­ly a word, with­out catch­ing a fish, each silent­ly with­draw­ing his line from the water and replac­ing the dead or man­gled or escaped min­nows out of the tin buck­et sit­ting between them at their feet.

Beery, con­tem­pla­tive, half-jubi­lant from a day of rest and per­fect­ed desire, Jason opened the talks.

You gonna mar­ry Joley Scudder?”

There came a long pause while Ten cleared out his throat.

Yeah I believe I will.”

You love her?”

Yep I think I do.”

Well.  I see that.”

Nn.”

Jason now paused.  He watched the pond face shudder.

She’s got her that sweet lit­tle rear-end now.”

Fab­u­lous.”

The night fell and they returned to the shore and became like wild hogs:  snort­ing, bark­ing, pound­ing the earth in search of what fueled them.

***

There was a rick­ety church in Red Oak, Okla­homa where Joley’s moth­er had learned the man­ners of Chris­t­ian liv­ing.  The crowd who gath­ered inside its wood-pan­eled walls to serve as wit­ness­es to the Scud­der-Bass Wed­ding were, by and large, sun­burnt, for they were a youth­ful crowd, and there had been a joint bach­e­lor-bach­e­lorette par­ty held on the beach at Sardis Lake twen­ty-four hours ear­li­er.  They did things to each oth­er at that par­ty you’d nev­er believe.  There were sev­en­teen girls there, and four of them got preg­nant.  That par­ty had a preg­nan­cy rate.

So every­one was sun­burnt and hanged over—all with nag­ging sens­es of shame at being in church after what they’d done the day before—and the fab­ric of rent­ed tuxe­dos and rent­ed dress­es scratched at the burned and water­less flesh of the young.  The wed­ding went by in a shout.  The prin­ci­pals blew all the big lines.

When it was done, the kids stripped out into play clothes, gob­bled up bar­be­cue brisket and wed­ding cake, got drunk, and resumed the for­nica­tive spirit.

***

Joley woke the next morn­ing in a hotel near Fort Smith, Arkansas, her new hus­band naked beside her under the stiff hotel sheets.  She explored his bones and car­ti­lage until he waked up.  They show­ered togeth­er, dressed, and went out to the mall.  He bought her a bot­tle of per­fume and a pair of san­dals, a cas­sette tape of Garth Brooks’s Ropin’ the Wind, a Mex­i­can food lunch, two dress­es, and a tick­et to see A League of their Own.  She cried and cried against his shoul­der dur­ing the last fif­teen min­utes of the show.

***

Ten Bass had four hun­dred dol­lars hid­den in the only book he owned, a copy of The Book of Mor­mon he’d ordered free from the LDS church when he was six­teen, under­stand­ing it to be a kind of west­ern star­ring Jesus Christ and fea­tur­ing Indians.

Joley Bass had no idea this was the extent of her new mar­i­tal estate.  She car­ried into Ten’s decrepit trail­er­house a set of pink lug­gage filled up with dress­es, panties, trin­kets, Coun­ty Fair rib­bons, stuffed ani­mals, a den­im-jack­et­ed Bible, all of her make­up, and one large mag­ni­fi­ca­tion mir­ror.  She nev­er even unpacked all the way.  They were there togeth­er four months when she ran out one night, after a fight over how to slice onions.

What the fuckin’ hell does it matter?”

You’re stu­pid as shit, just stu­pid as shit.”

You’re a dumb bitch.  God!”

Why wouldn’t you do it that way?”

Because it DOESN’T MATTER!”

YES IT DOES!”

NO IT DOESN’T!”

YES IT DOES!”

Ten had sev­ered the ends, peeled the skin, and set the onion on the flat side for bisection.

That’s against the grain,” Joley had point­ed out

Huh?”

You don’t need to cut it against the grain like that.  You need to cut it with the grain.”

Doesn’t mat­ter.”

Yes it does.”

Nah.”

Yes, it does.”

It real­ly doesn’t.”

And so on.  And so forth.

***

Joley was bawl­ing when she slammed the trail­er door and bawled as she walked the half-mile through town, from the bare lot of scrub grass­es where Ten kept his trail­er, to the home shared by her high school friend Margie Diller and Margie’s hus­band, Phil.

Phil stirred a pot of pin­to beans while Margie sat on the couch, hold­ing Joley around the shoulders.

I just want to go out tonight and have fun and FORGET him,” Joley said.

Margie sneaked a look back at Phil.

It’s all right with me,” Phil said.  He just want­ed to eat his beans and watch his TV in peace for once.

They got ready using Margie’s make­up and left the house at eight-thir­ty in a wake of hair­spray fumes.  They bought a bot­tle of Ever­clear from the liquor store and two extra-large foun­tain drink Dr. Pep­pers from the con­ve­nience store.  They drove back and forth through town.  They rolled the win­dows down and sang along with the radio.

***

Casey Green and Shane Law­son were two young men who’d grown up in Tal­i­hi­na but had left for the oil fields.  They were just home that night to get laun­dry done and vis­it their folks.  They were sit­ting in the gro­cery store park­ing lot with a pint of rye whisky on shares when they noticed Phil and Margie’s car.  They saw the women through the rolled-down win­dow, singing their lungs out and bounc­ing in the seats.

Casey?”

Yup.”

Casey start­ed up the motor and hand­ed over the whisky.

***

They trailed the girls to the north end of town.  Margie hooked Phil’s car around the mar­quee-stand of the Cir­cle H Restau­rant.  They were idling there when Shane and Casey pulled up beside them.

Hey!” Casey yelled out, elbow on the door.

Shane leaned over from the shot­gun seat, to let the girls appre­ci­ate their numbers.

***

Ten heat­ed up a can of black beans and a can of Ranch Style pin­to beans and ate them using slices of white onion like spoon­ing chips.  He didn’t know where Joley was, and he didn’t give three shits on a slaugh­ter­house floor.  He lis­tened to base­ball on the radio and went to bed.

***

Joley stank of cur­dled hair­spray, liquor, beer, sweat, smoke, dirt (from a fall on her ass in a water­shed pas­ture), dry, min­gled vene­re­al flu­ids and fad­ing per­fume; her breath was chunky from all of the above, and from hav­ing not brushed her teeth after three hours of sleep in the cab of Casey’s pick­up truck, and then from hav­ing eat­en a bag of Cool Ranch Dori­tos for break­fast.  She had chewed up all her lip­stick.  She’d wrin­kled her clothes.  She could not have answered with defin­i­tive­ness which of the two men had put her arms and legs akim­bo with hasty lever­age in the pick­up truck’s front seat.  Margie dropped her at the curb near Ten’s trail­er­house and pulled away, off to give her own dark accountings.

Joley limped up the rusty stairs (she’d twist­ed her ankle some­how) and went inside.

The liv­ing room air was stale, the morn­ing sun gray and bro­ken.  She stood there a sec­ond, let­ting all the lights adjust.

Sud­den­ly, she heard a brief whis­tle and a loud thunk.  She flinched and saw an arrow in the wall behind her.  It thrummed at the fletch­ing, like a shook pencil.

Ten sat on a foot­stool in the corner—his face pale, his body shiv­er­ing.  He was hold­ing a crossbow.

Get right the fuck out of here,” he said.

Ten—”

He stood and reached for the pile of arrows at his feet.

Get out,” he said.  His voice lift­ed and rolled, mad and grave.

Ten!”

He squat­ted and fum­bled for an arrow and Joley was out the door, scream­ing like an ambulance.

***

Ten paid a three hun­dred dol­lar fine and moved to Ada, Okla­homa.  He lived there for the next four years, work­ing con­struc­tion.  Joley went back to her par­ents, and her father watched his month­ly over­head rise like a mer­cury ther­mome­ter on a hot afternoon.

***

There was almost no sun left in the day, just a lit­tle orange leaf­ing out by the hori­zon, reflect­ed in the water like night’s after­thought, a burn of col­or to set off the vast and glasslike dark­ness of the lake.

Ten and Jason sat in the boat.  They kicked a beer can every time they moved their feet, they were that drunk.

Her­rnnh!” Ten said, before a loud and dif­fi­cult fart plopped out his backside.

I sec­ond that ee-motion,” Jason said, and copied Ten.

The grass on the bank siz­zled with the mat­ing calls, con­ver­sa­tion, gos­sip and war cries of the wet­land insects.  The air was so clean, so cool and aro­mat­ic, it touched their nos­trils and lips like fin­gers made of cam­phor.  Fire­flies were start­ing up.  The bald­ing sky laid bare a crown of stars, hitched togeth­er by pur­ple space.

You ever feel,” Ten asked, “like there’s jus’ some­thin’ wrong with bein’ a man these days?”

If you’re gonna ask me,” Jason said, “to do that thing, the … the what’s it called … that … chop­pin’ off people’s dicks thing … what’s it called?”

Cas­tra­tion.”

If you’re gonna ask me to cas­trate you, so you can live out your life­long dream of bein’ a woman, with a vagi­na and all—well then, you know I’d do it for you, man.  I’d do any­thing for you.”

Jason stretched out his leg and reached for his pocketknife.

Give me a sec­ond here.”

 

Bri­an Ted Jones was born in 1984 and raised in Okla­homa. He is a grad­u­ate of St. John's Col­lege. He lives with his wife, Jenne, and their sons, Oscar and GuyJack.

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Poems by David S. Pointer

Nashville Punk Scene

Decades & dues before Hank III
cometh with his thermo-chemical
cow punk, Jason & the Scorchers
rolled onto Rock City like a barrel
keg cool­er bran­dish­ing neon notes
to Nashville’s con­ser­v­a­tive music
estab­lish­ment stomp­ing Punk’s
Lib­er­ty Bell hell into the plastered
beer torn psyche’s of unfuturistic
fans who would trans­form the
audi­ence of bat­tle­ground cowboys
into plum tart glad­i­a­tors and the
rest of the good timin’ globe going
for­ward with ear­ly colony cocktails
and the best new nuclear chemistry
a hot cock­tail wait­ress could carry

 

Off The Farm

The com­put­er
became the global
moneychanger’s
milk­ing stool, but
grand­pa still
trans­port­ed his
customer’s early
colony cocktails
down moss
moun­tain in a
'47 Studebaker
pick­up on a
stretch of dark-
prim­i­tive dirt,
a fire­place tool,
and a .45 riding
bitch and shotgun

 

David S. Point­er cur­rent­ly lives in Murfrees­boro, TN. He has a chap­book forth­com­ing from Writ­ing Knights Press enti­tled MPs, Snipers and Crime. Grow­ing up, David was the son of a piano-play­ing bank rob­ber who died when David was 3 years old. David lat­er served in the Marine mil­i­tary police.

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Poems by Rosemary Royston

Greasy Creek

The house was made of large, smooth stones
moved years ago by some­one unknown,
maybe from the creek out back which snaked
through an Appalachi­an patch of bamboo.
So much ener­gy went into the outside
that the floor joists gave way long before
they should've.  For three months I lived
with J and C, man and wife.  My upstairs room
a win­dowed alcove with racks of C’s thrift store
clothes and a tran­sis­tor radio. No cells, no TV.
For enter­tain­ment we had skunkweed,
a porch swing, books, a garden.
At least twice a month the pump broke,
leav­ing us grimy and irritable.
I earned my keep by pulling let­tuce, spinach,
squash, cook­ing bis­cuits from scratch.
Me with my sil­ly make-up bag and hairdryer,
C with her clear skin and braid­ed mane.
We'd sit on the porch, talk about building
a green­house, which nev­er got further
than a dark womb in the earth.
On week­ends peo­ple appeared—
C’s broth­ers and sis­ters, or Ed, the neighbor
with the yard full of cars. He was 50, yet had
the slim, tight body of a knife-car­ry­ing teen.
His wife, preg­nant and smok­ing, most­ly silent.
On Sun­days, after every­one wandered
home, C would open the windows
while the sun played on the scratched
wood and Ella's voice filled the room.
I fol­lowed that voice to the cen­ter of myself,
obliv­i­ous to the sink­ing floor, the wasps nesting
in the cor­ner of the ceiling.

Von­da

Stand­ing behind her you may be tricked
think­ing she is 16, all tiny in her snug jeans
and pink hood­ie, but some­thing gives her away—
the round­ed shoul­ders, the brit­tle blonde
with black roots.  When she turns to face you
while wait­ing in line at the Dix­ie Quick
there’s no doubt she’s long past Sweet Sixteen,
if she ever had one.  One son dead, the oth­er in jail.
Three hus­bands lat­er she owns a double-wide
and the best view in the coun­ty, Dou­ble Knob
in plain sight from her bay win­dow. As the sun sets
she sits in her plas­tic Adiron­dack, taps ashes
into a beer can and talks on her cell
as red bleeds down past the horizon.

 

Rose­mary Royston’s chap­book Split­ting the Soil is forth­com­ing in ear­ly 2012 by Red­neck Press. She holds an MFA in Writ­ing from Spald­ing Uni­ver­si­ty and is a lec­tur­er at Young Har­ris Col­lege. Rosemary’s poet­ry has been pub­lished in jour­nals such as The Com­stock Review, Main Street Rag, Coal Hill Review, Future­Cy­cle, and Ale­house. Her essays on writ­ing poet­ry are includ­ed in Women and Poet­ry: Tips on Writ­ing, Teach­ing and Pub­lish­ing by Suc­cess­ful Women Poets, McFar­land. She was the recip­i­ent of the 2010 Lit­er­al Lat­te Food Verse Award. She cur­rent­ly serves as the Pro­gram Coör­di­na­tor for the North Car­oli­na Writ­ers Network-West.

http://​thelux​u​ry​oftrees​.word​press​.com/

 

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Pruning, non-fiction by Ginger Hamilton Caudill

Last night's storm raged for four hours. A friend­ly warm sun and bril­liant blue sky coaxed me out­side with the promise of new growth in the garden.

I inspect my pep­per and bean plants first. The pep­pers are thriv­ing. One even has a shy pair of white blooms nes­tled beneath a pro­tec­tive green canopy. In a month, they'll be glossy sweet pep­per fruit. All but the tallest of the bean plants sur­vived the blow­ing rain intact. I found it bent at the soil line, a casu­al­ty of hard rain, gusty wind, and its own fragili­ty. I lift its limp body and prop it against the bean pole, hope­ful it will recover.

I head for the tea rose sec­tion. Unat­tend­ed for a year, the ker­ria japon­i­ca vine is smoth­er­ing the north cor­ner. It's an attrac­tive plant with nick­el-sized yel­low pom-pom flow­ers gen­er­ous­ly sprin­kled on a lush green back­ground. I haven't pruned it since last sum­mer. Rig­or­ous can­cer treat­ment required that my ener­gy remain focused on repair­ing and heal­ing my body.

The ker­ria has flour­ished dur­ing my absence. As I cull unwant­ed growth, I envi­sion my immune sys­tem as a dis­tract­ed gar­den­er who got lazy and per­mit­ted can­cer to grow first—just in one small corner—and soon the aber­rant cells took over. My body's gar­den­er tend­ed a dis­tant orchard and, when it returned, was unable to stop the growth that had tak­en over my left breast.

As I cut back the ker­ria, I dis­cov­er four tiny green rose buds at the ends of long spindly shoots stretch­ing from a rose bush bare­ly the size of a can­taloupe. Some­how this minus­cule, pale pink tea rose sur­vived despite my neglect. The rose won awards for its beau­ty once. Now it's shape­less and wild.

I'm ruth­less with the ker­ria, trim­ming it back to its assigned three-square-foot sec­tion. With the vine cur­tailed, the rose now stands in a clear­ing. The scrag­gly shoots with their minia­ture pea-sized buds remind me of anten­nae. The plant relays a des­per­ate sig­nal to the sun: Feed me, save me; I want to live.

A rosar­i­an would say it's no longer a rose bush, yet the blooms smell as sweet as ever.

My left breast itch­es and I rub it gen­tly after remov­ing my gar­den­ing glove. The skin is raw and swollen from a sum­mer of radi­a­tion treat­ments. Sev­en weeks of radi­a­tion treat­ments destroyed my abil­i­ty to per­spire in the affect­ed area. Heat builds until I con­scious­ly pro­vide an out­let for its release.

My rub­bing doesn't pro­vide relief; instead, it sets off a chain reac­tion of more intense itch­ing. It itch­es, I rub. It itch­es more.

I gath­er the clip­pings and build a neat stack at the curb. The prick­ly sen­sa­tion in my breast is more intense now—maddening, real­ly. Under my straw hat, my hair is damp. I can't help imag­in­ing the dry San Diego cli­mate. We left San Diego and returned to West Vir­ginia; six months lat­er I was diag­nosed with breast can­cer. The high desert's thir­ty per­cent humid­i­ty would be kinder to me. West Virginia's sod­den sum­mer air forces per­spi­ra­tion to collect.

Mois­ture clings to the skin until grav­i­ty takes over. Rivulets of per­spi­ra­tion slide down my face and neck. I pile on the last of the ker­ria cut­tings and quit for the day. The heat and humid­i­ty have won.

I go indoors after set­ting my gloves and hat on a tow­er of unused clay pots. My eyes adjust to the dim light, and I'm momen­tar­i­ly refreshed by the cool air inside the house. In anoth­er hour I'll need to turn on the air con­di­tion­er, but right now it's comfortable.

I enjoy a tall glass of ice cold water before tak­ing a show­er. The cold liq­uid fills my mouth then slides down my throat until my body's heat defeats it and I can no longer sense the cool­ness inside me. I press the glass against the hot flesh under my shirt, steal­ing a moment of relief until the cool water of the show­er can soothe my over­heat­ed breast.

A few min­utes lat­er, I'm stand­ing under the strong stream in the show­er, lath­er­ing up with laven­der-scent­ed soap—a gift from my mother-in-law—which reminds me of the ker­ria vine she gave me.

"It'll take over if you don't watch out."

My fin­gers smooth across the angry red scars on my chest. I close my eyes and con­cen­trate on the water that beats down on my back.

Already, I feel better.

I won't know until tomor­row if the bean plant sur­vives. The tea rose won't win any con­tests for a year or two, but for now it's safe.

I'm back on the job, and I think they'll be just fine.

 

Gin­ger Hamil­ton Caudill lives, loves, and learns near Charleston, West Vir­ginia. Her fic­tion and cre­ative non­fic­tion can be found through­out Inter­net pub­li­ca­tions as well as in more than half a dozen antholo­gies. After a six-year hia­tus from writ­ing fol­low­ing a stroke, Caudill is back to pro­duc­ing her unique brand of writing.

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The Writer's Arms, non-fiction by Ben Nadler

Last year, Shoot­ing Sports­man pub­lished a book enti­tled Hemingway’s Guns: The Sport­ing Arms of Hem­ing­way.  The idea of the book is that through the cat­a­logu­ing of the var­i­ous guns Ernest Hem­ing­way owned over the course of his life – from his first break-action air rifle, to his trusty Win­ches­ter Mod­el 12, to the Scott shot­gun he used to com­mit sui­cide – a sort of biog­ra­phy can be estab­lished.  “Hemingway's guns,” the authors argue in their intro­duc­tion, “as well as how he acquired them and what he did with them, tell us about Hem­ing­way as a man.”

I under­stand the skep­ti­cism that many peo­ple in the lit­er­ary world have towards such an approach.  The bran­dish­ing of guns was cer­tain­ly an ele­ment of Hemingway’s macho per­sona, and it is tempt­ing to dis­miss any dis­cus­sion of Hemingway’s rela­tion­ship to firearms as mere­ly a glo­ri­fi­ca­tion of this per­sona.  Fur­ther­more, a book filled with this many pic­tures of guns is unlike­ly to appeal to a read­er who does not already have a strong inter­est in firearms.  Nonethe­less, I do believe that Hem­ing­way the marks­man has a lot to teach us about not just Hem­ing­way the man, but Hem­ing­way the writer as well.

Ralph Elli­son cer­tain­ly thought so.  In a 1954 Art of Fic­tion inter­view with The Paris Review, he described the two par­al­lel influ­ences that Hem­ing­way held on him when he was in his ear­ly twenties:

I prac­ticed writ­ing and stud­ied Joyce, Dos­toyevsky, Stein, and Hem­ing­way. Espe­cial­ly Hem­ing­way; I read him to learn his sen­tence struc­ture and how to orga­nize a sto­ry. I guess many young writ­ers were doing this, but I also used his descrip­tion of hunt­ing when I went into the fields the next day. I had been hunt­ing  since I was eleven, but no one had bro­ken down the process of wing-shoot­ing for me, and it was from read­ing Hem­ing­way that I learned to lead a bird.

 For Elli­son, learn­ing to con­trol the swing of a shot­gun and learn­ing to write a sol­id sen­tence were part of the same process.  In Hem­ing­way, he found a teacher who had a fun­da­men­tal under­stand­ing of both the very phys­i­cal real­i­ty of shoot­ing and the more abstract–but no less precise–structuring of prose.

I have dis­cov­ered this rela­tion­ship between writ­ing and marks­man­ship in my own life as well. Last year, I entered the MFA pro­gram at The City Col­lege of New York.  I was already a fair­ly dis­ci­plined writer, but the struc­ture of such a pro­gram can great­ly increase your focus and your atten­tion to craft.  If noth­ing else, you are in an envi­ron­ment where you are expect­ed by your peers and instruc­tors to pro­duce, and to improve.  A few months into my MFA expe­ri­ence, I joined the rifle club at the West Side Pis­tol & Rifle Range, the last remain­ing shoot­ing range in Man­hat­tan.  I have shot guns spo­rad­i­cal­ly through­out my life, but this was the first time I shot with enough reg­u­lar­i­ty to real­ly devel­op a shoot­ing prac­tice.  My girl­friend and I made a pledge that, no mat­ter how busy we were with grad school and work, we would take the time out to get to the range at least once a week, to tar­get shoot with .22 cal­iber rifles.

What I have found is that these shoot­ing ses­sions are not so much breaks from my writ­ing prac­tice as they are a com­pli­men­ta­ry part of the same larg­er prac­tice.  There is a shared estab­lish­ment of a reg­u­lar rou­tine, and a resul­tant feel­ing of progress.  There is a grow­ing famil­iar­i­ty with the tools at my dis­pos­al, and a grow­ing knowl­edge of how to wield them with precision.

Over this past sum­mer break, a poet friend, Liat, and I spent some time vis­it­ing anoth­er friend who lives in a moun­tain cab­in in Col­orado.  One day, when our host was off work­ing, Liat and I decid­ed to get some shoot­ing in.  We brought two rifles with us–a semi-auto­mat­ic SKS, and an old­er pump action .22–and spent the day chat­ting and plink­ing at tar­gets.  We set up cans and sticks, and did our best to knock them down.  We dis­cussed the weight of the guns, the rel­a­tive smooth­ness of their actions.  We spoke of the need to breathe deeply and line up the open sights, of the absur­di­ty of fir­ing off rounds just to hear the bang.

Dur­ing a break from shoot­ing, we sat down on some rocks, and talked about oth­er things.  Liat brought up the book of cre­ative non­fic­tion that she’s been want­i­ng to write, say­ing said she felt that she need­ed to put this project off indef­i­nite­ly in order to devote her­self to her mar­tial arts prac­tice.  Her dai­ly train­ing at the dojo was tak­ing all of her focus, and the book project would have to wait until some future time, when she is in a dif­fer­ent place.

My imme­di­ate reac­tion was very neg­a­tive.  I have always been of the opin­ion that the only way to get a book writ­ten in the future is to start writ­ing it now.  I told her that she would only get clos­er to her project by writ­ing towards it, not by putting it off.  On reflec­tion, though, I rec­og­nize that it is not fair to say she is “putting it off,” as it is not an issue of  avoid­ing the work at hand.   Rather, she is engag­ing in train­ing that will help her in the devel­op­ment of her craft.  The under­stand­ing of the body, the under­stand­ing of force, the mas­tery of con­trol and pre­ci­sion in a strike, and the dis­ci­pline of a dai­ly prac­tice will all con­tribute great­ly to her ulti­mate engage­ment with this prose work.  The mar­tial arts side of her prac­tice that she’s devel­op­ing now will brace the writ­ing side of her prac­tice in the future.

At the end of that same day, I was forced to use a gun to kill.  I would have been more than con­tent to shoot noth­ing but cans, but on our way home I stum­bled upon a rat­tlesnake right out­side the cabin’s front door.  Had I encoun­tered a snake up in the moun­tains, I would have sim­ply backed away, and allowed it to go its own way. This rat­tlesnake, how­ev­er, was not six feet from the cab­in where our friend lived year round, and not two feet from the entrance to the dog­house where his curi­ous Ger­man Shep­herd napped.  It sim­ply could not be allowed to dis­ap­pear into the grass, and reemerge lat­er.  We could tell by its size that the snake was young, but this only meant that it had more high­ly con­cen­trat­ed ven­om to inject into my friend’s foot or his dog’s muzzle.

I knelt a cou­ple yards behind the snake with the pump rifle.  It sensed dan­ger, and as it raised its head to look around, I placed a .22 cal­iber bul­let in the cen­ter of its neck.

It was a fatal shot, but even after the ven­om-filled head was com­plete­ly sev­ered, it took near­ly an hour for the body to stop writhing.  When the head­less snake final­ly did stop mov­ing, we skinned and gut­ted it.  My friends tacked the intri­cate­ly pat­terned skin to a board to dry, while I fried the meat in a skillet.

I’d gone out to shoot at cans, and end­ed up killing a beau­ti­ful ani­mal.  This expe­ri­ence made it clear to me that I need to remem­ber, every time I pick up a firearm, that I am engag­ing in a prac­tice whose stake are ulti­mate­ly those of life and death.  This is true of sit­ting down to write as well.  I keep the rat­tle on my desk so I don’t forget.

Ben Nadler is the author of the nov­el Harvitz, As To War, which was released in Novem­ber by Iron Diesel Press. Oth­er recent writ­ing of Ben's can be found in The Rum­pus, Harpur Palate, and The Safe­ty Pin Review.

Ben lives in Brook­lyn, New York.  He spends most of his time at the City Col­lege of New York (where he is pur­su­ing an MFA), but prefers to spend his time hang­ing out on the fish­ing pier in Coney Island.

 

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Hallucinations, prose by David Barrett

Diego is dead. And I killed him. That was the last favor I gave to my dying friend. Healthy in all dis­cern­able aspects, but his mind intent on killing him. What must it be like to find your­self sud­den­ly bound naked in a field cov­ered in hon­ey and unable to move as crows and vul­tures fly over­head? Diego knew how every mus­cle in the body screams out and the mind wants to move but there seems to be a dis­con­nect between the ner­vous sys­tem and the rest of the body. No mat­ter how deeply you know that you have to move, your body will not obey. It is going to do what it knows. The mind will soon lapse and fol­low. Noth­ing can be done, but to be still and hope not to be seen by the birds. Hope is all there is. There can­not be a God or god or Supreme Being. There can't be. If some­thing were out there to watch over me, how could it let me get into this sit­u­a­tion? There will be no Deus ex Machina.

Diego want­ed free­dom. He chased it and only it, negat­ing all else that came his way. He said "No” to so much, to every­thing until even­tu­al­ly he was chained to his free­dom. We all make choic­es. Sure. But how do you see this com­ing? How can any­one see the future? It's not possible.

Diego said, "I'm look­ing for a lifestyle change. I'm not so thirsty now. I moved out of my liv­ing sit­u­a­tion and into hell.” This is not the time for the thirst or old lifestyles or oth­er liv­ing sit­u­a­tions. That's all anoth­er sto­ry. This is only about the HELL.

Diego's lifestyle, the one that is about to explained, is not assumed, as say, the first day of school is thrust upon a child. Instead, it's eased into. He flushed him­self out of New York City and into the not quite New Eng­land, not so South­ern, not quite Mid-west­ern cross­roads of the Amer­i­cana town of Pitts­burgh. We are also begin­ning anoth­er rela­tion­ship with Crystal.
I. Meth

Crys­tal Metham­phet­a­mine. I had used a lot of Ecsta­sy and Mollie…MDMA, ok, methyl diox­in metham­phet­a­mine in the past, so I didn’t fig­ure this was a huge leap. What took me by sur­prise were the new sleep­ing pat­terns. My first encounter kept me awake for 3 days. I then slept 10 hours. Next encounter 4 days. I then slept 14 hours. This went on–5 days 18 hours, 3 days 15 hours, 4 days 24 hours, 7 days 30 hours, 8 days, 48 hours, 3 days 12 hours. 90% of the awake time I ingest­ed noth­ing but Meth. The final 10% was spent try­ing to come down by not doing any more and eat­ing ice cream and Gatorade. The final day or days were pret­ty much filled with desperation.

Cle­tus and I  tried to sell. He was from West Vir­ginia; there­fore, Cle­tus. Diego and Cle­tus ran hard. We ran real hard, sell­ing, buy­ing, smok­ing it, snort­ing it and try­ing to get with women. But, we were too much in the pur­suit of the next high to do many women. I had my woman, the divorcee, so there was not much rea­son to pur­sue oth­ers. Or, so I thought. Shit was going wrong on that front too. She was mar­ried. She was one of those mar­ried peo­ple that didn’t wear a ring. She con­front­ed me sud­den­ly with her hus­band want­i­ng to meet me. A whole tirade ensued and we split, her unwill­ing­ly and me out of my mind.

I was up for 4 or 5 days this time. A lot of ecsta­sy had been float­ing around along with acid. Cle­tus and I had got­ten our hands on about 50 pills of dif­fer­ent vari­eties and a cou­ple of 10 strips of acid. I had prob­a­bly tak­en a hit of acid along with pills on top of a shit load of Meth, but the acid had lit­tle effect. I’d say it was a short trip. We had enough pills and Crys­tal to sub­due what acid does, even though it is nor­mal­ly a dom­i­nant mind alert­er. We had run into a cou­ple of groups of young peo­ple look­ing for ecsta­sy. It’s usu­al­ly real­ly pop­u­lar among the col­lege kids, and that’s where we were find­ing our­selves. I know that in the mid­dle of this mind ben­der I met an ex-hook­er turned stripper/squatter who end­ed up at my apart­ment for a week or two. After meet­ing her, about day 3, we con­tin­ued on, snort­ing, sell­ing, this being our pathet­ic excuse for par­ty­ing. I know that it was a Sun­day. It must have been the fifth day with­out sleep when we arrived at a house rent­ed by a few col­lege girls.

Sleep, the need to sleep and the lack of sleep has been the sub­ject of many stud­ies. With sleep depri­va­tion, shad­ows begin to move on the edge of vis­i­bil­i­ty. I hear that this is due to tired eye mus­cles. All I know for sure is that cou­pled with the para­noia of amphet­a­mine use, this phe­nom­e­non becomes per­son­i­fied into a spy-like net­work of spe­cial agents called "The Shad­ow Peo­ple.” They appear at the edge of nor­mal con­scious­ness, at one of the far out­posts on the road lead­ing away from reality.

Cle­tus want­ed to get with one of those col­lege girls, but that was usu­al­ly impos­si­ble with the drugs total­ly debil­i­tat­ing him. He didn’t seem like much of a play­er before get­ting high, and I thought he was much too pas­sive-aggres­sive. Regard­less, we end­ed up at this house. We were ful­ly tweaked before we entered. Our main pur­pose was to unload a bunch of pills and that we did. These kids were so hap­py with the prod­uct (I guess they had done some the night before) that they rolled a few joints. This is what col­lege kids do. I must say that in gen­er­al the duo of Cle­tus and Diego didn’t drink alco­hol or smoke Mar­i­jua­na. Both were antipa­thet­ic to our goals of speed­ing out of our minds. We were far beyond such sopho­moric activ­i­ties, which we grouped in with huff­ing butane from cig­a­rette lighters, hold­ing your breath until you pass out, and tak­ing Rital­in. We were Speed aes­thetes. We only did the finest Crys­tal and could spot cut shit with our eyes closed.

Meth is an hon­est drug. It puts you down quick and hard. It’ll keep you up for days on end, dream­ing of sex, but too obsessed with the next hit to do any­thing about it. As you con­tin­ue to snort it or smoke it, the chem­i­cal burns your mucus mem­branes, and your throat won’t let you breathe or swal­low. It swells the entire oral cav­i­ty. It tells you to go down. It forces you to get a drink of water, to quench an unde­ni­able thirst, to soothe an inter­minable ache. Yes, it rids you of all the tor­tures of the con­scious­ness cre­at­ed by it, iron­i­cal­ly enough. And it rides you into obliv­ion. The coat­ing of shit on your teeth after days of smok­ing hit after hit after hit won’t come off. It feels dis­gust­ing and reminds you con­stant­ly that you are too. So this marathon of using, danc­ing, fuck­ing, snort­ing and smok­ing turns to obsess­ing over every­thing. I would rearrange fur­ni­ture, files and books over and over. All of this ends with it drop­ping you. It dropped me time after time. I ran out and I ran out of time, sleep­ing like a man who hasn’t slept for 5 days. And I would be out of life. You are passed out beyond reck­on­ing. There is no wak­ing from that slum­ber until the grum­blings of hunger out­weigh your need for rest.

Mar­i­jua­na is a dis­hon­est drug. You can smoke it for years and it seems to do noth­ing bad. It pro­vides focus and release from cares. So, when I smoked, I found I was more capa­ble of get­ting some things accom­plished. What in fact was hap­pen­ing was that I had few­er things that I want­ed to accom­plish. It is insid­i­ous in that it is the most social­ly accept­able ille­gal drug. I think that all the real­ly smart peo­ple dole it out to their rivals so that they can get the real­ly good green stuff. That’s just con­spir­a­cy the­o­ry shit that most pot­heads are fas­ci­nat­ed by and talk about to no end. "Did you know this? Can you believe that? George Bush actu­al­ly flew one of the planes into the World Trade Cen­ter. The way pot became ille­gal was the result of fan­cy deal­ings in Con­gress to grant the patent for the chem­i­cal process to make wood pulp into paper to a cou­ple of America’s most famous so they could get rich, well. That’s just deplorable!” Crazy shit like that and most of it based in truth. They should let us smoke it! Seri­ous­ly though, it sur­rep­ti­tious­ly made me a som­nam­bu­list. I found myself an automa­ton, ready to smoke, play video games, and watch TV. It took away my dri­ve to go out and get a girl. When they were around it was okay, but try to get me off the couch to get one. That shit stays in you for­ev­er. Okay, just like a month. Did I miss that it was mak­ing me stu­pid­er? Yes, at first, I didn’t get it. Then I read and real­ized that it was mak­ing my neu­ro­trans­mit­ters fire on dif­fer­ent paths. It made me actu­al­ly work hard­er to think with less desire to do so. Ugh. I was forced to quit thanks to the great laws of the Com­mon­wealth of Penn­syl­va­nia and the ultra smooth detec­tive work of the Uni­ver­si­ty Park Police. So after two years off, I tried the shit again. Man, it was not fun. I just sat around and did noth­ing. Sneaky "f‑ing” weed.

Any­way, that shit slid right into our good time. It was mid morn­ing. The sun was out, and I had a date with the mar­ried one at four o’clock. The Shad­ow Peo­ple had stayed with the night where they are com­fort­able. I had been left alone with Cle­tus so that we could fin­ish this busi­ness and re-up. Out came these blunts. Blunts? I was wait­ing for 40s of Olde E to come out of the fridge. I was way too good for this, but I imbibed. I didn’t want to offend their offer­ing. I mean I was a pro­fes­sion­al drug addict. If I couldn’t con­de­scend to smoke a lit­tle pot with the ama­teurs every once in a while, I myself would look like an auteur. So I took a cou­ple hits as these things went around. I didn’t like it, but did my best. The girls and boys seat­ed cross-legged in a cir­cle seemed to get more chat­ty as they got stoned. They didn’t under­stand they were going to ruin their MDMA. But it was not my place to help these kids achieve their best high. How the hell were they get­ting chat­ty? For me, it seemed like the world stopped mov­ing. Please remem­ber I was on FF x64 and sud­den­ly got put on slow motion. Fuck. Every­thing was so slow, yet I could hear the words com­ing out of their mouths at the FF x 64 speed (go check your DVD’s fast for­ward speeds if you are con­fused by this). This was messed up. I was sud­den­ly not hav­ing a good time. I thought I caught my name here and there and became extreme­ly wor­ried that they were talk­ing about me right in front of my face, because I assumed they knew that I couldn’t actu­al­ly make out what they were saying.

Cle­tus caught my eye and he knew some­thing was wrong. I pulled out a cig­a­rette and looked like I was going to light it, though that rarely ever hap­pened with Speed. More often than not we’d just sit with them in our hands for hours, not light­ing them, being sat­is­fied to have some­thing in our hands. Cle­tus knew this trick of ours, but what must have con­cerned him was my inabil­i­ty to reg­is­ter that some­one was talk­ing direct­ly to me, telling me I couldn’t smoke that in here.

"What do you want, Cletus?"

I can’t hear his answer. I get up and go to the kitchen. I can still hear them talk­ing at this unbe­liev­able vol­ume, yet I can’t make out any of the words except for snatch­es of my name. Cle­tus fol­lows a bit behind me and asks me what’s wrong. I tell him I just didn’t hear that guy and I was a lit­tle upset that they were talk­ing about me even though I was right there. He said they weren’t. I men­tioned that I had heard my name. He looked at me strange­ly. Then I def­i­nite­ly heard my name from the oth­er room.

"There," I said, "she said it."

He was like, "Yeah well you are act­ing pret­ty fuck­ing strange."

"What­ev­er dude, I’m going out­side to smoke this. Tell them not to talk about me."

"They aren’t."

I look at him blankly. He tells me to nev­er mind and go smoke my cig­a­rette. I go outside.

I can still hear them. I hear them at the same vol­ume now– out­side, two rooms away, with a door closed between us–as I did when I was sit­ting right next to them. Some­thing is wrong. Some­thing is real­ly wrong. I light the cig­a­rette and don’t smoke it. I just hold it in my hand. I know the feel­ing well. I am pre­pared to curl in a ball and soothe my stom­ach as the sick­ness ris­es to my throat, because I have got­ten myself in over my head.

But the feel­ing doesn’t come. I stand there. The voic­es con­tin­ue. I still can’t make out what they are say­ing. They know my name. I can hear parts of it. I lis­ten hard­er. I don’t know what I looked like at that moment. I prob­a­bly resem­bled a very still, very strange human being. Inside my head was tur­moil and in my gut was fear. I couldn’t stop this. I can’t stop it. I don’t like it and still I lis­ten intently.

The wood­en and glass back door slams shut. Cle­tus is walk­ing towards me. He looks like hell in broad day­light, pale with dark cir­cles under his eyes. He is thin. He is so thin he looks like he can break walk­ing towards me. I look at myself. I can tell the clothes I wear don’t fit any­more. I am thin. I am wast­ing away and going insane. I hear voic­es. I am a col­lege grad­u­ate. I am not a drug addict. Yes, I am. I am fucked. I am a drug addict. I hear voic­es. I hear a voice. I am insane. No. It’s Cletus.

"Diego, they are freaked out,” he says quietly.

"I’m freaked out," I tell him, exas­per­at­ed. "I can hear them talk­ing about me and I am 100 feet away."

"Super­son­ic hear­ing?” he says knowingly.

"What?”

"You got it. You can hear shit the oth­ers can’t. It’s from the Crys­tal you're tweaking.”

"I’m a para­noid shit. I’m fuck­ing scared.”

"It’ll stop. It must be from the blunt. How much did you smoke?”

"I don’t know. A cou­ple hits I guess. How much did you smoke?”

"Noth­ing.” the ever-wise Cle­tus remarks mat­ter-of-fact­ly. "I’ve been up for 5 days. I can’t smoke now. I’ll hear voices.”

He is jok­ing. I am not. I am shit scared. No one else is on this trip. Those kids inside are a bunch of inno­cent pot­heads, the most annoy­ing and bor­ing of wan­na-be bad ass­es. My judg­ment against pot may be jus­ti­fied by this strange con­flu­ence of sensations.

"Cle­tus. It’s the Shad­ow people.”

"What?”

"They’re talk­ing to me and I can’t make out what they are saying.”

He mum­bles something.

"I can’t make you out over them.”

Strange look.

"They are loud. I’m telling you this is crazy. It’s like white noise block­ing out every­thing. I’m fuck­ing scared.”

As wor­ried as I had ever seen him, he said, "You got to get home.”

"No shit. I got­ta get out of here.”

We leave the house. My apart­ment is not that far away. I am earnest­ly still ready to go do what we have to do, but it seems as if there are not more sales to make. I find com­fort in the banal chat­ter. Fig­ur­ing out what we are going to do now. The voic­es won’t stop. Maybe I’m going to be stuck like this. Is this what they mean by "hear­ing voic­es”? Have I per­ma­nent­ly dam­aged myself? What? I obsess over my sit­u­a­tion. Sud­den­ly we are at my apart­ment. Cle­tus is going to sleep at his place. He says I should do the same. I am too shit scared to think about sleep.

I obsess. I find a solu­tion. My woman, my mar­ried woman. She is com­ing to see me at four and she will be on time. She is des­per­ate to find love with me. This seems to be a strange phe­nom­e­non of mar­ried women in unde­sir­able sit­u­a­tions. She doesn’t care if I am out of my mind on Meth or what­ev­er chem­i­cal I am putting into my sys­tem. Per­haps I am just a tick­et out for her. I don’t real­ly care if she is using me or even just using my apart­ment. What­ev­er the sit­u­a­tion is today I will take full advan­tage of all she offers.

I call her from a pay­phone down the street, since I have dropped my last cell phone in a toi­let while reach­ing for drugs in my hood­ie pock­et. My mind is still reel­ing and I am still hear­ing voic­es. Para­noia has tak­en over the greater part of my consciousness.

"Hey.”

"Hi, what's up? I'm kin­da busy but I will see you soon.” she says into her cell.

"I need you.”

"Oh, do you? Well you are going to have to wait a lit­tle while. I'm at Janice's Cheer­lead­ing com­pe­ti­tion,” she says.

This makes no dif­fer­ence to me. I need com­fort. I need to be held through this sit­u­a­tion. She is all that I can find, she is all that I have. She’s my only hope.

"Please just get here.”

"I will, baby”, she says as she hangs up the phone.

She arrives, as sched­uled, and does for me what I need. The voic­es even­tu­al­ly stop and I fall asleep. But, to my detri­ment, this sit­u­a­tion cements into the very fab­ric of our lives, the sym­bi­ot­ic need we have for each oth­er. This brings great pas­sion, hell, joy, ter­ror, bewil­der­ment, bro­ken hearts, bro­ken minds and bro­ken bodies.

A day or so after this episode I got a call from Susan’s hus­band. That accom­plished a small respite for me. He was putting his foot down, but his edict only gave her more deter­mi­na­tion to be with me. I decid­ed to stop using meth and went to vis­it my friend Pedro. He sup­plied me with two bags of hero­in. I sniffed them, and the habit took it from there. Sick in the morn­ing, off sick with one, high with 2–6 bags, then main­tain for the rest of the day.

II. Hero­in

 

I am in the sun­light. It is beat­ing on me, though not harsh­ly. There is no humid­i­ty, just com­fort­able heat. I sit on a tongue and groove porch paint­ed grey. It is low to the ground. There is a wood­en rail­ing around the edge and the porch sur­rounds three sides of a white house. The ground is flat around the porch, lush and green. There are large bush­es ris­ing two feet above the rail­ing. They bear many small dark green leaves. They lie most­ly in the shade of sev­er­al enor­mous Maple trees, which have spread their branch­es far, block­ing most of the sun. I can feel the rays hit my face. There must be a clear­ing in the branch­es. And it soothes me. I am sit­ting on a gray rock­ing chair, mov­ing effort­less­ly back and forth. I seem not to shift my weight, yet I am rock­ing back and forth. This speaks to me. It speaks soft­ly, nice­ly inform­ing with­out words. I am at peace. All is well.

I am look­ing at a pic­turesque scene. I can almost match it with the artist. I remem­ber him from the Sat­ur­day Evening Post. I don’t remem­ber the actu­al pub­li­ca­tion. I remem­ber cal­en­dars. What was his name? He paint­ed idyl­lic Amer­i­ca. He paint­ed a fan­ta­sy. He paint­ed my child­hood. I lived a fan­ta­sy. I relive it now. I live it well. I lived it well. Nor­man Rock­well. This looks like some­thing out of one of those cal­en­dars. An elder­ly man, thin, with healthy eyes that speak of hard work and sat­is­fac­tion, sits on a porch at peace with him­self and the world around him. I can see a gen­er­al store, the dusty win­dow with a hand scrawled sign mark­ing the day’s best buy. But I am leav­ing it, will­ing­ly. I don’t mind. I can’t go to some­place bad, not from here. Not from these begin­nings. But some­how grow­ing up in one of the "per­fect” places to raise a fam­i­ly in Amer­i­ca became a tor­ture as ado­les­cence waned to young adult­hood. I grew up in the Poconos, where every loca­tion, wood­ed with streams, offered bound­less oppor­tu­ni­ty for imag­i­na­tive play, where I play-act­ed many dif­fer­ent Daniel Boone/Davy Crock­ett char­ac­ters, where one sum­mer was spent col­lect­ing young trees that had fall­en, using them to con­struct a fort, deep in the woods, though the area was sur­round­ed by coun­try roads on all sides. On the days of extreme heat and humid­i­ty, in late July and August, we would ride our moun­tain bikes to the reser­voir where an old bridge, long ago burned out, still spanned the body of water. It was a steel skele­ton, pro­vid­ing a launch­ing pad for our young bod­ies to fly to the cool water. In late Feb­ru­ary and March, my two friends and I, along with our fathers, would tap local Maple trees. We col­lect­ed hun­dreds of gal­lons of sap and spent hours and hours cook­ing it down. This was made into 40 gal­lons of Maple syrup annu­al­ly, spoil­ing our three fam­i­lies ter­ri­bly. We used it as a sug­ar sub­sti­tute, on ice cream, pan­cakes, waf­fles, peanut but­ter sand­wich­es, in baked beans, cakes, rice pud­ding, any­where brown or white sug­ar was called for in a recipe.

It’s no sur­prise that I am hal­lu­ci­nat­ing Maple trees. As I sep­a­rate from the scene, I still do not feel fear. I am ris­ing upward. The trunks dis­ap­pear beneath a canopy of leaves, their 5 points so famil­iar to me. I see the gray-shin­gled roof and green lawn sur­round­ing the house where I just rocked on the porch. I roll over and the sun blinds me. I open my eyes.

Seem­ing­ly awake, bathed in the not-so-late after­noon sun, I am naked. The heat through the win­dow and closed blinds feels good on my shoul­ders. I hold myself up with my hands and some­one is beneath me. It’s Susan. My god, I am inside her. Real­i­ty flies back in my face. I am doing this act because there is noth­ing left to do. We just fin­ished the last bag. I have no hope of fin­ish­ing what I’ve start­ed with her. No hope, dope does that to you. It did it to me. I had got­ten the respite that this bag, this last bag would give me. It was time to get up off the dirty car­pet of my apart­ment, put clothes on and fig­ure out how to scam mon­ey to get what we need­ed to make it through the night. Hero­in demands that it be tak­en reg­u­lar­ly. Its main threats are intol­er­a­ble total body pain of the most hor­ren­dous nature, some­thing along the lines of pass­ing a kid­ney stone; his­t­a­mine action that caus­es inces­sant water­ing of the eyes, run­ning of the nose and ear canal block­age; and your insides com­ing out, either through your mouth, anus or both usu­al­ly result­ing in hem­or­rhoids and ulcers. So there was no ques­tion. Get more stuff.

III. Crack

 

Detox from dope accomplished.

"Babe, we still owe EL NINO for the last bun­dle.” Susan says.

"But I know from rehab that if we are quit­ting drugs we don't have to pay the drug deal­ers we owe.”

"I real­ly feel like we owe him, he's been very good to us.” she reasons.

"Okay, whatever…what do you say we get an eight-ball to take the edge off.”

"Sure that sounds like fun,” she says. Like any­thing was fun at that point.

We get hooked on coke short­ly after that, the kind of coke you smoke, ‘cause that’s all EL NINO has that day.

We change up scenery, get out of my apart­ment. Then, when Susan and I have just entered her bedroom–a safe place because her hus­band has tak­en the kids to the cab­in for the week­end, sup­pos­ed­ly– he’s all of a sud­den pulling up the driveway.

"Shit!” she says.

I'm ush­ered into one of the oth­er bed­rooms and the thought of being caught brings on an extreme case of geek­ing out. I am left to hide among stuffed ani­mals in a young girl’s bed­room. I'm so scared. The only solace I can find is smok­ing hit after hit of the ready rock. I can only imag­ine how pissed Susan is going to be after she finds out how much I have smoked. But that doesn't mat­ter as I hit the pipe again and again.

She meets him down­stairs, and he does some mov­ing around the house. Then they set­tle on the front porch. I can only hear these actions and that’s tough to do. I get up from my posi­tion amongst the Care Bears and edge toward the door. I peek out and can hear muf­fled voiced out­side. I am appre­hen­sive but can no longer wait to be released from my plush prison. I stealth­ily creep out­side of the room and can see the front porch from my posi­tion on the top floor of a loft-like house. I move as silent­ly as pos­si­ble down the stairs and around to the back door. It’s a slid­ing glass door. You have to under­stand that I’m a sit­ting duck the entire time I’m mov­ing. All Susan's hus­band has to do is turn his head, which I can see clear­ly through the large front win­dows, and he would see me. The house is open from the first floor to the roof for most of the struc­ture and that’s what I have to nav­i­gate with­out being seen to make my escape.

I felt almost like James Bond in my move­ments. I assure you I was not. My skin was hang­ing off me because my mus­cles had atro­phied so much. My clothes didn’t fit prop­er­ly and most like­ly hadn’t been washed in months. But I made it out­side, around the pool and into the woods that bor­dered their prop­er­ty. I believed I had made it to safe­ty. I leaned against a tree and breathed a sigh of relief know­ing that the road was only a few hun­dred yards beyond.

I didn’t real­ize the hell that was to ensue. It was all encap­su­lat­ed in my mind. I know that now. Yet at the time…

At this point Diego falls silent. Seat­ed with his elbows on his knees his face falls to his hands. He weeps.

Fuck it dude. I was in the woods and start­ed to make my way to the road. This was espe­cial­ly hard going. I thought Susan’s hus­band was going to be able to hear every twig crack­ing and every step I took into the dried and crunchy leaves. I was cer­tain that he had fol­lowed me into the woods, though I had no evi­dence of this. It was what my mind told me. I took some solace in anoth­er hit here and there. And this only com­pli­cat­ed the prob­lem. The more coke I got into my body, the faster my brain went. My imag­i­na­tion took off. I had hid­den the coke in the band around the inside of my base­ball cap. I had tak­en it off to get anoth­er large hit and packed it into the pipe. I left the bag in the hat and lit up.

Just as I am get­ting ready to exhale, a heli­copter comes over the hori­zon. The noise is deaf­en­ing. It is fly­ing so low. I am scared. I know they can see me through the canopy of leaves, because I am sure the hus­band has informed the police and they have read­ied the most sophis­ti­cat­ed obser­va­tion tech­niques in the world, though I am in rur­al Penn­syl­va­nia. I cov­er the glass pipe with my hand and burn myself. I drop it in the leaves and drop to find it. I can’t, I am pan­ick­ing and I know they’ve seen the hat. Then the heli­copter leaves. I stop. I look around and it seems as if I am alone. I don’t feel alone. I feel like I am being watched. I pick up the hat. I must have kicked it and lost some of the coke. I find the pipe. What shit!

I put every­thing away, light a cig­a­rette, and start on my way again, when the heli­copter comes back. I hit the deck. I try to cov­er myself in leaves. It’s not work­ing. I know they can see me. It hov­ers over me. It hov­ers. Not over me, but I am con­vinced it is look­ing for me. It hov­ers for what seems like an eter­ni­ty. I make the deci­sion that I should leave the pipes by the tree. I can come back and get them when the coast is clear, but for now my mind tells me it is bet­ter to be caught with­out para­pher­na­lia. I imag­ine it won’t make much of a dif­fer­ence real­ly, as I also assume there are dog teams out look­ing for me, tak­ing my scent from a stuffed plush ani­mal. I run through the bar­ren branch­es of ear­ly spring trees. I scrape my face, my arms. I run hold­ing my hat onto my head. What is inside is more impor­tant to me than the FBI chas­ing me.

Now I can see the road. It is ahead of me. Like most Amer­i­can coun­try roads, it has lit­tle traf­fic. There is a steep hill lead­ing down to it and a more tight­ly grow­ing clus­ter of shrubs bor­der­ing it. I low­er my shoul­der and rip through it. I pay no atten­tion to what is actu­al­ly in there. I do not think of the steep hill on the oth­er side. I must get away from the dogs and heli­copters. Some­how my mind assumes that the road is a safe place. If I can make it there, I will be safe. I put all my effort into get­ting there.

Shrub­bery does not have a mind of its own. I assume most clear- mind­ed peo­ple would go around the shrub­bery I went through. I’d like to think I would have were I not being chased by a team of snarling Ger­man Shepherd’s leashed by unsa­vory law enforce­ment agents and heli­copters issu­ing numer­ous swat team mem­bers rap­pelling from ropes to pur­sue me. I am sure I would have gone around the shrub­bery if it wasn’t so imper­a­tive that I get to the safe­ty of the open air.

I didn’t go around, I went through. I went through ridicu­lous­ly! I wasn’t able to burst through as I thought I could. Imme­di­ate­ly I ran into a tan­gle of branch­es that held me back. It felt as if I’d hit a rub­ber band wall. I forged ahead only to be shot back again, but this time I had made more progress. Again! Final­ly I could see clear to the road for a split sec­ond. As the tan­gle of branch­es closed behind me, my fears sub­sided, but the ground gave way. Actu­al­ly, there was no ground, just a steep incline cov­ered by grass. My feet went first and my ass hit the ground. Grav­i­ty pulled me straight to the rain gut­ter on the side of the road. With my hands on my hat, cov­ered in bram­bles, bri­ars, brush and branch scratch­es, suave­ly, or so I thought, I emerged safe­ly. I had just turned onto the road back towards the house to find a phone, when I saw the com­pact white car with Susan’s hus­band dri­ving it com­ing direct­ly towards me.

I stood there par­a­lyzed with fear. He saw me. We made eye con­tact. My pupils dilat­ed, he passed me. He must have been laugh­ing to him­self. I ran as fast as I could to the near­est house that had a Gaze­bo in the crushed stone dri­ve­way. I felt a bit safer. It seemed as if the sud­den jolt of ter­ror, the white com­pact car, had stripped away the delu­sion­al fan­tasies of being chased by high­ly armed authorities.

The front door of the house opened, and an elder­ly gen­tle­man came out. I made my way over to him, asked to use the phone and called Susan’s cell.

"Hel­lo,” she answered.

She was way too calm for me, Mr. Paranoia.

"Hey, did you notice I was gone?” I asked.

"Yes, where are you?” she asked.

"I'm at the nurs­ery down the street; I will be wait­ing in the gaze­bo.” I whispered.

"The Gaze­bo?” she asked.

"Yes, please just get here fast.”

It seemed like I wait­ed there all after­noon. But it was only a half hour in which I man­aged to unpack cig­a­rettes to use them to smoke crack, which was wild­ly unsuc­cess­ful, so I gave up on it and wait­ed. She arrived and we head­ed back to my apart­ment, mak­ing stops to get more pipes and more coke.

Sev­er­al hours lat­er, safe­ly ensconced in my piti­ful apart­ment, night fell. What once was a sim­ply dec­o­rat­ed bachelor’s home had devolved into a stop­ping post for drug addicts and a haven for my mar­ried woman. We re-entered and I looked at an unfa­mil­iar sight. It was the apart­ment I had rent­ed, but it had turned it into a crack house. Dirty dish­es had tak­en over the mod­est counter space. My desk and kitchen table were cov­ered with papers and shit to no end. She and I rarely used that room. So we made our way to liv­ing room, to our place in front of the sleep­er sofa, behind which was locat­ed a large alcove that I used as a clos­et. Back there dirty clothes cov­ered the floor, two feet deep. I had none that were clean. Most of my oth­er pos­ses­sions had been sold.

We were in my wretched apart­ment. My stink­ing fes­ter­ing abode. Home. Night had fall­en and the col­lege stu­dents up the block were hav­ing a par­ty. The win­dows were opened behind closed blinds, let­ting in what lit­tle breeze exist­ed, along with the heat, noise and coal dust. The dust came from north and south, east and west. Wretched, like I said. Oth­er col­lege stu­dents were arriv­ing and walk­ing up the street. I could hear their con­ver­sa­tions, their yelling and gen­er­al mer­ri­ment. But it seemed as if they were call­ing for Susan.

Here it comes again. I can see it now. It was as if a tsuna­mi forty feet high, seen a mile out from the beach, was head­ing inex­orably, descend­ing to reek hav­oc on the nor­mal exis­tence of defense­less crea­tures. I could see it com­ing, so I did what any addict would do. I took the largest hit I could, try­ing my best cow­ard­ly defense against what my twist­ed lit­tle mind could fore­see. How­ev­er, instead of doing what I want­ed, instead of wip­ing the slate clean, instead of bring­ing me the nescience I desired, it only ampli­fied what was going on in my brain.

Susan made a move­ment towards the win­dow. I thought she was mak­ing a sig­nal to the men wait­ing for her. I heard a noise down below. Sud­den­ly I was con­vinced that her pimp had tak­en up res­i­dence in the aban­doned first floor apart­ment. I was delu­sion­al. I was cow­er­ing in fright. Susan closed the win­dow. In doing so she had to lift the blind. I believe I see a gath­er­ing of young men on the hill wait­ing patient­ly for me to fall out. Lit­tle do they know how high I am. I know what I have to do. I tell Susan to take a hit. She glad­ly does so. We fuck. I get her in front of the win­dow and open the blind. We are stand­ing in the small alcove in front of the win­dow. Her back it to me, her hands stretched high onto the wall, her waist and knees bent slight­ly. I am behind her, grip­ping her waist hard with my hands.

"What are you doing?” she says with such ease.

"Giv­ing them a look at what they want,” I reply know­ing what she is plan­ning to do.

"What are you talk­ing about?” she asks, becom­ing concerned.

"The guys who are wait­ing out there for you.”

"There’s no one out there wait­ing for me. I’m here with you.” she ways with that drip­ping san­guine liar’s tone.

"Susan, I know about Jer­ry down­stairs.” I dropped the bomb.

"Jer­ry? What the hell are you talk­ing about?”

"You know.”

"I don’t talk to him unless you are with me.

"Isn’t he sell­ing you for more rock?”

"What’s wrong with you?”

"Noth­ing.” I try to cov­er. "I’m sor­ry. Can we just do this?”

So we begin. And after months and months of superb per­for­mance, where I was nev­er left with a wilt­ing phal­lus, it final­ly hap­pened to me. It often does so with addicts. We often get so high that most bod­i­ly func­tions are ren­dered moot. I have always prid­ed myself on my viril­i­ty. But now, when it mat­tered most, when I need­ed to show the goods to the buy­er to up the price, I was left limp.

Susan sees me look­ing out the win­dow from her knees in front of me. I am caught. I can’t help myself. I am con­vinced that she is the cen­ter of a large pros­ti­tu­tion ring and that some­how between ful­fill­ing my needs, her husband’s, and her five children’s’, she has time to enter­tain thir­ty to forty men simul­ta­ne­ous­ly. We dis­en­gage. She screams.

I can’t remem­ber the fight. I only know that she left to go home and came back. This was the begin­ning of a short but ruth­less breakup.

And that is a sto­ry for anoth­er time. That was 5 years ago. Diego is dead. I excised him from me. I lift­ed his weight off of my brain, removed his spindly fin­gers from my throat, washed the clam­mi­ness he left on my skin, and I wept. In poet­ic ter­mi­nol­o­gy not suit­able for Hall­mark cards, I was dri­ven to mad­ness by his inces­sant need for more. It was like tak­ing the wrong turn into a des­o­late land over and over again. It was a des­o­late land where chem­i­cal­ly induced para­noid schiz­o­phre­nia exist­ed side by side with real­i­ty. Diego was fright­ened of it. I've nev­er seen him scared of any­thing else.

I've mourned the loss of Diego. I miss his swag­ger, rapi­er wit, and sug­ary tongue. I don't miss his head­long pur­suit of death. He loved with no thought of being hurt. He wept with­out fear of repeat­ing it. And he laughed with impuni­ty. But, as I said, Diego is dead.

 

David Bar­rett is cur­rent­ly a writer liv­ing in Philadel­phia. He grad­u­at­ed from Penn State Uni­ver­si­ty a cou­ple weeks before Sep­tem­ber 11 2001. He went on a self destruc­tive ben­der for a few years but has since returned to tell many sto­ries in many for­mats. He has had "Sin­gle Cell" and "Menage a Trois", two one act plays per­formed in a staged read­ing in New York City. Most recent­ly his one man show "More Bet­ter Life" had a suc­cess­ful run in the Philadel­phia Fringe Fes­ti­val. At the urg­ing of a the­atri­cal pro­duc­er he has endeav­ored to tell the sto­ry of his recov­ery from addic­tion. "Hal­lu­ci­na­tions" is the first attempt and sub­se­quent chap­ter in that story.

"Hal­lu­ci­na­tions" is a short mem­oir in which I deal with my past addic­tions through the eyes of my alter ego Diego. It takes us through my twen­ty-fifth year of my life which I spent in Pitts­burgh Penn­syl­va­nia. The three hal­lu­ci­na­tions serve as mark­ers for both my self-destruc­tive spi­ral and grow­ing co-depen­den­cy. I've writ­ten this sto­ry four years after I stopped using to purge my demons, and share my sto­ry with friends.

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Cripple, fiction by Jeff Wallace

You got any­thing for me?” I asked Kyle. I was sit­ting in his wheel­chair and he was lying in bed. He was pret­ty well naked, but he was gen­er­al­ly naked when he was at home. Maybe some sweat­pants, some­times. But right then he’d just got out of the show­er, and lay there under just his sheet.

There’s some T‑3’s in that bot­tle,” he said, point­ing towards the shelf on the far side of his room. His grand­pa was down in kitchen, just a short ways off his room, and was mak­ing din­ner. Saman­tha was help­ing him. “You got any­thing for me?” he asked.

I put a five dol­lar bill on the bed, just out of his reach and I stood, the straight­en­ing of my knees push­ing the chair back­wards and away. I walked across the room and shook two pills from the bot­tle. I chewed them like Tums and walked back to the side of his bed. If I was to get him out of the house tonight, first I’d have to get him dressed.

Saman­tha,” he hollered. He didn’t reach for the five or even watch me as I moved. His eyes were tuned to his TV, his mouth towards the door. He nev­er turned that TV off, not even when he had his radio on. It was a con­stant roar in the lit­tle room. The pan­el­ing shook, and the heavy cig­a­rette smoke, pulsed.

I’m hur­ry­ing,” she shout­ed back.

I hadn’t seen her except when she opened the door to his room for me. She had been dressed plain and easy, a sim­ple white t‑shirt and jeans, but she still looked good. I don’t know how he got her to stay, she just seemed to stay. But for what one don’t know.

Hur­ry up, God­damn it. I can’t take my pills with­out any food,” he said, all of us know­ing he didn’t need not one more. But what’s a per­son gonna tell a cripple?

Kyle had got hurt when the skid­der he was run­ning had tipped over. He’d rolled down a hill, the roof land­ing on him at the bot­tom. When I’d heard, I’d pic­tured the top of that yel­low Cater­pil­lar tip­ping and com­ing down on him like a jaw. It had near­ly bit him in half. When I’d heard, I kept think­ing about night crawlers and how we’d pinch them in two when we fished. He would have died if his boss hadn’t found him and called the para­medics. He was lucky.

You need to get out of here,” I said. “Get your shit togeth­er, and let’s get.

You going to dress me? It’ll be fun.” It wasn’t exact­ly humor filled. His black hair hung loose almost to his shoul­ders. It had been long before the acci­dent, but he had refused to cut it since. “Hand me my cow­boy hat,” he said, point­ing towards a black Stet­son on the floor to my right. I didn’t move. Saman­tha would help him change after she brought him din­ner. I would go and sit with his grand­pa while she was doing it. He would ask me about my folks, about my long gone broth­er. But the whole time I would be think­ing about her rolling him, shift­ing him. Even­tu­al­ly she would come get me and we would go.

You’re going all-out tonight, then?” I asked Kyle, straight.

If you’re gonna go, it might as well be all the way.” He turned his face towards the door then back to me. “Where in the fuck is my chick­en?” he asked. His eyes, dark brown, looked flaked.

***

We got to McNeal’s about mid­night. Kyle didn’t get up before late after­noon any day of the week, so mid­night was the mid­dle of his day. I was tired, and not just because the pills had start­ed to work through me. But my nose was itch­ing. The thing about pills like that, at least as far as I’m con­cerned, isn’t that they make you feel bet­ter. A lot of the time they just make things bear­able. Smoother. Life gets to be like the sound of ice skates, if that makes sense.

Kyle had sat beside me dur­ing the dri­ve over, while Saman­tha had been wedged in the back­seat with his wheel-chair. We took my car because her car was too small for the four of us, if you count the wheel chair as one. She had to sit in the broke down pieces for every­thing to fit. My trunk was full of clothes, so we had jammed it into the seat.

The unload­ing was tougher than the load­ing. I didn’t know what to do to help Saman­tha, so I just stood back. He near­ly hit the ground when the board he used to slide him­self into his chair tilt­ed back. He caught him­self on the top of my door. I heard the cheap met­al of my car bow, his weight bend­ing something.

That door ain’t gonna shut right,” he said. He arranged him­self in the chair. I start­ed to walk and Kyle didn’t roll for­ward, just sat there looking.

Do it your­self,” I said. But it wasn’t mean spirited.

I’ll do it, Jim­my,” Saman­tha said. She had changed from the t‑shirt into a yel­low tank top. She had kept the jeans. I had watched from behind as she changed in Kyle’s room. She hadn’t been shy about it. She turned around and pulled her shirt off. Her browned skin was white where her bra line was. Angry red bands stood out on her shoul­ders from the straps. I could see light hairs form­ing a v‑shape above the waist of her jeans. Kyle didn’t even look.

Push me, woman,” Kyle said, and I shook my head.

Saman­tha didn’t say a word, just grabbed the chair’s han­dles, and pushed through the wet grass. I thought she would slip in the dew, but she didn’t. He pulled a cig­a­rette from a pouch some­where on the chair and strug­gled to light it as she worked her way to the back­yard. We could hear the music and talk­ing from where we were. The McNeal’s were rich. They’d gone to Ten­nessee for the week, a vaca­tion, and left their only boy to watch the house. He had his own place out­side of town, but was throw­ing a par­ty like he was still in high school.

Peo­ple will think that I’m shittin’em,” Kyle said. He couldn’t get the cig­a­rette lit, the jostling of the chair mak­ing his hands bounce and the tip of itdance.

They all know,” I said. Not very many peo­ple vis­it­ed him now.

Lots of peo­ple came in the begin­ning, but as time wore on, and the nov­el­ty, some­thing, wore off, few­er and few­er came. Now it was me, Saman­tha, and a cou­ple more. Our oth­er good friend, Dale, had moved away pret­ty recent­ly. He went sober and moved to Colum­bus. It seems fun­ny to move to a city to get sober, but some­times it works. It’s not real­ly the sober part that’s sur­pris­ing, it’s that he was able to stay out.

It used to be that the three of us, Dale, Kyle and me. Once, when Dale, Kyle and I lived togeth­er, Dale and I talked about Kyle and Saman­tha. This was before the acci­dent. I told him that Kyle didn’t deserve Saman­tha and he said I was right. Kyle was cheat­ing on her with some lit­tle blonde. That girl was mar­ried to a guy in the army. He was in the Iraq, and Kyle was sleep­ing with his wife. She kept see­ing him after the acci­dent, even after Saman­tha moved in. She didn’t stop until she saw Saman­tha put a catheter in him. Dale had said that Saman­tha would look a lot bet­ter if she’d lose the ten pounds she’d put on since grad­u­a­tion. “I’m not say­ing she ain’t good look­ing, I’m just say­ing we’d all be bet­ter off with a lit­tle less extra poundage.”

But he wasn’t going to be here, and Saman­tha didn’t need to lose any weight.

Well, hel­lo there,” Kyle said, laugh­ing as we turned the cor­ner of the house. A fire was burn­ing close to the deck of an above ground pool. Extra wood lay under­neath the deck, up to the edge of the pool. Even though it was hot and there was a fire, the pool was emp­ty except for the dozens of float­ing beer cans. Trucks were cir­cled like wag­ons in the grass, their lights all point­ing inwards towards the fire. The music blared from the trucks’ radios. It was pret­ty orga­nized for that group, all the radios on the same local sta­tion that played new coun­try. One truck, a red-cabbed flat-bed dual­ly, was backed up to the very edge of the pool. The tre­ble on its radio was threat­en­ing to shred the speakers.

I need some­thing to drink. You want any­thing?” I asked them.

See if any­one has a bot­tle of wine I can buy,” Kyle said.

I’ll get my own,” Saman­tha said. Peo­ple who hadn’t been to see Kyle were begin­ning to inch towards us.

I had always thought Saman­tha was tough, but these last few months proved it. Her father had left when she was young, and then every­thing that hap­pened with her own grand­pa, but she didn’t talk about it. Real­ly, she didn’t talk much. But when she did, she seemed hap­pi­er than she had any right to be.

I walked away from them, try­ing to get lost in the par­ty. My head buzzed from the drugs, I knew I would get sick even­tu­al­ly, but didn’t care. I went around and thought about beg­ging beers. I didn’t real­ly talk to any­one, but I wasn’t the most pop­u­lar guy in the world. I stood next to the fire, kicked at it, made sure it kept burn­ing. I watched Kyle and Saman­tha. She stood behind him, drink­ing slow­ly from a bot­tle, and he held court. That’s what it looked like anyway.

***

It’s eas­i­er to get lost in a par­ty of thir­ty than peo­ple think. Some­body had turned the out­side lights of the house on. Peo­ple had been pour­ing in and out of the first floor. It was begin­ning to become a mess.

I’d sur­prised myself by not drink­ing. I’d got to talk­ing with some boys I’d gone to school with, Tur­ley and some oth­er Jenk­ins. It may have been one of his broth­ers. All those boys seem to get rolled up. Big and tall the lot of them. But I’d rode those pills out and was begin­ning to feel myself.

Tur­ley was near­ly kin now. He was gonna mar­ry a cousin of mine, or so the sto­ry went. After what my uncle had done to him after he got my cousin preg­nant, I don’t see how he could. I would’ve been scared to come with­in a mile of the girl, but Tur­ley still kept hang­ing around. I’d asked them if they had any wine, final­ly, feel­ing guilty. Tur­ley had laughed and had walked into the house. He brought a bot­tle back out and held it by its neck. His hands looked big enough to wrap the neck twice and strong enough to wring the cork straight out.

I found it,” he said. “Swear to God. Right there on the ground. Just lay­ing. Some­one must have dropped it.” His cousin or his broth­er slapped him on the shoul­der, laugh­ing. I grinned back at them. Their arms thick as rolled rope, seemed to grow like branch­es out of their t‑shirts.

Take care of that baby cousin of mine,” I said. I took the bot­tle by its bottom

Tur­ley count­ed up on the fin­gers of his just emp­tied hand. Count­ed up through four, and when he got to his thumb he looked at me, seri­ous as a heart attack, “Which one?”

I stared at him. I knew he was jok­ing, try­ing to rile me. I spun the bot­tle in my hand. The label on it looked weath­ered. I won­dered if it was old or if it was just treat­ed to seem that way. It rasped as I spun it, the edges catch­ing on the hack-sawed edges of my nails.

You love that lit­tle girl?” I point­ed the sealed cork at him. The red and pur­ple foil caught the light from the fire. It would flash and crin­kle gold.

Aww,” he said. He moved towards me, slight­ly down the long aching hill that end­ed some­where off this ridge, down in some hol­low some­where. “That baby’s mine,” he said. He turned and seemed to look at the pool. “That ought to be enough.” The broth­er walked off, know­ing when, I sup­pose, to leave some­thing alone.

I hope it is,” I said. I wasn’t sure what I was pro­tect­ing, or even if I was.

Let’s open that thing,” he said. He jerked it out of my hand and walked back towards the house. I fol­lowed him. He walked straight in the slid­ing glass doors straight into the kitchen. His big work boots, light brown and leather, thumped across the hard­wood of the kitchen. There were oth­er peo­ple inside. Hid off in bed­rooms and on couch­es. The glow of a TV quiv­ered around a cor­ner. Tur­ley dug through the draw­ers swearing.

God­damn,” he said, “folks as rich as this ought to have a corkscrew laid out in the open.”

Yeah, I reck­on they ought’a,” I said. The kitchen and the din­ing room were near­ly on top of each oth­er. There was a lit­tle table that looked out onto the lawn and the pool, and I sat down in one of the wood­en chairs. The seats of them were faced with cush­ions, blue and red checks. They were tied to the backs of the seats by rib­bons. It felt almost like I was sit­ting in the kitchen.

The hard­wood stretched through both, and it all smelled like lemons and bleach. I thought back on that lit­tle trail­er that we used to share, me, Kyle and Dale. Cig­a­rettes and whiskey. It’s not such a bad smell when you get used to it. Sweet warm beer, sticky in the morn­ing sun. The table was clean and smooth, not even crumbs from their toast or sug­ar from their coffee.

Found one,” he said. He held both up to me. The corkscrew was ivory han­dled and shaped like a ‘t’. The screw of it seemed about two inch­es too long. There was a roar from out­side, and I heard a truck rum­ble to life. I didn’t look out­side, afraid the fire had done some­thing. “This thing’s worth more than both of us put togeth­er,” he said.

Tur­ley stabbed the cork through the foil work­ing it in, set­ting his jaw like a man who was enjoy­ing his work, a plea­sure from a job hard done. He tugged twice, then a long slow shud­der­ing pull, and the cork popped out. He smelled it, wav­ing it in front of his nose. “Very fine year, sir. Some of the best wine I’ve ever found.” The tip of the screw had burst through the under side. Pieces of cork clung to it. I was afraid he would catch the end of his nose. He didn’t get glass­es, just sat down beside me, col­laps­ing his long body into this family’s kitchen chairs.

So how about you, Jim­my? You got a woman?” He drank, the green rim of the bot­tle hid­den behind his lips. His black hair was shaved short. It was sum­mer. His kid was six months old.

I don’t know,” I said. I took the bot­tle from him. I want­ed to wipe it off, but then thought how that would look, him near­ly my own blood, and just drank. I could feel it in my teeth, the acid of the wine bit­ing my tongue and my gums, burn­ing and hurt­ing. “No.” I said.

Aww,” he said. “But I saw you look­ing at that lit­tle girl out there. Your boy’s girl,” he start­ed snap­ping his fin­gers, look­ing down and away. The TV in the oth­er room was laugh­ing and blue, foot­steps thumped upstairs, and for a sec­ond my world lurched and I won­dered if this was what life was real­ly like. “What’s her name,” he said. “Grand­pa just died?”

Saman­tha.” I said.

Yeah, Saman­tha. I seen the way you look at her.”

Just look­ing,” I said. I hand­ed the bot­tle back to him. “You know how it is.”

He drank from the bot­tle. I watched the apple on his throat move up and down as he drank the McNeal’s wine. When he low­ered it there was red around his lips. His teeth were stained pur­ple. “I know,” he said.

There was third roar from out­side, this time loud­er and I looked out. The flat-bed truck, raised high on its sus­pen­sion, had been backed clos­er to the edge of the pool. Peo­ple were div­ing in off of the flat of the back. It was somebody’s dad’s work truck. Kyle had posi­tioned him­self next to the wheel-well. I could see him shout­ing up at the four boys in the back of the truck. They were all stripped down to their under­wear. One was in briefs, the oth­er three in box­ers. The red and brown hair of their heads was slicked back. They glowed in the light from the fire which had grown con­sid­er­ably. It had worked its way up to the deck, smol­der­ing and scorch­ing the treat­ed lum­ber. Every­one seemed to know what was going to hap­pen, but no one cared.

I stood up from the table, the chair push­ing back and away from me. Tur­ley seemed to say some­thing to me as I walked out. I slid the door hard, angry at what was going to hap­pen. It banged into the house, and I gri­maced think­ing about the sound of all that plate glass. Saman­tha was at the truck, her shoul­ders bare­ly com­ing to the door han­dles. I could see the mud stick­ing to the under­side of it. She was try­ing to talk to Kyle. The four boys jumped down bare­foot and heaved him up onto the wood­en bed. I jogged to the bed, lick­ing my lips try­ing to get the stain off.

Kyle was in the back of the truck, the light from the grow­ing fire lick­ing at the treat­ed lumber—swelling up around it—and he was smil­ing. He was wear­ing his cow­boy hat but had tak­en off his shirt. The scars from the acci­dent looked pur­ple in the light. There were four round scars the size of quar­ters from his chest tubes. There were scars run­ning down his bel­ly dis­ap­pear­ing into his sweats where they had fixed his pelvis. I could see scar run­ning down his shoul­ders, dis­ap­pear­ing onto his back. It’s hard to tell some­times where the doc­tors stop and the acci­dent starts.

The oth­er boys scram­bled back onto the bed. I looked at Samantha.

He won’t lis­ten,” she said.

Goin’ all out,” Kyle shout­ed. The music bounced into the heady night air. He leaned for­ward. “You all want to see some­thing crazy?” He start­ed to push at the wheels as hard as he could. The bed was sev­en feet, and when he’d reached the end, he’d bare­ly reached any kind of speed at all. The chair seemed to tip off the back of the truck. One wheel caught the alu­minum edge of the pool, snap­ping him down into the utter black of the water, his voice, dis­ap­peared a sud­den. The music kept up, so did the sound of the flames. No one moved.

The chair float­ed to the sur­face, the seats on it lift­ing it, but Kyle didn’t come back up. I felt Samantha’s hand on my arm. I wasn’t sure whether she was hold­ing or push­ing but I went. The boys on the truck didn’t move. I heard Tur­ley shut the door to the house, the same rasp­ing and slap­ping sound it had made for me. I lunged over the edge, my knees bang­ing and shak­ing the whole thing.

I didn’t go under but for a moment. My shoes find­ing the bot­tom, my hands find­ing Kyle, his arms thrash­ing and beat­ing in the water. He struck at me hand and at my wrists. My fin­gers slipped over his skin. I felt his scars, the soft and always ten­der lumps of his flesh. The pink puck­ers of skin where the doc­tors had fixed what was near­ly ruined. I dug at him, going under final­ly, into the ink of the water, grab­bing him not with my hands but my arms. I raised him up in an embrace, grip­ping him tight under his arms. We came out of the water togeth­er, his legs touch­ing mine like ten­ta­cles. I remem­bered when we were kids, fight­ing and rolling with him, test­ing each oth­er like animals.

He sput­tered water into my face. “I’m swim­ming, Jim­my,” he said. His long black hair streaked back from his rais­ing straight from the water. It made him look younger. His face was near­ly translu­cent, and I won­dered the last time he’d seen the sun.

You was drown­ing, Kyle,” I said. He was taller than me. I had for­got­ten. I could feel his thighs bend­ing back and away from me as I held him, my hands locked behind his back. I looked first to the deck, but the flames had cov­ered it. The crowd had moved to watch it instead of Kyle. They were cheer­ing it to go, hop­ing it on. I car­ried and pulled him towards the truck, the water sick­en­ing­ly warm. Saman­tha watched us, watched him. She glanced at me and nod­ded, sharp and hard. She was ask­ing for him. I stopped, the waves push­ing us togeth­er, lap­ping at us. The warmth of the fire made me think that it would cir­cle us, sur­round us, the alu­minum, melt­ing and drip­ping into the grass, the edges, bow and bend, before they gave  way, and the two of us would be washed out and rushed towards Saman­tha, towards her feet, a mess of arms and legs. But the real light from the flames cast her shad­ow back and away, up the slight rise towards the house. It stretched to Tur­ley, the dark bot­tle in his hand—Turley, who watched us all now, was cov­ered in the ink of her.

Jeff Wal­lace received his MA in Amer­i­can Lit­er­a­ture and his MFA in Fic­tion from Indi­ana Uni­ver­si­ty. He is the author of numer­ous short sto­ries and has been pub­lished in mag­a­zines such as The Louisville ReviewAppalachi­an Her­itageKey­hole Mag­a­zine, Plain Spoke, and in such online jour­nals as New South­ern­er, and Still:The Jour­nal. He lives in Mt. Orab, Ohio with his wife Emi­ly, son Oscar, and mutt Mem­phis. He cur­rent­ly teach­es at South­ern State Com­mu­ni­ty Col­lege and is work­ing on his first nov­el The True Sto­ry of the Appalachi­an Revolution.

 

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