When Trees Pop, by Helen Losse

Two men stand, fists clenched,
inside a ring formed by oth­er men.
The oth­er men cheer the two men on,
while the man knocks anoth­er man down.
 
Near­by, at an over­pass, sev­er­al boys
throw sand and shout the word queer
at cer­tain oth­er boys.  Sev­er­al women
stand shoul­der to shoul­der, seem­ing­ly calm. 
But as they turn, one woman bites another
woman on her tongue.  Dusk then set­tles on
the right of way.  Tall ever­greens and deciduous
trees turn black.  A cool wind  rocks the bird house,
rus­tles tree branch­es, plays a tune on the treble
wind chimes.  Life is slow­ing from the rackets
of men:  noise from their cars, trucks,
their thrum­ming, black jackhammers. 
The light of a full, orange moon meets the fog.
That night trees pop, a man dies by another
man’s hand, and sev­er­al young girls shun
the bad girl to whom they must nev­er speak.

Helen Losse is the author of Bet­ter With Friends, pub­lished by Rank Stranger Press in 2009, and the Poet­ry Edi­tor of The Dead Mule School of South­ern Lit­er­a­ture. Her recent poet­ry pub­li­ca­tions and accep­tances include The Wild Goose Poet­ry Review, Shape of a Box, Dis­tillery and Hob­ble Creek Review.  She has two chap­books, Gath­er­ing the Bro­ken Pieces, and Paper Snowflakes. Edu­cat­ed at Mis­souri South­ern State and Wake For­est Uni­ver­si­ties, she lives in Win­ston-Salem, NC.


Posted in helen losse, poem | 2 Comments

Silas House Reads from his Forthcoming Novel, Eli the Good


[youtube=http://www.youtube.com/watch?v=2wKAkVXyg2s&hl=en&fs=1&]

I have my copy pre-ordered; you should too.

Posted in eli the good, silas house | 1 Comment

On Cadillac Mountain, by Nathan Graziano

On the night Dar­la died, Wayne was sit­ting at the kitchen table, wash­ing down a cou­ple of her Per­co­cets with a cold Bud­weis­er, when it he slapped him like a strip of leather across his beard­ed cheek. He knew. That’s how he describes it to his son D.J., just out of Y.D.C., who is sit­ting across from him at the same table, one year lat­er. Of course, Dwayne points out, he didn’t know she would die ten min­utes from that moment—as it would happen—but he knew it would be soon, before the sun came up. 

He tells D.J. how the hos­pice nurse, an old­er woman named Lin­da with hard­ened skin and lips as thin as paper cuts, appeared in the kitchen door­way, and Wayne points to the kitchen door­way. Oth­er than Dar­la and him­self, Lin­da was only oth­er per­son in the house that night and her voice seemed ampli­fied, like it was pass­ing through a loud speak­er, when, in fact, she whis­pered, “Mr. Brig­gs, I think it’s time.”

Wayne nod­ded, keep­ing his chin pressed to his chest, his thick gray­ing beard sprawled like a bib on his t‑shirt. He hoist­ed his near sev­en-feet of bulk from the chair and fol­lowed Lin­da out of the room.

Dar­la was reclined on the bed a hos­pi­tal had moved into the house, her eyes closed and bald head wrapped in a pink ban­dana. She lay in what was her daughter’s bed­room, before Jen­ny dis­ap­peared, before all of that non­sense that land­ed D.J. in the joint.

Wayne looked at Dar­la with a shock of famil­iar­i­ty. Despite hav­ing seen her like that every­day for the past six months— her cheek­bones jut­ting through stretched yel­low skin at sharp angles, her eye sock­ets like man­holes with dull blue stones at the bottom—he could nev­er get used to the idea that this bed of bones con­tained his sec­ond wife. He sat down on the edge of the mat­tress, plac­ing his large hand light­ly above her eyes.

Baby, it’s me,” he said.

Her eyes flick­ered. Her jaw opened and closed like a mouth mov­ing underwater. 

My sweet girl.” 

Where’s Jen­ny?” Her voice was bare­ly a breath, a wisp of air tan­gled in words.

Slow­ly, his hand fell from her fore­head to her sunken cheek, fram­ing her face. “She’s here, baby. The kids are in the liv­ing room. We’re all here.”

Jen­ny came back?”

Of course,” Dwayne said. He paused and kissed the pink banana. “Do you remem­ber the motel in Bar Har­bor, The Cadil­lac Inn? I was think­ing about that place the oth­er day, and think­ing about how we sat on that porch with a cool­er full of cold ones and I was play­ing my har­mon­i­ca. Then the next day we drove up Cadil­lac Moun­tain. You remem­ber that? See­ing the ocean from one direc­tion and Cana­da from the oth­er? When you feel bet­ter, I think we should go back there. Just you and me, baby. What do you say?”

Darla’s breath­ing became labored. Maybe it was a strug­gle, that last taste of life pass­ing through her lips, but a look came over her face and changed the shape of her mouth, twist­ing her col­or­less lips upward.

Dwayne tells his son that that look was a smile. The hos­pi­tal bed is now long gone, and Darla’s clothes have been fold­ed and placed in a hope chest in Jenny’s old clos­et, but he still remem­bers that look. That smile. And when D.J. asks his father—when Wayne is quite a few beers into the night—what I was like to watch Dar­la die, Wayne tells him, again, that she smiled. She opened her eyes and smiled. Easy. Just like that.

Nathan Graziano lives in Man­ches­ter, New Hamp­shire with his wife and two chil­dren. He is the author of Teach­ing Metaphors (sun­ny­out­side, 2007), Not So Pro­found (Green Bean Press, 2004), Frost­bite (GBP, 2002) and sev­en chap­books of poet­ry and fic­tion. His work has appeared in Rat­tle, Night Train, Freight Sto­ries, The Coe Review, The Owen Wis­ter Review, and oth­ers. His third book of poet­ry, After the Hon­ey­moon, will be pub­lished in Fall 2009 by sun­ny­out­side press. For more infor­ma­tion, vis­it his web­site: www​.nathangraziano​.com

Posted in Fiction, nathan graziano, on cadillac mountain | 1 Comment

Fla. doc fired over 'doughnuts equal death' sign

Would any­one have com­plained if it was Krispy Kreme?

PENSACOLA, Fla. — Dr. Jason New­som railed against burg­ers, french fries, fried chick­en and sweet tea in his cam­paign to pro­mote bet­ter eat­ing in a part of the coun­try known as the Red­neck Riv­iera. He might still be lead­ing the charge if he had only left the dough­nuts alone.

A 38-year-old for­mer Army doc­tor who served in Iraq, New­som returned home to Pana­ma City a few years ago to run the Bay Coun­ty Health Depart­ment and launched a one-man war on obe­si­ty by post­ing sar­don­ic warn­ings on an elec­tron­ic sign outside:

"Sweet Tea (equals) Liq­uid Sugar."

"Ham­burg­er (equals) Spare Tire."

"French Fries (equals) Thun­der Thighs."

He also called out KFC by name to make peo­ple think twice about fried chicken.

Then he par­o­died "Amer­i­ca Runs on Dunkin'," the dough­nut chain's slo­gan, with: "Amer­i­ca Dies on Dunkin'."

Some pow­er play­ers in the Gulf Coast tourist town decid­ed they had had their fill.

Posted in Uncategorized | 1 Comment

The Pissed-off Poor Appalachian White…

Here's some­thing to think about: how many pissed-off mid­dle and low­er-class peo­ple, not just Appalachi­an natives, are out there? Quite a few, I'd guess. And we don't have to won­der about how they feel, because arti­cles like this one by Kai Wright make the whole shoot­ing match pret­ty clear. Thanks to Con­nie May Fowler who made me aware of this on Facebook.

If ever there was a “teach­able moment” about race in mod­ern Amer­i­ca, now is it. With the birthers and the repa­ra­tions con­spir­a­cy the­o­ries and the Nazi imagery at health care meet­ings, someone’s got­ta explain why all these white folks are wild­ing out. We need an artic­u­late, impas­sioned race man to clar­i­fy things. But not Al Sharp­ton; I say pass the mic to Jim Webb.

Remem­ber way back when Webb, a Demo­c­ra­t­ic sen­a­tor from Vir­ginia and the voice of Appalachia’s neglect­ed white yeo­man, was sniff­ing around a veep nod? In the midst of that media moment, he hit on an idea we’d do well to dwell upon. “Black Amer­i­ca and Scots-Irish Amer­i­ca are like tor­tured sib­lings,” Webb patient­ly explained to Pat Buchanan in a May 2008 Morn­ing Joe appear­ance on MSNBC. “There’s a say­ing in the Appalachi­an moun­tains. … ‘If you're poor and white, you’re out of sight.’”

More.

Posted in appalachian whites, connie may fowler, kai wright, the root | 1 Comment

My Friend is Dying, fiction by Matt Baker

It didn’t take long for word to get around that our bud­dy Poot­er was dying of lung can­cer. Some of the guys got to talk­ing one day and decid­ed we should dri­ve the four hours to go and vis­it him. Earl knew where Poot­er lived so we agreed to meet at his house around eight on Sat­ur­day morn­ing. I hadn’t talked to Earl in six years. But I had called him up and he gave me direc­tions to his house and told me he’d dri­ve the lead car down to Pooter’s.
I’m ear­ly and Earl is wip­ing Armor-all on his tires and I’m inside talk­ing to his wife, wait­ing for the rest of the guys to show up. I’m watch­ing Earl through the kitchen window.
“He sure loves his truck, doesn’t he?” I say.
“That’s about all he loves.”
“Yeah, I’d say you’re right about that.”
She hands me a cup of cof­fee and I watch the bounc­ing under her night-shirt. Now, that’s a pair. That’s what my dad would say if he were here with me. He’s long dead. Lung can­cer. The same death Poot­er is about to take.
Earl comes into the kitchen. “You’re dri­ving your car too, right?” 
“Yes Earl, you can pack in two more in the front of your truck and I can take a total of four in my sedan.” The sedan I’ve had for fif­teen years. My grand­moth­er left it to me when she died. She smoked cig­a­rettes but lung can­cer didn’t get her. She was knocked down dead by anoth­er sedan out in front of her house, while check­ing her mail­box one day.
Earl’s wife looks out the win­dow. “That’s the same car you had in high school.”
“You remem­ber that car?” I ask.
“Of course.”
“No, I mean do you real­ly remem­ber that car?”
She thinks for a minute, pours more cof­fee into my cup. Then she looks right through me. “I for­got all about that night.”
Earl comes back inside and asks what all the gig­gling is about. I wipe the smirk off my face and tell his wife she makes good coffee. 
“Thanks,” she says and smiles like it’s her birthday.
“Look,” Earl says.
“What?”
“Well, so where is everybody?”
“I don’t know, Earl; we may be dri­ving down by our twosome.”
“Looks that way.”
Earl’s wife picks up the cof­fee pot, “More cof­fee, gentlemen?”
Earl and I sit down at the kitchen table, glanc­ing out­side from time to time. Earl’s pick­ing at the grease on his fin­gers and I’m watch­ing his wife prance in and out of the kitchen. 
“You boys going to drink cof­fee all day or get a move on?”
Earl looks at me. I shrug my shoulders. 
“I’m going down the street and give Stew­art his 5/16th back,” he tells us. 
Earl’s wife tells me she’s going to go take a shower.
“Can I come along?” I say jok­ing­ly. She gives me a naughty-naughty point of the fin­ger. Then she says yes. 
His wife takes all her clothes off in front of me with­out hes­i­ta­tion. She holds a foot in midair, under the flow of the water. She doesn’t look the same as I remem­ber her. But then again, that was more than ten years ago, a long time ago. I don’t even remem­ber her name.
“Aren’t you com­ing in?” 
“Oh yeah. Sure. Be right there.”
I sneak a peek down the hall­way and close the bath­room door. She has the show­er cur­tain pulled back so I can watch. That’s how some girls are. Half would die if you saw them naked no mat­ter how good they look. The oth­er half wants you to stare no mat­ter how awful they look. 
“Do you know what can­cer looks like?”
“What?”
“Come here a sec­ond, I want to show you some­thing,” she says. “I got this thingy down there, a bump, here take a look.”
She pulls back the rest of the show­er cur­tain, angles the show­er head towards the wall to keep water from spray­ing onto the already mildewed floor. 
“Do you see it?”
I have no idea what I am look­ing at. Her bel­ly but­ton is there and her hair is where it should be, it looks nor­mal to me. She’s work­ing her fin­gers down there, try­ing to get at something. 
“You know,” I tell her, “you should prob­a­bly let a doc­tor check it out.”
“I know, but I just want­ed your opin­ion. Earl won’t even look at me down there, let alone touch me.”
“Right, hmm.”
I hear Earl’s truck start up out­side. He’s gun­ning the engine. Then it stops. He guns it again. 
“What is he doing out there?” she asks.
“Hey! Aren’t you a lit­tle wor­ried, if Earl hap­pens to come in here and sees us like this?”
“Not real­ly.”
“That would’ve been my guess.” 
Then she kiss­es me.
The thing you have to remem­ber is that our friend Poot­er is dying and we’re sup­posed to be going to vis­it him. Poor guy is only twen­ty-nine and he’s already got can­cer splat­tered every which way. The doc­tor said it start­ed in his lungs. When I first heard the news, I wasn’t sur­prised. Poot­er was the only kid in our high school who had a smok­ers cough. The guy smoked two packs a day. I feel bad though. He always said, he’d quit when he turned thir­ty. Even when we were younger, he’d say, “Hey, I know this is bad for me, but I’m going to quit when I’m thir­ty, before I get the can­cer.” Poor fuck­ing Pooter.
The phone rings. Earl’s wife stops kiss­ing me and lis­tens. I lis­ten too, even though I don’t know what I’m lis­ten­ing for. It rings, rings, and rings. “Get it,” she says. 
“Who me?”
“Yeah, you, Earl’s outside.”
“This isn’t my house.”
“Just get the damn phone.”
“Okay, okay.”
I pick up the phone.
“Earl?” the voice says.
“No, this isn’t Earl.”
“Sor­ry, wrong number.”
“No, no, wait! You got the right number.”
“Earl!?”
“No, this isn’t Earl.”
“Then I have the wrong num­ber if you ain’t Earl, ass­hole.” I rec­og­nize the voice. 
“Half Pint?” I say.
“Yeah this is H.P., who is this?”
“This is Tom.”
“Oh shit, I was look­ing for you.”
“Where are you?” I smile, relieved that this who’s‑who has been resolved.
“At home.”
“What about Poot?”
“Not going to make it today, I’ve got the fun­ny shits so bad it ain’t worth it.”
“All right, thanks for the call. We’re about on our way out.”
Half Pint starts to say some­thing else, he paus­es, then I hear this groan, a loud, an
d obnox­ious, any­how I hang up the phone and look out the win­dow. Earl’s under­neath his truck. I walk back into the bathroom.
“Who was that?”
“H.P.”
She’s got a robe on and is dry­ing her hair. 
“What did he want?”
“Not going to make the trip.”
“Look, no one else is going, haven’t you fig­ured that out already?”
“Yeah, I think so.”
She leaves the bathroom.
“Where you going?”
“Bed­room,” she smiles, “com­ing with?”
“Oh yeah. Sure. Be right there.”
Half Pint is pathet­ic. The guy worms out of every­thing, usu­al­ly on the account of an imag­i­nary ill­ness. The fun­ny shits is a new one though. He’s the old­est and the biggest of the group we all run with. He used to play foot­ball in high school, defen­sive end. A cou­ple of col­leges recruit­ed him but he nev­er left town, not for one play. He was kind of the star in town back in the late 80’s, ear­ly 90’s. Dumb­er than a door­knob but all the folks in town still loved him. He got writ­ten up in the papers a few times. When Skip­ton Wells, the local sports reporter, asked why he should get offered a schol­ar­ship to play Divi­sion I ball, Half Pint offered up that he could “jump real high” and “mem­o­rized the play book four times.” How do you mem­o­rize some­thing four times? I don’t know either. Any­how, his name. We call him half pint because that’s all it takes him to get fall down drunk. Fun­ny how that works. It’s always the scrawny, wiry, big ‘olé-ball-cap-too-big for-their-head wear­ing ones that can drink 19 beers in a sit­ting and can still dri­ve home dur­ing a snow­storm in reverse. 
One thing though, Half Pint can bounce some skulls togeth­er. This guy could punch grits out of grand­ma. That’s why we still lug him around with us. There’s trou­ble every­where, nev­er know when it will pop up. That’s why H.P. comes along. One more thing on the scrawny guys, they can’t fight for shit. They talk about being quick and jab this and jab that but to tell you the truth, in a real fight, it takes one punch to win it. One punch to turn the tide of the fight and usu­al­ly it’s the big­ger guy. Enough about H.P., our friend is dying.
In the bed­room, Earl’s wife is naked again. The robe is on the floor and she is comb­ing her long blond hair in the mirror. 
“Do you know that Earl can’t give me an orgasm?”
“Uh, no. I don’t recall Earl men­tion­ing that to me actually.”
“He can’t even do it with his mouth. I mean most guys can at least do that.”
“Uh, huh.”
“You can, can’t you?”
“Can what?”
“Are you play­ing stu­pid on pur­pose or you real­ly this slow?”
“Look, uh. Earl could come inside at any minute.”
“Uh huh.” She con­tin­ues comb­ing her hair, watch­ing me in the mir­ror. For lack of any­thing bet­ter to do I lay down on the bed. Then I hear Earl’s voice. He’s call­ing for her. Hon­ey? Hon­ey? Hon­ey? “In here, Cup­cakes,” she shouts. Cupcakes?
Earl polite­ly stands out­side the bed­room door. 
“Hon­ey, have you see Tom?”
“He’s in here.”
“What’s he doing in there?”
I look at Hon­ey. She ignores me. 
“What are you doing?” I whis­per to her.
“Oh, relax.”
“The door is open, Cup­cakes.” Earl opens the door. 
“What’s going on?” Earl asks. I stand up off the bed. 
“Noth­ing.”
“Cup­cakes, Tom was ask­ing why you can’t bring me to climax.”
“What’s that mean?” Earl asks.
Hon­ey snaps her fin­gers to get my atten­tion, “See what I mean?”
I tell Earl about HP and all he has to say about it is, “He’s got the fun­ny what?” About that time the door­bell rings. I fig­ure this is our out. One more shows and we’re gone. But it’s a lit­tle girl with a box of cook­ies in her hand. Earl invites her in and eats the lit­tle girls’ entire box of sam­ples. “Sir, this is just to show you what they look like, they’re not real­ly for you to eat.” Earl tells her what­ev­er they are he wants more of them. “You place an order and I come back in a year with your cook­ies,” she explains. Earl fish­es for some bills out of his wal­let; the girl prefers checks but takes his cash. At the end of the side­walk is the lit­tle girl’s moth­er. As she walks back down toward the street, I hear the girl tell her moth­er, “That guy ate my whole sam­ple box. We got to go home and get anoth­er one.” 
“He ate the whole thing?” The moth­er shakes her head and looks up at me. I wave at her and smile. 
“So what are we going to do? We going or not?” Earl is get­ting impatient. 
I look at the clock; it’s a lit­tle past ten. 
“Where does the time go?” Earl asks. I tell Earl that time doesn’t actu­al­ly go any­where. It’s just the clock that makes it seem that way. “Yeah any­how, get on the phone and see where every­one is at, I got oth­er shit I could be doing.” His wife steps in, “Go do your shit Earl, when you all go, you go, until then get out of the house and do your shit.” 
“Fine then, I’ll be back in an hour or so,” and Earl leaves.
His truck real­ly roars. Earl hauls off down the street. Then we hear the screech­ing of brakes. “What in the world?” I start to run to a window. 
“It’s noth­ing. Earl and I have lived here nine years and he still for­gets there’s a stop sign at the end of the street.” His wife struts off to the bed­room where she removes her robe, which she had tem­porar­i­ly put on when Earl came to the room and then kept it on for decen­cy sake when the lit­tle girl with the cook­ies banged on the door. I stand out­side the open bed­room door.
“So how are things going, Tom?” 
“Fine.”
“Just fine?”
She’s putting lip­stick on. 
“Yeah, fine.”
“Your wife?”
“She’s fine too.”
“I hadn’t seen her in years, what’s her name again?”
“Con­nie.”
“That’s right, the lit­tle redhead?”
“That’s the one.”
“Tell me some­thing,” she says step­ping into a pair of black heels.
“Nice out­fit, is that all of it?” I ask.
“I knew you’d like it.”
“Tell me something,”
“What’s that?”
“Promise me you won’t tell any­one what happens.”
“What hap­pens, when?”
“I don’t want Earl to find out, it’d break his heart.”
“Find out about?”
“About us.”
Earl thought it was strange that my hair was wet when he came back an hour and a half lat­er. “Just jumped
in the show­er real quick, that’s all,” I explained to him. “Not have a show­er where you live?” Earl is quick. Not quick enough though. 
His wife is mak­ing lunch and Earl was sur­prised to find out I hadn’t made any phone calls. I was wor­ried about Earl’s tooth­brush. I had used it after my show­er. Peo­ple say they can smell sex, so I fig­ured a show­er would erase all pheromone indi­ca­tors that could still be float­ing around in the bed­room or any­where else for that mat­ter. His wife cau­tioned that I need­ed to brush my teeth, you smell, she told me. Like sex? I asked, look­ing for a tooth­brush in the draw­er. No, like me. I had nev­er done this before. Not in all the years I’ve been mar­ried, nev­er even close. I’ve known Earl as long as I’ve had the sedan.
We sit down to eat lunch. 
“Looks like it’s just you and me bud­dy,” Earl says, chew­ing on a huge bite.
“Yeah, I don’t know Earl. I don’t think I’m up to it.”
“Come on, we got to go see Poot.”
“I don’t know.” 
His wife stands up, grabs some pick­les out of the refrig­er­a­tor. She sets them on the table. Earl is study­ing me.
“We have to go see him. The guy may not be around much longer.”
I look at his wife. Then I look at Earl. 
“I don’t want to.”
Earl’s wife says, “Jesus Tom. Y’alls good friend is dying. You haven’t seen him in how long? And you don’t want to go?”
“No shit, the guy’s dying, Tom,” Earl adds.
“I don’t have it in me,” I tell the both of them.
“What does that mean?” Earl asks. We sit in silence and eat our lunch. Earl keeps giv­ing me this pissed off look. His wife is doing the same. 
“It won’t kill you to go see Poot,” his wife says bal­anc­ing a kosher dill between her fingers.
“I don’t want to talk about it anymore.”
Earl gets up, so does his wife. They drop their plates into the kitchen sink. “I’m going to go see him, you going or not?” When I don’t say any­thing, he darts out of the kitchen. His wife goes into the bed­room. I hear his truck start up. Then I hear the screech­ing of the brakes. Then I hear the phone ring. Then I hear her heels click­ing in the hall­way, com­ing clos­er and clos­er, when I turn around, I hear, “You’re a real ass­hole, you know that?”
Matt Bak­er lives in Arkansas. His work has appeared or is forth­com­ing in The Cimar­ron Review, San­ta Clara Review, FRiGG, and else­where. His work has not been trans­lat­ed into any languages. 

Posted in Fiction, matt baker, my friend is dying | Leave a comment

The Corporeal Chromium Anti-Dowsers Of Elliott Bay, by Dennis Mahagin

After eight straight sun­ny days, with bare clavicles 
pink-tint­ed as can­dy canes, Pike Street peo­ple keep 
think­ing pos­i­tive in wrap-around Vuarnet 
sun­glass­es, especially 
the Walling­ford gals with teardrop frames 
and pinafores, down at the Pub­lic Fish Market. 
Rhine­stone bar­na­cles cling to their lens rims, 
they call the hop sing sushi boys by Blues Bro names, curtsy, 
and drop their granny glass­es an inch below the nose bridge, 
rifling buck­skin, push­ing sound around: 
Hey, you’re awful cute Jake, 
but what does it take for a Seat­tle girl 
to get some Sock­eye?
Walling­ford babes chew Bub­b­li­cious, they’ve come to soak 
sun, and watch the fly­ing fish­es. Mean­while, Ray-Ban Ninjas 
nod and grin, toss­ing king salmon back and forth 
like Sumo med­i­cine balls. 
Out­side, on the pier, for the eighth straight day, 
two mimes pray like man­ta rays, with twin mon­o­cle mirrors 
for catch­ing the sun glint, slip­pery as sequins wrapped in upside-
down ok signs. Dad's what I'm talkin' about! cries a five-year old 
boy, perched on the shoul­ders of a pok­er-faced Akroyd clone.
Pike Street people 
have got to believe; they High-Five, holding
their iced lattes at arm's length, care­ful not to spill 
a sweet drop of this drought. Back up the Pike, 
pho­to­genic Fil­ipinos take butcher’s block chop­pers to a row 
of slimy Cohos, while the Walling­ford girls get ready to go:
Awwwww, Mary, just SO! … See it thru, 
see the world, Rose! Now… let’s wrap it up 
for sun­ny Sal­ly… Just one more time, Joe!
Den­nis Maha­gin is a writer from the state of Wash­ing­ton. His poems and sto­ries appear in mag­a­zines such as Exquis­ite Corpse, 3 A.M., 42opus, Thieves Jar­gon, Juked, Sto­ry­glos­sia, Absinthe Lit­er­ary Review, Pequin, Key­hole, FRiGG, Rum­ble Microfic­tion, Under­ground Voic­es, and Stir­ring: A Lit­er­ary Col­lec­tion. A first book of his poems, enti­tled Grand Mal, is forth­com­ing from Rebel Satori Press.

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Southern Appalachian English from the University of South Carolina


I don't want to take away from Gabriel's great sto­ry, but I had to post this, which is a nifty resource for hear­ing Appalachi­an speech (if you don't already live there or don't hear it regularly).

Wel­come to this web­site on the speech of one of America's most often mis­un­der­stood regions — south­ern and cen­tral Appalachia, which stretch­es from north Geor­gia to West Vir­ginia. It's been roman­ti­cized as the lan­guage of Shake­speare, and it's been car­i­ca­tured, ridiculed, and dis­missed as une­d­u­cat­ed, bad gram­mar, or worse. But too rarely has it been appre­ci­at­ed for what it is: the native speech of mil­lions of Amer­i­cans that has a dis­tinc­tive his­to­ry and that makes Appalachia what it is just as sure as the region's music does.

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Dig Well, by Gabriel Orgrease

For all the wells which his father's ser­vants had digged in the days of Abra­ham his father, the Philistines had stopped them, and filled them with earth. Gen­e­sis 26:15
Damn, I hate August… hot, humid, stink­ing dead days entombed in bore­dom. Dead sum­mer, an armpit-per­spir­ing stink. Worm fod­der dol­drums. August here is a burn­ing pisshole.
Dis­cussed with the fam­i­ly when Pop sug­gests —as he sug­gests many projects—that we dig out the old stone well in the back yard. Enthu­si­as­tic, I am for it this time, it fits me. For one, I like to dig holes, and then, it keeps me out of trou­ble to go along and do whatever.
Don’t go down to that place, I say inside, but I can’t help myself. My ear­li­est mem­o­ry of Pop we are at the kitchen table eat­ing and we are jok­ing and laugh­ing and he throws a wash­cloth at me. You can say it hap­pened then and not now, it is the past and over, and I should not talk like it is hap­pen­ing right now, but when­ev­er I remem­ber, it is just like it is hap­pen­ing all again, I’m afraid inside and want to escape. The cloth strikes me in the eyes and I laugh. I throw it back at him. It is a worn brown wash­cloth thin with holes and slight­ly damp with his hand sweat. It strikes him on the mouth. I throw it back at him, laugh­ing at our game, like he has thrown it at me with the force of a child. Not fun­ny. Pop swings with the back of his heavy arm and hits me in the head. I am knocked out of the chair onto the floor. I am not allowed to cry. A strong boy nev­er cries. I hold my lips, they want to break.
Des­per­ate for two wells. Pop argues. The house well beneath the garage is hard­ly good for one show­er per day. We can­not use the new Ken­more dish­wash­er with­out wait­ing an hour to flush the toi­let, before and after. I’m sick of wash­ing dish­es in the sink, my chore. No labor saved, we are thirsty half our lives. With bud­get we could have a well drilled hun­dreds of feet deep through gray mud and boul­ders to the aquifer above the clay line. (Mon­ey, who has mon­ey for sen­si­ble stuff? We live on onions, kid­ney beans and ground chuck. We col­lect food in the woods like it was a con­ve­nience store. He buys a Cadil­lac.) Drill a well for good water, more of what we already get, or… run into sul­fur water like our neigh­bors. Sul­fur. A stench all year of bad eggs, drill a well and then sulfur.
Depres­sion. August. At the home­stead well ring near the gar­den, fat Pop splays in his lawn chair. Near­by, I cut brown sod, repeat­ing an old begin­ning. The stones uncov­ered look like a fire ring, the oppo­site of the water ring that these stones are. I strug­gle, with my rat­ty sneak­ers slip­ping on the shoul­ders of a shov­el blade. I jump up and sink down, alter­nate­ly swat­ting black no-see-ums that want to sting my eye­balls. I do not know what Pop is think­ing, strain­ing the nylon strap­ping of the chair, did­dling around with a recent copy of Clutch wrapped in Pop­u­lar Science. 
He says, “Son, you have to lean into the shov­el when you break ground.” I lean my very hard­est, and break a skin­ny wind.
Down we dig, then dig more, and dig again. The sun recedes into a radi­ant halo above my head, a 40W light bulb slow­ly dimin­ished by a rheo­stat, or a can­dle sput­ter­ing as the wick sucks up the very final drop of wax. Dim­ness of lost light. Every­thing bur­rows down to dark­ness, while Pop explains stuff. Pop, his mind wan­der­ing into the fad­ing sun of a dead August wind, drones on camped there, describ­ing amaz­ing won­ders of the mod­ern uni­verse. Above me the last gasp of an aper­ture to the 4th dimen­sion. I bur­row. More days pass dig­ging. I am clum­sy with tools. I want to dig with my hands and sharp­ened sticks, claw the deep blan­ket of earth with my teeth. Just me and sol­id ground.
Days go sub­ter­ranean, bur­row­ing into the cool­ness of earth. Progress slow­ly down­ward day by day into a mayfly cocoon of stone. In dim­mer and dim­mer light I scratch mud and fibrous roots from with­in the cir­cle of glacial-deposit boul­ders. As if they were here, those pio­neers that plant­ed our apple, lilac and quince trees, I join them in this digging.
Drops down the lad­der, every morn­ing. I climb down. Pop pulls the lad­der back up. I dig with a rusty trow­el, a ham­mer, and a Chock Full O’Nuts cof­fee can. Earth beneath bare feet, cold feel­ing to squig­gly toes. Crouch­ing in this shirt­less hole, abysmal. Then mole far­ther down­ward. Fill the cof­fee can with loos­ened earth—with it, crouch over and fill a tin bale buck­et. Pop, when he is there at the top, pulls the clothes­line rope. A tin din is echoed off the sides of the stone tube as the buck­et weight ris­es. Some dirt escapes from the buck­et and fil­ters down through the dim light, land­ing on my head. A cen­tipede crawls on the back of my neck.
Dirt, I love dirt. Snuff of dirt. Suck­ing out the brown-caked crust under bloody fin­ger­nails between dry lips. Sift­ing it through the hair, scratch­ing my head. The funk smell of dirt clogged in my nos­trils. Any time, dig­ging well or no well, I suck and squirm and roll and bathe in dirt. When Pop is not there to pull up the buck­et I wait alone and am hap­py with the dirt and imag­ine. There are no pro­duc­tive dis­cov­er­ies in an imag­i­na­tion frozen with fear of life, but a con­stant return­ing to the same abort­ed hole.
Thirst of life. Dig­ging past every­thing, all the scenery down there. I look upwards to the sun­light, and Pop sits there in his regal pater­ni­ty talk­ing to the hole in the yard. On occa­sion he remem­bers to let down the wood­en lad­der. I ascend. Drink rasp­ber­ry bug juice. “Piss in the woods, Son. Save on the well.” Pop spreads his weight and basks in the lawn chair, sweat­ing in his shorts, and gives edu­ca­tion­al pro­nounce­ments to the hole in the yard. “I killed a man in Korea. I was lying at night in a hole I had dug, freez­ing in the cold, when this Chi­nese came out over me to kill and I stabbed him with the bay­o­net. We were just there on the land with noth­ing and we dug a hole.”
Des­ti­na­tion eter­ni­ty. I’m no longer sure what direc­tion to go in, like a beaver trapped in an amuse­ment park cage: eter­ni­ty. At Bible class they tell us about God the Father and Jesus the Son and the Holy Spir­it, a trin­i­ty. Quite a big project, this begin­ning and end of every­thing. I quick­ly learn not to say what I think. I do not want to blow it. I learn from Mrs. Mey­ers in Bible class that God may speak to you, but you don’t talk back. You nev­er throw in the tow­el with God. Are there times when nobody gets the com­plete mes­sage? Or am I alone? Even when you are sit­ting at the table for the chick­en din­ner in the church base­ment and peo­ple are easy with each oth­er and laugh­ing, you behave your­self and take a small glass of water when the pitch­er is passed. Reach­ing out, there is noth­ing but pain.
Dig­ging a hole. When­ev­er I sur­face, the smelly neigh­bor kids tease, “Esek is dig­ging a hole to Chi­na.” I don’t know where Chi­na is, but now I want to be there if that is where the hole goes. With all Pop’s oth­er projects on the prop­er­ty, I also hear about Ori­en­tals. Pop says, “In Chi­na they would put one hun­dred coolies on your job. It would be done in one day.” Pop says he knows tor­ments that I will nev­er know. Hid­ing in the well I am one alone. There are only so many days in August. In time I will escape, though the veloc­i­ty of pain is forever.
Down past the lay­er of worms. Rem­nants of a rusty hinge and a bro­ken med­i­cine bot­tle, things that I fin­ger and turn over and exam­ine before send­ing the frag­ments upward for fur­ther scruti­ny and clas­si­fi­ca­tion and the com­ment, “Keep dig­ging.” Down past my own height. The earth tow­ers over as I reach out from side to side, not quite able to stretch ful­ly, con­fined with­in the tube of boul­ders, some larg­er than my bel­ly, some
small­er. I will find this water. Down I dream, and down I dig in dream­ing to the core of the world or beyond, down­ward in search of mud­dy water. Like any oth­er immi­grant to here, I am mud-hog­ging the stone lin­ing of a dark womb. After a lengthy silence Pop shows up. “How does it look down there?”
Dark, divin­ing thoughts. The lad­der hard­ly reach­es this day’s work. There is no clue as to how deep this well will go or how deep it will have to be to give up life and find us water. The dig­ging con­tin­ues. Pop is dis­tract­ed: we are too close to suc­cess, and suc­cess is to be avoid­ed at all cost. He goes back to the house to watch an Abbott & Costel­lo movie on the new col­or tele­vi­sion. He does not stay with any one project for very long. If we do not arrive soon at the end of a task, he changes direc­tion. When I fol­low him we are always going in cir­cles, like the cir­cle of the stone in this dark­ness. We nev­er know when we will find water, or food, or money—but we keep on in this searching.
“Death and tax­es,” is what Pop says. Yet some of us keep dig­ging. Some of us go off in the woods look­ing for anoth­er hole to talk to. Some of us wan­der around look­ing for a hole that will delib­er­ate, that will respond when spo­ken to, that will give up answers. Some of us keep dig­ging despite the fact that all we find is a replen­ished source of dirt and murky water.
Divert­ed to anoth­er search, Pop comes back in the after­noon and tells me about this atom­ic sci­en­tist, Edward Teller, talk­ing on the tele­vi­sion. I do not know who Mr. Teller is. Pop says he blows things up for a liv­ing, like dyna­mite, but I know “atom­ic” means that. All the kids know about the bomb. I won­der, lis­ten­ing to Pop speak­ing from the top of my hole, how many days Mr. Teller would spend dig­ging his well whether Mr. Teller hates August as much as I do. Does Mr. Teller wash his dish­es by hand in the kitchen while look­ing out the win­dow above the sink and dream­ing of escape? Pop says we can turn the well into a bomb shel­ter if we do not find water. I go back to pick­ing, with a piece of bro­ken tree limb, at the pun­gent soil com­pact­ed in the spaces between boul­ders of sand­stone and gneiss, feel­ing with my fin­gers the cold­ness of laid stone. I won­der how old this well is.
Deliv­ered as fif­teen days for fif­teen years, on the after­noon it is about the sixth hour of dig­ging, as when Isaac's ser­vants came and told him, “We have found water.” It springs up sud­den­ly between my toes. At first I am not sure what is hap­pen­ing. I see brown water mixed with mud. Then I am excit­ed, an ever­last­ing spring. It appears slow­ly between two stones and then rapid­ly increas­es in flow to fight for clear­ness, to be free of mud. The heel of my foot is now wet. The well is deep, and with­out the lad­der I have no way to climb out. I yell for Pop. My ankles are mud­dy, and the water is cold. I call for Pop some more. There is no answer from above. My knees are shiv­er­ing. I’m scream­ing, for no answer. The water is cold, around my waist. Pray­ing, I think about float­ing to the top. I think about climb­ing the stones. I am thirsty and wet, all at once. There is noth­ing more to dig, as the water ascends. Now my shoul­ders are shiv­er­ing. Pop final­ly sets the lad­der down. 
Drenched, I climb up. My hair is wet, and my breath is labored. He shows me a puff­ball mush­room that he just found in the woods. Cut open, the inside looks like white brains. He says that when it is fried in bacon fat it tastes like ham­burg­er. I pay atten­tion and won­der what the les­son behind all this is going to be. He is an art­ful cook, learned it in the Army. I tell him about the water. “Oh, yeah, I for­got about that.”
Dis­en­gaged, Pop leans over toward the hole and says he is wor­ried. “It smells like shit. Too close to the sep­tic tank. I think we should fill it in. You did a good job, though. I’ll say that. You dig well. A real good job.” I stoop per­plexed next to the well hole, bask­ing in the depth of my accom­plish­ment and Pop’s pride. I want to slam a rock into his head. I’m no longer sure what direc­tion to go in, like a beaver trapped in an amuse­ment park cage. Trapped. Some­times I think it is just not good to fol­low too close to Pop. Silent­ly I want to slip away behind him into the woods and take a leak, then climb a pine tree to the top and watch the wind above the world, from one of those places where he can­not fol­low. Hold­ing to the top­most crown, the last limb, with pitch stuck to my hands. I will nev­er come down, until supper.
Pissed, I stick around and help Pop pull up the lad­der, and then I begin to fill the hole. The trow­el and cof­fee can, my dig­ging tools, are left down there, to await a future exca­va­tion. The wood tools float on the sur­face, ris­ing, fake bat­tle­ships, which I pre­tend to explode and drown by drop­ping shov­els of earth on them. The sound of a released dirt storm splash­es and echoes with­in as it is dropped from the spade. 
I do not dig a hole to Chi­na. There is no cli­max. I do not explode. I go inward. The dumb motion of work takes me.
Pop goes off some­where into the base­ment to play with the wah-wah ped­al on his elec­tric gui­tar. Odd­ly, shov­el­ing the dirt back into the well does not take me enough days to notice. I work morn­ings and evenings to avoid the heat. I take lit­tle notice that the midges have gone to sting oth­er eyes. 
On some days there are thun­der­storms, light­ning and rain strik­ing the earth around us, and the air chills, though only for short snaps. Pop decides to trade for a cheap horse, a black stal­lion that will let nobody but Pop ride him. We sta­ble it in the garage above the good well. 
In time I pre­tend it was not such a bad thing to fill in the old well. I went down behind the first dig­gers until I found water, and now I fol­low oth­ers in the act of refill­ing the well once again. In the Bible they stopped talk­ing about dig­ging wells and giv­ing them these real­ly weird names once every­one had their fill of drink. I’m still thirsty.
Today Pop talks about build­ing an exper­i­men­tal air­plane, but I am not so inter­est­ed in crash­ing. I’m learn­ing to shov­el horse manure and lime it. We still take care to not flush the toi­let and run the dish­wash­er at the same time.
Sep­tem­ber is a cool­er month.

Gabriel Orgrease dug out the well in Bese­mer, near to Brook­ton­dale, near to Slater­ville and Car­o­line, NY. If you check on a map that is up north for Appalachia that there­abouts is pro­nounced dif­fer­ent than in the south. It is like almost anoth­er place but it still has rocks, cricks and woods and hills. He likes to play with stones. He now lives on Long Island very close to the Atlantic. When it rains heavy or snow melts his base­ment floods with­out his hav­ing to do any work. Though he does not love flat land he has got a bit used to it.

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If Only it Had Rained Cats and Dogs, fiction by John Sharp

When hur­ri­cane Kat­ri­na fin­ished bury­ing New Orleans it swept up the cen­tral Unit­ed States, turn­ing into thun­der­storms that dumped rain and hail on the Mid­west, and ulti­mate­ly drop­ping an alli­ga­tor into the back­yard of Joe Pringle of Wingett Run, Ohio, which prompt­ly ate his Yorkie, Pud­dles, who was out for a pot­ty break. Joe saw the whole thing from the porch, where he was hav­ing a cig­a­rette since Lucy banned smok­ing from the house after her lung biop­sy came back negative.

Joe grabbed the base­ball bat he kept by the door and head­ed out to have a chat with the "mur­der­ing bas­tard." The alli­ga­tor was only four feet long but that was plen­ty big enough to make Joe slow down halfway there and recon­sid­er. Stand­ing in the pour­ing rain he decid­ed a gun would be bet­ter, and he went in the house to find his deer rifle.

"You're track­ing mud all over," Lucy said. "Get back in the kitchen and take off those shoes."

"Can't," Joe said, "an alli­ga­tor ate Pud­dles." Then he dis­ap­peared into the basement.

"What?" Lucy yelled down the stairs.

Joe came up a minute lat­er with his .280 Rem­ing­ton, shov­ing the mag­a­zine into place. "A god­damn alli­ga­tor ate Puddles."

Lucy's eyes popped wide and she fol­lowed Joe to the back yard, scream­ing. The alli­ga­tor was pret­ty much where Joe left it and he got close enough for a good shot.

"Are you sure?"

Joe nod­ded. "I saw."

Lucy fell to her knees and sobbed. Joe had got­ten Pud­dles for her when she thought she had can­cer, to give her some­thing besides her­self to look after. The first thing the pup­py did when he brought her home was pee on Lucy's foot. Joe laughed and took Pud­dles out­side for the first of a thou­sand such times. He'd let her loose in the yard while he sat on the porch enjoy­ing a smoke, let­ting his thoughts wan­der into ter­ri­to­ries bright and dark. For the few days they wait­ed for the test results they were most­ly dark, and with tears in his eyes he begged God to let Lucy live. He promised God he'd give any­thing. Anything.

"Where'd he come from?" Lucy cried.

"He fell from the sky."

"God sent us an alligator."

"God didn't send us no alligator."

"It's like one of the plagues of Moses," she said, "like the frogs."

Joe gri­maced. "He's not from God, he's from Louisiana. Storm must have scooped him up and car­ried him all the way here. I saw a show about cows and tor­na­does once."

The rain fell hard­er and it was dif­fi­cult for Joe to get a good bead on him. Joe moved clos­er and the gator swung around to face him. Joe retreated.

"What if he swal­lowed Pud­dles whole?" Lucy said. "What if Pud­dles is still alive in there?"

"I don't think so," Joe said.

"Did he chew him up?"

Joe couldn't remem­ber. "It hap­pened so fast," he said.

"You got to shoot him," Lucy said. "You got to shoot him and open him up. You got to do it right now before Pud­dles suffocates."

Joe tried to fig­ure out how he'd dis­pose of an alli­ga­tor. Maybe chop him up and put him in bags. Or bury him. Or take him to the lake and dump him. Just then the alli­ga­tor decid­ed to make a break for the neighbor's yard.

"Go get my hunt­ing knife," Joe said. He turned, aimed and put two rounds into the alligator's head. He dragged him behind the garage and Lucy brought him the knife. Joe sliced him open from end to end and reached inside. He found a big lump that must have been the stom­ach and made a slit in the side of it. Pud­dles tum­bled out. Joe picked him up and shook him—he only weighed four pounds. Pud­dles was life­less and wet, and smelled like he'd been dead a month. Joe tried again and squeezed the dog's chest but noth­ing hap­pened. He looked at Lucy and shook his head. Lucy cried as the rain drove hard­er than ever and washed the alligator's blood into the mud­dy lawn.

Joe looked to the sky. The rain beat on his eyes and he couldn't hold them open, but he didn't want to close them either, didn't want to get hit in the head with anoth­er alli­ga­tor or what­ev­er else the mon­ster storm decid­ed to drag along with it. Final­ly he cov­ered the alli­ga­tor and Pud­dles with a tarp weighed down with rocks, and took Lucy inside where they changed out of their wet clothes and climbed into bed.

Lucy could smell Joe's smoky breath and she want­ed a cig­a­rette. She want­ed to take long drags and hold them in until the nico­tine filled her blood­stream, until she felt like she used to before Pud­dles and before the can­cer scare.

She turned her head toward Joe. "All I know is Pud­dles didn't deserve to be eat­en by no alligator."

Joe held Lucy in his arms while tears filled his eyes. He had thanked God a hun­dred times since the good news, but that was before the bill came due. Tonight he sim­ply hoped that was all he owed.


F. John Sharp
lives just west of the foothills of Appalachia in Ah-hi‑a, as they some­times say. His poet­ry and prose have appeared in numer­ous online and print pub­li­ca­tions, includ­ing GUD, Salt Riv­er Review, Hobart, Pin­deldy­boz, Flashquake and Eclec­ti­ca and he hopes you'll go to at least one of those sites to check them out. He is a lit­tle behind on build­ing a web site, but asks you to check fjohn​sharp​.com every sin­gle day until he gets it fin­ished, even if it takes years. If it says no such web site exists, take a few min­utes to stare at the blank screen and con­tem­plate his alli­ga­tor sto­ry. (The pho­to was tak­en in 1959 when he was 2).

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