The Last Summer, by Kelly Ford

My friends would head to the pool that day. They’d show off their new boobs in their new biki­nis. Point out which boys they want­ed to date. Make plans with­out me for our upcom­ing sopho­more year.

Angela paused and spun her car keys around and around a fin­ger. She didn’t much like hang­ing out­side the porch in all that heat, but on account of the sit­u­a­tion, she was kind enough to pre­tend oth­er­wise. “You’ll be fine.” 

Do you have to go?” I asked. Dad had nev­er both­ered to babysit me, so I didn’t under­stand why every­body was so intent on me return­ing a favor I’d nev­er received. When was the last time we’d even been alone togeth­er? Nev­er. That’s when. “What if he chokes on some­thing?” We were in the mid­dle of nowhere, Arkansas. Accord­ing to my eighth grade gym teacher, CPR Annie would die on my watch. 

“Hon­ey.” She knelt in front of me like I was a child in need of con­so­la­tion. “Your dad can’t get much food down any­way. It’s only for a few hours. I’ll be home after the lunch rush.” A crease appeared between her eyes. “I need this job,” she said. “I’m lucky they keep me on at all.” She pulled a pen and crum­pled din­er nap­kin from her purse. “My work number’s on the fridge. But if any­thing hap­pens, you call the Creekkillers, you hear? They live next door.” 

Next door? There were no doors. Just trees and dirt and noth­ing much for miles and miles. I looked down at the name on the nap­kin she gave me. I’d rather take my chances with emer­gency resuscitation.

Angela held me by the shoul­ders with out­stretched arms. Last time I’d seen her, she’d worn make­up and had blonde high­lights. She could’ve been mis­tak­en for my old­er sis­ter. Now, she looked like what she was, a step-mom. 

I’m glad you changed your mind,” she whis­pered and pulled me in for a hug. 

When Mom dropped me off the night before, I’d asked her if I had to stay the whole sum­mer. Your father’s a sono­fabitch, she’d said, but he’s dying. 

So yeah, the whole summer.

When Angela drove away, dust kicked up from her tires and set­tled on the fuzzy cedars that lined the dirt road.

Through the screen door, I could see into the liv­ing room. The plas­tic win­dow blinds were closed and the lamps were off. Dad wore thin cot­ton paja­mas. A pile of blan­kets twist­ed at his feet. Light from the TV flick­ered on his face. 

I returned to my spot in the liv­ing room where I was charged with watch­ing my Dad. Watch him do what, I didn’t know. Nobody said. Just that I should be there. I should be there. The phrase had been repeat­ed so often, it felt like a din­ner prayer. Dad slept on the couch, his breath a steady stream of phlegm-caked air that set off my gag reflex. Once Good Morn­ing Amer­i­ca end­ed, he asked me to pop a war movie into the VCR. Which one? Didn’t mat­ter. I flipped through the video box­es and found one with a man on his knees. Heavy green veg­e­ta­tion sur­round­ed him. Pla­toon. I’d seen pho­tos of Dad in fatigues, before he’d shipped off. Mom told me how he’d held on to her while she washed the dish­es and whis­tled Motown tunes in her ear. How he’d bring home choco­late coins and pas­ture-picked dandelions. 

“Weren’t you in Viet­nam?” I asked. He mum­bled some­thing and rolled over on to his side, away from me. 

I watched him there on the couch, drift­ing off from painkillers, think­ing Mom must’ve got­ten him con­fused with some old boyfriend. 

Angela came home from the din­er and made us a lunch of tuna sand­wich­es and pota­to chips. Dad got a can of Ensure. After lunch, Angela cleaned up and encour­aged me to go out­side in that after-school-spe­cial way: Get out! Get some sun! You’re fif­teen! (Like fif­teen was some mag­i­cal age that I would look back on some day when my knees failed and my elbows turned ashy like Grandma’s.) The Creekkillers had a daugh­ter. Nice girl, Angela said. Just beyond them trees out past the dri­ve. A bit younger than me. But maybe we would find some­thing in com­mon. (Doubt­ful.) And there was an old­er broth­er, a senior next year, always shoot­ing off guns and scar­ing the birds, but nice. I inter­pret­ed her descrip­tion to mean: He ain’t much to look at. 

Sure, I’d head over for a vis­it. Instead, while Angela tend­ed to Dad’s dai­ly pill rou­tine, I slipped back to my room to read the Sweet Val­ley High books my friends had loaned me – not that I want­ed to read them. 

Around din­ner­time, Angela set the table for two and pre­tend­ed like we were nor­mal. How was your day? Fine. Yours? Good. After the two of us ate, she pulled out a TV tray and sat next to him. She cut his meat­loaf small, whipped the pota­toes thin and poured salty brown gravy over them to con­vince him to eat. She leaned down to kiss him, and the food went cold. 

 

***

 

After a cou­ple of weeks, I’d fin­ished all the books I’d brought from home. With no let­ters to read from the friends who swore they’d write every day, I decid­ed to go in search of more mate­r­i­al. From my expe­ri­ence, all grownups had books they kept out of sight. They tried to fool you with the Ency­clo­pe­dia Britannica’s and the Wood­land Flow­ers of the South­ern Unit­ed States doorstops they kept on cof­fee tables. With Dad knocked out on the couch, high on meds and war movies, I made my way through the house to their bed­room. Most of the books on the shelf in their room were these worn Har­le­quin paper­backs with “GET SOME AT THE BOOK NOOK!” stamped on the side. I flipped and skimmed the pages until I got to words like “heav­ing” and “rod,” gid­dy-scared with the idea of get­ting caught even though I’d have heard Dad com­ing a mile away with that clomp­ing thud of his when he head­ed to the bath­room. I pulled out a cou­ple of Har­le­quins, a cap­tive-woman-falls-in-love-with-her-cap­tor Wild West sto­ry and a Stephen King book Mom for­bade me to read, think­ing it might seduce me into dark arts. Arms loaded, hap­py with my haul, I stepped around the bed and made my way toward the door. 

On my way out, I noticed a fad­ed pic­ture of Dad lodged in the cor­ner of the dress­er mir­ror. He sat in his red pick­up truck with the door open, a straw cow­boy hat on his head, his bat­tal­ion pin front and cen­ter. Dark hair. Thick mus­tache to match. Tat­tooed mus­cles jut­ting out of an Army green t‑shirt. Sun­glass­es mir­rored back the pho­tog­ra­ph­er and a cig­a­rette hung from his mouth. The date stamp on the back read: July 1978. I had just turned five. The year he left Mom. The year she stopped ask­ing his friends to car­ry him into the house because he was too drunk to make it on his own. When she stopped spack­ling all the holes in the wall. The year she quit nurs­ing school and went back to work at the fur­ni­ture plant because he’d emp­tied the sav­ings account on a week­end ben­der with some Army bud­dies up in Tahle­quah. Good rid­dance, she’d said. Good riddance.

At least for her. 

Five Fourth of Julys after that, Dad had arrived our house for his annu­al vis­it. He tossed my worn bag of shorts and t‑shirts into the back of that red pick­up truck, and we drove two hours to Grand­ma and Grandpa’s house, most­ly in silence. Once we arrived, I shot out the pas­sen­ger side to catch up with all my cousins before they start­ed hav­ing fun with­out me. I only saw Dad again when it was time to eat. Over cat­fish, fried pota­toes and hush pup­pies scent­ed with jalapenos, we’d catch each other’s eyes and flinch, like nei­ther of us expect­ed to see the oth­er one sit­ting there across the room. 

Grand­ma died and the dri­ves and vis­its stopped. He didn’t call. He’d send a birth­day card. They were always too young for me, with col­ored bal­loons and pup­py dogs with big, sad eyes. I’d grab the $20 from the spine of the card, shove the bill in my pock­et and toss the card in the trash like the oth­ers that came before. 

Just like those dri­ves to Grand­ma and Grandpa’s house, I dread­ed our time alone, with him on the couch and me so qui­et. I couldn’t make a sound with­out him rustling and grum­bling. I felt like I’d been dumped in a new school in the mid­dle of the semes­ter. Not sure where to go, what to say, what to do. He nev­er need­ed me and nev­er did ask ques­tions or even talk. Not when I was sit­ting right next to him in the truck. Not when I was sit­ting right next to him on the love seat watch­ing him die.

After lunch, lack­ing any­where else to go and an aching feel­ing to get out of that house, I head­ed out­side and through the vacant acre of land that stood between the girl-I-might-like’s house and my Dad’s. A thick­et of tow­er­ing pines shad­ed the lot from the sun. The small­er trees reached out at odd angles to grab what­ev­er light they could find stream­ing through. The air was sticky and the mos­qui­toes thick. The sweet, lemo­ny scent of cedar trick­led in and out of my nose. I could almost smell the heat of the soil, fil­tered through blan­kets of dead leaves that had fall­en for years and escaped the rake. Noth­ing but dirt under­neath them when I crunched across the lot in my flip-flops. Out here under the trees, every­thing was qui­et save for the sound of squir­rels or some oth­er crit­ter drop­ping twigs and acorns on the ground. Inside the trail­er, the sound of Dad’s wheez­ing lungs echoed off the walls. The noise grew loud­er each day. Out here in Noth­ing Much To Do, Arkansas, I final­ly felt like I could catch my breath, sus­pend my thoughts. 

Up ahead, light trick­led through the over­growth. I pushed the branch­es away and crawled between two strings of barbed wire, care­ful not to snag my shirt. When I looked up, a boy had a shot­gun trained on my head. 

Who are you?” he asked. 

My brain couldn’t think of any­thing to say, so I held my hands up like I’d seen on TV. The boy was dark-skinned, like the men on the Wild West paper­back I’d tak­en. Only, he wore a shirt and didn’t have a big-boob com­pan­ion hang­ing limp and lusty off his arm. Small patch­es of acne sprin­kled each cheek, but I didn’t mind. Some Asian and Mex­i­can boys were in my class, but no hon­est to God Indi­ans. Star­ing at him, I couldn’t help but look down at myself and won­der what he might see: All skin­ny legs and big hair made even big­ger by the humid­i­ty. At least I had clear skin. But, this boy wasn’t any­one I would have talked to at school. Those boys were out with my friends. The ones who promised to pick up the phone when I called.

I live across the woods,” I said and point­ed behind me. 

He low­ered his gun. “Sor­ry about your dad.”

Seemed strange to me that any­one would know about my Dad – not that my Dad would know about them. 

The boy’s name was Cody. He had come over every now and then before Dad got sick. His mom sent over casseroles and con­do­lences. His sis­ter wasn’t at home, she wouldn’t be for a while and I asked too many ques­tions. That last part he punc­tu­at­ed with the sound of him load­ing anoth­er round. 

You used to come over?” I asked. 

Haven’t had time.” He low­ered his head, ashamed of the lie.

Dad was in Viet­nam,” I said, blurt­ing out the first thing that came to mind about the last thing I’d been thinking.

I know,” he said. He dropped the gun at his side. “He told me.”

What’d you talk about?” 

He looked at me like I was an idiot. “Vee-et-nam.”

No, I mean, what exact­ly did you talk about?”

He aimed at a line of gener­ic brand soda cans he had lined up along a bunch of tree stumps down the pas­ture. “Guns. Fight­ing. Girls.”

Cans like that used to line the fence posts in Grandma’s back yard. Dad ran tar­get prac­tice with my boy cousins while us girls helped with sup­per. The oth­er girls took to mak­ing home­made rolls and col­lard greens like some genet­ic mem­o­ry had been trig­gered at the appear­ance of met­al mix­ing bowls and but­ter. Me, I stared at them boys, but most­ly Dad. Spite­ful, I scaled the cat­fish with my spoon and spit at the ground. 

I’m just sur­prised he told you about the war.”

Cody blew a hard line of air out of his nose and arched an eye­brow. The rapid fir­ing of his gun scared a flock of birds fly­ing by. I dis­ap­peared back into the shad­ow of the woods. 

After din­ner, I watched the blan­kets rise and fall as Dad drift­ed in and out of sleep. I’d nev­er thought about it before that sum­mer. Where Dad had gone, what it’d been like for him. What it meant to him. From the com­fort of the liv­ing room, every­thing on TV seemed like fic­tion. In that pho­to tucked into the mir­ror frame, Dad’s face mir­rored the men in the movies we watched. Not the hand­some lead actor, but the guy gone wrong. The one with the scar across his cheek and an itchy right hook wait­ing for a fleshy face to sink it into. But on the couch, with the light from the TV height­en­ing the shad­ows under his sharp cheeks and sunken eyes, his hands were up, ready to die. 

 

***

 

Every day after lunch, I’d tip­toe through the woods towards Cody’s house to watch him shoot. Usu­al­ly, I was able to pre­vent detec­tion. Usu­al­ly. One day, I’d got­ten a mighty case of chig­ger bites on my ankles from wear­ing flip-flops. Dur­ing one par­tic­u­lar­ly exhaust­ing itch­ing fit, I lost my bal­ance and near­ly fell into the barbed wire. 

You’re the worst spy ever,” Cody called out. 

I con­sid­ered whether or not I should sneak back through the woods to my house, but then I’d be alone with Dad. “I wasn’t spying.”

You’re there every day.”

There was no point in dis­put­ing the mat­ter, so I came out of hid­ing. “Where’d you learn to shoot guns?” The blue rings of his t‑shirt pulled at the mus­cles on his arms. I’d nev­er seen a boy’s arms this close, or paid much atten­tion to the ridges that sep­a­rat­ed one smooth curve from the oth­er. He kept load­ing and made no indi­ca­tion that he was inter­est­ed in con­ver­sa­tion. I was used to that in school. The boys there wouldn’t talk to me either. (Not that I tried.) But I didn’t want to go home, so it was either talk or leave. 

Are you Indian?” 

Indi­ans are from India. Don’t you know any­thing?” He turned his back to me. 

Well, what am I sup­posed to call you? That’s what they’re called in the books.” I knew bet­ter, but that didn’t stop me.

Only in stu­pid romance nov­els.” He kept on with his guns, bare­ly stop­ping to look up or reveal any emo­tion on his face. 

Is your sis­ter home?”

No.”

Maybe we could hang out.”

Same expres­sion, no change. “No, go home.”

You don’t have to be mean about it.” Noth­ing. He con­tin­ued mess­ing with his gun. Some­thing about him made me want to poke and prod and see how far I could go. “Come on. Aren’t you sup­posed to kid­nap me? Scalp me? That’s what Indi­ans do, right?” 

He rushed towards me, fast. Up close, I could see the hair in his nos­trils push out with each breath. He clenched his jaw. The faint trace of his body odor leaked through his deodor­ant and clutched my gut. Warmth rever­ber­at­ed down my body. 

Are you in Spe­cial Ed?” His eyes burned. He didn’t smile. But he no longer looked like he want­ed to scalp me. “Alright,” he said. “What’s in it for me if I kid­nap you?” He looked me up and down. I felt an elec­tric charge race through my limbs. My mind fixed on all those dirty words in the Har­le­quins. “You don’t look like you could pull in a ransom.”

I can cook. I’ll clean.” Some odd feel­ing rushed through me that lacked any descrip­tion oth­er than a com­plete and utter loss of wits. “Any­thing you want.”

He snort­ed. “You don’t look old enough to be a wife. You don’t even look old enough to have your period.”

That hurt. I pre­tend­ed I didn’t notice and kicked the dirt with my toes.

I tell you what, I’ll give you an authen­tic Native Amer­i­can name. You are here­by known as…” He took his shot­gun and placed it on one of my shoul­ders and then the oth­er. (I was pret­ty sure that Indi­ans didn’t knight their war­riors, but I decid­ed not to edu­cate him just then.) “Flirts With Boys.”

With­out any warn­ing, he turned me around and popped me on the butt with his gun. “Now, get on home, Flirts.”

I didn’t want to leave. But I’d recov­ered enough to know that I’d worn out my wel­come for one day. 

I’ll see you tomor­row,” I said. It wasn’t a question.


***

 

Every day, it seemed like Angela took a slow­er route home, no more want­i­ng to babysit my dad than I did. When she did arrive, her smile seemed more strained. She wasn’t mean or any­thing. I don’t know. Sad? One time, Dad yelled out for some water. He couldn’t see her stand­ing in the kitchen from the liv­ing room. She stared out the win­dow while he called and called. Final­ly, she pulled a glass out of the cup­board and dragged a smile on her face before hand­ing it to him.

Dad slept less and less. His cough came on and kept him awake more than any com­mo­tion from me. Instead of avert­ing his eyes when I caught him star­ing at me, he kept look­ing. I couldn’t tell if he was mad at me or want­ed me to get some­thing for him. I just sat there wait­ing for words that nev­er came out of his mouth.

After about a week, I final­ly met Cody’s sis­ter. His mom was always gone because she worked. His dad, nowhere to be found but on the walls. His sis­ter want­ed to braid my hair and put on make­up. That was some­thing I always did with my friends, but I was old­er now. I could either braid my hair or wrap my legs around Cody’s and go for a ride on his four-wheel­er down the dirt roads and through the woods. 

Out on the bluff one day, like always, Cody turned off the engine. My innards hummed from the buzzing motor. We rubbed the dirt and bugs out of our eyes. Some­times, we’d talk about our friends or what our schools were like and what we hat­ed the most about our class­es. Most­ly, we sat there with­out talk­ing. I didn’t mind. Every now and then, we acci­den­tal­ly touched each other’s fin­gers when we read­just­ed from sit­ting on the hard ground for so long. I thought about what it might be like if it weren’t an accident.

We watched the hors­es beat their hooves across a field below us until the sky turned to rust. Sun­set always came too soon, much like the end of sum­mer. In two short weeks, I would pack up and return home to Fort Smith. I didn’t want to head back yet, not before I got to hold Cody’s hand or kiss his lips or ensure that he wouldn’t go back to his school and fall in love with some­one who wasn’t me. 

He took his knife out of the leather case on his belt and plunged it into the ground. “How’s your dad?” he asked.

I shrugged. “He has can­cer.” Every time I brought up my friends or my life, he asked about Dad. If he cared so much, he should have gone over to visit. 

The gouges in the ground grew deep­er as he talked. “If that were my dad…” He shook his head. 

“You said your dad was a drunk.” And had a mean tem­per. Based on some of the scars I’d seen on Cody that resem­bled cig­a­rette marks, I couldn’t fig­ure why he’d want to talk to him. 

Cody stabbed the ground one more time. “He’s still my dad. We’re blood.” 

Yeah, but you bare­ly know him.”

Cody sighed. “It’s dif­fer­ent for men,” he said.

Like you know any­thing about being a man,” I said. “Have you even been with a girl?” As soon as I said it, I knew I shouldn’t have because he jumped up. He was liable to leave me out there in the dark. I stood up in case I need­ed to run and jump on the four-wheel­er before he took off with­out me. 

Instead of leav­ing, he hooked his thumbs in the front belt loops of my jean shorts and pulled me in. “You want to know?”

I did. And I didn’t.

I have,” he said. He looked me over, and I held my breath. 

What on earth did I know about kiss­ing or mak­ing out or any­thing else? Noth­ing. I knew noth­ing at all, and I didn’t want him to find out. I braced myself for what I thought might come next and prayed that I wouldn’t screw it up by mov­ing my tongue the wrong way or bust­ing my teeth up against his or being alto­geth­er lousy at the thing.

You’re too young to have sex,” he said and nudged him­self away. 

My heart dropped into my shoes. I hat­ed to cry. I hat­ed how I cried when any­thing bad or sad hap­pened. Or if I got angry. 

Cody looked at me a bit soft­er then, which only made me more mad.

I don’t want to have sex with you!” I shoved him in the arm. I hoped what­ev­er girl­friend he found next year gave him V.D.

He low­ered his head and kicked the dirt with his already mud­dy sneak­ers. I tried not to snif­fle and give myself away. But the snot near dripped out of my nose, so I swiped at it with my hand like my nose itched, hop­ing he wouldn’t notice. 

He spit at the ground, and then hopped onto the four-wheel­er. “You act like you’re from New York,” he said. “I’ve been to Fort Smith. A pub­lic pool and a dri­ve-through liquor store don’t make it a city.”

We rode home, qui­et but for the engine beneath us.

***

 

Gun­shots rang out over lunch, like they had in the week since I’d last seen Cody out on the bluff. Instead of rac­ing over to meet him, I went back to eat­ing lunch with Angela and read­ing and try­ing to ignore the clock and Cody’s ran­dom, rapid suc­ces­sion of shots. All sum­mer long, Dad hadn’t com­plained. But with his cough keep­ing him awake, Cody quick­ly became a men­ace to my dad. 

Dad threw the remote on the side table next to him. The sound of hard plas­tic hit­ting the wood only added to the noise. “What in the hell is that boy doing out there?”

If Dad hadn’t had can­cer, he would have been right out there with Cody. He wouldn’t care if he dis­turbed any­one. I bet his lit­tle skin­ny arms couldn’t even lift a gun at this point. Besides that, here I was, one week away from going back home and I had not kissed a boy, lost my vir­gin­i­ty or got­ten to know my dad at all. Wasn’t that the whole point? He’s dying, every­one said. Bet­ter get to know him! Bet­ter take advan­tage of the oppor­tu­ni­ty while you have it! Fat good that did. With Cody and with Dad, all I ever did was make the effort. Dad espe­cial­ly should have tak­en the time to talk to me. He was the one dying.

I glared at him. “Cody’s gonna teach me how to shoot.” 

Dad raised a fin­ger, point­ed it at me. “I don’t want you shoot­ing guns.” He retch-coughed into the sleeve of his paja­ma top. 

Of course. Of course, he had to pull out a death-cough to make his point. “Why?”

Our eyes locked. A cloud went across his brow. If I’d been sit­ting clos­er, he might have reached out to smack me. “Jack­ie.”

“You used to shoot guns with the boys – all my cousins. Stephen and Ricky and Tom. I remember.”

That’s dif­fer­ent.”

Because they’re boys?”

Because they’re older.”

Two years. Two years old­er, was all. “Old enough to hear sto­ries about the war? I heard you tell them. And Cody? He told me you told him sto­ries, too. Guess if I want to know any­thing about you, I bet­ter go ask one of them.”

Phlegm caught in Dad’s throat and rat­tled. The clock in the hall­way stopped, the TV stopped, the gun­shots stopped – every­thing seemed to get real qui­et, except for that awful sound of him retch­ing. He clutched his chest and tried to sit up but the effort only forced more coughs to rack his body. I jumped on the sofa bed, tip­ping him on his side. He thrust a hand out to catch him­self but his face crashed into the pil­low. I right­ed him best I could and held his body while he heaved and gasped. He felt small in my arms, so small. When his body shook, it shook me, too. I remem­bered a time he held me like that. I couldn’t recall when or where we were. But I remembered. 

When he relaxed, I grabbed the water from the side table and put it to his mouth, care­ful not to bang the glass against his teeth. 

You’re spilling it,” he rasped. 

His fin­gers clutched the glass out of my hands, but shook under the weight. Water streamed down his paja­ma top. I ran to his bed­room and grabbed a tow­el. I opened draw­er after draw­er of Angela’s things, until I found his lone draw­er at the bot­tom. I grabbed an Army green t‑shirt much like the one in the pho­to nudged into the dress­er mir­ror and ran back to the liv­ing room. Final­ly, I’d done more than just warm a spot on the couch. 

He swat­ted my hands when I tried to take the wet shirt off of him and replace it with the dry one. 

I can do it!” His eyes burned like they always had. All those feel­ings inside me froze. All this time, I had want­ed some­thing from him. Some indi­ca­tion that he even cared that I was there. But he didn’t. He didn’t care about any­one but him­self. Nev­er did and dying wouldn’t change that, so he could go on and do it him­self for all I cared. 

Fine!” I yelled and ran out of the house. 

Those damn gun­shots pierced the air. I put my hands up over my ears and screamed. 

Over and over and over the gun fired. What I want­ed was to run all the way across to where Cody shot, only maybe be the tar­get, run right through his aim. Maybe if I did, Dad would notice. Instead, I decid­ed to take that gun and shoot, and keep shoot­ing, keep Dad awake. Let him know it’s me mak­ing all that noise. 

I was out of breath by the time I ran across the vacant lot to where Cody stood. 

Hey,” he said, surprised.

I reached for the gun. 

What are you doing?”

I want to shoot,” I told him, my eyes still on the gun. “I want you to teach me to shoot.” 

He nudged the gun and him­self away from my hands. “I thought you were mad at me.”

I changed my mind.” I clasped my hands around the bar­rel. “Come on.”

He con­sid­ered and then eased the han­dle against my shoul­der. His arm shad­owed mine, curve for curve. His mouth was near my ear, telling me to use the scope, to aim. I held the gun for a long time, long enough that my arms shook from the weight of it. Soda cans loomed in the dis­tance, all lined up in a row. Straw­ber­ry, Grape, Orange Crush. I aimed, pulled the trig­ger and felt the gun kick back so hard I thought my col­lar­bone might crack. Clouds of dirt fun­neled into the air. Cody told me it was fine, I did good, try again. His breath pushed into my ear, hot and pleas­ant. I aimed, cocked, pulled, shot, fell back. Over and over. Just like he did every day. I aimed again, but this time, all I saw through the scope was sky. Just the big, blue, stu­pid sky with clouds that held the promise of rain to shoo away the heat and the hard­ness of all those hot sum­mer days. But the clouds would only hold the rain and nev­er let it fall. Not that day. I shot the sky. I shot the clouds.

Before I real­ized what hap­pened, the gun was out of my hands. I looked around me. Cody ran with the gun toward the far end of the pas­ture, past the cans still lined up in a row. When I got clos­er to where he kneeled, I saw what he saw: A bird flapped its shat­tered wing in the dust. Blood cov­ered the feath­ers and the bird’s head twitched frantically. 

What’s wrong with you?” Cody yelled up at me. 

An acci­dent, I want­ed to say. I want­ed to apol­o­gize. I want­ed to reach down and hold that lit­tle bird in my arms but a hot cord of rage lit its way up my body and through my mouth. “Maybe it had can­cer. Maybe I put it out of its misery.”

Cody looked from the bird and back to me. “Yeah?” His eyes grew red. “Maybe you’re just an asshole.”

The pres­sure of my blood beat­ing furi­ous in my veins swelled my head and my whole body shook. This was prob­a­bly some Native Amer­i­can thing. Like the bird was a spir­it ani­mal. A sym­bol of life on Earth. But life on earth sucked, and every­one died. Birds died. What did it mat­ter? “Stop being such a girl.” I pushed him hard. His knees buck­led and he dropped to the ground. “You’re the one who owns guns.”

Tears crest­ed and rolled down Cody’s brown cheeks. His shoul­ders drooped. “I shoot cans. Not birds!”

I guess part of me want­ed to see him cry. But when I did, I want­ed to take it back, make those tears go in reverse, right back into his sock­ets. I want­ed both of us to return to the top of the field so that I nev­er held the gun, nev­er shot the sky, nev­er shot the cans. But that’s not what happened. 

 

***

 

Dad col­lapsed into a heap on the ground. He called out, but no one could hear him with the chop­per hov­er­ing over­head. Dad plead­ed with his stick arms. Move it! he hollered at them. Instead, the tat­tooed skin melt­ed around his wast­ed mus­cles. The chop­per sounds grew faint. He looked up. The chop­per was leav­ing with­out him! There was no time! He dragged him­self by his fin­ger­nails to a piece of paper that had fall­en from the chop­per and drift­ed to the ground. He used the blood that spilled from a gash on his bust­ed head to scrawl: I’m sor­ry. I love you… Then, he died writ­ing my name. 

The crunch of Angela’s shoes on the dry grass end­ed my daydream. 

Her shad­ow fell at my feet, where I sat under a tree. My chest thumped when her breath sucked in like she was about to yell. My shoul­ders hunched up around my ears, and I braced myself. 

“You wan­na talk?” she asked. 

“No.” Yes. I had want­ed some­one to tell every­thing to, but no one want­ed to talk. Not Dad, not Cody, not my stu­pid friends who nev­er wrote me back or picked up the phone. I hat­ed them all, so no. I didn’t want to talk to anyone.

“Alright, then,” she said. “Come in when you’re ready.”

Hours passed before I was, and that was only because hunger clutched my stom­ach. By dusk, I was soaked in sweat. 

I walked around the lip of the trail­er. Dad sat on the porch steps in his paja­ma pants and the green t‑shirt I’d giv­en him to wear after he’d spilled water all over him­self. He turned and watched me walk up the yard. He gripped the bot­tom part of the rail­ing with his arm. The step creaked when I sat down beside him. 

Only the whip­poor­wills in some dis­tant tree decid­ed to talk. Fire­flies flick­ered in the dis­tance. He point­ed to them. 

“You used to chase ‘em. Pull off the tails.” He reached over and tapped my fin­ger with his. “Make glow rings.”

I couldn’t remem­ber. Why couldn’t I remem­ber? It wasn’t fair that I had to be there to watch him die and there was noth­ing, noth­ing I could do. A stuffed-up feel­ing filled my chest. 

“All I’m doing is sit­ting here.” I swal­lowed and swal­lowed, try­ing to keep all the feel­ings down. “I’m not help­ing at all.”

He reached out and pat­ted me on the leg. “I…” He coughed and turned so I couldn’t see his face. “I like look­ing over,” he said, “and see­ing you sit­ting there.”

My throat felt full of rags and my eyes went blurry. 

 

***

 

In late Sep­tem­ber that same year, Dad died at home. Angela said he fell asleep and nev­er woke up. After the funer­al, Angela gave me the flag from Dad’s cof­fin, all fold­ed up nice from the Hon­or Guard.

At lunch, I lis­tened to the same old sto­ries my friends told every day. I won­dered if they were just try­ing hard not to for­get, afraid that if they skipped one day’s telling, those sum­mer mem­o­ries would slip away. None of them had kissed a boy or done any­thing else. Every time we dropped our lunch trays on the con­vey­or belt that led to the dish­wash­er and walked past the senior boys, they chant­ed “Cher­ry, Cher­ry” over and over until we walked out and couldn’t hear them any­more. I sat through anoth­er his­to­ry class that start­ed with the Amer­i­can Rev­o­lu­tion and end­ed with the Civ­il War, like every oth­er his­to­ry class every oth­er year. If any­one expect­ed us to know any­thing that hap­pened after that, we were – as Cody had said once out on the bluff – screwed. 

After the inci­dent with the shot­gun, I didn’t go to his house at all in the last week I spent with my dad. He nev­er both­ered to come to mine. No shots rang out dur­ing the day, either. If I ever saw him again, I would nev­er admit that I missed the sound. Or him. As for Angela, she had promised to call when she head­ed over to the Book Nook. But I fig­ured that maybe read­ing wasn’t on her mind.

The bell rang and my class­mates rushed out the door. Instead of fol­low­ing them, I stayed. My teacher stared down at his shoes, lost in thought.

Mr. Mer­rill,” I asked. A dazed look crossed his face before he set­tled on mine in antic­i­pa­tion of some request that he prob­a­bly expect­ed would give him a headache. “In what grade do they talk about the Viet­nam War?”

He sat down on the edge of his desk and stroked an invis­i­ble beard. His eyes lift­ed and his brow wrin­kled in thought. Maybe no stu­dent between the start and end of the school day had ever asked him any­thing oth­er than if they could have the hall pass or if they could get an extra day for their home­work. He shook his head and frowned. “Is there some­thing in par­tic­u­lar you want to know about?”

I didn’t know where Dad had been in Viet­nam. I didn’t know the dates. I only knew that he’d been there. And once, he’d been the type of man to dance and sing Motown and give choco­late coins to my mom.

“Just start from the begin­ning,” I said. 

Kelly Ford

Kel­ly Ford hails from an Old West out­post in Arkansas, spends the major­i­ty of her free time with peo­ple who only exist in her nov­el and plans to eat her way across the world. She also com­plet­ed Grub Street writ­ing center’s Nov­el Incu­ba­tor pro­gram in Boston and received a Lit­er­a­ture Fel­low­ship Grant from the Somerville Arts Coun­cil. She's a con­trib­u­tor at Dead Dar­lings, and her fic­tion is forth­com­ing in Knee-Jerk Magazine. 

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Flight, by Mitchell Grabois

 

Once you have tast­ed flight, said Leonardo

you will for­ev­er walk with your eyes

turned sky­ward

 

and when you are four­teen and ini­ti­at­ed into sex

by a thir­ty-two year old woman

who lives in your par­ents’ hip­pie commune

you will for­ev­er look to the aged for 

love

 

You will sur­vey the wrin­kles and age spots of women

with a par­tic­u­lar greed

You will know that their old men are dying off 

like flies

They can see the lust in your eyes

 

They long to be touched 

to be taken

They want to tell you about their maladies

their bod­ies, their trau­mas, their children

but you will have none of it

 

Be Here Now, you tell them

with a cer­tain cynicism 

a dose of sarcasm 

 

You will try to assess 

from a distance 

how much tightness 

remains in their vaginas

before you’ve even said hello

 

graboisM. Krochmal­nik Grabois’ poems have appeared in hun­dreds of lit­er­ary mag­a­zines in the U.S. and abroad. He is a reg­u­lar con­trib­u­tor to The Prague Revue, and has been nom­i­nat­ed for the Push­cart Prize, most recent­ly for his sto­ry “Pur­ple Heart” pub­lished in The Exam­ined Life in 2012, and for his poem. “Birds,” pub­lished in The Blue Hour, 2013. His nov­el, Two-Head­ed Dog, based on his work as a clin­i­cal psy­chol­o­gist in a state hos­pi­tal, is avail­able for 99 cents from Kin­dle and Nook, or as a print edi­tion.

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Poems by Marian Veverka

After the Vic­tims were Buried

Every­one went back to the farm­house where
Friends and wives of neigh­bors had set out food.
At first there was just the sounds of chew­ing and
Swal­low­ing and maybe a child pip­ing up a few times -
Every­one still con­scious of the emp­ty spaces, but then
The talk got around to plant­i­ng and ethanol and what
New prob­lems lay ahead. Some of the old­er women
Got up and began to scrape small left­overs into bigger
Dish­es and clear away the emp­ty plates and the men,
a few at a time began to wan­der out the door.

Long ago some­one had set up stakes and now George
Went into the barn and brought out horse­shoes. Which
Was fine with the women, they had all the clear­ing up to
Do and stuff to dis­cuss while they washed and put things
Away. The win­dows were open, a warm after­noon for
Ear­ly May and soon the rhyth­mic clang of met­al against
Met­al added to the scrap­ing of plates and rat­tle of silverware.

The pall­bear­ers and almost all of the men had dressed in
dark suits and now they took off their jack­ets and rolled
Up the sleeves of their white shirts and they resembled
Mem­bers of a sect, per­haps reli­gious, like the Amish only
No one wore a beard. The grass and all the bush­es and
Young trees were a clear, bright green, and as the men
Moved from one stake to the oth­er, they formed a pattern
Of black and white on a green chessboard.

And so the men fol­lowed their pat­terns out­side and in
The kitchen the women fol­lowed the rou­tines that had
Been hand­ed down since who knew when but it was a
Com­fort, the break­ing of bread togeth­er, and the clearing
up after­ward, the soft voic­es and the qui­et­ing of the
chil­dren and the men find­ing some­thing active to do
with their bod­ies when every­one was faced with a situation
That no one, down through all the ages, had ever been able
To make any sense of.

Explo­sion in the Afternoon

Our old man can explode with anger
Over the small­est dumb thing
Like a gal­lon of milk left sit­ting on
The table
The fridge door not closed all the way
Someone’s shoes sit­ting emp­ty in
The mid­dle of the liv­ing room
And the TV still on

He’d use real cuss words
So loud the neigh­bors could hear
And scream back for him to shut
The —– up
And our baby sis­ter woke up crying
And mom yelling because we woke
The baby

I’d take off run­ning through the back yard
Down by the old bridge where the train
Tracks crossed the swamp
And imag­ine myself a hobo swing­ing aboard
A slow train to China
Or any place far enough away
Where all you’d hear was the chatter
Of crick­ets in the tall grass

The ghost of a whis­tle from the days
The trains still ran.
There weren’t so many babies
And Mom and Dad would shut
The doors and be as qui­et as the night.

mom1Born and raised in Cleve­land OH. Attend­ed Univ. of Ken­tucky, Fenn College

Received BFA from Bowl­ing Green State Univ.

Worked in libraries for many years.

Spend a lot of time read­ing, gar­den­ing in sea­son. Inter­est­ed in nat­ur­al world,conservation of untouched places–forests, wet­lands, prairies.

Writ­ten 2 nov­els (unpub­lished). Pub­lished sev­er­al short sto­ries & many poems in lit­er­ary, small press, and local publications.

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Castoffs, by Lindsey Walker

How would this look to a cop, hang­ing halfway inside the unlatched win­dow with C.J. boost­ing me through? It is dark inside, but I grip what I think is the short side edge of a farm­house table, pull my knees in and jump down into the smell of old base­ment, into air like a greasy thigh. My climb­ing hands dirty now, I open the side door out to a stair­less met­al porch and let a chair down for C.J. to climb on. He is fat and has more than thir­ty years on me and is not a good climber. He winds up with a stripe of black grime run­ning down one jeans leg. And it is here, dur­ing my first and only break­ing-and-enter­ing, while wait­ing for my pupils to catch up the low light, that I real­ize I prob­a­bly won’t see him again. Between our minds a ravine spreads nar­row but deep, one that shared his­to­ry can’t bridge. But in real time, we stand ankle deep in dis­card­ed junk in a store­house nei­ther one of us owns. The roof is a tin can split long­ways half in two, and the rust­ed parts let in only cracks of fog-light and song­less birds that roost in high shadows. 

Before today, I hadn’t seen C.J. in years, not since I’d moved from the north Geor­gia woods to “Go west, young man,” to Eugene and then Seat­tle. I was mar­ried at the time to a So Cal punk rock­er, and we had left for no good rea­son, except all our friends were small-town tweek­ers. We had no jobs wait­ing for us, just a sin­gle-wide trail­er with a wood stove for heat, tucked in ferns up the Willamette. On the night I left, C.J. gave me a pen­dant with­out a neck­lace: a com­i­cal­ly large cross made of sil­ver, mar­c­a­site, and gar­net, one that would serve bet­ter for hunt­ing vam­pires than for wear­ing to church. And he said, “If I was twen­ty years younger…” and I said, “If I was twen­ty years old­er…” even though I lied. Our dif­fer­ences were greater than age even then. 

The first time I met C.J. he was work­ing as a boun­ty hunter, though I heard he used to restore antique fur­ni­ture, used to have a wife (a florist!) and kid, used to be in bed by ten o’clock on a Sat­ur­day night. What I’m say­ing is he got tired of rou­tine, so he quit it. I had trou­ble imag­in­ing him in this oth­er life, because, like I said, he was a boun­ty hunter, only wore black tee shirts and jeans, a cow­boy hat, Bic’d head, and one rat­tlesnake tail for an ear­ring. He wore a six-gun on his hip and kicked around in The Cypress Lounge, a strip club down in Mari­et­ta. He nev­er took drugs him­self, but didn’t mind if a dancer need­ed a lit­tle bump to light­en her mood. Right before I met him, he’d hooked up with a gal named Jade, who he’d met out­side the jail­house in Hol­ly Springs, her bleached hair gone brassy from sham­poo­ing in water from rust­ed pipes. She’d been locked up for assault­ing a cop. Bit him just below the eye. They made her wear a straight­jack­et in the cell until she sobered up. What I’m say­ing is: C.J. got tired of doing things the right way.

And that was fine with me. I had a fear then that I still hold now, a fear of becom­ing a bor­ing per­son, of wak­ing up one day in a pressed shirt and a house smelling of Glade plug-ins. This was our shared fear, I soon learned. Nei­ther C.J. nor I under­stood why so many peo­ple chose qui­et lives of mod­er­ate mis­ery. We val­ued “inter­est­ing” above all. C.J.’s solu­tion entailed a Harley, a risky job, and a wild woman. As for me, I chose to fix it by shav­ing a mohawk, get­ting a Germs burn, and hang­ing in dirty punk clubs in down­town Atlanta. Jade hired me to do body pierc­ing at a bou­tique she ran. The main store­front was low-ceilinged, dusty, dim­ly lit, with shelves over­flow­ing with dis­played curiosi­ties: fake shrunk­en heads made of goat skin, antique taxi­dermy of strange ani­mals (sea tur­tle, raven, beaver) with dust motes gath­er­ing over their glass eyes, and an extract­ed gyp­sy from a quar­ter-slot for­tune teller booth. That’s where I met C.J., first over the phone. He called the shop at ten a.m., and I could tell he’d been up all night; his voice sound­ed like it’d been dragged for a mile behind a trac­tor. He called and said, “Jade’s drunk again. Hide the mon­ey and the guns.” So, I padded my bra with yesterday’s cash, sank the pis­tol in the toi­let tank, wrapped the shot­gun in a blan­ket behind the python’s ter­rar­i­um, and was being cool, man, cool while Jade rum­maged through the cash box and stole her own jew­el­ry from the dis­play case. 

I worked for them both off and on for five years. I got to know them bet­ter than I want­ed to. C.J. believed in ghosts and lived in half-col­lapsed house with a squir­rel-infest­ed top floor. He let a home­less man called Chief stay in his van undis­turbed in an emp­ty lot he owned, even gave the guy ten bucks a day for food. He missed his ex-wife and messed around with floozies every time Jade split town or got arrest­ed. These broads stopped by the shop look­ing for him, and he ducked behind the cloth­ing racks while I made up non­sense to shake them off. “He’s not here,” I said. “He’s in jail. He got in a bar fight and got arrest­ed. I don’t know when he’ll be back” or “He went to Mex­i­co, for sug­ar skulls and icons and these bones that tell the future.” The women left, he laughed, and I told him he owed me. 

Then Jade would come back, and she could always tell. C.J. found out that her brain worked dif­fer­ent­ly than most people’s. One of the sev­er­al times she left him for good, she wrapped a whole raw chick­en in a heat­ing blan­ket and plugged it in under his bed, not hot enough to cook, just warm enough to rot faster. Anoth­er time, she squeezed all his blonde beard dye from the tube and replaced it with bright red. But the more she drank, the less cre­ative she became in act­ing out her lit­tle hates. She had about five inch­es on him, a real Valkyrie, broad-shoul­dered, and she fought like a man. He had a black eye when I saw him next, and she had a chunk of hair miss­ing that she tried to dis­guise by part­ing it on the oth­er side. I watched Jade devolve, until she was straight drink­ing Lis­ter­ine and shoot­ing bul­lets through the dry­wall in his house. 

C.J. drove all his friends away. Even the strip­pers didn’t want any part, scared of what Jade would do if she found out. C.J., who lost every­thing but his reli­gion, start­ed beg­ging God in his night­time prayers, beg­ging God to die quick­ly in his sleep. And I said, I love you both, but I can’t do this any­more. That’s when I split for Ore­gon. A month or two after I moved, the shop closed. And that’s where we left off.

Now C.J. hears I’m in town and tracks my num­ber down. It’s Decem­ber, and though it had snowed sev­er­al inch­es three days ear­li­er, it’s almost sev­en­ty degrees when we meet up. Sog­gy earth sucks at my boot heels, and the sky looks like rain. Naked oak branch­es bend low, and all the hous­es have twin­kle lights in the win­dows. Out past the nut­house where Jade is locked up with wet brain, we catch up over bar­be­cue. I decide this is the worst way to meet up with any­one, gnaw­ing bones like dogs do, sauce on cheeks and chin. 

It’s weird see­ing old friends. We dis­ap­point each oth­er. My hair has grown out to a respectable length; C.J. wears a shirt with but­tons and a col­lar. He’s learned how to roll a sil­ver dol­lar across his knuck­les after read­ing in a book that P.T. Bar­num used to do it. He is no longer a boun­ty hunter; he’s an auc­tion­eer now, split­ting time between Wales­ka and Gib­son­ton, Flori­da, sell­ing off Depres­sion-era cir­cus junk, like carousel hors­es and Fer­ris wheel seats. He tells me Jade shim­mied out a win­dow three weeks ago, but the police found her under a bridge and hauled her back, rais­ing hell. He knows, because he’s still list­ed as her emer­gency con­tact. C.J. says the old shop is haunt­ed and that if I stand out­side late at night, I’ll see a light mov­ing back and forth on the top floor, pass­ing clear through a brick wall. The new own­ers, he says, told him they lock up every night, but when they come in the morn­ing, the door’s always open. 

I say I always want­ed to live in a haunt­ed house, but I’ve nev­er seen a ghost. 

He says he tried to buy a store­house just because it looked haunt­ed, but the deal fell through, and do I want to go look at it? 

We take his truck down Hick­o­ry Flat High­way and wind around east where the tracks cross. No oth­er build­ings crowd the street, and few cars pass by. We pull off the main road and park in a clear­ing where the grav­el has washed out. Three rust­ed tanks stand three men high each, and I won­der what they used to hold. I say the build­ing looks beat but not spooked. He says he’s nev­er actu­al­ly been inside. But the chain link is bent at one cor­ner, and some­body has used bolt cut­ters on part of it, and after a qui­et after­noon remem­ber­ing loud­er days, we egg each oth­er on. We crawl through the fence and scale the indus­tri­al tanks. We walk around the build­ing test­ing the doors, but they are all locked. He says the guy that owns it wants to sell it, just not to him. He says it isn’t the mon­ey at all. He says that if that slid­ing win­dow is unlocked, I can climb in first, and then let him in from the inside. An adven­ture, like old times. I remem­ber then that I am thir­ty years old. C.J. is almost six­ty. So we break into this building. 

Once we get in, we don’t speak for a while, and I am glad for the dark, because it hides the spi­ders. No divid­ing walls break the wide space that spills open like a cathe­dral, and the light sock­ets have no bulbs in them. All across the plank floor lie big stacks of castoffs: women’s shoes, can­dle­sticks burned down to the nubs, scrap met­al, thin blan­kets, and children’s records. We split up. I don’t touch every pile, just a few, and when I do, it feels like rub­bing my thumb over a grave­stone with a miss­ing name. I can see C.J. doing the same thing on the oth­er side of the store­house. I think we both expect some­thing else. No big trea­sure, but maybe a gramo­phone or a twine-bound stack of let­ters from a Con­fed­er­ate soldier. 

Or maybe we expect more from each oth­er. I know I didn’t plan to see him so fright­en­ing­ly alone. The expense of liv­ing accord­ing to whim, of being the kind of guy who runs away with the cir­cus (he did, in fact, spend a sum­mer with the cir­cus), was the loss of most of his per­son­al rela­tion­ships. Now he lives alone in his dead mother’s house with a toy poo­dle mix that's not house­bro­ken, a lit­tle yap­per to punch back the silence. He’s got a woman in anoth­er coun­ty he doesn’t care one whit about. She’s a few years his senior, not a look­er, but she works a bank job and bails him out when he’s behind on his bills.

And what did he expect from me? Not the hes­i­ta­tion I showed before slip­ping through the chain link fence. Not me test­ing the stur­di­ness of the chair before I pass it to him. And now that I’m divorced, he doesn’t expect me to pull my hand away from his so fast. But I do, all the same, because we’re not the same. I look at all these things piled up on store­room floor, things that used to be use­ful but were nev­er cov­et­ed. And I think we are both castoffs and emp­ty as these old shoes. Or maybe I’m the shoe, and he’s the scrap metal.

And when we leave, he says I should vis­it next sum­mer. The sky is clear­ing up, and by the rail­road tracks it feels like the ground is start­ing to dry. And I say yes, because for a sec­ond, it seems like I should. I even tell him I’d bring a tape recorder. I’ll get the whole sto­ry next time. And he says I can’t pub­lish it until he dies. But this town isn’t my home any­more, and nei­ther one of us is who we used to be. 

walkerLind­sey Walk­er was born in Chat­tanooga, and grew up in North Geor­gia.  She is an estheti­cian and salon/spa own­er, and she stud­ies cre­ative writ­ing at Seat­tle Uni­ver­si­ty.  Her work has been pub­lished a lit­tle in print and a lot online, most recent­ly in The Far Field and The Rain­town Review.  When she's not writ­ing, work­ing, or study­ing, she is prob­a­bly drink­ing bour­bon neat and watch­ing bad movies with her gamer fiancé and her badass pit­bull.  Vis­it her at lind​sey​walk​er​.word​press​.com.

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Summers in Durham, by Alana Folsom

There were too many well-marked and paved roads
For it to be Small Town Amer­i­ca. Was only wanting
The antique store with the rib­boned-off rock­ing chair
In which the very Martha Wash­ing­ton once perched,
Or just some­thing eas­i­ly iden­ti­fied as quaint
By the cam­era-slung and tube-socked visitors.

For redemp­tion, there were mom-and-pop diners,
Bot­tom­less cups of cof­fee, boys drinking
Blue Moon on back porch­es, and, in the summer,
As if import­ed by the tourism coun­cil, the insects
Saw­ing night­ly at their vio­lin legs.
Rained some­times, too: the weath­er clearing
The accu­mu­lat­ed dust and bore­dom of late July.

But what I remem­ber best were the women out front
Hal’s Sand­wich Shoppe – the last two let­ters of which
Were tacked on stu­pid­ly by his son, Har­ry, years back –
The women out front in shawls: real good
At glu­ing their judg­ment to anything
That they thought deserved it and a lean tongue.

Each year, one girl grew fat with the warm­ing months,
Her boy always long gone or off to the war.
Poor Lily last August, Stephanie with the midriff. Fates
Of this small place, the porch bound women
Hon­ey-stuck their eyes. Forc­ing each girl
To endure. The chairs creaked and signs swung,
The expan­sion in that swelling New Hamp­shire heat.

folsomAlana Fol­som grad­u­at­ed from Bates Col­lege in 2012 and cur­rent­ly lives in Jamaica Plain in a large house that appears to be far out­side her means.

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Baptism, by Misty Skaggs

All the old men
from the Beartown
Church of God
call me Sissy.
There’s Ligey
and Whirley
and Johnny
and my Mamaw’s cousin,
who found Jesus
after he beat cancer
a cou­ple years back.

They’re work­ing Men
of God.
They reminisce
about their drink­ing days,
and trade around trucks,
and sto­ries about bad kids
and wors­en­ing eyesight.

When they think I’m eighteen,
they grin at the possibilities.
When they find out I’m thirty,
the grins get a lit­tle sad
and soft around the edges,
at the thought
of the waste
of a good pair
of breed­ing hips.

porchMisty Marie Rae Skag­gs, 31, was born and raised in East­ern Ken­tucky and feels a deep con­nec­tion to the Appalachi­an region, its peo­ple and lit­er­a­ture. She cur­rent­ly resides way out at the end of Bear Town Ridge Road in Elliott Coun­ty. Skag­gs’ poet­ry and prose have been fea­tured in lit­er­ary jour­nals such as New Madrid, Pine Moun­tain Sand & Grav­el, Lime­stone and Inscape and she has self-pub­lished two well received chap­books, avail­able by con­tact­ing the broke-ass author her­self — misty_​marie@​rocketmail.​com. When she isn’t writ­ing, Misty enjoys vol­un­teer­ing to “teach” writ­ing to angsty, hill­bil­ly high school kids as well as tak­ing long, woodsy walks with her dog Bosco and work­ing the yard sale circuit.

 

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Three flash fictions, by Timothy Gager

Best Fiends

All the appa­ra­tus at the play­ground was bro­ken. There was rust­ed slides, hang­ing chains with­out swings, and dis­as­sem­bled mon­key bars that looked like cru­ci­fix­es with­out a Christ. We rolled out of the sandbox—after we’d shot all the sand and we’d fall­en asleep. You had a pail full and a sifter, but that was gone, so we ran. We ran all the way to the fence and then we stopped. It was a pause that last­ed a few minutes.

There was noth­ing beyond that fence, except dan­ger, death and dark­ness. Then you start­ed to climb; I fol­lowed because we rolled like that. I noticed that your legs were as thin as tooth­picks, as we’d been run­ning for almost two years now and there was bare­ly any­thing left of us. You reached the top and jumped down, while I sat there, the wire prongs from the chain links dig­ging into my thighs. “You can make it,” you said, but I knew I couldn’t as beyond that fence there was no hope. I turned my head and looked over my shoul­der; behind me was no hope either. I lurched for­ward and the ground thud­ded when I hit, my legs were com­pressed springs, I pitched face-first into the mud.

We had tried, damn, we had tried to clean up. The meet­ings we went to drunk were all about get­ting clean and keep­ing clean. Then we went out again; end­ed up job­less, in debt with our shorts bare­ly stay­ing up on our hips. We came to this point, on the ground of our play­ground and then we got up.

After I wiped the mud off my fore­head we walked in deep­er. It was increas­ing­ly dark, the fur­ther away we got. “Let’s just lie down for a minute,” you said as the dead angels flapped strong­ly against the wind, which seemed to chan­nel above us like water in a tor­rent. “This is how it ends,” you said, as two angels flew down and began to devour us like vultures.

 Pole

On our third date Nate took me to a strip club. He was old­er, the gym teacher with a geol­o­gy degree and I want­ed to appear hip and comfortable—experienced. There wasn’t much for him to do in this town with a geol­o­gy degree. After I few drinks I had told him and his douchebag friend Sling­shot that I had a fan­ta­sy of danc­ing on a stage.

Nate and Sling­shot bought me drinks, the fruity kind, as I watched the girls blend into the col­ored lights. After­ward we stayed and a dancer called Phoenix took me up and showed me how to work the pole. I was down to a tank top and panties when Sling­shot said he was hun­gry and that we should go to the Towne Diner.

Nate had corned beef. Sling­shot ordered eggs, a vod­ka ton­ic and poked at our fore­arms when he talked to us. I pushed food around my plate as if it were a pin­wheel. “Let’s go,” I said to Nate and Sling­shot stayed. He knew some­one that worked in the back.

We drove to Nate’s house and the lights were on. I was about to meet his par­ents. We sat and talked and com­ment­ed on the news. Nate’s par­ents want­ed to hear the weath­er so we went upstairs. I was naked when Nate start­ed talk­ing about the Earth, the mate­ri­als of which it is made, the struc­ture of those mate­ri­als, and the process­es act­ing upon them.

The Beau­ty on the Inside

Vio­let was in her mother’s apron pouch as her moth­er stood by the stove and stirred the sauce with a wood­en spoon. “Hold this,” moth­er said. Vio­let felt the heavy weight of it and feared she would top­ple out of the slick plas­tic apron and onto the floor, where she wouldn’t be seen. Her moth­er lift­ed the top off the pot of broc­coli. They looked like trees. She was too small to lift the spoon up to crack her moth­er on the head with it.

I refuse to be in anyone’s pock­et,” Vio­let said rebel­lious­ly years ago, before she fell out the first time and began life on her own. This was a time she had grown, joined a few armies, spoke to ani­mals, and became edu­cat­ed. She didn’t fall from the sky but she flew and land­ed in a green for­est. It was then she looked out and not up. There was no spoon to hold. Broc­coli was just some­thing to eat with a fork and not a big tree need­ing to be hacked down with a butch­er knife.

Vio­let soon man­aged short trips—and then vaca­tions. They felt like brief pieces of heav­en. She saw the moun­tains, trav­eled to cities; even drove a scoot­er in Rome. After that, Vio­let went to a small island and felt sand so warm; saw the grains as minute lit­tle rocks. She could lie there for­ev­er tak­ing time to greet the water. She was mar­ried to the ocean but she couldn’t swim; nev­er learned how. The waves reached out, gave her love, and then shrank back, black and men­ac­ing, leav­ing her con­fused and want­i­ng to drown.

Vio­let called her moth­er who told her she was naked on the sofa. Home seemed so casu­al. She imag­ined bend­ing down to enter the house and the doors became sud­den­ly taller. She smelled the sauce on the stove. “Put on some­thing for Christ sake,” she yelled. Moth­er slipped on an apron, which was hung from the man­tel, scooped Vio­let up and placed her inside. It wasn’t until she was reunit­ed with the spoon that she jumped, dis­ap­pear­ing like a clove of gar­lic into the sauce.

GagerTim­o­thy Gager is the author of ten books of short fic­tion and poet­ry. His lat­est The Shut­ting Door (Ibbet­son Street Press) is his first full length poet­ry book in over eight years. h He has host­ed the suc­cess­ful Dire Lit­er­ary Series in Cam­bridge, Mass­a­chu­setts every month for the past eleven years and is the co-founder of Somerville News Writ­ers Festival.

His work has appeared in over 250 jour­nals since 2007 and of which nine have been nom­i­nat­ed for the Push­cart Prize. His fic­tion has been read on Nation­al Pub­lic Radio.

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Leonard, essay by Brannon Miller

In my mother’s roman­tic his­to­ry, between the book­ends of her divorce from my father when I was two and her mar­riage to my step­fa­ther when I was sev­en, there was Leonard. I remem­ber Leonard being tall, with sinewy mus­cles stretched out against long, thin limbs cov­ered in ashen skin that always looked dirty, even after he show­ered. He had stringy, greasy hair that he kept under a base­ball cap and sunken, dark eyes. And Leonard always smelled like beer. And I hat­ed that smell. It singed my nos­trils, sur­round­ed me, gagged me. Stand­ing near him, I would choke and sput­ter. I would try to be polite and not open­ly hold my nose, but chil­dren lack sub­tle­ty, and I’m sure he knew, and I’m sure it hurt his feelings.

On Sat­ur­day morn­ings in the sum­mer, he would pick the three of us up—my moth­er, my sis­ter, and me—and we would dri­ve to Sum­rall where his chil­dren lived with their moth­er. Andrew and Rebec­ca were their names. Rebec­ca was beau­ti­ful. She was sev­er­al years old­er than the rest of us, and she had her father’s long limbs and stringy, greasy hair, but her skin looked soft, and her eyes were big and bright. She had the looks and demeanor of one of Chopin’s trag­ic mulat­toes, with a dark com­plex­ion and a cer­tain noble air, though there was always an over­whelm­ing sense of sad­ness sur­round­ing her, some sort of hope­less­ness that I couldn’t quite under­stand. It didn’t mat­ter to me though; she was a white trash flower ready to bloom, and I loved her.

My sis­ter and Rebec­ca would ride in the front with our par­ents, and Andrew and I would lie down in the back of the truck with Leonard’s cool­er so the cops wouldn’t see us. In this man­ner we rode to the water park in Hat­ties­burg, Pep’s Point. It was set back in the woods on a creek, so that when you slid down the slides you didn’t end in a clean, chlo­rine-filled pool, but instead fell into the brown, dirty creek water. Every so often, some­one would yell, “Snake!” and we would scream and run out of the water, extras in a B‑hor­ror-movie that would nev­er get shot. From there, we would make our way to the put-put course on the oth­er side of the park. Leonard would show us how to angle our shots and how to hit the ball with just the right amount of force, and my moth­er would clap when we made it in the hole. 

In the evening, we would take Andrew and Rebec­ca home. Leonard would stop at a gas sta­tion and buy a case of Bud Heavy, and he would buy me a pack of Big Peach or RC Cola, what­ev­er was cheap­est, and we would open our respec­tive box­es and push the cans down into the cool­er. I’d stay in the back even though there was room for me again in the front. Part­ly, it was because the cool met­al of the truck felt good against my sun­burned skin, but I also didn’t want to sit next to Leonard—not because I didn’t like him, but because I didn’t like the way he smelled. His sick­ly-sweet scent nau­se­at­ed me, so I laid in the back of the truck, feet pressed against the tail­gate, avoid­ing now both the cops and Leonard’s beer smell.

When we got back home, my mom would put on some of her tapes: Loret­ta Lynn, Travis Tritt, Garth Brooks. Maybe some Bon­nie Raitt, but not the polit­i­cal stuff. She would dance with my sis­ter and smoke Vir­ginia Slims, while Leonard and I sat on the couch. I would drink my cheap soft drinks, and he would make his way through the case of Bud­weis­er, mak­ing a tow­er of beer cans on the floor beside him. Around eight thir­ty, my moth­er would put my sis­ter to bed and sit on the couch between “her two men.” They’d let me watch a movie with them, a grown-up movie, as long as I promised to close my eyes any­time some­one got naked. Smoth­ered in aloe and cig­a­rette smoke, Leonard’s smell would become bear­able, and I could relax a lit­tle more around him. In spite of my large intake of caf­feine and sug­ar, by the mid­dle of the movie I would usu­al­ly be asleep, head on my mother’s lap.

By the time I awoke the next day, Leonard would be gone, but his smell would remain. And what had been ren­dered harm­less the night before became nox­ious in the hot light of the morn­ing. It would sud­den­ly seem to be every­where, fill­ing the room with its stale sweet­ness, and I would gag, caught in the gasses of this chem­i­cal war­fare. I tried to explain to my moth­er that this, this smell, was unbear­able, but she nev­er seemed to under­stand, tak­ing my dis­taste of the odor for a dis­taste of the man. “Leonard’s a great guy,” she would say, “and he’s good to you. Bet­ter than your own dad­dy, that’s for sure. I don’t want to hear you say anoth­er word about it.”

With­out her sup­port, I knew my only options were to live out­side or get rid of the smell. Since I saw that per­ma­nent­ly camp­ing in my yard wasn’t a real option, I decid­ed to go after the smell. On one par­tic­u­lar­ly unbear­able Sun­day morn­ing, while my moth­er still slept, I snuck into the kitchen, mak­ing my way towards the refrig­er­a­tor. There, in the veg­etable draw­er, I found what I believed to be the source of my dis­com­fort: three unopened cans of Bud­weis­er and a bot­tle of Bud Light. The cans were easy enough to dis­pose of; I opened them up, pour­ing them one by one down the drain, all the while hold­ing my nose against what I assumed would be a nau­se­at­ing odor. The bot­tle was trick­i­er to open, and after cut­ting my hand on the cap, I gave up and sim­ply took it the edge of our prop­er­ty. I stood next to the trash pile where we burned our garbage on the week­ends, look­ing out into the edge of the for­est where my grandfather’s field start­ed. I took the bot­tle and threw it into the woods as far as I could. 

Of course, my vic­to­ry was short-lived. When I entered the house, the smell remained. What I didn’t under­stand then was that it wasn’t the smell of beer that made me sick; it was the smell of an alcoholic’s sweat. Leonard was a roofer, and he would drink beer all day while he worked, knock­ing back tall boys as he laid shin­gles and ham­mered nails in hun­dred degree heat. Between the heat and the toil, the beer that was in his body would get pushed out, mix­ing with the salts in his skin and form­ing a sweat whose odor could fill a room. It was this smell that I hat­ed, the smell of an alco­holic who worked all day in the Mis­sis­sip­pi sun, and this smell could not be got­ten rid of by me throw­ing out a few cans and bottles.

My moth­er and Leonard even­tu­al­ly sep­a­rat­ed, and I no longer had to deal with his smell. Prob­a­bly a decade lat­er, she told me that he had asked her to mar­ry him, and she had said yes, on the con­di­tion that he give up drink­ing. Forced to choose between her and the booze, he chose the booze, and they split. At the time, I thought that made Leonard cold, but I don’t think that way any­more. When I was twen­ty one, a girl told me that when she drank beer, the smell remind­ed her of me, so I know why Leonard left.

And as I grew up, I learned about oth­er smells you could find on a man–the smell of burn­ing plas­tic on a crack addict; the smell of open sores and rot­ting flesh on a sick man’s body; the smell of formalde­hyde and methanol on a corpse. Those are smells that real­ly hurt; those are smells that hold you and don’t let go, that fol­low you around and find you in your dreams.

And now, when I’m back home or at some run-down gas sta­tion out in the coun­ty, and I come across a man with hol­low eyes and ashen skin—when I see the sad­ness that sur­rounds him and I’m sud­den­ly caught in that sick­ly-sweet and (now I real­ize) salty cloud of odor that is the smell of a man whose body is so filled with booze that it leaks from his pores—I don’t feel sick. I feel thirsty.

brannonmiller

Bran­non Miller is a native of Bass­field, Mis­sis­sip­pi and a 2012 grad­u­ate of the Uni­ver­si­ty of Mis­sis­sip­pi. He resides in Oxford, where he works as a cashier in a gas station.

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Reasons Fried Chicken and Coffee Hasn't Updated Recently

henri-ennui-cat-300x1701. Why do you care?

2. If you care/d, maybe you could have, I don't know, sent me a mes­sage and asked me whas­sup. Some of you did, to your ever­last­ing credit.

3. A cow some­where died and I was dev­as­tat­ed, but decid­ed not to give up beef after all.

4. Reg­u­lar old ennui.

5. Shit stir­ring in the old homestead.

6. I was writing.

7. (I wish.)

8. No good excuse.

Pick yours, and thanks for reading.

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#MyWritingProcess

#My Writ­ing Process Blog Tour

I’ve been tagged by the fan­tas­tic writer Tama­ra Linse to talk about #MyWrit­ing­Process, such as it is. I hope these answers will enter­tain or reveal, depend­ing on what you think of my writing.

What am I work­ing on?

reckoningThis is always a tricky ques­tion, as I’m involved in sev­er­al dif­fer­ent projects at a time. Right now I’m near­ly ready to shop a man­u­script of poems called Dear So and So, in which I address poems anony­mous­ly to a num­ber of peo­ple who may or may not be in a posi­tion to answer, or will­ing to talk with me at all, con­sid­er­ing our var­i­ous his­to­ries. It’s a series of off-son­nets and oth­er near poems, like in-jokes from my life, which oth­ers might have fun read­ing. I’m also research­ing a short book on the video game Red­neck Ram­page, which game near­ly con­sumed my soul in the 1990s just as I was order­ing my life and goals and writ­ing in light of the fact that I was Appalachi­an, 41.7% more like­ly to die of a heart attack than my peers, and des­tined to have a love/hate rela­tion­ship with the area in which I grew up. Beyond that, I have anoth­er name­less man­u­script of poems which should straight­en up and behave itself soon or I’m going to whip its ass, and a nov­el called The Arson­ist, again set in my home­town and sur­rounds, in which a state social work­er, Kath­leen Brake, gets increas­ing­ly drawn into the psy­choses of a crazy but charis­mat­ic teenage arson­ist named John­ny Jones while nego­ti­at­ing the ter­rors of ado­les­cent rela­tion­ships with her fif­teen-year-old daugh­ter Ang­ie and her own love life with her well-mean­ing but feck­less hus­band Gal­low. And her short-term lover Brady Bragg. All have secrets, all have needs, and when the flames rise, every­one will be affected.

How does my work dif­fer from oth­ers of its genre?

iamnotarielI write in a mode many oth­ers do, but I believe my work stands out because of its focus on rur­al mat­ters, near­ly exclu­sive­ly, and because I try to use as few words as pos­si­ble to make the sto­ry I want to make up. I also believe my sto­ries are emo­tion­al­ly true where oth­ers often seem fake. Prob­a­bly the fak­ers feel the same way about me and my work. The dif­fer­ence is that I’m right where they’re wrong. 🙂

Why do I write what I do?

rustyI have lit­tle else to do out­side oblig­a­tions to my imme­di­ate fam­i­ly. I have no impor­tant skills I can rely on, no rich fam­i­ly to sup­port me in my efforts to pro­duce art, no great intel­lect to make it eas­i­er on me, but I do have a his­to­ry 250 years deep in a small area of Penn­syl­va­nia that so far has yield­ed mate­r­i­al enough for at least three writ­ing careers, and I trust, will con­tin­ue to pro­vide such long after I’m gone.

How does my writ­ing process work?

When I’m writ­ing on a longer project, I try to get five hun­dred words a day. Fail­ing that, if I get 250 I’ll hang it up for the ses­sion. Rare is the day I don’t get my 500, though. I begin writ­ing for my hour per day after the kids go to bed, more time being devot­ed to it when life per­mits. Poems I can work on any time. Fic­tion takes a con­cert­ed effort and sched­ule. I go long stretch­es with­out writ­ing, though, which is dan­ger­ous. I always feel as if I don’t write all the time, I’ll for­get how. Luck­i­ly, that hasn’t proven to be true yet.

The Cool Peo­ple I’m Tagging

Heather Sul­li­van http://​lady​janead​ven​tures​.blogspot​.com/

Cort Bled­soe http://​clbled​soe​.blogspot​.com/

Tim­o­thy Gager http://​tim​o​th​y​gager​.blogspot​.com/

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