Benediction, novel excerpt from Charles Dodd White

Chap­ter 1

Lava­da rose to the iron dark and stepped bare­foot across the cab­in floor, paus­ing and plac­ing her hand to the door to test the wind's new ache. To know it as her own. Touch told her she would need Mason’s coat. It hung on a nail next to the man­tle. She took it in her hands and slipped her thin arms through the sleeves, wear­ing the weight of her man for a moment before she drew on his blis­tered boots and stepped into anoth­er day lack­ing him.

A rill of day­light cracked the ridge. She came around the side of the cab­in to check the car for frost. Drew back her fist and smacked the door seam, overnight rime free­ing. She climbed in and cranked the engine, revving it to open the ther­mo­stat. Went back to the cab­in to get the old man up and ready for being left alone.

She tapped at his bed­room door and spoke his name. She could hear him stir, but he said noth­ing. She knocked again, hard­er, and heard the under­ly­ing hiss of his slip­pers. He would be out.

She snapped three eggs into a chi­na bowl and whisked them togeth­er, dic­ing in onions and thawed pep­pers. Any­thing else would have been too hard on the old man’s teeth. The range ticked three times before the pilot light caught and the ring spat crenel­lat­ed flame. The skil­let talked as the eggs hit the sur­face. By the time she scraped them onto two small plates, Sam entered, dressed and clean­ly shaven.

Good morn­ing, daugh­ter,” he took his place at the kitchen table.

She set his plate before him and sat. How long had it been now since the con­ven­tion of call­ing her as his kin had been con­fused with his actu­al belief in their blood relation?

Good morn­ing, Sam. Sleep well?”

Ah,” he nodded.

His words failed him more these days. What was said and what he intend­ed seemed to live in two dif­fer­ent cor­ners of the same room, nev­er com­plete­ly at odds and yet mis­laid some­where between thought and the saying.

Do we have time to gar­den today, Daughter?”

She crossed the fork and knife on her plate.

It’s win­ter, Sam. There’s noth­ing we can plant this time of year. Everything’s frozen. I’ve told you that.”

He released a sigh, shook his head, blue eyes seeking.

After scrap­ing off the remains of wind­shield ice with a kitchen blade, Lava­da climbed into the Hon­da and gunned it for the ridge line road. She liked the feel­ing of the hol­low sink­ing behind her, the road open­ing up to the over­looks. Slip all teth­ers and give her­self to momen­tum. The morn­ing dri­ve was a plea­sure, a tight con­trolled move­ment along the shoul­ders of the moun­tains, the right-of-way ced­ing to her mem­o­ry of so many dri­ves in and out like this one. She did not con­scious­ly antic­i­pate dips and curves, as much as feel her­self for­ward, lean intel­li­gent­ly into the next bend and brake.

At Stubbs’s road­side stop above the coun­ty line, she pulled into the emp­ty park­ing lot for her cig­a­rettes. When she swung the door open, the cow­bell banged against the glass and Mrs. Stubbs glared at her over the top of a Bet­ter Homes and Gar­dens.

Help you?” she said in a tone bereft of sin­cer­i­ty. Her mag­a­zine a sol­id screen of over­bold font, por­ti­coes, Eng­lish topiary.

Yessum,” Lava­da answered, awk­ward. “Can I get a pack of Kools?”

What’s a Kools?”

They’re cig­a­rettes. Men­thol cigarettes.”

Nev­er heard of them,” she said, sight­ing her down one ill eye.

They’re in a green box. With stripes.”

The old woman found them, shoved the pack across, rang her up.

How’s your hus­band? I’m used to see­ing him in here.”

Cough­ing up a lung,” the old woman said. “Come down with some­thing, I guess. He’ll recover.”

That’s good.”

Lava­da turned to leave. 

Your man still up at the pen?”

The famil­iar dis­fa­vor, the judg­ment of a life reduced to what they want­ed to see of her, what they want­ed to make of her. She knew she would always remem­ber the sim­ple gift of their hate.

Thanks for the cig­a­rettes,” she clinked open the door.

You’re still a young thing,” the old woman called. “There’s bet­ter out there than hol­ing up with a father-in-law fit for the old folks’ home, you know.”

She had lit the first cig­a­rette before the engine turned and fin­ished it by the time she crossed the South Car­oli­na state line. With the win­dow cracked, the win­ter air danced in, mak­ing con­fu­sion of the hair loose at her tem­ples. It stung.

Once she was com­ing down through the foothills, the road widened as it plunged through red banks and thick­en­ing pines. Road­hous­es stood emp­ty this time of morn­ing. Fire­works stands were bright and antic with signs. Broad ply board pro­claimed: BLACK CAT. NO DUDS GUARANTEED.

On to the town lim­its of Dry Gulch, a long stretch of green flats with a few small farms on either side, trac­tors asleep under tin roofs. Fur­ther on, the town prop­er began to assem­ble itself, newish brick ranch­es with big yards and cyclone fences sur­ren­dered to hun­dred year old state­ly colo­nials with scrolled bal­conies. Final­ly, the old down­town, a true main street, divid­ed by occa­sion­al islands of rotary club flower beds, stub­bled for the win­ter. Small poplar trees braced with met­al poles to ensure per­fect ver­ti­cal growth. On each side broad side­walks gave way to inde­pen­dent store fronts: a pair of bar­ber shops, Lonney’s Hard­ware, a Puri­na feed store, Army/Navy sur­plus. Going out of business.

Lava­da parked at the end of the side­walk and stepped into Gillenwater’s. Inside, the grill siz­zled with sausage pat­ties and hash browns. She stepped behind the counter and poured a white mug full of cof­fee for her­self. Gillen­wa­ter flipped the sausage and pota­toes onto a plate and leaned back over the counter with a most­ly clean fork. She poured him out a cup and set it down at his right hand. He fell to his breakfast.

You’re in ear­ly,” he shaped out his words between bites.

She scanned the few tables and booths to make sure the morn­ing prep work was done. The duty, automatic.

Afraid of the weath­er. Thought it would be worse than it is.”

You know I can always come out to get you in case it gets rough.”

That’s too far, Dennis.”

It’s just a dri­ve, is all.”

He looked down at her boots, laced tight to her calves, the ends tucked in.

Don’t those get hard on your feet? You look more sawmill pulper than waitress.”

Through the glass façade, she watched the emp­ty street come into its reg­u­lar mid­week stride. As soon as the door swung open, she greet­ed her first cus­tomers, order pad tucked under her arm, pen notched above her ear.

Now, Den­nis,” she cocked her head and answered in her best Nan­cy Sina­tra. “You know as well as I do these boot were made for work­ing, And that’s just what I’ll do…”

She whis­tled off, leav­ing him grinning.

Chap­ter 2

Mason lift­ed his arm, thumb rigid in the air, hear­ing big tires and a quick engine com­ing on. He had not both­ered with the thin sounds of pas­sen­ger cars, know­ing they were a waste of effort, but the big trucks were dri­ven by men long on the road, emp­ty of good cau­tion. They would wel­come him, a curios­i­ty to enter­tain the lone­some hours ahead. When he heard the grind­ing down­shift and the engine catch­ing high, he dropped his hand, eased one shoul­der strap of the ruck from his shoul­der and turned toward the asphalt, wait­ing to be let on and tak­en the rest of the way home.

He climbed up into the cab and stowed the back pack on the floor in front of him, all his ready pos­ses­sions rid­ing against his shins, bounc­ing soft­ly as the truck gath­ered speed.

The dri­ver grunt­ed his name and Mason gave his as well and then they were on to the rit­u­al exchange, the swap­ping of sto­ries that ate up so much of the com­mon life of the high­way. As the hours drew on, his own voice became an easy song in the throat, a steadi­ness that passed between both men while his mind could slip away to watch the long green of the free world roll out on either side of the road, the bor­der­less ground like some kind of mate­ri­al­ly real­ized echo, a crack­ing sound wave of all that lim­it­less choice.

As they came into the foothills and lat­er the moun­tains, the trees nudged in clos­er, attend­ing him, con­strict­ing the pas­sage into some form he could rea­son­ably suf­fer. So dif­fer­ent than the unfa­mil­iar world of the pied­mont, a place that was crushed, dimen­sion­less. Here there was grip and hold, a coun­try with lega­cies not eas­i­ly slipped. This place held no guess­es, no decep­tions of promise, only the fate of know­ing what oth­ers who had rid­den these same roads and byways knew, that the world of bluff, creek and gorge was with­out par­al­lel, that the grim and the beau­ti­ful were locked togeth­er and that the men and women were owned by it in equal mea­sure, released by noth­ing so sim­ple as God giv­en will.

He got out at the head of the Nar­row Spoke cross­roads, foot­ing it back toward the glum wind­ings of the grav­el road lead­ing in to the fam­i­ly prop­er­ty, sin­glewides up on naked blocks with clap­board addi­tions tip­ping against the pre­fab, rude ideas of improve­ment real­ized by incre­ments. Shep­herds and ter­ri­ers barked. Secu­ri­ty lights popped on in the twilight.

Ray Ray met him on the deck of his trail­er, auto­mat­ic pis­tol palmed but loose, a sim­ple piece of iron, no threat between peace­able kin.

You look like shit, Cousin,” Ray Ray smiled.

The way of the world.”

Ray Ray laughed his easy laugh.

Bring your sor­ry ass up here.”

Mason slipped the ruck and met an embrace. Ray Ray shoved him back a sec­ond lat­er and stared hard into his face.

Same old Bud­dy,” Ray Ray said final­ly, falling to Mason’s child­hood nick­name. “Sit down. I’ll get us a lit­tle cold beer.”

Mason pulled up one of the met­al fold­ing chairs and trained it around so he could see the length of the val­ley he’d trudged up. On the oth­er side of the far ridge­line the tourists had moved in and bought up all the scenic views, stick­ing paste­board man­sions to it so they could feel good about them­selves for look­ing across at all the stub­born trail­er trash who refused their bribes. The homes’ huge glass fronts were ablaze with elec­tric light. Big yel­low light pour­ing out so they could be seen watch­ing those who watched them back, maybe won­der­ing if it was enough to stir envy and hate in those poor mis­be­got­tens. Hop­ing it did. The sight of it all made Mason itch for a few satchels of dynamite.

Ray Ray came back with two popped tall boys, tears of con­den­sa­tion run­ning. Mason laid one to his tem­ple for a moment, then drank deep.

I guess you fig­ured out Lava­da didn’t come and see me,” he said. “Two years, and not once.”

An old diesel train engine hauled a short freight out towards the riv­er bed. The sound of its progress clacked on, a spike of use­less noise in the use­less distance.

Bud­dy, she’s been look­ing after your Dad­dy real good. That has to count for something.”

They emp­tied their cans.

She’s my woman, and she aban­doned me. That sure as hell counts for some­thing all right.”

 

There was lit­tle easy room to be had when it was time to set­tle in for the night. The couch and an old boy scout sleep­ing bag were all Ray Ray could appor­tion. The beer had tak­en its toll on Mason, and he suf­fered a tired­ness that threat­ened to car­ry him into a scal­ing and dream­less obliv­ion. But before he would let him­self be bro­ken and dragged down, he ground his fists into his eyes and turned his head toward the long win­dow and the val­ley beyond. Dark­ness and moun­tains reared in an enor­mous force over every­thing his eye could take in. A frozen break­wa­ter, a great avalanche of stone poised to descend.

He swung his feet to the floor and stead­ied him­self, lis­ten­ing to Ray Ray snor­ing in the back bed­room. The night made things some­how strange, derelict. The shape of old lamps, chairs and end tables released their accus­tomed lines, and objects inert man­aged to live, to feel. The sad­ness of this place sud­den­ly broke over him, tum­bled in a mute chaos of things remem­bered and imag­ined. Con­fused grief bead­ed in his eye. He did not know what sor­row he was weep­ing for. He feared, above all, that it was not his own.

One more beer. A rick­ety shuf­fle to the hum­ming fridge and an Ice House torn from the plas­tic ring. Drink­ing like there was an undis­cov­ered world in the next swal­low. Know­ing it all was about her, always had been. Even his hatred was a kind of love. He knew she made him suf­fer a brand of mad­ness, an epilep­sy of need, and regret too. One ele­ment seemed to sharp­en the oth­ers, grind­ing down what­ev­er remained of him in the process.

He eased out to the porch where his ruck was leaned against the far rail­ing and care­ful­ly drew the weight of it onto his back. Stag­ger­ing, he braced his free hand to the cor­ner post and stepped out into the star­lit yard, mov­ing under the con­stel­la­tions, feel­ing as ancient and marooned as those splin­ters of galac­tic time. Over­head sketch­ings of car­di­nal direc­tion and deci­sion. He sucked back the rest of the beer, pitched the alu­minum husk beside the road and walked straight out of the old fam­i­ly place, pur­su­ing the stranger course of what lay before him.

Charles Dodd White was born in Atlanta, Geor­gia in 1976. He cur­rent­ly lives in Asheville, North Car­oli­na where he teach­es writ­ing and Lit­er­a­ture at South Col­lege. He has been a Marine, a fly­fish­ing guide and a news­pa­per jour­nal­ist. His fic­tion has appeared or is forth­com­ing in The Col­lag­istNight TrainNorth Car­oli­na Lit­er­ary ReviewPANKWord Riot and sev­er­al oth­ers. His nov­el Lambs of Men, a sto­ry of a Marine Corps vet­er­an of World War I in West­ern North Car­oli­na, was pub­lished by Casper­ian Books, and his sto­ry col­lec­tions Sin­ners of Sanc­tion Coun­ty by Bot­tom Dog Press He is cur­rent­ly at work on anoth­er novel.

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Poems by Shannon Hardwick

BARTENDER-LONELY

How can you stand so many

peo­ple, I ask, drunk. Shirts dirty

them­selves for the wash­ing, waiting

for a woman’s hands, he said, I’d steal

their laugh­ter, pawn it for a handgun

just to piss some­one off. I’d drink

myself into mys­ti­cal states, I’d get sick

on her doorstep for a glass

of water. I’d do this for anyone

who ever loved my sor­ry ass.

 

FRANCINE WANTS A FARM IN MISSOURI

Francine dreamed a deer drug her heart across five states. It was told to eat slow­ly. Francine dreamed the dear, before get­ting there, wrapped its neck around wire. My heart was hit, she writes, by a truck­er called Grace. If I cut my arms, there’s space. Francine feels the weight of five states. If I had a farm in Mis­souri, she writes, I’d believe in destruc­tion and heal­ing. Francine believes she’ll eat the dear slow­ly and fill her heart. If not, she writes, I’ll cut my arm. I’ll buy a farm. Mar­ry a truck­er called Grace.

 

Riv­er 31

The snake sang on the bank
Belt­ed about being born empty

Let us fill, he said, each need
Twice. He took to swimming

Beside me because I was lonely
And asked, What do you dance for

The belt around my waist became
A riv­er. All the fish found me naked

Then I knew, bod­ies were made
To be bro­ken, loved. This song,

The snake sang, keep near
To your bel­ly. I became a wild

Dancer yet again. Keep going.
The riv­er woke. Night-birds

Hid in fear. Eggs began to appear
And I, the woman, ate in silence

Every last stone-bread
Of the buried men’s hearts.

 

Shan­non Eliz­a­beth Hard­wick received her Mas­ters in Fine Arts from Sarah Lawrence Col­lege in 2010. She recent­ly com­plet­ed her first full-length man­u­script of essays and poet­ry and has a chap­book in print and one forth­com­ing with Mouth­feel Press. She is the res­i­dent poet for Port Yon­der Press' online mag­a­zine Beyon­daries and her work has been fea­tured or is upcom­ing in 3:AM Mag­a­zine, Night Train, Ver­sal, Sug­ar House Review, among oth­ers. She writes in the deserts of West Texas.

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Dennis Mahagin's FARE now available!

 

Check it out here.

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Opening Day, fiction by Nathan Graziano

The fore­cast is call­ing for rain on Open­ing Day—not show­ers, but a holy-shit-the-sky-is-piss­ing April down­pour. He packs his books into the box­es he picked up at the liquor store while his wife stands in the door­way to their bed­room, her arms crossed. “Will you be out of the house by Thurs­day?” she says.

It’s Open­ing Day for the Red Sox,” he says and reach­es onto the shelf for anoth­er hand­ful of books, the McCarthy nov­els he read in a col­lege course. “I’ll be out by the weekend.”

Why doesn’t your girl­friend help you move?” She says “girl­friend” like she’s spit­ting poi­son from her mouth.

He rolls his eyes. “I don’t have a girl­friend,” he says. “She’s a friend, and we were talk­ing at a bar. She grabbed my cock, and I told her to quit it.”

I hate you.”

I know.” Calm and delib­er­ate, he takes a box cut­ter from the pock­et of his jeans. He’d like to slice a hand­ful of her hair from her head, maybe scalp her a bit—nothing life threat­en­ing. Instead he slices the duct-tape and toss­es anoth­er box of books into the cor­ner of the room.

With her back again now turned to him, his wife says, “Why can’t you be out by Thurs­day? I can’t stand see­ing your lying ass around this house anymore.”

It’s Open­ing Day.”

I just remem­bered that our son has base­ball prac­tice on Thurs­day,” she says. “You said you’d bring him.” Though he can’t see it, his wife grins.

It’s sup­posed to rain,” he says and imag­ines the crack of a bat, the slap of ball hit­ting a glove, the rustling of the sta­di­um crowd, every­one wait­ing for noth­ing and every­thing. He imag­ines his son catch­ing a pop fly and dying to tell him. He imag­ines the skin­ny kid star­ing into the stands and see­ing only his mother’s scowl, her bit­ter lips and slight­ly-scalped head. “I’ll take him to prac­tice,” he says and starts pack­ing anoth­er box of books.

Sure, the girl grabbed his cock, but he wasn’t sur­prised and she wasn’t his girl­friend. She’s just some girl he invit­ed to a ball­game, if it doesn’t rain.

 

Nathan Graziano lives in Man­ches­ter, New Hamp­shire. He is the author of three col­lec­tions of poet­ry—Not So Pro­found (Green Bean Press, 2003), Teach­ing Metaphors (Sun­ny­out­side Press, 2007) and After the Hon­ey­moon (Sun­ny­out­side Press, 2009)—a col­lec­tion of short sto­ries, Frost­bite (GBP, 2002), and sev­er­al chap­books of fic­tion and poet­ry. He has an MFA in fic­tion writ­ing from The Uni­ver­si­ty of New Hamp­shire and teach­es high school. A mem­oir Hang­over Break­fasts will be pub­lished by Bot­tle of Smoke Press this sum­mer. For more infor­ma­tion, vis­it his web­site at www​.nathangraziano​.com.



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Puercos Gordos, fiction by Michael Gills

She was a year younger than me and semi­fa­mous.  I’d seen her all through high school, and then on the hood of a white Corvette as Miss Lonoke in the Soy Parade, a dis­tinc­tion that sent her to the Miss Arkansas pageant where she’d been first run­ner up to a raven- haired Miss Texarkana. She’d won a schol­ar­ship to some kind of mod­el­ing school, but by that sum­mer she was back with her par­ents, clerk­ing for old man Jol­ley at Lonoke Phar­ma­cy and Drug.

This was Arkansas sum­mer­time, the heat was bru­tal, and my deliv­ery truck was unair­con­di­tioned.  Kim­ber­ly inhab­it­ed the cool inside the pharmacy’s dou­ble doors, a flu­o­res­cent-lit delight to the flesh and blood.  I’d already hit Lowman’s, Mr. Templeton’s IGA and Knight’s Gro­cery, with its ten-foot tall suit of armor.  It was Fri­day after­noon, pay­day, my labor was almost done.  I had tick­ets to the All-Star game that night where Elvin Floyd Tay­lor was slat­ed to suit up in Jackrab­bit pur­ple.  It was a good, good time to be alive.

I car­ried a forty-pound bun­dle in past the soda bar.  The air was fresh with the sprays of dis­play per­fume and med­i­cine.  She stood behind the counter in a white sun­dress, the spaghet­ti straps of which lay over tanned shoul­ders where spilled hon­ey-blonde hair all lit up by the most extra­or­di­nary hazel eyes.

Hi Joey,” she said.  “You set those over there.”  The sweat between my shoul­ders was cold.

For lack of any­thing bet­ter, I said, “Hey.  Look here,” and point­ed at my byline under a front-page sto­ry about a pig farm con­vert­ing to ethanol.  “That’s me.”

She laughed, a sin­gle note ring­ing. “What’s funny?”

Puer­cos Gor­dos,” she said, and tapped my arti­cle three times with a fin­ger­tip.  “Las Higas des pun­tas.”

The pic­ture above my name was of three spot­ted hogs, snouts stuck in a trough.  Snorkey’s corn will be turned into a new kind of gaso­line… the cap­tion said.

I’m the author.”

She said, “Oh,” and nod­ded her head at me, nar­row­ing beau­ty queen eyes.  “I see.” “Want to get together?”

Togeth­er?”

Tomor­row night.”

Why?”

She’d had a boyfriend, I remem­bered.  A B‑team line­man named Joel or some­thing, though the dirt of their sto­ry escaped me.  Her father was a famous drunk, an amputee who’d once been a foot­ball star.

Maybe I’ll write a sto­ry about you.  Take a pic­ture of your trophies.”

She said, “Okay.”

###

 The next after­noon I drove out Mt. Carmel Road, past the Con­fed­er­ate Ceme­tery into the coun­try­side with its lush green hills rolling off into pas­tures where farm­ers had just mown and raked hay into long rows that shone acre after acre, and I remem­bered work­ing for a man named Guess, haul­ing up a bale with a sliced in half king snake dan­gling from a wedge of green.  This coun­try was in my blood, where every house had a veg­etable gar­den grow­ing up to its back door, and dead ani­mals lit­tered the road­side, opos­sum and rac­coon, squir­rel and car chas­ing dogs.

Every few miles was a school­bus stop, where com­mu­ni­ties had con­struct­ed tin-roofed shel­ters over rick­ety bench­es, like the one Kim Bur­gin sat on that sec­ond, her hair yel­low like a fire, wav­ing me into that ripe Sat­ur­day evening in June, when the air we breathed seemed blessed and golden.

Look­ing for somebody?”

You.”  When I opened the door she slid in beside me, and we drove real slow up the grav­el dri­ve to where her Dad­dy, a dou­ble amputee, sat fid­dling with a ham radio hooked to an orange exten­sion cord that was duct taped across the front porch.

Mr. Bur­gin looked up and nod­ded, then went back to his radio.

Dad­dy.  This is Joey.”

Hey Joe,” Mr. Bur­gin said, and the radio let out a stat­icky cackle.

He’s com­ing to supper.”

Mr. Bur­gin regard­ed me.  His tee shirt was sweat stained and there was tobac­co juice on his left shoul­der.  His pants were tied in knots below his knees.  This close, he remind­ed me of Mama’s peo­ple, col­or­ful, nobody’s fool.  He wheeled my way and I shook his hand, try­ing not to look.  Kim was radi­ant at his side–I have to tell you.  There was noth­ing fake about her in the least–she was real to the bone.  And I could see she had his face, the fine bone and shin­ing eyes. “Well,” he said, “we could do worse.  Tell me when.”

Inside, food was cook­ing, pur­ple hull peas, it turned out, corn­bread and ham.  A black­ber­ry cob­bler steamed on the stove where a mess of okra drained on paper sacks.  I was fed a fine coun­try meal with sliced toma­toes and crook­neck squash, lemon squeezed in the tea.  Kim’s moth­er said the prayer, then set a hot plate­ful in front of me.

But­tered bis­cuits got sent around the table, along with a jar filled with syrup and mashed butter–poor man’s jel­ly.  Across the room, a wood­stove sat below a man­tel where pic­tures showed Mrs. Bur­gin with a baby in arms, dad­dy Emile stand­ing beside them with a big wide smile.

You was a run­ning back, no?”

Kim looked at me, and Faye got up for more tea. “Yessir.”

Num­ber 45,” he said.

That was me.”

I was back oncet too,” he said.  “But I ain’t nev­er fum­bled on no one yard line in a play­off game.  Ha,” he said.  “Ha, ha.”

Dad­dy.”  Kim grinned and I could see that she loved this man.  This all hap­pened thir­ty years ago when I had no notion what­so­ev­er how daugh­ters loved their fathers.

It was wet,” I said.  My senior year, I’d lost the ball, and in turn the game, one rainy night against Baux­ite Pirates.  You’d think foot­ball was God or Jesus or something.

Mr. Bur­gin passed the cob­bler, said “S’Okay, and looked me straight.  “You be nice to my girl.”

I said, “I will.  Promise.”

The Bur­gins sent me home full, with a paper sack of toma­toes and crook­necks, a jar of mus­ca­dine jel­ly and some chow-chow.  Coun­try peo­ple will give you the soles off their shoes if you let them.  I drove away with the gifts in the front seat, and the taste of Kim Burgin’s lips on mine.

###

Next day I looked up the his­to­ry of how Emile Bur­gin lost his legs.  He’d been an ath­lete, all-Dis­trict the year the Jackrab­bits went 10–0.  He’d been offered a full ride at Arkansas Tech in Rus­sel­lville and accept­ed the Wonderboy’s offer.  The week before he was to report for sum­mer two-a-days, he took a job with Alfred Tip­ton man­u­fac­tur­ing as a night shift super­vi­sor, where they turned out mobile homes for poor whites who set them up in cow pas­tures from But­lerville to Vilo­nia.  Report-in day came and went at Tech.  That’s where he lost both legs, at Tipton’s, when a pre­fab truss machine grabbed him into its works.  Only Mr. Tipton’s lawyers twist­ed it so it was Emile’s fault, a pint whiskey bot­tle that mate­ri­al­ized in his lock­er was fol­lowed by neg­li­gence charges.

The case between Alfred Tip­ton and Emile Bur­gin was set­tled out of court when the for­mer agreed to allow the lat­ter to take own­er­ship of a new­ly man­u­fac­tured home.  Kim was just a girl, a tod­dler, when Faye took over.  There were the month­ly dis­abil­i­ty checks and a hol­i­day ham every Christ­mas from Tipton’s.  A series of DWI’s almost got Emile jail time, and it’s fishy how he skat­ed clean.  He built a front porch on the house trail­er on a piece of land he’d inher­it­ed from his peo­ple.  He took up the ham radio, long dis­tance con­ver­sa­tions that blurred his nights into morn­ings, when Kim would crawl out of her bed and turn the radio off, cov­er her father where he lay, and put the bot­tle back in its place.  That’s the sto­ry, the best I could make of it.

By Mid-Summer’s Eve, Kim and I had tak­en to meet­ing in an old barn two pas­tures over. I’d dri­ve out after dark, park on the road­side in black­ber­ry bri­ar, and sneak through the barbed wire and out to the barn, where the door hinges would squeal and there’d be Kim on a bed of straw, lit­tle white streaks of moon­light pour­ing through the board cracks onto her bare skin.

Once on a full moon, she brought a drug­store- scent­ed can­dle in and lit it.  Then, thrown up large on the barn wall, our shad­ow.  She was preg­nant.  We talked about elop­ing to Mem­phis, Kim­ber­ly and me, putting the Mis­sis­sip­pi between us and Lonoke County.

And you think that would be enough.

There came a night when I was sup­posed to tap on her bed­room win­dow, load a suit­case and dri­ve off to our new life.  But the truth is, I chick­ened out and went on back to col­lege.  What did I know?  I was afraid, and that fear dogged me for a while, and then it went away.

So it was with mild sur­prise, not so long ago, that I found the stamped let­ter in my mail­box, care­ful writ­ing on a scent­ed enve­lope.  Joey, it said.

###

This is a sto­ry about qui­et and what breaks it, the hour after Mama’s lain down for the evening and the light bulbs from Daddy’s radio throw a blue sheen on his face, and if you don’t get here this sec­ond I’m going to kill you. A liquo­ry voice speaks time to time and Daddy’s eyes flut­ter.  He has an ongo­ing fight with this Mexican–Daddy thinks he’s a Mex­i­can. They call each oth­er fat pig and son of a whore in Span­ish and I believe the Mexican’s drunk as Daddy–these nights.   The oth­er qui­et is the wait­ing for the far-off crunch of grav­el, cicadas thrum­ming and a whipporwhil’s lone­ly call and the starlight on the white bed­spread Mama cro­cheted, new-washed for tonight and smelling of June sun­shine.  You’ll be past the mail­box now, the moon throw­ing your shad­ow past the toma­toes and bush beans Mama’s hoed, up past the well-house where Dad­dy peed my name in last spring’s snow. Are you decid­ing whether to walk away from me, to for­get what we’ve promised each oth­er, that I’m not worth it.  Even though our rings are bought, bright shin­ing this sec­ond in Mama’s old suit­case under my bed, even though our course is plot­ted and new life aches for us to join it out there round the bend. Our baby?  You walk away from me now?  Get in your car and dri­ve across the riv­er bridge and leave me and him stuck in Lonoke Coun­ty for the rest of our lives?  Hell with you.

Hey, higo de pun­ta?  Are you lis­ten­ing, my broth­er?”   The Mex­i­can slurs every­thing. The words reach and touch Dad­dy in that place he goes to these nights when we’re all in bed and he takes it straight.   “Puer­co gor­do?”

Joey’s saved four hun­dred dol­lars from his news­pa­per job, and he’s been work­ing up a port­fo­lio to show around Mem­phis, once we get there and find a place to hang our hats.  I’ve got just as much down there in the suit­case, plus the crisp $50 Mr. Jol­ley hand­ed me from the reg­is­ter when I told him I was quit­ting.  He cried, the old sil­ly, “We’ll miss you around here.”

He waved a hand so dust twirled round a shaft of light.  “I’ll send a let­ter of good stand­ing with you. You’ll need that,” he said and low­ered his brow.  Then he went off sniffling.

Snor­ka, snor­ka.  Fat pig­gy?” the Mex­i­can says.  “I have nice slop for you. Here pig, pig.” Through the half-open door, conked out in the reclin­er, Daddy’s not fazed. But I know that if I walked in there and turned the thing off he’d yell. Besides, when Joey Harvell taps on mywin­dow and I crawl out of this house for good, maybe that radio will mask us.

Daddy’d played foot­ball, too.  I’ve seen the pic­tures of him run­ning on the green field, throw­ing stiff arms and fore­arm shiv­ers, div­ing over the line for the end­zone. Then he went to the Tip­tons. “They’ll get you from me too one of these days,” Dad­dy says.  He’s got this car with knobs so he doesn’t need legs and he’s got this rid­ing mow­er rigged up too, though he uses it most­ly to dri­ve out to the mail­box by the high­way, to see if the check’s come so he can make the trip over to the coun­ty line and restock.

What I’ll car­ry from my life here?  Soon I’ll feel it kick­ing to get out, just like me. I haven’t thought of names, they just won’t come, but I’ve read in the Health and Well­ness sec­tion at work that babies nev­er for­get the air their moth­ers breathed while they were in the womb, that it above all will be sweet­est to them and they can nev­er ever be hap­py until they fill their lungs with it for good and ever.  So you-know-who can nev­er have him.

Son of a whore–you answer me.”

For a while I walk the back pas­ture after dark, sneak through the barbed wire and out to the barn, where the door hinges would squeal to where he used to be.  I knew noth­ing about life or mon­ey or how things get accom­plished in this world, I didn’t know that I’d get stabbed in the back, or that I’d stab back.

I kissed and he kissed back.  We’d mar­ry, find some old farm­house and make a house­ful of good-look­ing babies.  The fall chill’d come and we’d dance alto­geth­er in the front yard when a good rain came.  We dreamed our­selves grown old in love, and swore to one-anoth­er that no mat­ter what, there’d always be this, what the can­dle flick­ered on the cedar wall–and it didn’t take a stretch of the imag­i­na­tion, then, to feel the life we’d made find heartbeat.

Si Bueno?”

The Mex­i­can, where does he get off?  Daylight’s com­ing, I can see it out the cor­ners of my eyes, like the mon­ster you see slink­ing under your bed when you’re eleven and the qui­et comes on and you don’t dare dan­gle a hand off the side of the bed to the floor that’s cold to the touch, even though it’s June, and you’re eigh­teen now, and a new life is out there round the bend, fat­ten­ing on the quiet.

Señor?  It is good with us then?”

This is a sto­ry about qui­et and what breaks it, Joey.  I wait­ed.  God­damn you. For a long time. This mat­ters.  I’m seri­ous.  How could I tell him about you, how his eyes are the same blue and why he was faster than the rest?  Why I loved him like I’d die?  Here’s his foot­ball pic­ture, num­ber 45, just like you. The wreck wasn’t his fault–it was some drunk, we nev­er found out. There’s a plaque out­side the sta­di­um with his pic­ture on it, and two oth­er boys from the State Cham­pi­onship team.  We were there for the memo­r­i­al.  Eddie Stutt’s dad­dy broke down. I said some words.  Well, that’s all from here.  Still love, k.

 ###

The let­ter sits now in a box on my chest with a news­pa­per page from the Star Her­ald that announced the engage­ment and com­ing mar­riage of Miss Kim­ber­ly Lynn Bur­gin, daugh­ter of the late Emile and Faye Bur­gin to DeWayne Tip­ton of Lonoke, son of Alfred A. Tip­ton of Lonoke. The bride and groom are soft­lit, and old Lamar’s giv­en them the pre­mier place on the page, what youth and beau­ty will get you when love turns chick­en­shit.  Tip­ton adopt­ed the boy.  He com­fort­ed Kim on the sun­lit day of the funer­al last June, that’s all I know.

But all this is nei­ther here nor there.

I don’t know why it’s all come back to me now, giv­en the turn of events, Renee’s mother’s pass­ing and the grief and sor­row that’s come down on us all over that.  Only some­thing hap­pened dur­ing Renee’s vis­it to Flori­da, just before the hos­pice, when the bed scenes with her moth­er got the most intense–the very end of it for them.  I was home with Lara in Utah.  There was a night about half-way through it all when I’d cooked Lamb Cur­ry, mea­sur­ing out the hap­py-hour bour­bons that took the edge off.  And this one night, the one I’m think­ing of, my daugh­ter and I watched a movie togeth­er on the couch, some sil­ly-ass love sto­ry or anoth­er, doesn’t mat­ter, and it got me think­ing about Kim and her now dead father, Emile, the per­son that I’d been once, and how things could have turned out dif­fer­ent.  So I mis­tak­en­ly nursed this rem­i­nis­cence with anoth­er whiskey until, well, until I woke up with Lara cry­ing on the tele­phone, her moth­er dis­traught, long-distance–on the oth­er end.

It’s okay,” I had said.  “I just fell asleep.”

On the fuck­ing liv­ing room floor?  Joe? We put moth­er in hos­pice today.  They’ve removed food and water.”

I’m sor­ry,” I said.  “I’ll do bet­ter.  I love you.”

When the phone went dead, Lara took the receiv­er from me and placed it in its cra­dle.  “Time for bed, Dad,” she said.

  ###

In June, I deliv­ered the eulo­gy for the Rock­er­son fam­i­ly at the Epis­co­palian ser­vice.  We’d rent­ed a place right on the ocean and, after­ward, in the ungod­ly heat, Renee, Lara and I burned sage near the surf at a spot where sea tur­tles land­ed night­ly to lay eggs.  We took Lara to Dis­ney­world, and that made her happy–she loved the faux New Orleans haunt­ed house best, the spec­tral images that laughed and drank wine in the old house splen­dor.  So all the oth­er busi­ness, that’s over with now, we’re mov­ing on to a new chap­ter of our lives.  Lara’s near­ly twelve, she’ll come of age soon.  It’s hap­pen­ing already.  Renee’s final­ly through the worst of her change, and, after the oper­a­tion, the end­less bleed­ing and night sweats have let her be.  We move for­ward.  The Cap is com­ing for Thanks­giv­ing, and I’m plan­ning to fix up a room for him in the base­ment, though, after two-hip replace­ments, he bare­ly gets around.  I’ll lay in that handrail we’ve need­ed for so long, rip up the old stained car­pet for new.  We’ll track down a bird as big as a barn and light the hol­i­day can­dles.  I’ll lay in whiskey and a good stash of wine and we’ll watch the bowl games on a wide screen.  The first hol­i­day after is always the worst.  We’ll take out the old pho­tographs and laugh and cry and con­sole, play the old songs and pre­tend we’re not crooked to the god­damn core, every one of us.

In hon­or of the new­ly dead, so help me.

 

Michael Gills was McK­ean Poet­ry Fel­low at the Uni­ver­si­ty of Arkansas and Ran­dall Jar­rell Fel­low in Fic­tion in the MFA Pro­gram at the Uni­ver­si­ty of North Car­oli­na-Greens­boro. He earned the Ph.D. in Cre­ative Writing/Fiction at the Uni­ver­si­ty of Utah. His work has appeared in McSweeney's, Oxford American,Verb 4, Shenan­doah, Boule­vard, The Get­tys­burg Review, The Greens­boro Review, Quar­ter­ly West, New Sto­ries From The South and else­where. Why I Lie: Sto­ries (Uni­ver­si­ty of Neva­da Press, Sep­tem­ber, 2002) was select­ed by The South­ern Review as a top lit­er­ary debut of 2002. A 2005-06 Utah Estab­lished Artist Fel­low­ship recip­i­ent, Gills is a con­tribut­ing writer for Oxford Amer­i­can and a board mem­ber for Writ­ers @ Work. He is cur­rent­ly a pro­fes­sor of writ­ing for the Hon­ors Col­lege at the Uni­ver­si­ty of Utah, and is pro­mot­ing a sec­ond col­lec­tion of sto­ries, THE DEATH OF BONNIE AND CLYDE, and a nov­el GO LOVE..

 

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I Need Help (CANCELLED AFTER SO MUCH SUPPORT!) THANK YOU!

Finan­cial help, that is. My print­er is suck­ing up print car­tridges like meth. Because of var­i­ous rea­sons, all unavoid­able, I don't have enough mon­ey to buy print­er car­tridges to fin­ish Dennis's chap­book. I need just a few bucks, maybe $25. This is not a 501 c3 cor­po­ra­tion, so I can't promise tax deduc­tions. It's a mat­ter of love. if you like what we do and you'd like to see Den­nis and Tim and Rosemary's and Ben's chap­books soon­er than lat­er, send me a cou­ple bucks via Pay­pal at XXXXXXXXXXXX. I nev­er did this well while Night Train exist­ed, which is part of the rea­son I chose to shut it down. I hate ask­ing for mon­ey, but I don't have any right now. I'll even promise a return of your cash when I get flush again if you'd rather loan me mon­ey. Thanks.

Wow. Thank you all so so much.

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Goodnight, Gramaw, by Misty Skaggs

Every night, at two a.m., I kneel

at the altar of her rust-brown recliner.

After the cred­its roll on past The Big Val­ley,

and Miss Bar­bara Stanwyck

has her last, hearty laugh,

I fill a plas­tic pan

packed home from the hospital

with luke­warm city water

and Epsom salts.

 

As I sink her tired feet to soak,

I won­der how many miles…

 

It’s hard to think

through the cam­phor stink

of Dr. J. R. Watkins’ white liniment.

But I man­age to imagine

where rough heels

used to be,

ghosts of cal­lus­es that come

with hard work

and thin-soled shoes.

 

The med­i­cine burns

my gnawed-up nails.

The effort of her smile is the part

that tin­gles.

You’ve got Pap’s hands,”

a bless­ing,

All palm and no fingers.”

 

Misty Marie Rae Skag­gs, 30, is a two-time col­lege drop-out who cur­rent­ly resides on her Mamaw's couch in a trail­er at the end of a grav­el road in East­ern Ken­tucky. Her work has been pub­lished here on fried​chick​e​nand​cof​fee​.com as well as in print jour­nals such as New Madrid, Pine Moun­tain Sand & Grav­el, Lime­stone and Inscape. On June 9th, she will be read­ing her poems on the radio as part of the Seed­time on the Cum­ber­land Fes­ti­val. When she isn't bak­ing straw­ber­ry pies and tend­ing the back­yard toma­to gar­den, she spends her time read­ing and writ­ing damned near obses­sive­ly in the back porch "office" space she is cur­rent­ly shar­ing with ten kittens.

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The Stray Cat, fiction by CL Bledsoe

Joey had been suc­cess­ful­ly dodg­ing Tom­my, who’d had been tweaked out on home­made meth for near­ly a week, until Tom­my decid­ed he’d had enough of the stray cat nos­ing around the house. So he told Joey to leave some tuna out for it and, when the scrawny thing got full, catch it and bring it to him. Joey thought maybe Tom­my was going to drown it or wring its neck.

            He took sev­er­al bites from the tuna, left a lit­tle in the can out by the front door, and hunched down inside the screened-in porch a few feet away, slap­ping at mos­qui­toes, and thought about school start­ing back up in a cou­ple days. He missed the cafe­te­ria. As long as you didn’t attract atten­tion, some of the kids were okay. He had a cou­ple buddies.

            He heard a rustling and sat still. A mos­qui­to land­ed on his arm. He could feel the sharp itch as it drew blood. It was dark out­side, but he could see a shape and hear the tuna can scrape against the bro­ken stones that used to be a kind of walk­way up to the house. He lis­tened to the thing eat and jerked to his feet when he real­ized it might not even be the cat—it could be a coon or a pos­sum. He moved to the door and sud­den­ly heard the sound of the thing purring. He was pret­ty sure coons didn’t purr.

            Joey knelt and put his hand through a hole in the screen. His fin­gers smelled like tuna—he was a lit­tle afraid the cat might mis­take his hand for dessert—so he kept them balled into a fist. At first, the cat went qui­et, but in a moment, it brushed ten­ta­tive­ly against his hand.

             Joey could feel the cat’s bones through its thin skin. He brought it into the liv­ing room and sat on the floor with it so Tom­my wouldn’t yell at him about hav­ing it on the tat­tered, bro­ken couch.

            “What’s that?” his sis­ter Chy­na asked. She came down the stairs and stood in front of Joey.

            “Cat,” he said.

            “Bet­ter get it out of here before Tom­my sees it.” She put a hand on its head and smoothed its fur. It purred.

            “Tom­my wants it.”

            “Oh,” she looked wor­ried. “What for?”

            “Don’t know.” He shrugged.

            “Don’t let him have it.”

            “Okay,” he said.

            “I’m seri­ous. Joey.” She stared in his eyes.

            “Okay.” He looked away.

            She put her hand on his arm. “Real­ly. Just let it go. He’ll nev­er know.”

            Joey scoffed. “Sure.”

            Chy­na was qui­et. She pet­ted it some more. Joey set the cat down on its back and rubbed its stom­ach. It purred loudly.

            Both broth­er and sis­ter jumped as the bed­room door slammed open. Chy­na stepped in front of the cat and tried to block Tommy’s view of it as he stalked into the liv­ing room.

            “What’s that behind you?” he asked.

             Tom­my took the cat by the scruff of its neck out­side to the shed. He told Joey to go get the gas can from the back of Tommy’s truck. Chy­na came out to watch. Tom­my doused the cat with gas. It shrieked loud and twist­ed to plant a claw in Tommy’s arm. He cursed and held it out. He pulled his lighter out and lit it. Chy­na clapped her hands over her mouth as the cat screamed. Tom­my let it go, and it ran—a fiery dart—back into the house and plant­ed itself under the couch. Tom­my cursed again and ran in after it. Smoke was already pour­ing out the front door. Joey went in to see the couch in flames, the flames spread­ing up the walls.

            “Get that TV out of here,” Tom­my yelled as he ran out with an arm­ful of valu­ables. Joey and Chy­na ran into the open door of the mas­ter bed­room and found their moth­er, still asleep, and dragged her out into the grass.

            “Quit wast­ing time with that old skank,” Tom­my yelled. He ran back in and came out with clothes and his records.

            Joey and Chy­na roused their mom and explained what was happening.

            “You damned idiot,” she said as he ran out with anoth­er load of records. He back­hand­ed her and turned back to the house, which was blaz­ing, now.

            “Tom­my,” Joey said. Tom­my turned on him with his hand raised. Joey point­ed. The eave above the door—already sag­ging for as long as Joey could remem­ber was ablaze and falling.

            “God damned cat,” Tom­my said.

 ***

            They went to a motel for the night—Tommy and Joey’s moth­er in the bed, Joey and Chy­na in the back­seat of Tommy’s car. The next morn­ing, when Joey knocked on the door to ask to use the bath­room, he over­heard Tom­my on the phone with Joey’s grand­moth­er, who owned the house.

            “I couldn’t call the damn fire depart­ment because the damn phone was on fire,” he was say­ing. “I don’t know how it start­ed. Prob­a­bly the wiring. That thing was a death-trap for years. If you weren’t so stingy…” He put the phone away from his ear and noticed Joey. He made a fist at the boy. Joey went back out­side and walked out into a field near the motel to pee.

           ***

            Joey’s grand­moth­er showed up lat­er from Parkin. She pulled up to the room and waved Joey and Cyna over to her car, a steel whale paint­ed an insti­tu­tion­al green.

            “Are you chil­dren hun­gry?” she asked.

            “Yes, ma’am,” Chy­na said.

            She waved them into the front seat and took them to McDonald’s. As they were order­ing, Joey asked if they could get some­thing for Tommy.

            “He can get his own,” Grand­moth­er said.

            Joey start­ed to say that Tom­my would get mad, but Chy­na squeezed his hand to shoosh him.

            Back at the motel, Grand­moth­er left the kids in her car while she went in.

            “What do you think they’re talk­ing about?” Joey asked.

            “She’s tear­ing them a new one.” Chy­na stared at the door with a sullen look.

            After a half-hour or so, their grand­moth­er came back out. The kids’ moth­er stood in the door­way watch­ing as she got back in the car.

            “How would you chil­dren like to come stay with me for a lit­tle while?”

            “Thank you,” they both said.

             She stopped at Wal Mart and bought them new clothes. While she was look­ing for shoes for Joey, she noticed his were duct-taped.

            “What hap­pened to your shoes?”

            He shrugged. “The bot­tom was com­ing off so I fixed them.”

            She got them five out­fits each and shoes. She bought them back­packs, paper, and pen­cils. They put their bags in the car, and Grand­moth­er showed the kids the receipt. “I just spent near­ly two hun­dred dol­lars on you kids,” she said.

            “Thank you,” they both said.

            “’Thank-you’ don’t pay the bills.”

 ***

            When they got to her house, she put them to work mow­ing and rak­ing leaves. They gath­ered up fall­en branch­es and weed­ed her plants in the front of the house. Joey had to climb up on a rick­ety lad­der and clean out the gut­ters. By the time they fin­ished all the chores she’d list­ed for them in her close hand­writ­ing, it was late after­noon. Joey knocked on the door, and Grand­moth­er sent him around back. She made them both undress and rinsed the mud and detri­tus off with the gar­den hose and gave them tow­els. They dried off and stood in their tow­els in the entry­way, shiv­er­ing. She gave them each a set of clothes, and they dressed.

            “Min­i­mum wage is three-twen­ty-five per hour,” she said. “You two worked for four hours. Can either of you tell me how much you earned?”

            Joey raised his hand.

            “Minus room and board expens­es,” she added.

            Joey low­ered his hand.

             They ate ear­ly, and when they fin­ished, the kids cleaned up. “May we watch tele­vi­sion?” Joey asked.

            “I don’t like tele­vi­sion,” Grand­moth­er said.

            She sent them to bed early.

            “May we read?” Joey asked.

            “All right.”

            They searched through the house. Chy­na found a Read­ers Digest Con­densed book called Dark Desires. Joey found a paper­back Tom Clan­cy nov­el behind a book­case. They sat in their beds on top of the cov­ers, afraid to wrin­kle the sheets. Joey woke from Chy­na shak­ing him.

            “You were cry­ing in your sleep.”

            “Dream­ing about that cat,” he said.

            They sat up read­ing their books for the rest of the night.

 ***

            The next morn­ing, when they came down to break­fast, Grand­moth­er had anoth­er list of chores. They spent the day clean­ing and repair­ing things around the house. For lunch, they had soup from a can that she mixed with two cans’ worth of water and had them share. For sup­per, they ate pas­ta with a thin sauce that hard­ly stained the noo­dles. They were in bed by dark and Grand­moth­er came and knocked on their door. They quick­ly turned their lights out. She opened the door and said, “Hap­py New Year!”

            “Thank you,” they both said.

            When she closed the door, Chy­na spoke: “I miss mom,” she said.

            “I don’t,” Joey said.

            “We could run away.”

            “Where would we go?”

            “Back to Crowley’s Ridge.”

            “Hell, why both­er?” They were both quiet.

 ***

            The next day, they went into town to watch a parade. She gave them the rest of the after­noon off, and they searched the house again for more books. The fol­low­ing day, they begged a ride to the library.

            “I’m going to have to deduct the gas mon­ey from your chores,” Grand­moth­er said.

            They start­ed school the next day. Grand­moth­er drove them into Crowley’s Ridge and dropped them off. Joey col­lect­ed his first black eye, and Chy­na got into a shov­ing match with anoth­er girl. At lunch time, they were called to the office. Their mom was stand­ing by the principal’s office. Chy­na gave her a silent hug. Their moth­er stepped back and looked at them.

            “You guys look good. What hap­pened to your hands?” She fin­gered the blis­ters on Chyna’s palms.

            “Grand­moth­er made us do chores.”

            “Nothing’s free with your grandmother.”

            “Where’s Tom­my?” Joey asked.

            “At the house,” his mom said.

            They drove out to the house at Hunter’s Rest, a one-time resort com­mu­ni­ty that sat, now, on a stag­nant pond. Drunk­en fish­er­men threw lines in the green water and pulled out a gar now and then. They passed the gate and turned in to the dirt track that led to the remains of the house, which sat, sur­pris­ing­ly to Joey, just like it had before—sagging and weath­er­worn, except now, it had a black­ened hole burnt in the roof. She pulled up to the house, got out, and went to the work­shop off to the side and slid the alu­minum door up. Tom­my was inside, sleep­ing on a mat­tress on the cement floor. As soon as they slid the door up, he start­ed cursing.

            “The old bat give you any mon­ey?” He asked.

            “She’s mak­ing us pay off our debt for room and board,” Chy­na said.

            “And she bought—“ Joey began, but Chy­na nudged him silent.

            “What’d she buy?” Tom­my said.

            “Gas. She made us pay back the gas mon­ey she spent tak­ing us to school,” Chy­na said quickly.

            Tom­my laughed. “Find any­thing valu­able in her house?”

            “No sir,” Joey said. “She doesn’t even have a TV.’

            Tom­my laughed again. “Stingy old bat.”

            Tom­my had a TV hooked up to rab­bit ears on a chair. The kids sat on the hard con­crete and watched it while he and their moth­er talked out­side. When they came back in, the kids’ mom asked if they were hun­gry. They went and got in the car and she took them back to school.

            After they’d cleaned her entire house and fixed every­thing that need­ed fix­ing, and by their reck­on­ing paid her back with inter­est, Grand­moth­er lost patience with the chil­dren. She snapped at them con­stant­ly, for their looks, for their smells, for every rea­son she could think of, and when­ev­er she ran out of rea­sons, she would sim­ply pinch them when­ev­er they strayed too close.

            “My freezer’s emp­ty,” she com­plained. It was true, the day before, she’d thawed a cake she’d frozen three years pri­or, accord­ing to the date. She refused to let them leave the table until they each fin­ished a slice and then com­plained about their gluttony.

            They decid­ed to sneak away dur­ing school and return to their own home. When Grand­moth­er dropped them off, they went inside, wait­ed a few min­utes, and left. They walked over to Wal-Mart, just cat­ty-cor­ner from the junior high school, and then made their way through neigh­bor­hoods and back streets east, gen­er­al­ly fol­low­ing high­way 64, until they made it the few miles out to Hunter’s Rest. The gate was open, and they found the house as it had been. Their mom’s car wasn’t there, though, and when they knocked on the shed door, no one answered. It was chained closed, so they couldn’t inves­ti­gate. They went inside the burnt house and wait­ed, mak­ing them­selves as com­fort­able as they could.

            Oth­er than the liv­ing room, which was soot-stained with a hole in the ceil­ing, the house was much the same. They dragged the charred fur­ni­ture out and went upstairs to their old room. Their things were still there, though they reeked of smoke.

            They wait­ed out the rest of the day and that night. It got chilly inside because of the hole in the roof, but they hud­dled under blan­kets and toughed it out; nei­ther of them could sleep any­way because of the dreams about the cat and Tom­my. When no one came the next day, they hiked back into town and spent all the mon­ey they scav­enged from their com­bined sav­ings on food. The kids car­ried their bags back out to the house, jok­ing and laugh­ing for the first time since they could remember.

            After they ate, Chy­na went next door to a neighbor’s to bor­row the phone. She called Grand­moth­er and told her they were stay­ing with their mom again and that she’d kicked Tom­my out. They broke into the shed and found an exten­sion cord and ran it to the house to pow­er the TV.

            They lived like that for six months. Joey got a job in town at Piz­za House and Chy­na got a job deliv­er­ing papers. They spread a tarp over the roof and fixed as much as they could. When they plugged the phone back in, they dis­cov­ered that it worked, but it only ever rang when the school called about them being absent, so they unplugged it again.

            Then, one day, they heard noise out­side. Tom­my and their moth­er pulled up in an 18-wheel­er. They’d been dri­ving cross coun­try all this time.

            “Piss-poor job on the roof,” was all Tom­my said. He and the kids’ mom reclaimed their old bedroom.

            “Maybe we should go back to Grandmother’s,” Joey said.

            “Let me think about it,” Chy­na said. Joey sat beside her, qui­et, while she stared straight ahead.

             The next day, Chy­na and Joey rode their bikes into town to the near­est payphone.

            “School’s good,” Chy­na said in answer to her grandmother’s first ques­tion. “Mom’s see­ing Tom­my again. He moved back into the house.” She spent the rest of the call talk­ing about her job and how she hoped to move up to shift man­ag­er by sum­mer. They stayed in town for a while and rode back out to the house in time to see the end of the bat­tle. Grand­moth­er stood by the door­way while Tom­my loaded his car. The kids’ moth­er sat by the shed, smok­ing a cig­a­rette. Chy­na went up to her.

            “Mom, if you ever cared about being a good moth­er to us, don’t go with him right now. Go and meet him lat­er when Grandmother’s gone. Do it for us.”

            Her moth­er sat, stunned, as Chy­na turned and walked away.

   ***

            Grand­moth­er watched Tom­my leave. She went to the kids’ moth­er and lec­tured her at length while the kids watched. Final­ly, her daugh­ter in tears, Grand­moth­er left. The kids went over to their moth­er. She looked up at them and smiled through her tears.

            “You can go, now,” Chy­na said.

            Their mother’s face dropped, and the kids went inside the remains of the house.

CL Bled­soe is the author of the young adult nov­el Sun­light; three poet­ry col­lec­tions, _____(Want/Need), Anthem, and Leap Year; and a short sto­ry col­lec­tion called Nam­ing the Ani­mals. A poet­ry chap­book, Good­bye to Noise, is avail­able online at www​.righthand​point​ing​.com/​b​l​e​d​soe. Anoth­er, The Man Who Killed Him­self in My Bath­room, is avail­able at http://​ten​page​spress​.word​press​.com/​2​0​1​1​/​0​8​/​0​1​/​t​h​e​-​m​a​n​-​w​h​o​-​k​i​l​l​e​d​-​h​i​m​s​e​l​f​-​i​n​-​m​y​-​b​a​t​h​r​o​o​m​-​b​y​-​c​l​-​b​l​e​d​s​oe/. His sto­ry, "Leav­ing the Gar­den," was select­ed as a Notable Sto­ry of 2008 for Sto­ry South's Mil­lion Writer's Award. He’s been nom­i­nat­ed for the Push­cart Prize 5 times. He blogs at Mur­der Your Dar­lings, http://​clbled​soe​.blogspot​.com Bled­soe has writ­ten reviews for The Hollins Crit­ic, The Arkansas Review, Amer­i­can Book Review, Prick of the Spin­dle, The Pedestal Mag­a­zine, and else­where. Bled­soe lives with his wife and daugh­ter in Maryland.

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Poems by Mather Schneider

FIRST HUNT

The first night I had my driver’s license
I drank a 6 pack and bor­rowed my mother’s car.

I turned the head­lights on, backed out
and was about a half mile down the road

when I had a col­li­sion with a big deer.
He slid onto the hood as I hit the brakes

and when I skid­ded to a halt
he scram­bled down and ran off,

leav­ing me with a bro­ken light,
some blood on the paint, fur in the grill,

star­ing into the woods on a dark coun­try road,
not a scrap of meat for my trou­bled mother.

MY GOTH GIRLFRIEND

In the ceme­tery shadows
she pushed me against somebody’s grandpa’s
grave stone,

knelt in the excelsior
of the pine mulch
and showed me

that god walked the earth.
Death’s rock etched my back
as I fought but

lost myself
into the wet vel­vet corridor
of her throat.

My balls howled and a dark angel
clung to my leg.
Slow­ly the moon pulled

itself back together.
Not fifty feet away
beyond the flim­sy border

of bougainvil­lea
rushed the insane traffic
of lost souls.

 

I was born in Peo­ria, Illi­nois in 1970 and have lived in Tuc­son, Ari­zona for the past 14 years. I love it here, love the desert, love the Mex­i­can cul­ture (most of it), and I love the heat. I have one full-length book of poet­ry out called DROUGHT RESISTANT STRAIN by Inte­ri­or Noise Press and anoth­er called HE TOOK A CAB from New York Quar­ter­ly Press. I have had over 500 poems and sto­ries pub­lished since 1993 and I am cur­rent­ly work­ing on a book of prose.

http://​www​.nyq​books​.org/​a​u​t​h​o​r​/​m​a​t​h​e​r​s​c​h​n​e​i​der

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NASCAR, poem by Perry Higman

NASCAR (Penn­syl­va­nia 500  at POCONO, July, 1998)

To:   Gov­er­nor Tom  Ridge of Penn­syl­va­nia, giv­ing  a guest politician's dull monot­o­ne deliv­ery of the com­mand, "Gen­tle­men, — start — your  —  engines," at the start ofthe Penn­syl­va­nia 500  at Pocono –

From:   the young  freck­le-shoul­dered man on my right, wear­ing an old black Dar­rell  Wal­trip tank top, hold­ing his sec­ond  half-quart of Bud –

"He just doesn't fuck­ing get it, does he."

 

 

It's a gath­er­ing of Amer­i­cans from New York,

Boston, Rochester and

the South,

an uncount­able crowd

of over one hun­dred  thou­sand, come to celebrate

the thrill of free­dom we feel in work­ing, sav­ing up

for a car,

set­tling into the seat and sens­ing the weight of dri­ving  a steady 70, tank after tank of gas, across the country

on the Eisenhower

Inter­state System.

 

 

We come in a broth­er­hood and sisterhood

of things we know how to use

every  day –

 

tobac­co, beer, fur­ni­ture, guns, can­dy, pop

and soap –

gas, oil, Ford, Pon­ti­ac, and Chevrolet.

 

 

And we come to worship

our gods

of the open road — Dick, Dar­rell, Jeff, Dale, John, Bill, Jim­mie and Rusty, Ken­ny and Mike — who, like us,

have the same names,

and who, like us,

come from home­towns no one

out­side the fam­i­ly has ever heard of –

Chemu­ng, Kan­napo­lis, Huey­town, Batesville, Owens­boro,  Pitts­boro, Spanaway, Dawsonville,

Fen­ton and Randleman.

 

 

We come

in a uni­form of caps, and T‑shirts

to sing

with the soul

of the full-bod­ied Amer­i­can car­bu­rat­ed V8, and to hoist

our rebel civilization

up to the whole world's broad sky,

 

and we flip the fin­ger to sissy

com­put­er-enhanced

thrills

and to those who

just don't under­stand the tradition

of out­run­ning the law.

 

 

We come to cel­e­brate our country's ways — R and D in a smudged spi­ral notebook,

Ter­ry  and Bobby's proud mother

sign­ing her auto­graph in the pits,

and men

great enough

to thank the Lord for winning

a race and then dance destruction

into the roof

their car.

 

 

NASCAR rac­ing

is the com­mon  poet­ry of hard­work­ing America's

indus­tri­al and cor­po­rate roar, that lets

each of us live the tin­gling thrill of being one

in a riv­er of many, swirling around togeth­er with deaf­en­ing power.

 

I have led a long, charmed life – par­ents who gave me free­dom and a love for wide open spaces, a won­der­ful job where they let me do what I want­ed as long as I did it well, good grown-up kids I keep learn­ing from, a fine wife and a few good friends who've helped me become me through many sad and hap­py times.

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