Michigan Seems Like a Dream To Me Now, poem by Dennis Mahagin

From Cor­val­lis to Far­mville, the Kesey novel
steepled my kneecap, while a girl named Kathy
chat­ted me across the Grey­hound aisle,
out of kind­ness, curios­i­ty, spring

fever or pity. And the piebald bovines
in their green­ery, stand­ing still yet rushing
past Tillam­ook where steamy slush hung on
the mud flaps chunky as gorgonzola.

Kathy, such a wan­ton brown-eyed smart ass
from OSU asked me if I ever missed my youth,
or else took it lov­ing­ly in fell swoop
like Julio down by the schoolyard;

I thought of Ken Kesey, by way of rejoinder,
how his great­est Notion took only nine­teen days
to write, day and night, under the influence
of mush­rooms, cow pat­ty, string cheese theory.

Yet poor Ken­neth, all done with courting
the Muse by thir­ty one, and that Prankster quote
about "Are you on the bus?" nev­er real­ly spoke
to my Ore­gon, as did Paul Simon. "Kathy," I said,

"hand me a Botox?" though she knew I was
teas­ing, cam­era shy and lost for­ev­er in the
fon­due of her eyes; the bus dri­ver in rear view
which nev­er did belong there mir­ror (oh, he

knew! He knew, too!) was every

Neal Cas­sady in hon­ey-col­ored shades, humming
shame­less­ly, seam­less­ly with a gonzo uni­ver­sal joint.
"DAIRY ALERT!" he said, "dead ahead, dead
to right…"

Tum­bling, in the ruts.

Den­nis Mahagin's poems and sto­ries have appeared in jour­nals such as Smoke­long Quar­ter­ly, Exquis­ite Corpse, 42opus, 3 A.M.,  Sto­ry­glos­sia, Key­hole, Slow Trains and many oth­ers. Den­nis also edits fic­tion and poet­ry at the sem­i­nal elec­tric zine called FRiGG.His blog is locat­ed here:  http://​fouhourhardon​.blogspot​.com.

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Della, fiction by Jarrid Deaton

Dan says he’s get­ting tired of me talk­ing in my sleep. Says I mum­ble like a child and toss and turn, flail my arms. What I see is the inside of the school bus. I see forty kids laugh­ing. Then the bus tilts and the laugh­ter stops. Water rush­es in like a bib­li­cal down­pour and every­thing goes murky brown. My son, Samuel, is there. Samuel swal­lows water. He gulps it down like maybe that’s the only way he can save him­self. The last vision I always have is the bot­tom of his boots sucked out a win­dow like he weighs noth­ing at all, my nine-year-old son van­ish­ing into a swirl of mud­dy water.

It’s been almost a year since it hap­pened. One year and Dan thinks I should let it go.

Mis­ery ain’t but ankle deep, Del­la,” he tells me. “We’ve done our mourning.”

Thing is, Samuel doesn’t whis­per to him. He doesn’t cry and tell him to come visit.

My hus­band doesn’t feel the water rush­ing around his body. Samuel doesn’t talk to him.

He talks to me.

It had been rain­ing hard for around a week when the wreck hap­pened. The deputy for the sheriff’s office told me what he knew. He said Hank Don­alds, who owns the junk shop about five miles up the road, slowed down to look at an old Ply­mouth down in the ditch.

That’s when the school bus came around the curve.

I sus­pect the dri­ver didn’t see him in time, and he hit the back of Hank’s truck,” the deputy told us that morn­ing. “Then he must have pan­icked, swerved across the road, and went over the embank­ment into the river.”

I just sat down on the floor right in the door­way when he told me. Dan, first thing he did was ask if they had found Samuel’s body.

Coro­ner ain’t made any iden­ti­fi­ca­tions yet. They have thir­ty-six bod­ies down at the Nation­al Guard Armory. Reck­on they’re gonna use that for the time being.”

Dan sniffed twice, said, “I’ll dri­ve out there. Watch her for a spell, will you?”

I just kept sit­ting there. Every­thing they said sound­ed muf­fled like my ears were plugged up. I couldn’t hear the radio sit­ting on the desk near the door. It had been play­ing “Blue Boy” by Jim Reeves when the deputy knocked. The rain had blown in on me and the bot­tom of my dress was soaked. My eyes stayed fixed on the mud­dy dri­ve­way. The tire tracks from Dan’s truck had cut raised grooves in the wet ground.

The deputy tried to get me back inside, but I wouldn’t budge. Dan end­ed up com­ing home and going back to the riv­er sev­en times. I didn’t go. He only told me once that the searchers hadn’t found Samuel. They nev­er did.

That night, after a failed fight to sleep, I turned over to see noth­ing­ness beside me.

Dan wasn’t in bed. His side was cold and the glass of water he always brought with him to drink and then drop cig­a­rette butts in wasn’t on the night stand.

I got up and walked through the house, still in a sleep fog and filled with sadness.

He stood in the liv­ing room look­ing out the rain-wet win­dow. His eyes faced the creek, but it was too dark out to see any­thing. He tilt­ed his head a lit­tle as I came up behind him.

My Ma, when I was a kid, she told me that one peb­ble can change a whole pud­dle,” he said, and I reached up to put my hand on his shoul­der. He tensed up more. “A car in the ditch start­ed it, then a junk truck, then a curve, then the riv­er. One small thing and it’s all torn away.”

That night was the last time he talked about it on his own with­out try­ing to com­fort me or get me to hush.

A cou­ple of weeks lat­er when I could final­ly bring myself to form words about it, I talked to some fel­low out of Frank­fort who came all the way to Giv­en to inves­ti­gate the accident.

I’m not sure you want to hear all of this,” he told me. I felt light­head­ed when he start­ed to talk. I didn’t make him stop. Not once.

He told me that they only found the bus because they saw a body. The body was stuck in the win­dow of the bus. When they were able to get the bus to land, they saw legs and arms stick­ing out of the mud that had filled up the inside. All those lit­tle arms and legs, stuck in the dark mud, reach­ing up for some­thing – their par­ents, God, an escape.

Samuel wasn’t there.

The cold clutch of the mud didn’t claim him. The water and its wild cur­rent did.The Frank­fort man told me this wasn’t just the worst school bus acci­dent in Kentucky

his­to­ry. He said it was the worst in the nation. He told me how every­body was mak­ing sug­ges­tions on how to find the body. Some peo­ple said that dyna­mite should be put in the riv­er. They said that fir­ing a can­non over the water would make a body float to the sur­face. They said a forked tree limb with a bird’s nest on the end would lead to the loca­tion of some­one that drowned. It was all super­sti­tion. Samuel was gone.

A lit­tle over half a year lat­er, ‘59, Samuel start­ed talk­ing to me. I had just start­ed a bath and was tak­ing my hair down, lean­ing back in the tub, when he whis­pered above the light lap­ping of the warm water.

Mama, I miss you. I don’t know where I am.

Dan had to pull me out of the bath. I don’t know how much time had passed. He said I must have slipped and hit my head.

Lucky your fool self didn’t drown,” he said, brush­ing the wet hair from my face.

Samuel has been talk­ing to me a lot more this year. He wants me to come to the riv­er and see him. Says he will lead me to where he is.

Dad don’t need to come this time. You can vis­it when he leaves.

Dan is head­ing out today, cart­ing cat­tle up to Indi­ana. That’s all he has been doing since Samuel went away. Tak­ing care of the cows and pigs. Giv­ing them all the atten­tion in the world. Keeps his mind off things. I can’t right­ly help him, I guess. He hasn’t touched me with affec­tion since the deputy paid us that vis­it a year ago. I guess he’s afraid I’ll get with child and the whole griev­ing process will start over again. I had Samuel when I was twen­ty-three. Even then, when Dan was thir­ty-five, he looked and felt fifty. Work­ing stooped in the sun had tak­en its toll on him, but rais­ing Samuel turned his cal­en­dar back to spring for all of those nine years. Dan says he’s too old now, any­way, too old to have any­thing to offer a child just com­ing into this world.

***

The sum­mer before Samuel was lost to us, Dan taught him how to care for the livestock.

On the hottest day I ever remem­ber step­ping into, I took them iced tea and a cou­ple of bacon and toma­to sand­wich­es. They were sit­ting on the fence that start­ed at the cor­ner of the barn and ran along about ten feet away from the creek. Samuel was watch­ing the cows as they swat­ted tails at the flies that swarmed their flanks.

The hot­ter it gets the more water them cows will swal­low down,” Dan said to him. “Sam, ain’t nobody wants a dried-out cow.”

Samuel laughed and reached for the glass of tea.

See, they get all sick from the heat and then they won’t eat,” Dan said, and took a bite of the sand­wich. “You want ‘em to grow, you keep plen­ty of cool water around.”

How about tea?” Samuel asked, and Dan gave him a lit­tle push that sent him off the fence and into a pile of hay.

I see him falling, arms and legs flail­ing and kick­ing in the air. My mem­o­ry becomes blur­ry and every­thing turns brown. Samuel stays in the air, but the smile is gone from his face. His mouth is open, his eyes are wide. The hay blows around him in the brown air, then every­thing starts mov­ing again and Samuel hits the ground, flap­ping his arms at his side, the smile back on his face. He laughs and laughs.

Can you reach me my glass, Mama?” Samuel asked.

We were all laugh­ing while the sun scorched us. That was our last sum­mer with Samuel.

***

I walk into the bed­room as Dan’s get­ting a cou­ple of coats out of the closet.

I might be gone for a cou­ple of weeks,” he says. “Me and Roger Var­ney are going to the auc­tion while we are up there. Thing runs around a week or longer. Saw Al Finch down at the store yes­ter­day. He told me they have pret­ty good deals on steers. I nev­er thought that old sor­row soak­er would leave his house, let alone get up to Indiana.”

He used to live there, I think,” I say. I think about Finch. I know why he seems swollen with sor­row, but I could nev­er bring myself to tell Dan.

He puts one boot on and reach­es for the oth­er, look­ing up at me.

I don’t like leav­ing you here by your­self, but you nev­er was much on long trips,” he says. He slides the oth­er boot on, stands up, and stomps his feet on the floor. He walks over to me and wraps his arms around my waist. I think he’s going to kiss me. It’s been so long. But he just squeezes a lit­tle and pulls away like he didn’t mean for the hug to hap­pen. His but­ton-up flan­nel shirt smells like Old Spice and farm sweat. I want to bury my face in it, to have him real­ly hold me again. I start to reach for him but my arms go limp at my sides.

I’m going to run down to the store and get some extra feed. Bai­ley Parker’s boy said he would take care of the hogs and cows while I was gone,” he says. “Keep an eye on him, though. He might try and steal us blind.”

Do you want me to fix sup­per before you leave?” I ask.

Naw,” he says. “I’ll just pick up a cou­ple sand­wich­es at the store while I’m there. I’ll prob­a­bly head on out once I put the feed in the barn.”

All right,” I say.

You get too lone­ly and you call your sis­ter,” he says. “Get her to come over and spend a cou­ple of nights. Maybe even get her to help clean house.”

All right,” I say.

He walks over to the dress­er mir­ror and runs a comb through his thick, gray-brown hair.

I’m gone,” he says, nod­ding at me. He stands for maybe a sec­ond and then swings open the screen door and van­ish­es around the cor­ner of the house to where his truck and trail­er sit. I lis­ten for a minute before I hear the engine rum­ble to life. A cou­ple of the cows make ques­tion­ing moos as he backs out of the dri­ve­way and starts down the road.

I go over to the clos­et and get out the broom and dust­pan. I just hold them for a while and look out the screen door, watch the clouds. They scoot fast across the sky like they have some­where to be. Some of them are going black, fill­ing up with water. I put down the dust­pan and sweep.

I’m still sweep­ing through the silence of the house when I hear the truck dri­ve up to the barn. Pulling back the cur­tain gives me a view of Dan with­out him being able to see me. He has two sacks of feed, one on each shoul­der. He walks in the barn and comes back out in a few sec­onds. Lean­ing against the door, he lights a cig­a­rette and stares down the road that leads to our house. His gaze stays fixed for a few min­utes, then he glances at his watch, looks up at the sky, and stubs the still smok­ing cig­a­rette under the heel of his boot. He doesn’t look back at the house. Open­ing the door to the truck, he climbs in. He hadn’t shut off the engine. He turns around, care­ful to mind the trail­er, and pulls away.

I put the broom away and get a glass of water, drink it down in a cou­ple of gulps. I get my nerves about me and walk to Samuel’s room. We haven’t changed a thing in it. Dan want­ed to put things in stor­age, but I just couldn’t do it. This was Samuel’s room, and it will always be his. Dan doesn’t come in here. I only do it when he’s gone. He thinks it’s bad for me to look at Samuel’s things and think about the way things were. The bed’s neat and made, sheets and quilt tucked tight by his own hands that morn­ing he left for school. A char­coal draw­ing set sits at an angle on his desk along with a half-fin­ished draw­ing of a cow­boy. A com­ic book, Zane Grey's Sto­ries of the West, has fall­en off the dress­er. The house shakes some­times from the blast­ing at the mines. It prob­a­bly jarred it to the floor. Samuel wouldn’t have left it there. I kneel down at the foot of his bed and thrust my hands under it, com­ing back with an album of photographs.

I open the album and every­thing starts to move in my head. The pic­tures come to life as I look at them and close my eyes, let­ting the images flood my mind.

Samuel comes run­ning from the creek hold­ing a snap­ping tur­tle by the tail. His wet-straw hair drip­ping on his fore­head, streaks of mud on his legs.

It ‘bout drug me in!” he says, out of breath.

Lord, you’re a mess,” I say.

Dan comes out of the house with the cam­era that his Uncle Paul lent him.

Boy, I told you to catch us some fish for sup­per, not rep­tiles,” he says, and starts laughing.

I caught him with bacon,” Samuel says. “ Couldn’t find no worms to fish with. Birds must’ve got all of ‘em.”

You mean you took good bacon from the freez­er and it end­ed up in that dirty old creek?” I say, half-sternly.

The tur­tle snaps at me, and Samuel smiles.

He ain’t going nowhere, Mama,” he says, show­ing his grip on the tail.

Want me to clean it and have your mama fry it up for sup­per?” Dan asks.

I don’t think so,” Samuel says. “I’m going to take him back.”

Well, don’t fall in this time,” I say. “You’re already going to have to scrub with a wire brush.”

Samuel snick­ers and streaks away.

Let’s go swim­ming,” he yells.

You know your mama can’t swim,” I yell after him.

You can learn,” he says, van­ish­ing down the embank­ment to the creek.

I open my eyes again and real­ize I’ve been cry­ing. The buildup of tears make tracks down my face and into my mouth.

I miss you, Mama.

The day before Samuel was gone for­ev­er, I had to spank him. It wasn’t the first time, and I remem­ber think­ing it wouldn’t come close to being the last, but it sticks with me. I hope he for­gave me before he went to sleep that night.

I was out­side fill­ing the cow trough with water. The trough was nailed to the old fence to keep them from tip­ping it over, so I was just leaned over the fence and dumped the water in to keep from hav­ing to get in the pen with them because it was pret­ty mud­dy. I leaned over with the last buck­et of water when some­thing hit me from behind and I flipped over the fence and half of me land­ed in the trough. My legs sprawled out in the­mud. Wip­ing the water from my eyes, I saw Samuel laugh­ing. I got so mad that I jumped up and came straight back over the fence, grab­bing him by his shoulder.

That wasn’t fun­ny,” I yelled, and spanked him hard with my hand.

It was just a joke,” he said, tears already streaming.

I slapped his bot­tom again, hard­er this time.

It was just a joke!” he yelled, and I swat­ted him again.

You don’t raise your voice at your moth­er!” I screamed.

I didn’t let him lis­ten to the radio that night, or read one of his cow­boys and Indi­ans comics. I made him go straight to bed.

It was just a joke, Mama.

***

I slide the album back under the bed and stand up too fast. I stag­ger a lit­tle and final­ly regain my bal­ance. Now’s the time to go. If I walk down to the store, then maybe I can get Jeff or Rita to give me a ride. They used to give me and Samuel rides into town when Dan was gone on his trips. The store is only about a fif­teen-minute walk from here. My legs are strong. We used to walk down there almost every day. I would buy him a Coca-Cola even though I knew it wasn’t good for him. I real­ize I’m cry­ing again and decide to get going while I can.

It doesn’t take me long to get to The Hitch­ing Post where they sell farm sup­plies and a few gro­ceries. The only car parked out­side is an old Ply­mouth that belongs to Albert Finch. Finch just moved to town a cou­ple of months before Samuel went away. He has fam­i­ly around these parts, so he came to town quite often before decid­ing to move here. He keeps to him­self for the most part, but he’s always been nice to me. Even bought a cou­ple of hogs off Dan last sum­mer when things were a lit­tle tight for us. I walk in the store, and Albert is sit­ting on a wob­bly barstool wolf­ing down a sand­wich. He has an unlit pipe in one hand and the quick­ly van­ish­ing sand­wich in the oth­er. He’s wear­ing a suit, wrin­kled, and the knees of the pants are dirty. A felt hat rests on his lap. His hair’s white and slicked to his head. I watch his mus­tache move up and down as he chews. I look around, but nobody else is in the store. I know that Albert has to take me to the river.

I know, and, deep down, I think Albert knows. I know because of what Hank Don­alds told me two months after the accident.

It was old Al Finch that I had to pull out of the ditch,” Hank told me. “He said a box of books slid out of the seat and he tried to catch them. Caused him to run off the road. Don’t reck­on he will ever be the same. He’s tak­ing it hard, Della.”

Watch­ing Finch, I feel no anger toward him. He’s just part of it all, like me and Samuel.

How’re you, Del­la?” he asks, turn­ing around when the bell at the top of the door starts tinkling.

I’m fine, Mr. Finch,” I say. “I was won­der­ing if you would mind much about giv­ing me a ride out to the river.”

I wouldn’t mind,” he says. “But I must say I’m a lit­tle curi­ous. It’s get­ting dark.”

You know already,” I say.

I sus­pect I do,” he says. “But I don’t like to take every­thing I hear to heart.”

Chances are you heard right in my case,” I say.

Peo­ple around here start­ed talk­ing not long after the acci­dent. They made note of each time I didn’t come to town with Dan. My sis­ter, Val, told me all about the things she heard them say. They said I went plum crazy, locked myself in Samuel’s room. A few of them said I went down to the riv­er every night and looked for him. They said all kinds of things.

Finch push­es the rest of the sand­wich into his mouth and grabs a Coke from the cool­er. He opens the bot­tle with the heel of his boot.

Don’t know where Jeff and Rita are. They made me a sand­wich, and I haven’t seen them since. About time for them to close up shop any­way,” he says.

He takes a long drink and starts to put the bot­tle on the floor but his hands start shak­ing. I reach and get the bot­tle, putting it on a shelf behind him.

Nerves,” he says, rub­bing his white mus­tache with his sleeve. “Had ‘em ever since I was a kid. The shakes, you know. You can have a drink if you like.”

Thanks, but I’m not thirsty,” I say, look­ing at the crumbs still stuck in his white whiskers.

I’d nev­er noticed how old Finch was until now. The deep creas­es next to his crawl­ing white eye­brows, his mud­dy brown eyes and age spots on his hands – all this said he was at least six­ty. Prob­a­bly old­er. I get the feel­ing that it all has tak­en just as much of a toll on Finch as it has me and Dan. Keep­ing it inside him­self, he looks so worn out. It was his car, but not his fault. I want to tell him that. I think he wants me to tell him that.

He wipes at his mouth again with his sleeve and then slow­ly stum­bles from his seat.

It’s no trou­ble to take you, but I’d like to know what you have in mind,” he says.

Dan doesn’t want me to go. Says I’m too frail, too emo­tion­al. I can’t get over things.”

I see,” he says, putting tobac­co in his pipe. “Do you feel guilty for not going?”

Yes,” I say. “I think if I just see it, see where it hap­pened, maybe I can rest.”

I can’t right­ful­ly argue with that,” he says, and blows smoke.

Finch puts the felt hat on his head and starts shuf­fling towards the door.

I’ll have to clean out a place for you,” he says.

He opens the pas­sen­ger door of the Ply­mouth and bends down with a deep groan.

He lifts a box up off the seat.

What’s that?” I ask.

Com­ic books,” he says. “It’s a fool thing for an old man to have, but I like to read them when I’m just sit­ting around. That, as you prob­a­bly guessed, is a lot of the time. I’m that way with every­thing I like. Can’t bring myself to get rid of it when I’m through. I’m a pack rat, can’t help it. Since I’m not used to hav­ing pas­sen­gers, I treat this old thing like my stor­age room.”

I glance at the box and see The Lone Ranger, Tales of the Unex­pect­ed, and Casper the Friend­ly Ghost. I think about how much Samuel would have liked Finch. He would have giv­en Samuel his old comics, told him about the good new ones that were com­ing out. Uncle Albert, Samuel might have called him.

He hefts the box up on his shrink­ing shoul­ders and takes it around to the trunk.

Finch's car, which I thought was sil­ver, is a dull gray. It might have been sil­ver when it was new, but now it’s washed out. It looks like it has been stripped of all color.

I sit down and the seat squeaks, reclin­ing a lit­tle as I adjust myself. The inside of the car smells like pipe smoke and pot­ting soil. A damp, old scent.

Finch push­es down on the trunk and then makes his way to the driver's door. He has one hand on his back and is stooped over.

"Thank you for doing this," I say.

"It's no trou­ble," he says. "Gives me a lit­tle com­pa­ny. Some­thing to do."

He turns the key and the Ply­mouth jerks to life with­out hesitation.

"I think you're doing the right thing," he says. "Grief can grow like a gar­den. My moth­er used to tell me that. If you get a chance to put things right, you should take it."

"He talks to me, Mr. Finch," I say.

"I have no issue in believ­ing that," he says.

"You're the first per­son I've ever told. Do you have children?"

"No, and I will be regret­ting it soon enough. I already do, a lit­tle, but I'm on the way down­stream in my life now and there's nobody with me."

"Are you mar­ried?" I ask.

"I was. She passed a lit­tle over sev­en years ago. Dis­ease of the heart. It came so quick."

He stops talk­ing and con­cen­trates on the sharp suc­ces­sion of curves that wind the road near the river.

I watch his hands grip the steer­ing wheel. Thick veins criss­cross near his scabbed knuck­les. The last of the sun­light shines through the wind­shield and graces the tips of his fingers.

"Bet­ty always want­ed a lit­tle girl," he says, clear­ing the last curve. "But, for some rea­son, we just couldn't con­ceive. Nei­ther of us want­ed to go get checked out. I guess we both were afraid to find out whose fault it was. Afraid we might resent the oth­er one for it, you know."

"Dan doesn't want anoth­er child," I say.

I look down at the white hem of my dress. This is the first time I have worn it since I sat in the door­way and got soaked by rain. Dan told me he liked how the blue matched my eyes when I tried it on. I remem­ber he kissed me and called me his blue lady.

I reach back and pull the pin from my hair. It falls down to the top of my shoul­ders. Finch doesn't take his eyes off the road.

"So, Dan is on his way to Indi­ana with some live­stock. Is that right?" Finch asks.

"Yes,” I say. “How did you know?”

"I was at the Hitch­ing Post when he came in for feed," he says.

"Oh, yes. He men­tioned he saw you yes­ter­day too. You must stay there all the time," I say.

"I don't do much, Del­la. If I find a place I like then I tend to stay there for a while. I like hear­ing the peo­ple that come in tell sto­ries. They make some good sand­wich­es, too. Dan asked me if I would like to go, but I’m not much for long trips," he says, slow­ing down to avoid a pothole.

"You can pull off here," I say. "It's pret­ty close, and I want to walk a lit­tle anyway."

He turns his head and looks at me for the first time since we start­ed driving.

"Do you want me to wait on you?” he asks. “I will. I don't have any plans."

"I'll be okay,” I say. “I need to do this by myself. I think that’s what Samuel wants.”

"I'll come back in about an hour to pick you up, then," he says.

"No, that's okay. I'll find my way home," I tell him, reach­ing for his hand.

Finch uncurls his fin­gers from the wheel and starts to shake my hand, but his entire arm goes into spasms and he pulls away.

"Nerves," he says. "Be safe, Della."

I tell him thanks again and open the door. It has start­ed to rain, just a light driz­zle. I smooth out my dress and start to push the door shut.

Del­la,” he says. “I want to tell you something.”

It wasn’t your fault, Mr. Finch,” I say.

He clos­es his eyes and starts to trem­ble. I put my hand on his shoul­der and look at him one more time before step­ping out of the car.

I wave good­bye and then start walk­ing, look­ing for a place where I can safe­ly make it down the hill to the river­bank. Finch blows his horn once, sticks his hand out the win­dow and waves. His face is somber, wor­ried. I walk for a few min­utes and turn around to look. Finch still watch­es, and I imag­ine he’s con­sid­er­ing com­ing after me. When I find a place to go down the embank­ment, I wave my hand at him. He final­ly backs up and dri­ves away. I know he will just cir­cle the riv­er and watch. He will try and find a place where he can reach me if some­thing hap­pens, hop­ing that his car is hid­den in the gray­ing approach of night.

I find a clear­ing that looks like a path beat­en down by per­sis­tent fish­er­men. I pull the bot­tom of my dress up to my knees and slide-walk as care­ful­ly as I can. I slip down the embank­ment and almost fall. The hill is wet from rain, the dirt loose. I pull off my shoes and put them on top of a large sand­stone. My eyes turn to the riv­er. The water is fast and brown. I pick my shoes back up and sit down on the rock. The brown water of the riv­er runs hard, the waves remind­ing me of some­thing alive and try­ing to escape its banks. Some of the trees on the bank have roots that are out in the open. When the riv­er floods, it always eats the soil and cuts back under the road. The wind picks up, and I can feel a cool mist on my neck. It’s Octo­ber and the rust­ed leaves on the pained trees lin­ing the bank are start­ing to die.

I hear a rus­tle to my right and I turn to look. A small bird takes two hop-steps and lands on a sand­stone, tilts its head and exam­ines the river.

Get,” I say, and wave my arms at it.

The bird takes flight and heads back towards the trees that cov­er the moun­tain on my side of the riv­er. I watch it until the small brown body dis­ap­pears into the dying leaves. I stand up and look around. It’s almost dark. I must have been here for over an hour just watch­ing the riv­er run. I close my eyes for a sec­ond and then step into the water. It’s the cold­est thing I have ever felt. My legs go numb, and I won­der if I can wade out any far­ther. I take a few more steps. Tiny min­nows swim around my feet before dart­ing off into deep­er waters. I think about Samuel catch­ing them out of the creek with the buck­et that Dan uses to feeds the cows.

The bot­tom of my dress clings to my legs. I back out of the water and walk over to the sand­stone. I pull the dress off and fold it, plac­ing the shoes on top so the wind won’t send it bil­low­ing away. I do the same with my under­things. My eyes find the riv­er again.

It’s okay, Mama. You can swim.

Walk­ing fast into the riv­er, I twist my hips to make sure the cur­rent doesn’t grab hold of me. The water is up to my shoul­ders when I notice the head­lights on the road along the oth­er side of the riv­er. I hear the faint rum­ble of an engine bounc­ing off the moun­tain. I strain my eyes and can make out a fig­ure sit­ting on the hood of the car. Finch adjusts his hat and then remains still. I look away, focus­ing back on the water. I can’t leave yet.

The churn­ing water caress­es me, and I feel unex­pect­ed­ly warm. I take anoth­er step. My feet start to slide on the mud-slick bot­tom. I catch myself for a sec­ond and imag­ine Dan’s arms around my waist, pulling me back. My eyes catch the glow of the head­lights again, and I wish they belonged to Dan’s truck. But this is the way it has to be. Finch hops down from the hood of the Plymouth.

You can swim, Mama.

My feet slip again, and the water goes over my head. Every­thing is a rush­ing, roar­ing dark­ness. My ears plug up, so all I hear is my heart­beat thun­der-clap­ping inside my skull. My legs fly off the silty bot­tom and sprawl out in front of me. I spin and try to stand. A sud­den force slings me side­ways, and I’m gone. The mud­dy water wash­es into my eyes like a sink drain. I blink and blink, but it does no good. I hope to turn my head and see Samuel. I want to reach out for him, catch his hand in mine, but I see what he saw. The rolling dark­ness of the water’s all there is. This is the last thing my son was able to see. I imag­ine Samuel tum­bling along beside me, we are trav­el­ing the riv­er togeth­er. His hair stuck to his fore­head, mine flail­ing wild­ly, we smile at each oth­er. The vision leaves me as Samuel is jerked away by the rush­ing riv­er and dis­ap­pears, gone from me again. My head bobs above the water once, and I see Finch slid­ing down the embank­ment, his arms mak­ing fran­tic move­ments as he tries to keep his balance.

Del­la!” he yells.

He runs along the edge of the water try­ing to catch me, but the water car­ries me like a leaf, away from Finch’s shak­ing, out­stretched hands.

I try to grab a tree branch as I swirl by, but it’s no use. The water whips me past the wood­en cross rammed in the ground at the spot where the bus sailed over. I open my mouth and drink.

Jar­rid Deaton lives in east­ern Ken­tucky.  His work has appeared in mud lus­cious, > kill author, Under­ground Voic­es, Thieves Jar­gon, and elsewhere.

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Ron Rash Festival October 1st and 2nd Gardner-Webb University

Charles Dodd White made me aware of this. Wish I could go. No doubt some of you are. The fes­ti­val is spon­sored by Gardner-Webb's South­ern Appalachi­an Cul­ture Series.

Ron Rash cur­rent­ly holds the John Par­ris Chair in Appalachi­an Stud­ies at West­ern Car­oli­na Uni­ver­si­ty. His fam­i­ly has deep roots in the South­ern Appalachi­an Moun­tains, and most of his writ­ing reflects his con­nec­tion to the region. Rash grew up in Boil­ing Springs, North Car­oli­na, home to Gard­ner-Webb Uni­ver­si­ty, and earned his under­grad­u­ate and grad­u­ate degrees from Gard­ner-Webb and Clem­son uni­ver­si­ties, respec­tive­ly. Rash is the author of three book of poet­ry: Eure­ka Mill (1998), Among the Believ­ers (2000), and Rais­ing the Dead(2002); four books of short sto­ries: The Night the New Jesus Fell to Earth(1994), Casu­al­ties (2000), Chem­istry (2007), and Burn­ing Bright (2010); and four nov­els: One Foot in Eden (2002), Saints at the Riv­er (2004), The World Made Straight (2006), and Ser­e­na (2008). His poet­ry and fic­tion have appeared in dozens of jour­nals, mag­a­zines, and antholo­gies, includ­ing The Long­man Anthol­o­gy of South­ern Lit­er­a­ture, Sewa­nee Review, Geor­gia Review, Keny­on Review, South­ern Review, Shenan­doah, and Poet­ry. Rash has been hon­ored with many awards, includ­ing an NEA Poet­ry Fel­low­ship, the Sher­wood Ander­son Prize, an O. Hen­ry Award, and received the James Still Award by the Fel­low­ship of South­ern Writ­ers. Two of his lat­est books, Ser­e­na and Chem­istry, were both final­ists for the PEN/Faulkner Award for Fiction.

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Highway 50, fiction by Murray Dunlap

Lincoln Highway at Middlegate NV

pho­to by davemeistermoab

Two AM. High­way 50. Ely, Neva­da. We laughed out loud at the Break-a-Heart Hotel in Sil­ver Springs, flew past the Last Chance Saloon in Austin, then passed up the Par­son­age House in Eure­ka. A coy­ote dart­ed across both lanes a few min­utes ago, and I've seen more road-kill in one night than in a life­time of dri­ving. We're low on gas. From here, the next decent stop is Delta, Utah, and that's one hun­dred and fifty three miles up the road. I've got a job in Den­ver to get to, but we won't make it tonight.

Ely it is.

The Prospec­tor is full. So are the Park-Vue and the Cop­per Queen. Hotel Neva­da is no dif­fer­ent, so I ask where else we should look. Jessie stays in the car with the doors locked. The girl behind the desk looks to be in her late teens. Her name tag reads: Rose Ellen. She's wear­ing a red tank top with black bra straps show­ing and her breasts are so large, they move papers around on the coun­ter­top while she talks. This is her job.

"The Jail­house Motel, I guess," she says. "They always have a room left."

"It ain't the best," I say.  "But any­thing would be fine. Can you call them for us?"

"Sure, baby."Rose shouts into a dark room over her shoul­der where the blue light of a tele­vi­sion blinks against an obese man's face. "Get up, Bull. What's the num­ber for Lola at Jailhouse?"

Bull opens his eyes, scowls, and turns to Rose. "Look it up, bitch." Bull shakes his face, loose fat jig­gling in his cheeks. "Jail­house?" With con­sid­er­able effort, Bull stands up. Dark wiry bangs stick to his fore­head and a long jagged scar trav­els the length of his chin. He walks into the door­way, fill­ing it, and looks me in the eye."You're not going to stay there, are you?"

"Every­thing is full," I say.

"You feel­ing lucky?"

"Not espe­cial­ly."

"I wouldn't go to Jail­house with­out a buck­et of Clorox and a body con­dom," Bull says. Then he laughs from some­where deep in his throat.

Rose dials the num­ber and twirls her hair. "Lola," she says. "You got more rooms open? I got a pret­ty lit­tle cou­ple here needs a rest." She paus­es and licks her fin­ger. "All right then. I'll send them to you."

I walk back to Jessie, hop­ing the job in Den­ver will give us a bet­ter life. I jin­gle the change in my pock­et and won­der how cold it will be tonight, sleep­ing in the car.

Mur­ray Dunlap's work has appeared in Vir­ginia Quar­ter­ly Review, Post Road, Night Train, Red Moun­tain Review, Silent Voic­es, The Bark, Fried Chick­en and Cof­fee and many oth­ers. His sto­ries have been twice nom­i­nat­ed for the Push­cart Prize, as well as Best New Amer­i­can Voic­es, and his first book, "Alaba­ma," was a final­ist for the Mau­rice Prize in Fic­tion. He is cur­rent­ly work­ing on a nov­el-in-sto­ries called "Bas­tard Blue." The extra­or­di­nary indi­vid­u­als Pam Hous­ton, Lau­ra Dave, Michael Knight, and Fred Ashe taught him the art of writing.

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New Literary E‑Zine: Southern Grit

I've cor­re­spond­ed with edi­tor Kevin Baggett a bit, and I thought I'd give him a plug here. I've already begun read­ing through the sto­ries in Issue I and it looks like it'll be a good addi­tion to the web. And any­body who likes Lar­ry Brown is OK in my book.

The first issue includes Mike Hamp­ton, M. Alexan­der Bass III, John Solen­sten, Michael Smith, Bri­an Tuck­er, and Jason Stu­art. Check it out.


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Remembering Deliverance

It's clear James Dick­ey mythol­o­gized and often out­right lied about the cir­cum­stances of his life now, and what's been lost along with his crit­i­cal rep­u­ta­tion is the work, the work, my god the work. Six years of for­mal edu­ca­tion and I was nev­er assigned a Dick­ey poem, which is a tragedy. A great poet (no reser­va­tions), Dick­ey as nov­el­ist, at least as regards Deliv­er­ance, unfor­tu­nate­ly suf­fers from  the same excess as Dick­ey the racon­teur: myth­ic  poten­tial, slim rela­tion to truth or real­i­ty. But that's part­ly miss­ing the point, too. Peo­ple who dis­count the nov­el or con­flate it with the real­ly over-the-top film (squeal like a pig boy, yes yes) are miss­ing out on one of the most inter­est­ing and mem­o­rable books of the last forty or so years. See what Dwight Gar­ner has to say in the NY Times today on the 40th anniver­sary of Deliv­er­ance.

On the page and off, James Dick­ey (1923−1997) was a max­i­mal­ist. His roomy, loqua­cious poems spill down the page in a water­fall style and in a voice he called “coun­try sur­re­al­ism.” It makes sense that he called some of these poems “walls of words,” sim­i­lar to the record pro­duc­er Phil Spec­tor’s echo­ing “wall of sound.” Dickey’s music, rougher and weird­er than Mr. Spector’s, was sim­i­lar­ly packed with reverb.

It’s odd, then, that Dick­ey is prob­a­bly best remem­bered for a spare nov­el, one from which he stripped most of the poet­ry, pulling out the fin­er phras­ings like weeds. That nov­el was his first, “Deliv­er­ance” (1970), a book that turns a youth­ful 40 this year. It’s a nov­el that I was hap­py to dis­cov­er upon reread­ing it by a deep lake this sum­mer — Dickey’s stuff is always best read beside a vague­ly sin­is­ter body of water — has lost lit­tle of its sleek­ness or pow­er. The book’s anniver­sary shouldn’t slip by unno­ticed. More.

You can find Dick­ey poems all over the inter­nets, includ­ing those much-anthol­o­gized and lit­tle-read pieces Cher­ry­log Road and The Sheep Child, but take some time and search some oth­er poems out, like maybe Falling, or this one, with the fire in its last lines near­ly embar­rass­ing in its sen­ti­ment, near­ly being the key word.

Adul­tery

We have all been in rooms
We can­not die in, and they are odd places, and sad.
Often Indi­ans are stand­ing eagle-armed on hills

In the sun­rise open wide to the Great Spirit
Or glid­ing in canoes or cat­tle are brows­ing on the walls
Far away gaz­ing down with the eyes of our children

Not far away or there are men driving
The last rail­spike, which has turned
Gold in their hands. Gigan­tic fore­plea­sure lives

Among such scenes, and we are alone with it
At last. There is always some weeping
Between us and some­one is always checking

A wrist watch by the bed to see how much
Longer we have left. Noth­ing can come
Of this noth­ing can come

Of us: of me with my grim techniques
Or you who have sealed your womb
With a ring of con­vul­sive rubber:

Although we come together,
Noth­ing will come of us. But we would not give
It up, for death is beaten

By pray­ing Indi­ans by dis­tant cows historical
Ham­mers by haz­ardous meet­ings that bridge
A con­ti­nent. One could nev­er die here

Nev­er die nev­er die
While cry­ing. My lover, my dear one
I will see you next week

When I'm in town. I will call you
If I can. Please get hold of Please don't
Oh God, Please don't any more I can't bear… Listen:

We have done it again we are
Still liv­ing. Sit up and smile,
God bless you. Guilt is magical.

How about that??

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Cape Breton Road by D.R. MacDonald

I'm tak­ing a break from a book review to write about anoth­er book. Fun­ny, eh?

D.R Mac­Don­ald is a writer I don't hear much about, and that's too bad. His nov­el Cape Bre­ton Road is one I re-read fre­quent­ly, for the lush descrip­tions and lean prose, yes, but more for the descrip­tions of Cape Bre­ton and the char­ac­ters who inhab­it the lone­ly land­scape. Like many of my favorite books, it reminds me in ways of where I grew up in Penn­syl­va­nia, the way the woods can look at night as you walk them and lis­ten to the mag­i­cal nois­es you can hear when every­thing else is quiet.

Plot-wise, there's noth­ing ter­ri­bly com­plex going on. 19-year-old Innis is a native of Nova Sco­tia liv­ing in the Unit­ed States who gets deport­ed for a rash of car thefts he com­mits in Boston, where he and his moth­er live. In the com­pa­ny of INS agents, he's escort­ed back to Cape Bre­ton to live with his bach­e­lor uncle. Need­less to say, the two don't get along, and Innis's only hope of get­ting out is the mon­ey he'll get from the pot he's plant­ed far back in the woods on this uncle's farm. The meat of the sto­ry begins when his uncle's girl­friend Claire moves in and both men begin to com­pete for her affec­tions. The real strength of this book is in the prose style and the eccen­tric char­ac­ters Innis runs into, not least of whom is his uncle Starr.

There are also high­land Scots and whisky priests, sea cap­tains and tv repair­men, all revealed via prose that nev­er seems hur­ried or less than com­plex. If the end­ing is less than sat­is­fy­ing for some read­ers, that's okay; it seems true to what I know of 19-year-old men.

D.R. MacDonald's also writ­ten a nifty col­lec­tion of sto­ries called Eye­stone, and anoth­er nov­el called Lauch­lin of the Bad Heart, which I have not read, but trust Mac­Don­ald well enough to get it.

You can read some of it via Google Books and look at reviews from the online book­sellers. Trust me and dis­re­gard the peo­ple who gave it ones or twos.

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Himself, Guilty, fiction by Jeff Crook

At the wake he real­ized he had nev­er seen her move, nev­er even saw her get up to go to the bath­room. He had only ever encoun­tered her already enthroned, fright­ful dewlaps unfold­ing as she reached out and drew him into the gob­lin lux­u­ri­ance of her enor­mous bosom. Her dry lips forc­ing a hor­ri­fied kiss. The beige rolls of panty­hose slipped and fall­en about her splotched and mar­ble-veined ankles. The dog piss smell of her house, and the rolled-up news­pa­per with which she swat­ted at the piss­ing dog, always just out of reach, a minia­ture black-and-tan jester, mock­ing her rule, bit­ing the paper, pulling it out of her hand and tear­ing it to shreds.

She didn't even look like the same woman with her fea­tures flat­tened out in repose and puffed up by the mortician's hid­den scaf­fold­ings. He knew noth­ing of how she died, stroked out and drowned in her body’s own flu­ids, chok­ing on her dying words. Not for years yet. They told him noth­ing, so he con­clud­ed he mur­dered her, him­self, guilty. He was shoved into a friend’s mother's car and sat in the back seat next to a suit­case. She had died, con­ve­nient­ly enough, on a Thurs­day morn­ing. By Sun­day after­noon, they had filled in her grave. Mon­day came and there was only the legal work and the wran­gling over the estate, the lit­tle house on a square of dirt, like all the hous­es on her street too small and too close to the hous­es beside it, a lit­ter of bro­ken bot­tles along the curb, a ram­shackle garage hon­ey­combed with dirt dauber nests, and hon­ey­suck­le and black­ber­ry vines engulf­ing the fence in back. The house was emp­ty except for her enor­mous ghost. They had ran­sacked her clos­ets and emp­tied her draw­ers of their clut­ter. Emp­ty, the house was stuffed with brood­ing shad­ows. For pos­ses­sion of this his moth­er and aunts threw hys­teric fits on the front lawn and were dragged by reluc­tant apolo­getic hus­bands across the side­walk to a pair of wait­ing black Mercedes–he didn't watch as he stood at the win­dow hold­ing GI Joe by one well-mus­cled plas­tic arm.

He dug a wrin­kled stick of Juicy Fruit gum from the back pock­et of his jeans. He had a shoe­box-full of Juicy Fruit at home under­neath his bed, loot­ed from draw­ers all over the house after she died–his only lega­cy. He peeled the foil from the warm stick of bis­cuit-col­ored can­dy and fold­ed it into his mouth. It tast­ed best warmed by his body and already soft, fill­ing his mouth with sweet spit. The fla­vor remind­ed him of her, con­jured up her ghost like a bell in the dark.

He wasn’t afraid of her ghost, but he was afraid of her. She had been an enor­mous woman, body and pres­ence, big­ger than the house that con­tained her. There nev­er seemed enough room for any­one else. She crowd­ed the den she per­pet­u­al­ly occu­pied, nev­er mov­ing from her chair that he ever wit­nessed, and her voice, raked by two packs of Win­stons a day, pen­e­trat­ed into every cor­ner of the house, back to its dusti­est, spi­der-haunt­ed cracks and mouse holes.

He wan­dered away from the win­dow, kick­ing his heels against the loose floor tiles, until he found him­self before the hall to Ruby's room. It was long and unlit, and for a moment he stood at its entrance, breath­ing Juicy Fruit fumes through his nose and wadding his hands into fists. Ruby lived in a room attached to the house behind the garage. His grand­moth­er was the last of that last gen­er­a­tion of old cot­ton fam­i­lies who couldn't imag­ine a house with­out a Negro ser­vant in it, even though the ser­vant was too old to serve. Some years before, Ruby had been bit­ten on the knee by a water moc­casin. Its ven­om had turned her kneecap to sponge and left her crip­pled. She was near­ly as old and immo­bile as his grandmother.

Ruby had vacat­ed the house upon his grandmother’s death, bun­dled away to live with a daugh­ter he had nev­er seen until that day. She said his grand­moth­er would still be walk­ing. He didn’t know what that meant at the time.

Ruby’s door was brown like the rest of the house. Light escaped beneath it into the dark hall, pool­ing across the linoleum squares on the floor. He placed his hand against it and smelled the warm lac­quered wood, felt the waxy, slight­ly sticky sur­face beneath his fin­gers. He had always knocked before enter­ing. Now there was no rea­son to knock, but he felt guilty any­way as he turned the crys­tal doorknob.

Ruby’s room was the bright­est room in the house. He breathed in the endur­ing odor of the woman who once lived there. Her walls were paint­ed a dull, smoked-stained gold, while the rest of the house dwelt in pan­eled gloom. Brighter, unfad­ed rec­tan­gles lin­gered on her walls where her relics had hung above her bed – the framed por­traits of Jesus, John F. Kennedy and Mar­tin Luther King, Jr. He didn’t know who they were, except for the flax­en-haired Jesus, but they were Ruby’s holy trin­i­ty. She had always kept lit­tle red cloth dolls lying about her shelves and pinned to her walls–another thing he nev­er ques­tioned and she nev­er explained. And now, that also was gone, wait­ing to be remembered.

Ruby’s room, like the rest of the house, was emp­ty, but this was the one room in the house where she could not come. The Negro door was an impas­si­ble bar­ri­er, even in death. As he entered Ruby's room, he flicked the small hook and eye latch on the door frame. Ruby had locked her­self in at night.

Where the rest of the house was for­ev­er dark and always a lit­tle damp, here was free­dom and light and safe­ty, in the quar­ters of a black woman who was not his blood, warmth in her gen­er­ous lap and in the quilts that cov­ered her bed. He could still smell the oranges she chewed, spit­ting out the pulp into a news­pa­per spread on her lap, the spicy smell of the dirt snuff tipped lib­er­al­ly from the tin can into the scar­let, out­stretched hol­low of her full bot­tom lip, and the big strong brac­ing odor of her body.

He walked to the win­dow and looked out at the tiny back yard. Her win­dow was at the back of the house, on the south side, the only south-fac­ing win­dow not stuffed with an air con­di­tion­er. It looked beyond the yard toward the rail­road tracks and the are­na where they had wrestling on Mon­day nights. Sun­light streamed through the greasy, dusty glass, fill­ing the room with gold­en light. Look­ing out this win­dow was like look­ing out of an entire­ly dif­fer­ent house. From here, he couldn't see or hear his fam­i­ly in the front yard, mak­ing the break that would endure until the next funer­al, twelve years from now.

He noticed his own reflec­tion in the win­dow, the move­ment of his jaw as he chewed, the reflec­tion of the the open door behind him, and the long dark hall where his grand­moth­er leaned with one hand against the wall to catch her breath. He closed his eyes for a moment and clung to the win­dow sill, not afraid, mere­ly con­demn­ing him­self because, in a moment of smoth­er­ing hor­ror gripped to her sag­ging breasts, he had secret­ly wished she would die.

Ter­ri­fied by his own pow­er and pur­pose, he was now afraid to wish her dread­ful ghost away. Her wrath and her hoard of Juicy Fruit were all he had left of her. Her house had been stripped bare like the pass­ing of locusts. Ruby’s clos­et was emp­ty, her bed tak­en away. Jesus and Doc­tor King had left their own ghosts upon her wall.

Gath­er­ing his courage, he looked once more at the reflec­tion of the hall in the win­dow. His grand­moth­er had with­drawn, grant­i­ng him anoth­er shot at for­give­ness or escape. He depart­ed, dar­ing the long bleak darkness.

He entered the kitchen, paused to look into her emp­ty win­dow­less bed­room where he had nev­er played because of the sew­ery old woman smell. Then he exam­ined the square of mat­ted, oily dust on the floor where the refrig­er­a­tor once stood. The dish­wash­er, which had to be rolled out from the cab­i­net and a hose screwed to the faucet above the sink, stood in the mid­dle of the kitchen in a pud­dle of water – the only appli­ance they couldn’t sell.

He opened all the cab­i­nets and found them emp­ty and greasy, all the draw­ers and the emp­ty pantry stink­ing of cold grease, but in the enam­eled met­al sink he dis­cov­ered a dint­ed pot with the han­dle bro­ken off. He picked it up and let it drop. At the loud bang, the house seemed to draw up like a snake. With­out look­ing back, he trot­ted through the den, through the dog piss smell and the air squeez­ing his lungs, hear­ing the slap slap slap of her slip­pers behind him, feel­ing the touch of her papery fin­ger­nails caress his neck, seek­ing one last kiss upon her bruised and venge­ful lips.

The back door opened into a weed-stran­gled yard sur­round­ed by a hog fence. Stacked con­crete bricks made lean­ing steps down to a mud­dy patch where dozens of fer­al cats lay heaped in the after­noon shad­ows. As he jumped down among them, they explod­ed across the yard and van­ished into the hon­ey­suck­le and black­ber­ry margins.

The screen door slapped shut behind him. The house seemed to swell with the enor­mi­ty of her mal­ice. He imag­ined her in the ground, her dead face in the dark, cold and angry at being dead and no longer the cen­ter of every­thing, all her things auc­tioned off by her daugh­ters, and her grandson’s bit­ter death wish the cause of it all.

Across the yard, chained to a stump and caked with dried mud and shit, her dog, her bereft jester, strained at its knot­ted chain, bark­ing hoarse­ly at her ghost. He picked up a disk of ham bone that he found half-buried in the mud beside the fence. It was a ring of sun-bleached bone as big as a half-dol­lar, the cen­ter packed hard with sandy mud. He con­sid­ered throw­ing it at the dog, but at the last sec­ond, turned and flung it with an angry shout at the house. It cracked against the wall a few inch­es from the win­dow where she sat glar­ing from the ghost of her reclin­er, her gob­lin face as gray as the ham bone and the paint­less clap­boards of her derelict abode.

Leave me alone,” he whis­pered fierce­ly, but he was glad he had missed the win­dow and the whip­ping he would have got­ten had he bro­ken it. He turned and walked along the fence, breath­ing the guilty sweet­ness of hon­ey­suck­le and pluck­ing blos­soms to suck their drops of nec­tar. “I wish…” he said a lit­tle loud­er, but stopped him­self from con­demn­ing her soul to hell. And for a moment, he felt her with­draw. For a moment, it was just an emp­ty house. He low­ered his head and walked on.

The hard lit­tle ball of Juicy Fruit in his mouth had lost its fla­vor. He swal­lowed it, heed­less of the sev­en years it would take to digest. He searched the over­grown mar­gins of the gar­den for black­ber­ries, find­ing only red ones, red as blood and bit­ter in the mouth.

Jeff Crook is the author of four nov­els and dozens of short sto­ries. He lives in Olive Branch, MS with his wife, kids, and cats, but for­tu­nate­ly no ghosts. He has nev­er been pub­lished in Ploughshares, The New York­er, Esquire, Play­boy, Pent­house, Hus­tler or Jug­gs, but not from lack of try­ing, heav­en knows.

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Memories of a Joplin Bum, by Helen Losse

I’m real­ly a per­son who keeps pret­ty much to myself, but you’d prob­a­bly know me as the guy you see all over town pushin’ the old wood­en cart. You’d call me a bum, but I’ll get to that lat­er. I have a life, though you might not think it’s much of one—not by your stan­dards any­how. It hasn’t always been like this, you know. I wasn’t born forty-sev­en years old pushin’ an old wood­en cart every­where I go—all over this two-bit town. I had a fam­i­ly … wife.

Things are dif­fer­ent now. Every day I do pret­ty much the same thing, except Sun­day. No sir, I don’t push that cart on Sun­day. Man deserves a bit of rest. Six days to make a livin’. One day for takin’ a rest! That’s the way I see it.

My life’s all that hard, but it ain’t no pic­nic either. I’ve always been—well, poor, even when I had a fam­i­ly and all. Lived in East town. You know, lots of peo­ple won’t even go into East town on account of the col­ored peo­ple. Not that it’s all col­ored, get me, but they live there. Stay to them­selves mostly.

I like that. Noth­in’ worse than nosey neigh­bors. Col­ored ain’t all that nosey, not to me any­how. Most peo­ple don’t trust me a bit. Call me a bum. Some folks run when they see me—lots of kids do—but most peo­ple don’t pay me all that much atten­tion. At least that’s what they want me to think. Some folks just don’t trust me. I can see ’em watchin’ out of the cor­ner of their eye.

I make my liv­ing pickin’ up things. That’s why I need my cart. I pick up things. Sell ’em. Most of the time it’s things peo­ple throw away. Peo­ple throw away some of the damn­d­est stuff. I fur­nished my house that way. All my furniture—stuff peo­ple just throwed away.

And it’s not only fur­ni­ture, I found an old sax­o­phone once just lyin’ out in the alley with the rest of the junk. Or, maybe a kid put it there, I don’t know. It played good. I don’t play myself, nev­er took lessons. But I sold it to an old col­ored man who swore it was in great shape. Sold it to him for $27. Man, was I livin’ high then! Ate at the cafe­te­ria and ever’thing. Yep, Robert’s Cafeteria.

I was standin’ right in front of the cafe­te­ria after I ate myself a fine meal when I heard a cou­ple of guys talkin’. One of ’em was a cop. I don’t know what the oth­er guy did. But they were standin’ there on the curb talkin’, and this guy says to the cop, “You know the dif­fer­ence between a bum and a ’bo?” Lots of ’bo’s still hang out back of the old Frisco Build­ing on Main, espe­cial­ly at night. The cop said he couldn’t see much dif­fer­ence, but the oth­er guy set him straight.

A ‘bo will work for a liv­ing!” And he said it like that, too—liv­ing! They both laughed real hard. Well, I decid­ed right then and there that it didn’t mat­ter what folks called me. Those fel­las laugh like that ’bout any­one who ain’t like them.

I work, all right. Real hard some­times. Lots of folks don’t real­ly know noth­in’ about me and maybe not a hell of lot of oth­er stuff either for that mat­ter. Some folks think that they are so damn smart. I nev­er had a whole lot of schoolin’. Edu­ca­tion just don’t mean a whole lot to me. I work, and I have a home. Oh, it’s not much to look at, but it’s a home, all right. It’s all I need. I don’t need all that much.

Yep, I work, all right. I cov­er this whole town in about a week. Just about a week. Up and down every street. I don’t real­ly know how many miles I walk in a day, pushin’ that cart. Nev­er even tried to fig­ure it out. Too many. But one thing for sure, I wear out shoes pret­ty damn quick—even good leather shoes. I get lots of shoes. Peo­ple throw away real good ones sometimes.

Like I said, I don’t know how many miles I walk or even how big this two-bit town real­ly is. Sign says: JOPLIN: POPULATION 38,711. But what does that real­ly tell a guy?

I’m a guy who likes my privacy—maybe I said that before—but peo­ple all over this town rec­og­nize me. I’m a bit of a land­mark here, if I do say so myself. Even the kids. I can hear ’em screamin’, “Ol’ Hen­ry! Ol’ Hen­ry!” when they see me comin’. Screamin’ and squealin’ like I was a star out of a mon­ster movie show­ing at the Para­mount The­atre or even the Fox.

There’s a group of ’em—two girls, two boys, always together—climb up an old mul­ber­ry tree out by the alley in the north end of town. Not way up north where the rich folks live. No, this is before you get to those curvy streets with the alpha­bet names. About the three hun­dred block of Jack­son or Sergeant. Up near the DeTar Clin­ic. Just a cou­ple of blocks from the Safeway.

The minute those kids see my cart turn into the alley, the girls go to squealin’—even before they even see me. Then up they go into that tree, all four of ’em. They sit there as qui­et as kids can sit, which ain’t very qui­et, and they eat those mulberries—bugs and all. Bet they eat a quart of bugs every sum­mer! It’s most­ly in the sum­mer when I see those kids. I just hold my head up and keep on walkin’—walkin’ and pre­tendin’ I don’t even know they’re up there. And they sit up there gig­glin’ and munchin’ those berries. Bugs and berries—ha!

I remem­ber one day last sum­mer, they were up in that tree. I remem­ber that day real well ’cause I turned into that alley on pur­pose. You see, I found a bunch of bot­tles of beer behind Jimmy’s. I don’t know who left them there because Jim­my don’t sell no beer in his place. It was a hot day. Any­way I drank about three bot­tles before I put the rest in my cart. So when I got to that alley, I was wan­tin’ to pee real bad.

There’s a spot down there with a lot of trees—well most­ly bushes—but they’re tall enough for a guy to take a quick leak. In my line of work, you learn the val­ue of bein’ quick. Comes in handy lots of times. I just sort of rum­mage through the trash. Then I slip off for a bit—you know, take care of “busi­ness.” Some­times it’s one kind of busi­ness, some­times it’s another.

Well, usu­al­ly those kids stayed in that tree until I was long gone. But wouldn’t you know it, this was the day they came down. All four of ’em right there behind me. So I had to go on pushin’ my cart two, three more blocks. I was about to bust!

In the sum­mer­time, I see those kids all over town. I bet some days they cov­er about as many blocks as I do, but they nev­er go into East town. Except this one time. I saw them over the viaduct at Lan­dreth Park. That’s in East town—well, sort of. Any­way I saw those kids at the swim­ming pool at Lan­dreth Park late that evening. At first I didn’t take a whole lot of notice ’cause I was on my way home. You’d think those kids would be at Schif­fer­deck­er or one of those fan­cy parks over there, not in East town—not in the swim­ming pool in East town. But it was those same kids. I’m sure.

Helen Losse’s first book, Bet­ter With Friends, was pub­lished by Rank Stranger Press (Mt. Olive, NC) in 2009. She is the author of two chap­books, Gath­er­ing the Bro­ken Pieces and Paper Snowflakes. Her recent poet­ry pub­li­ca­tions and accep­tances include The Wild Goose Poet­ry Review, Main Street Rag, Iodine Poet­ry Review, Blue Fifth Review, Heavy Bear, Ref­er­en­tial Mag­a­zine, Hob­ble Creek Review and Lit­er­ary Trails of the North Car­oli­na Pied­mont. She is the Poet­ry Edi­tor for The Dead Mule School of South­ern Literature.

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Still Journal's Contest Deadline Approaching–Enter Now

Good luck to those of you who qual­i­fy to enter. Judges include Ann Pan­cake, Mau­rice Man­ning, and Janisse Ray. Be sure to vis­it the site and fol­low the guidelines.

Con­test Guidelines

Still: The Jour­nal announces the first annu­al Still Writ­ing Con­tests in Fic­tion, Poet­ry, and Non­fic­tion.  Con­test entries should fol­low our nor­mal sub­mis­sion guide­lines, which state that “we want to fea­ture writ­ing that exem­pli­fies the Moun­tain South or that is writ­ten by an author with an estab­lished con­nec­tion to the region.”

Rules:

Sub­mit­ted entries must be unpub­lished. 

Simul­ta­ne­ous entries are accept­ed as long as you let us know if your sub­mis­sions will be pub­lished else­where before the con­test ends.  

The con­test read­ing fee is $8 PER ENTRY, payable to Still’s Pay­Pal account, which you can access below.  An entry is defined as one short sto­ry, or one non­fic­tion piece, or one poem.  You may sub­mit mul­ti­ple sub­mis­sions in mul­ti­ple gen­res, as long as you pay a sep­a­rate entry fee for each sub­mis­sion. Con­test entry fees can­not be refund­ed under any cir­cum­stances. 

Man­u­scripts should be typed in a stan­dard 12-point font (Times New Roman is pre­ferred) and should have num­bered pages.  Prose must be dou­ble spaced.  Poet­ry must be sin­gle spaced. Prose entries must not exceed 6,500 words. Poet­ry entries should not exceed 100 lines.

Make sure that your name or any oth­er iden­ti­fy­ing infor­ma­tion does not appear any­where on the man­u­script entries.

Dead­line for email post­mark is 12:00 a.m., August 15, 2010. Any entry that is not sent on or before that date will not be processed and entry fees will not be returned.  

Win­ners will be noti­fied by Sep­tem­ber 15, 2010. Win­ning entries will be announced pub­licly in the 4: Fall 2010 issue of Still: The Jour­nal.

Prizes:

$100 for win­ners of fic­tion, poet­ry, and non­fic­tion, and pub­li­ca­tion in Still: The Jour­nal, 4: Fall 2010. All oth­er con­test entrants will be con­sid­ered for pos­si­ble publication.

Sub­mis­sions:

We pre­fer elec­tron­ic sub­mis­sions and fee pay­ment. Sub­mis­sions should be saved as a word doc­u­ment, rich text file or plain text file only (doc, docx, rtf, or txt ONLY) and attached to an email.  Mul­ti­ple sub­mis­sions must be sent sep­a­rate­ly (in oth­er words, if you are sub­mit­ting a short sto­ry, an essay, and three poems, for instance, you would have five dif­fer­ent elec­tron­ic sub­mis­sions and five dif­fer­ent entry fees). The sub­ject line for each entry should include “Still Con­test” and the cat­e­go­ry; for exam­ple: Still Con­test Fic­tion, StillCon­test Poet­ry, or Still Con­test Non­fic­tion.  Include with each entry a title page which con­tains this information:

    • Title of entry
    • Cat­e­go­ry list­ed in paren­the­ses next to title
    • Name
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Please do NOT include your name or any oth­er iden­ti­fy­ing infor­ma­tion on the con­test man­u­script. Please num­ber all pages.

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