Joy Ride, fiction by Nick Kolakowski

 

The year Max­ine turned four­teen she found her true call­ing, at the cost of two lives.

Max­ine spent her child­hood morn­ings at the front win­dow of the crum­bling farm­house where she lived with her broth­er Brad and moth­er Joan and her mother’s big bas­tard of a syn­thet­ic-hero­in mon­key, watch­ing for cars on the road. When­ev­er one passed, she imag­ined her­self behind its wheel, zoom­ing out of her life with glo­ri­ous speed, and her heart ached with need.

Max­ine knew that, with­out her, life in the house would fall apart. She need­ed to feed and clean Brad, kill as many cock­roach­es and rats as pos­si­ble, keep the phones pow­ered, stop her moth­er from chok­ing on her own vom­it dur­ing the bad highs, and throw rocks at the junkies who lurked in the weedy dri­ve­way. That was a typ­i­cal list of tasks before she left for school. Every two weeks or so, her uncle Preach­er came down from the hills and, liv­ing his nick­name to the fullest, spent hours yelling at her moth­er to clean up her act. Her moth­er would groan and shake her head and agree to go straight, only to break that promise once he dis­ap­peared back into hiding.

Max­ine liked to play the No Cry­ing Game, which goes like this: you run into a wall so hard it knocks you back­ward, leav­ing your nerves hum­ming like gui­tar strings and your mouth salty with blood, but you nev­er cry. If you slam your­self hard enough to chip a tooth or bruise your face, and not a sin­gle tear rolls down your cheek, you can stop doing it for a week.

On the fifth of every month their ben­e­fits came, and Maxine’s moth­er would pile them into the family’s rat­tling wreck of a van for the fif­teen-minute trip to Red Junc­tion, where the big gro­cery store glad­ly accept­ed EBT. Max­ine loved the store’s bright lights, the aisles lined with shiny pack­ag­ing, the sleek­ness and col­or that remind­ed her of the cars zip­ping down the road: signs that some­one out there cared enough to do a good job, to make some­thing per­fect. Max­ine chose not to see how some of the shop­pers looked at them with hor­ri­fied pity, as if they were roadkill.

Maxine’s moth­er always act­ed hap­py in the store. She whis­tled and told knock-knock jokes as she filled their cart with cere­al and the cheap­est kelp-meat, which Max­ine could stretch far if she mixed it with herbs and roots pulled from the small yard behind the house. When she was sober, her moth­er was very good at cal­cu­lat­ing every­thing down to the cent, in order to pre­vent the embar­rass­ment of hav­ing to leave food on the cashier’s con­vey­or belt. That hap­pened once, and Maxine’s moth­er had yelled, and some­one called secu­ri­ty, and it was only because Max­ine act­ed so cute with the man­ag­er that they were ever allowed to come back. 

Maxine’s father was in prison for­ev­er, thanks to a drug deal gone wrong, and all their rel­a­tives were dead except for Preach­er, who need­ed to stay in the hills because the police want­ed him in a cell or a cof­fin, prefer­ably the latter.

Max­ine hat­ed the police, espe­cial­ly the two who came around to stand in the weedy yard and call her a waste of life, dan­gling can­dy bars as they asked where her uncle was hid­ing, as if she were stu­pid enough to give up a blood rel­a­tive for a sug­ar rush. Max­ine would hiss at them and bare her teeth, but knew to go no fur­ther. A friend of hers, Mon­i­ca Miller from down the road, once bit a cop on the ankle dur­ing a scuf­fle and they hit her in the head hard enough to put her in a coma. Some­times stuff just hap­pens. It’s a mean world.

The cops called her fam­i­ly red­necks and trash and hill­bil­lies. “You gonna be just like your mama,” one of them liked to tell Max­ine, “and your kids gonna be just like you. How you feel about that?”

Max­ine always stuck out her tongue at that cop, whose name was Dwight, and who rocked a blonde cater­pil­lar of a mus­tache. Dwight liked to take out his club and run at Max­ine as if he intend­ed bash her brains all over the porch, but she knew to hold her ground.

You nev­er get­ting out of here,” Dwight usu­al­ly said. “You’re just anoth­er waste of breath, you ask me.”

Max­ine thought of Dwight as an angry pos­sum in a tent, anx­ious to bite any­thing trapped in there with it. But deep in her heart, she feared the cop was right. She had no idea of a life oth­er than this one. On the cracked screen of her cheap-ass phone she watched shows where beau­ti­ful peo­ple in sleek dress­es and suits marched through gleam­ing spires of steel and glass, scenes from New York City that might as well have tak­en place on a plan­et far from this one. Her own eyes had nev­er seen any­one in clothes so shiny, or build­ings so magical. 

When the cops came by, Max­ine imag­ined Preach­er watch­ing them from the black trees along the top of the ridge. When the roof col­lapsed, or some man in a suit threat­ened to kick them out of the farm­house, or mother’s EBT card no longer worked at the store, Max­ine sent up a silent cry for Preach­er to save them, know­ing that he would nev­er appear, not until the dan­ger had passed. So she learned to do every­thing herself.

Max­ine was very good around cops until she turned four­teen, and then every­thing went to hell.

II.

To cel­e­brate her birth­day, Max­ine took a lit­tle joyride.

She had skipped school that morn­ing, choos­ing instead to hang out on the porch of The Tony Eight with her best friend, Michelle. The Tony Eight was a hard bar but its own­er, Tony the Third, kept a counter by the front door stocked with good­ies such as can­dy and burn­er phones. He let kids use his porch as a chill-out zone (“Bet­ter they stay here than go in the woods. They don’t all come back from the woods,” is how he defend­ed that choice) from eight in the morn­ing until five in the evening, when the num­ber of drunks inside reached crit­i­cal mass, and he only had two rules: no curs­ing with­in his earshot, and none of that boy-band crap on the throw­back juke­box he kept in one corner. 

That Tues­day, Max­ine and Michelle had already spent two hours on the wood­en steps, smok­ing cheap Bei­jing Blue cig­a­rettes and talk­ing boys, when a red Mus­tang screeched into the bar’s grav­el lot. They both tensed, know­ing it was Ricky, a local weed deal­er who liked his girls a lit­tle too young.

Ricky lurched from the car, creepy smile in place, and paused to check his phone before saun­ter­ing toward them. Max­ine reached into the left pock­et of her jeans jack­et, palm­ing the small knife she kept there. Even with­out look­ing up, she could feel Ricky’s gaze slith­er­ing over her legs, and shud­dered. Please God, she thought, just make him go away.

God declined to answer, but some­one else did. Ricky made it ten yards across the lot when a big black car slith­ered into view behind him, its lithi­um-ion motor silent but its tires squeal­ing on the slick road, its pas­sen­ger win­dow zip­ping down to reveal a hand with a pistol—pop, pop, pop—and Ricky col­lapsed, his pur­ple jump­suit puff­ing as the bul­lets punched through his flesh. The black car zipped past the bar before dis­ap­pear­ing around the far curve.

Through the open door behind her, Max­ine heard Tony the Third curse. Michelle clutched her knees and rocked back and forth, tears rolling down her cheeks. Max­ine felt curi­ous­ly numb, her breath­ing nice and reg­u­lar as she stood and walked over to Ricky just as he man­aged, with a loud grunt, to roll onto his back, his front stained black from moist grav­el and prob­a­bly a quart of spilled blood.

Max­ine pulled out her phone and dialed 911. Those calls were free, which was good, because she was run­ning low on min­utes this month and didn’t like the idea of burn­ing a few on a piece of crap like Ricky. As she held the phone to her ear, she knelt and began rifling through the pock­ets of the jump­suit, remov­ing a wad of pleas­ing­ly retro twen­ty-dol­lar bills in a gaudy mon­ey-clip (bloody), a key-fob attached to a sil­ver dog’s head (ugly), and a brand-new phone (bonus!) with one of those cool bend­able screens. 

Some of your deal­er friends tracked you down, huh?” she asked Ricky.

Help…” The sides of Ricky’s mouth bub­bled with pink froth. “Help…”

Nine-one-one’s on hold,” she said, pop­ping open the mon­ey clip and flick­ing through the stained mon­ey. “Like, what else is new, right?”

The sight of Max­ine rifling the cash shocked a bit of life back into Ricky. His cold hand gripped her wrist and squeezed, as he rasped: “Don’t… take… bitch…”

She smacked him on the fore­head with the mon­ey clip. “Hold on, the phone’s ring­ing.” A moment lat­er, the oper­a­tor clicked to life, ask­ing about her dis­tress, and Max­ine cheer­ful­ly told her all the gory details about a dri­ve-by shoot­ing at The Tony Eight. That task com­plete, she called over her shoul­der: “Michelle, go inside. Tony got a med-kit.”

Michelle obeyed with­out back­talk. She was one of those types: prick­ly as a por­cu­pine on a mega-dose of Heisen­berg Blue most days, but a total lamb in a cri­sis. Max­ine knew that Tony kept a ful­ly loaded med-kit behind the bar, next to the shot­gun. While she wait­ed for Michelle to return, she helped her­self to Ricky’s car keys.

Ricky hissed: “Don’t… take…”

Look,” she said. “You got shot, but you’re gonna make it.” That was prob­a­bly a lie, giv­en the amount of blood pump­ing out Ricky’s holes. “Tony got a good kit. Ambu­lance be here in a minute. We going through all this trou­ble for you, means you owe us a favor. So I’m tak­ing a spin in your sweet car over there. Don’t wor­ry, you’ll get it back.”

Ricky tried to spit blood at her and missed.

She slid behind the Mustang’s wheel, unsur­prised at Ricky’s choic­es in trick­ing out the inte­ri­or: a blue glow from LEDs beneath the front seats, over-sized speak­ers that prob­a­bly cost three times more than the engine, and a steer­ing wheel wrapped in the finest imi­ta­tion leather. Max­ine wrin­kled her nose at the near-over­pow­er­ing stench of cheap cologne and spilled beer as she popped the key-fob into the slot on the dash­board, the gas engine awak­en­ing with a roar, the stereo boom­ing vin­tage rap-rock (classy, Ricky, classy) loud enough to rat­tle the sub­stan­dard fill­ings in her teeth.

Max­ine smacked dash­board but­tons until the music went qui­et, spun the wheel, and gunned the Mus­tang out of the lot. In the rear-view mir­ror, she saw the Tony rip Ricky’s jump­suit open and squirt some­thing from a can into the wounds, but not before giv­ing Max­ine a big thumbs-up. What more pseu­do-parental approval did she need?

Her first joyride almost went wrong ten sec­onds in, as she tried to mus­cle the Mustang’s fat ass into the first sharp turn and almost skid­ded out, near­ly ram­ming head-on into a truck in the oncom­ing lane, spin­ning the wheel to cor­rect and over­com­pen­sat­ing, clip­ping a rusty Stop sign, shriek­ing in fear and joy as she final­ly point­ed the car’s nose in the right direc­tion and slammed the gas ped­al to the floor. The Mus­tang growled in response and began to eat the miles. It was her first time dri­ving and she was a nat­ur­al, pow­er­ing into each curve, feath­er­ing the brake at every intersection. 

The black car appeared just ahead, and her jubi­la­tion cur­dled into unease. From Preach­er she’d learned the first rule of doing crime: you hide after the crime’s been done. So why were they still on the road? She need­ed to get out of here before they noticed Ricky’s car in their rear view mir­ror, but they were on a straight­away: no turnoffs, no side-roads.

The black car tapped its brakes. She slowed to keep dis­tance, her dread ignit­ing into out­right fear as the car’s front-pas­sen­ger win­dow buzzed down and the hand with the pis­tol emerged. She veered the Mus­tang left just as the gun spat fire, a bul­let snap­ping off her roof.

If she stayed back, the next bul­let might smash through the wind­shield and her fore­head. If she stopped, they would turn around and hunt her down. That left her with one choice. 

Punch­ing the gas, she rammed her fend­er into the oth­er car’s trunk, bump­ing it for­ward and to the right. The shooter’s head and shoul­ders appeared above the car roof, sil­hou­et­ted by the sun, the gun wav­ing as he tried to aim, and she accel­er­at­ed again until her front tires came par­al­lel with the oth­er car’s rear door and she swung the wheel hard right. With a crunch of met­al the oth­er car left the road—a faint scream from the shoot­er above the boom of two tons of met­al rolling into a deep ditch. The wheel slith­ered hot in Maxine’s hands as she fought for con­trol, final­ly skew­ing to a stop in her own lane.

You need to dri­ve away, she thought. Get out of here. No, can’t do that. I need to see if any­body sur­vived. They might come after me. 

She eased the Mus­tang onto the shoul­der and climbed out, after wip­ing her shirt­tail on the steer­ing wheel and any­thing else she might have touched. Her hands shook, her knees weak as she tip-toed into the weeds. 

The black car had entered the ditch on its side, land­ing in three feet of oily water. A bro­ken tree-stump jut­ted through the crum­pled steel of the hood. The wind­shield had cracked but not shat­tered, and through the webbed glass (Max­ine snuck close now, breath­ing hard, ready for the bul­let) she could see the body hunched in the driver’s seat, limp hand on the steer­ing wheel.

She leapt onto the far side of the ditch, and saw the top of the shooter’s head in the water, blonde hair stream­ing like kelp. No bub­bles meant no breath­ing meant it was safe to come clos­er, which she did, rec­og­niz­ing the face just beneath the surface: 

Her good friend Offi­cer Dwight, his tor­so pinned beneath the car’s frame.

Maxine’s fear deep­ened into nau­sea. She sank to her knees on the wet grass and vom­it­ed a neon spray of half-digest­ed junk food. 

Get out of here.

Yes, that was the best idea. Wip­ing her mouth, she stood and walked across the field beyond the ditch, toward the dis­tant band of for­est that would give her cov­er from any­one dri­ving past on the road. Her boots sank into the muck, slow­ing her progress. Max­ine pulled out her phone and made anoth­er call.

III.

The inside of the din­er was a time cap­sule, from the fad­ing Trump for Pres­i­dent poster on the wall above the old-fash­ioned cash reg­is­ter, to the deep-fat fry­er siz­zling away in com­plete defi­ance of all state health laws. Behind the reg­is­ter leaned John­ny Oates, whose burn­ing hatred of every­thing polit­i­cal­ly cor­rect had led him to cre­ate this tem­ple to a fan­ta­sy Amer­i­ca where every­body enjoyed a God-giv­en right to clogged arter­ies and black­ened lungs. 

Max­ine entered, check­ing out the three reg­u­lars sit­ting at the counter, all work­ing dogged­ly on their eggs and but­ter-soaked car­bo­hy­drates: red­dened men, their mid­dle-aged mus­cles dis­solv­ing into fat, their knuck­les beat­en into scar tissue.

Hunting’s for wimps,” Oates was telling them, engag­ing in his favorite pas­time of goad­ing cus­tomers into an argu­ment. “You’re just killing some­thing can’t shoot back. If I’m going to head out into the woods after some­thing, it’s gonna be a human being.”

At the far end of the counter, Oates’ biggest cus­tomer at two hun­dred nine­ty pounds, the one and only Per­ry Parks, trem­bled and pur­pled and seemed primed to explode in a fury of grease-fried rage. “You got no idea how dif­fi­cult it is. The skill it takes. Even for deer.”

Why don’t you wire a machine gun to a deer’s horns? I mean, that’s a fair fight. Give it the chance to take a few of you with it,” Oates smacked a few but­tons on the reg­is­ter. “Jane, you agree with that?”

The wait­ress in the far booth, eigh­teen going on forty, e‑cigarette clenched between pil­low-puff lips the shade of a ripe plum, low­ered her phone and said, in the flat­test pos­si­ble tone: “What­ev­er.”

Max­ine took a seat in the booth fur­thest away from the action, won­der­ing if Oates and the rest of them could see her sweat. It was an hour after the crash and her hands still shook, so she placed them under­neath the table where nobody could see. Oates wan­dered over, a smile unzip­ping his face. For all his attempts to sink barbs into his cus­tomers’ psy­chic meat, he was a decent human being. “How’s it going?” he asked her.

Okay,” she said. 

I’m sor­ry, dar­ling, but I got­ta ask before you order: you got cash?” Oates dropped his voice a few deci­bels, even though every­body in the din­er could still hear him. As Max­ine reached into her pock­et and tugged out a few bills from Ricky’s wad, she felt her face flush with famil­iar shame. 

From the way his eye­brows arched, she knew Oates want­ed to ask where she’d earned that mon­ey, before decid­ing any answer would only lead to grief on someone’s part. “Okay,” he said. “Good. Sor­ry about that. What can I get you?”

Cof­fee,” she said. “Toast is awe­some, too.” More than any­thing else, she want­ed to step into a show­er and crouch under its hot drool and stare at the drain-cov­er as if she could some­how shrink and slide down that rab­bit-hole into a bet­ter life. Bar­ring that, she need­ed some food in her bel­ly, for the ener­gy to deal with what­ev­er was com­ing next. After vom­it­ing her stom­ach into a ditch, all she could han­dle was some­thing plain.

Oates nod­ded and head­ed for the kitchen, return­ing a few min­utes lat­er with cof­fee. She dumped rough­ly half the sug­ar dis­penser into the steam­ing liq­uid, not car­ing whether the sweet­en­er was the real deal (unlike­ly in a place as cheap as this) or one of those syn­thet­ics that pro­vid­ed half the taste and all the dia­betes and can­cer. She drank it boil­ing-hot, bare­ly notic­ing how it scorched her tongue, eyes focused on the screen above the counter, where a talk-show host cracked bleak jokes about the lat­est round of sui­cide bomb­ings in Seattle. 

The food arrived, and Max­ine found her­self sur­pris­ing­ly hun­gry. She was chew­ing the last bit of crust when the bells above the front door tin­kled. Preach­er walked in like John Wayne in those old movies that Oates loved—only Preach­er was more John Wayne than John Wayne, who had been a mirage, a Hol­ly­wood actor named Mar­i­on Mor­ri­son who dis­cov­ered that, if he held his hips right and aimed a rifle, peo­ple would start call­ing him “sir.” Preach­er came through the door look­ing sol­id as stone, bring­ing his own weath­er with him. Every­body in the place fell silent.

First Preach­er flicked the thumb-lock behind him and flipped the old-fash­ioned sign on the door so it read ‘Closed.’ Next he pulled a plas­tic bag out of his pock­et and walked along the counter and back into the kitchen, col­lect­ing phones from every­body. After he tossed the phone bag to Max­ine in the booth, he reached into his pock­et and pulled out a thick wad of bills and dis­trib­uted them to all cus­tomers and Oates and Jane and the short-order chef. 

With those tasks com­plet­ed, he helped him­self to a cup from the ancient cof­feemak­er behind the reg­is­ter and sat across from Max­ine, tak­ing his first sip with a hand­ful of pills from his jack­et pock­et. His love of med­ica­tion stemmed from his three years in the mil­i­tary: red painkillers to ease the burn­ing pain in his shoul­ders, from the shrap­nel embed­ded in the mus­cle, always fol­lowed by two or three blue gel­caps that kept his mind crack­ling. The Army fed you a steady diet of chem­i­cals that helped you deal with cog­ni­tive load, think your way light­ning-quick through fire­fights. The down­side came after they dis­charged you, when you missed that sharp­ness to your thoughts, even if it came with side effects like sweaty ner­vous­ness, para­noia, and the occa­sion­al burst of epic flat­u­lence. Preach­er kept his pre­scrip­tion filled through a back-chan­nel to the local VA

Max­ine fin­ished chew­ing, admir­ing Preacher’s gun­slinger gait, smil­ing at how every­body in the din­er resumed their con­ver­sa­tions a lit­tle too loud­ly, anx­ious to show their new guest how they could play it as cool as him.

You mak­ing some trou­ble on your birth­day, kid­do?” Preach­er asked.

I didn’t start noth­ing,” she said. 

It’s okay. I’m not mad. Just tell me everything.”

So I’m down at The Tony Eight…”

Wait, why weren’t you in school?” His cheeks reddening.

Max­ine rolled her eyes. “Thought you said you weren’t mad.”

You need to be in school.”

Max­ine sighed. “You know how that place sucks. I learn more read­ing on my own.”

You’re not think­ing like a gang­ster, dar­ling.” Preach­er cooled down, his lips break­ing into a slab-toothed grin. “You don’t show up to school, the so-called author­i­ties notice, they start get­ting up in your busi­ness. You go to school—even if you just sit there and read—it gives you lee­way to do what­ev­er else you want in your life. Make sense?”

Max­ine didn’t like peo­ple cor­rect­ing her. “Yeah, yeah, yeah.”

Yeah, yeah, yeah, okay.” Preach­er leaned for­ward and gen­tly pinched her chin, know­ing how much she hat­ed lec­tures like this. “So tell me what happened.”

I took a joyride, ran into a cou­ple of cops. They’re dead.”

So my guy said, when you called him. How’d you get his phone number?”

You gave it to me, remem­ber? Told me use it in an emer­gency. If you actu­al­ly owned a phone, I would have called you direct.”

Yeah, well, he’s got one of those spe­cial phones, it’s hard­er to trace. I can’t fig­ure out how those work.” In Preacher’s world, nobody car­ried hard­ware con­nect­ed to the Inter­net, or went online with­out hid­ing behind lots of elec­tron­ic voodoo. “My guy, he said it was Ricky’s Mus­tang ran those dirty boys off the road?”

Yeah, it was Ricky’s car.”

Preach­er looked con­cerned. “You shoot Ricky?”

No, the cops did that. I was just hang­ing out. You ask me, he had a deal with them that went bad, or something.”

Who knows? Ricky bled out before they made the hos­pi­tal.” Preach­er washed down anoth­er pill with his cof­fee, his eyes hum­ming elec­tric. “I’m going to clear this up. You don’t need to do any­thing. Hang tight, don’t say any­thing to any­one, okay?”

She sighed. “I’m sor­ry. It’s trou­ble you don’t need.”

Preach­er reached for­ward, his giant paw set­tling on her small one. “When I was your age, I got in scrapes like this a lot. It’s part of grow­ing up.”

So this’ll sound kin­da psy­cho.” She smiled a lit­tle. “But I liked the dri­ving part.”

See? Sil­ver lin­ing,” he said. “And here’s the oth­er good thing: no more cop to sniff his lit­tle pig-snout around your house. Five-oh knows one of their own was crooked, they’ll be glad to see him dis­ap­pear. In exchange for all this, though, you owe me a favor.”

She nod­ded. “Name it.”

Fin­ish high school, try to go to col­lege, the whole run. You can read your books there. You keep a low pro­file, you grad­u­ate, and if you still want, you can come work for me. We’ll have some fun togeth­er. Deal?”

I go to col­lege, who’ll watch Brad? Or my mom?”

I will.” Preach­er held up a hand, antic­i­pat­ing her argu­ment. “I know I haven’t been great about stick­ing around. But I’ve start­ed pay­ing the right peo­ple, and I got some good folks on my side. I’ll be around more, I swear. So, do we have a deal? Low profile?”

Max­ine laughed. “Okay,” she said. “You got a deal.”

Preach­er depart­ed, after hand­ing the bag of phones to Oates behind the counter. Max­ine fin­ished her cof­fee and left. Nobody ever found the wreck­age of the black car, or Dwight and his part­ner in crime. No cop ever swung by her family’s lit­tle house again.

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Faber #2, Graphite

Some­times hus­bands take it well. This one cor­nered Mason at the road­house, drove a pen­cil up his ear canal. Reg­is­tered dis­ap­point­ment when it hit bone, stopped. Mason dropped like an abba­toir steer, his newest girl­friend shout­ing, “Mur­der­er!” Qui­eter hus­bands drink the lemon­ade when hand­ed lemons. His­tor­i­cal­ly an abun­dance of wrecked homes accrue, then Mason moves for safe­ty rea­sons. Nor­mal­ly in time. Straight men fetishize women’s legs, their behinds, Mason grooves on wed­ding bands. For­ev­er diamonds—an irre­sistible chal­lenge. An enraged cuck­old pen­e­trates the rogue’s ear drum, sends a deep, direct mes­sage. Received. First stop, E.R., then find a mov­ing van.

toddmercerTODD MERCER won the Dyer-Ives Kent Coun­ty Prize for Poet­ry in 2016, the Nation­al Writ­ers Series Poet­ry Prize for 2016, and the Grand Rapids Fes­ti­val of the Arts Flash Fic­tion Award for 2015. His dig­i­tal chap­book, Life-wish Main­te­nance,appeared at Right Hand Point­ing. Mercer’s recent poet­ry and fic­tion appear in: 100 Word Sto­ry, Bartle­by Snopes, Blast Fur­nace, Eunoia Review, The Fib Review, The Ekphras­tic Review, EXPOUND, Flash Fron­tier Mag­a­zine, Flash Fic­tion Mag­a­zine, Fried Chick­en and Cof­fee, The Lake, The Mag­no­lia Review, Plum Tree Tav­ern, Post­card Shorts, Soft­blow Jour­nal, Star 82 Review and Two Cities Review.

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Grandma Gone Out of Breeden West Virginia, poem by Tiff Holland

At home, the chick­en coop was more sturdy
than this house where the women gathered
like hens around the grand­moth­er in the box,
my mother’s gram, laid out there in the front room,
sur­round­ed by the flow­ers that grew in the hills. 

I turned eight that day and no one remembered.
They were think­ing about death, but I was worried
About the Cuya­hoga-sized crick, about squatting
over the hole in the out­house out back.

There might be snakes like the ones in the service,
rel­a­tives I didn’t know sway­ing like the snakes
they held, while I blinked and blinked, certain
it was a bad dream, wait­ing for the birth­day cake
that had to come, try­ing to keep my balance
on the rope bridge between the crick’s banks
know­ing it was the only way back. 

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Snaked, fiction by Morgan Boyd

We were gath­er­ing wood at an undis­closed loca­tion deep in the moun­tains when I heard a rat­tling in the pile. I dropped the wood in my arms, and drew my gun.

Don’t shoot,” Mur­ray said.

I’m not get­ting bit way the fuck out in the mid­dle of nowhere,” I said.

Tell the doctor.”

I hol­stered my gun, and walked to the lit­tle cab­in. It was a real dumpy piece of shit: one tiny bed­room, and one tiny kitchen/living room. There was elec­tric­i­ty but no indoor plumb­ing. Dr. Cross sat at a small table read­ing a med­ical journal.

No wood?” He asked.

Rat­tler in the stack.”

His eyes lit up, and he grabbed a long met­al rod with a hook at the end. At the wood­pile, the doc­tor poked the pole into var­i­ous crevices until the viper hissed and struck at the rod. The ser­pent wrapped around the end of the pole, and Dr. Cross removed it from the stack. Pinch­ing the snake below the head, he held it before me.

Good size,” he said.

Keep it away,” I said, back­ing up.

Don’t be a lit­tle girl,” Mur­ray said with a laugh.

Under the guise of pro­vid­ing pro­tec­tion, I was hired to relieve Mur­ray of his sen­tinel duties, and put an end to the good doctor’s rela­tion­ship with my employ­er. The orga­ni­za­tion I worked for had retained Dr. Cross for his uncan­ny abil­i­ty to dis­solve flesh and bone. For a time this sym­bi­ot­ic rela­tion­ship proved pro­duc­tive for both sides in that my employ­er mur­dered for mon­ey, and Dr. Cross received an unlim­it­ed sup­ply of cadav­ers for his bizarre exper­i­ments. As of late, the doctor’s noto­ri­ety had sky rock­et­ed, most­ly in the form of mak­ing the FBI’s top ten most want­ed list, and thus my employ­er no longer wished to main­tain ties with the under­ground M.D.

Hold­ing the snake, Dr. Cross led us to a shed out back. He opened a large meat freez­er, released the snake into the ice­box, and quick­ly shut the lid. After the snake removal, Mur­ray and I fin­ished gath­er­ing wood for the night. We lit a fire in the stove, and sat at a small table play­ing Texas Hold ‘Em for cig­a­rettes. I was rak­ing in the Marl­boros, and could tell it was frus­trat­ing Mur­ray. I too was frus­trat­ed. Mur­ray should have tak­en the truck back to civ­i­liza­tion days ago, leav­ing me alone with Dr. Cross, but bozo wouldn’t depart.

You boys hun­gry?” Dr. Cross asked.

I’m so hun­gry I could eat the Lamb of God,” Mur­ray said.

Grab three frozen piz­zas from the shed,” Dr. Cross said.

Inside the shed, I flipped on the light, and was about to open the lid to the ice­box when I remem­ber the snake. I drew my gun. The rat­tler wasn’t the only ani­mal with a bite. I lift­ed the lid, and was instant­ly struck on the arm. I jumped back, fir­ing my weapon into the freezer.

I’ve nev­er seen some­body so scarred,” Mur­ray said, bend­ing over and hold­ing his sides with laughter.

What the hell?” I asked, hol­ster­ing my gun, as I real­ized my com­pan­ions stood behind me.

You thought this guy bit you,” Dr. Cross said, reach­ing into the freez­er, pulling out the snake, and hold­ing it before me. “It’s harm­less. Snakes are cold blood­ed, and move extreme­ly slow when chilled.”

What got me?” I asked.

These,” Dr. Cross said, hold­ing up his thumb and point­er finger.

You got pinched, and shit your pants,” Mur­ray said. “Worst than a lit­tle girl.”

I’m a col­lec­tor of frozen rat­tlesnakes,” Dr. Cross said, drop­ping the ser­pent back into the freez­er. “Have a look.”

Unless you’re scared,” Mur­ray said.

I lit a cig­a­rette, and glared at Mur­ray for a moment. His insults were get­ting on my nerves, and I want­ed him to know that it wasn’t okay. After scowl­ing at Mur­ray, I peered inside the cool­er. Amid an assort­ment of frozen din­ners was a myr­i­ad of motion­less rat­tlesnakes tied into var­i­ous knots. I rec­og­nized the Bow­line, the Clove Hitch and the Fig­ure Eight, but there were also advanced knots I had nev­er seen.

Frozen snakes are pli­able,” Dr. Cross said, grab­bing a knot­ted ser­pent, and unty­ing it.

Are they alive?”

No, but they stay sup­ple in the freez­er,” Dr. Cross said, rety­ing the chilled rep­tile. “That is unless some god­damn idiot breaks the ice box shoot­ing a hole in it.”

He did a quick inspec­tion of the case, and deter­mined that I hadn’t dam­aged the motor, coils or Fre­on. The Doc­tor said it was a good thing; oth­er­wise, I would have joined the icy sanc­tu­ary. Mur­ray laughed at that sug­ges­tion, and I gave him anoth­er sharp look, but this time he returned the favor, and we locked into a ‘who was blink­ing first’ piss­ing contest.

Gen­tle­men,” Dr. Cross said, break­ing up the stare down, and hand­ing me a wound­ed piz­za box. “It’s get­ting late.”

Except for the bul­let hole, that was the worst microwaved piz­za I ever ate. It was luke­warm and sog­gy with a side of freez­er burn. After din­ner we smoked cig­a­rettes, and stoked the fire. Dr. Cross slept in the bed­room on the only bed in the cab­in, so Mur­ray and I sacked out in the liv­ing room on the floor near the stove. I tried to stay awake longer than my com­pan­ion, but a pro­found lethar­gy swept over me, and I slipped into unset­tling unconsciousness.

I dreamt that I was gath­er­ing wood from the pile when it col­lapsed on me, and dozens of rat­tlesnakes appeared, and wrapped them­selves around my limbs in strange and com­pli­cat­ed knots.

I woke shiv­er­ing in the night, half numb from sleep­ing on the floor. The fire was dying. I stum­bled to my feet, trip­ping over Mur­ray. How was he able to snore through such artic con­di­tions? As I stoked the fire, I felt bad for those snakes in the cool­er. Freez­ing was a par­tic­u­lar­ly inhu­mane way to die. When I’m assigned a job, I try to reduce the suf­fer­ing as much as pos­si­ble. Two to the head usu­al­ly does the job, quick and painless.

The next morn­ing I felt like shit. Every mus­cle in my body ached, my head throbbed like a strobe light of pain, and I sweat with fever.

Wake­up,” Mur­ray said, toe­ing my ribs.

I stum­bled dizzy to my feet, col­laps­ing into a wood­en chair at the table. I thought I was hav­ing a heart attack the way my chest hurt.

You look sick­er than Typhoid Mary,” Dr. Cross said, enter­ing from the bed­room, and hand­ing me a white cap­sule. “Take this.”

What is it?”

You’ll feel better.”

But what is it?”

Just take the damn pill,” Mur­ray barked.

As bad as I felt, I wasn’t tak­ing shit from Mur­ray, so I flicked the pill at him. It bounced off his chest onto the floor. He picked it up, and forced the cap­sule between my lips. In my weak­ened state, I could do lit­tle to resist. I swal­lowed the med­i­cine, and for a chas­er, Mur­ray slopped warm cof­fee on my face. Woozi­ness over­took me, and I fell to the floor.

I woke in my dark­ened apart­ment, lying on my bed, feel­ing fine except for the night­mare about the lit­tle cab­in in the woods. The light turned on, and I wasn’t home in my bed, and it wasn’t a bad dream. I was still in the cab­in, and Dr. Cross and Mur­ray stood over me.

You look bet­ter,” Dr. Cross said, plac­ing a hand on my forehead.

I climbed out of bed, naked.

Your clothes are fold­ed neat­ly on the table in the oth­er room.”

And my piece?”

On the table.”

I pushed passed Dr. Cross and Mur­ray. I grabbed my weapon. It was still loaded. After I dressed, Dr. Cross and Mur­ray joined me in the cabin’s main room.

How are you feel­ing?” The doc­tor asked.

Fine,” I said.

Maybe some­thing you ate?” Dr. Cross asked.

Yeah,” Mur­ray said. “Maybe you have a weak stomach.”

Since you’ve recov­ered, would you fetch some wood for the stove?” Dr. Cross asked.

Out­side the air was crisp and cold. I breathed deep and felt invig­o­rat­ed. As I cau­tious­ly gath­ered fire­wood, lis­ten­ing for rat­tlers, I decid­ed to give Mur­ray a chance to leave, and if he didn’t take the offer, he’d also receive two to the head. I car­ried the wood inside, and set it down by the stove. Dr. Cross and Mur­ray ate microwaved scram­bled eggs and sausage.

I can han­dle things from here on out,” I said to Mur­ray. “Be on your way now.”

You can?” Mur­ray asked after smirk­ing and shov­el­ing the rub­bery eggs into his yap. “You’ve been in-and-out of con­scious­ness for two days, talk­ing in tongues. Think I’ll stick around.”

Eat some­thing,” Dr. Cross said.

Ain’t hun­gry,” I said, and went out­side for a cigarette.

Get more wood,” Dr. Cross said as I closed the door.

I gave that chump Mur­ray a chance to beat it, I thought, struck a wood­en match, and held it to my cig­a­rette just as the world’s longest rat­tlesnake slid across the yard. I drew my gun, and point­ed it at the ser­pent in pure ter­ror, but then I remem­bered Dr. Cross’ grotesque menagerie of frozen rat­tlesnakes. I didn’t want this fel­low end­ing up like those oth­er poor bas­tards, so I let the limb­less mon­ster escape into the brush.

When the cig­a­rette end­ed, I fin­gered the trig­ger of my pis­tol and resolved to put two to each head inside the cab­in, fast and pain­less. Exact­ly how I liked it. One moment they would be alive, the next moment they’d be dead. I swung open the front door, and bang, bang, bang, bang.

No Wood?” Dr. Cross said, chew­ing a break­fast sausage as Mur­ray knocked the weapon out of my hand, and dealt me a crush­ing blow to the head with the stove’s iron poker.

I woke with a split­ting headache. My wrists and knees tied with rope. The room was dark, and I had no idea where I was until Dr. Cross and Mur­ray opened the door, and I real­ized I was in the shed on the ground next to the freezer.

How do you feel?” Dr. Cross asked.

Answer the doc­tor,” Mur­ray said, toe­ing my ribs.

Excit­ing news,” Dr. Cross said after I didn’t answer, and removed a mas­sive rat­tlesnake from the freez­er. “While drag­ging you to the shed, we spied the longest spec­i­men I have ever seen. Tru­ly a mar­vel of nature.”

Dr. Cross tied the snake into a hangman’s noose, and placed it around my neck.

Looks good on you,” Mur­ray said.

I’ve been micro-dos­ing your food with a pow­der I derived from neu­ro­tox­ins found in rat­tlesnake ven­om. I mis­cal­cu­lat­ed the lev­el of expo­sure with your piz­za the oth­er night, and the hemo­tox­ins almost destroyed your blood cells. With­out the antivenin, you would have died from inter­nal hem­or­rhag­ing. Even­tu­al­ly, I meant to give you a lethal dose, but not so soon. After you tried to kill us, I sped up the process, and pre­pared a lethal dose for your con­sump­tion,” Dr. Cross said, hold­ing out a bot­tle of white pow­der before my eyes. “This was to be your fate until this eight-foot­er came along. I’ve nev­er seen some­body lynched by snake rope before. Have you Murray?”

Nope.”

Lucky us,” Dr. Cross said. “And lucky you. Hang­ing is less painful than suc­cumb­ing to the pow­dered venom.”

If you let me go,” I said. I’ll tell you who sent me.”

Nev­er thought of you as a squeal­er,” Mur­ray said, light­ing a cig­a­rette. “Have a side of dig­ni­ty with your death huh.”

You were sent by our mutu­al employ­er, yes?” Dr. Cross said with a smile.

I didn’t say any­thing as the anger welled inside me.

Answer the doc­tor,” Mur­ray said, toe­ing my ribs.

I asked the orga­ni­za­tion to send me a test sub­ject for my pow­dered ven­om, and you drew the assignment.”

Dum­b­ass,” Mur­ray said.

Let’s string him from the tree in the front yard,” Dr. Cross said.

Mur­ray grabbed the head of the frozen snake, and dragged me across the shed’s floor. I gasped for air as the blood in my head pound­ed in my ears, and the snake noose tight­ened around my neck. Just before I lost con­scious­ness, Mur­ray yelped, and let go of the snake.

Fuck­er bit me,” he said, hold­ing his wrist as the rep­tile around my neck loos­ened and untied itself.

I breathed deep, let­ting the oxy­gen fill my lungs as the snake coiled and struck Dr. Cross on the leg. The doc­tor cried out in pain. Mur­ray unloaded his pis­tol into the ser­pent. The wound­ed viper twist­ed and writhed as Dr. Cross crushed its head with the sole of his boot.

Shoot him too,” Dr. Cross said, point­ing at me. “I’ll get the antivenin.”

Mur­ray smiled, and drew his pis­tol. With con­sid­er­able effort I sat up against the side of the freez­er. As Mur­ray point­ed the pis­tol at my head, I closed my eyes. The gun fired, and I fell into darkness.

Some­thing in the dis­tance roused me. It sound­ed close yet far away. A famil­iar pop­ping noise that I couldn’t quite place. My eyes opened, and I saw the muti­lat­ed snake, twist­ed and torn on the floor. My head throbbed with pain, and thirst dried my throat. Oth­er than the head wound from the iron pok­er, I had no injuries. After con­sid­er­able effort, I sat up against the freez­er, and felt a sharp met­al edge at the cor­ner of the ice­box. It took time, but I sawed off the ropes bind­ing my wrists. My palms and fin­gers burned as the blood returned. After the tin­gling was most­ly gone, I untied my knees, and gath­ered my equilibrium.

I opened the freez­er, and scraped out a piece of frost amid the knot­ted snakes. When the frost became liq­uid, I slaked my thirst. A ray of light seeped through a bul­let hole in the wall. I went out­side, and in the yard, I saw Dr. Cross lying on his back, cov­ered in blood. The famil­iar pop­ping sounds that roused me in the shed had been gun­shots. Mur­ray sat against the trunk of the tree. His eyes flut­tered, and foam dripped from his mouth. He mum­bled some­thing that I couldn’t hear, so I drew near­er, keep­ing my eye on the gun in his lap.

FBI … please … antivenin.”

I dis­armed Mur­ray, and searched the cab­in for the antivenin. As I tore apart Dr. Cross’ room, I pieced togeth­er a sce­nario of the recent events that led me to this favor­able out­come. The mas­sive snake in the freez­er was cold, but still alive when it was tied into a noose. It warmed against my neck and rean­i­mat­ed enough to bite Mur­ray as he dragged me across the floor. The rat­tler then struck Dr. Cross before meet­ing its demise.

Mur­ray was sup­posed to off me while Dr. Cross grabbed the antivenin, but Mur­ray was an FBI agent, so he didn’t shoot me. The bul­let hole in the side of the shed sug­gest­ed that he inten­tion­al­ly fired wide, and I passed out from fear of exe­cu­tion. While I was uncon­scious, Dr. Cross and Mur­ray must have quar­reled, but about what I can’t say. Maybe Dr. Cross fig­ured Mur­ray for FBI all along, and with­held the antivenin from him. When Mur­ray was denied the cure, and began suc­cumb­ing to the snake’s ven­om, he shot Dr. Cross, but was unable to locate the antivenin before los­ing con­trol of his limbs. I couldn’t be sure that this was what tran­spired while I lay bound and insen­si­ble on the shed’s floor, but I didn’t care. I was just hap­py to be alive.

I tore the cab­in apart, but found no antivenin. I sat down at the table, look­ing at Murray’s gun. Two to the head was more humane than suf­fer­ing. I was about to kill my first FBI agent when I real­ized where the antivenin was. Out­side, I leaned over Dr. Cross’ corpse, and searched his blood soaked pock­ets, remov­ing two small plas­tic bot­tles. The first bot­tle con­tained pow­der, and the sec­ond bot­tle con­tained sev­er­al white capsules.

Mur­ray breathed shal­low as I placed the pill in his mouth and tilt­ed back his head. I hoped it wasn’t too late. Even though he was FBI, Mur­ray had saved me, and I want­ed to return the favor. I lit a cig­a­rette, and placed it between his lips, but he nev­er inhaled.

I cov­ered Murray’s body with a blan­ket I found in the cab­in before start­ing down the moun­tain in the truck. The windy dirt road would even­tu­al­ly lead me to my employer’s place of busi­ness. Two to that bastard’s head was too quick and pain­less of a way for that dou­ble-cross­er to die. A snake slith­ered across the road in front of the truck. I braked and felt the bot­tle of pow­der in my pock­et as the ser­pent slid into the brush.

morganboydMor­gan Boyd lives in San­ta Cruz Cal­i­for­nia with his wife, two cats and their car­niv­o­rous plant col­lec­tion. He has been pub­lished online at Flash Fic­tion Offen­sive, Shot­gun Hon­ey, Near To The Knuck­le, and Yel­low Mama.

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Cool Air, fiction by James Owens

orig­i­nal­ly appeared in Kestrel

 

The dog barked again.

Ray lift­ed him­self out of bed for a glass of water too warm from the tap in the bath­room, like drink­ing blood or drink­ing the night air that heat and humid­i­ty had thick­ened to the con­sis­ten­cy of oil. He gri­maced at him­self in the mir­ror over the sink, look­ing just as sweat-grimed and tired as he felt, unshaven, rings like bruis­es around his eyes, then groped back to lie beside his wife on the sticky mat­tress. Sandy was breath­ing even­ly, but he knew she was only pre­tend­ing to be asleep. How could any­body sleep? The fan hummed and insist­ed air across their legs, but the arti­fi­cial breeze seemed only to empha­size the night’s dank­ness, push­ing heat around the small room where it was trapped, not much larg­er or bet­ter ven­ti­lat­ed than a jail cell. Ray closed his eyes and willed him­self to sink into the sta­t­ic drone that usu­al­ly pulled him down into dreams of childhood.

Ani­ta Maelin’s dog barked next door, a thin, sharp sound like the edge of a chis­el tapped into Ray’s fore­head. He had heard lots of bark­ing dogs in the trail­er park since he and Sandy had moved in over a year ago, but Buzzer, their neighbor’s Pekingese, had the most hate­ful, grat­ing tone, a pierc­ing sound which began short­ly after sun­set and con­tin­ued in a slow, punc­tu­at­ed rhythm of yaps until the ear­ly hours of morn­ing. The bark­ing seemed to have got­ten worse in the past week, since the heat had moved in and set­tled on the rows of trail­ers like a vast hand cupped over them, soak­ing all day into the ground and the met­al box­es that radi­at­ed it back at night, so that there wasn't even dew on the yel­low­ing grass in the morn­ings. Ray imag­ined that he could under­stand the dumb beast's need to protest, since it was prob­a­bly suf­fer­ing like every­body else, and just want­ed to make sure no one missed hear­ing about its mis­ery. Or maybe his resis­tance to the inter­rup­tion of sleep had sim­ply weakened.

The dog barked. It seemed to wait until Ray was just start­ing to slip into a doze, then yap, that pained and painful, point­ed jolt of sound cut­ting through the dark­ness. Mrs. Maelin lived in the next trail­er over – the next mobile home, as Sandy’s moth­er always cor­rect­ed him, a nice­ty that Ray resist­ed, pre­fer­ring to meet the unvar­nished fact of their cir­cum­stances — but the damned dog might as well have been just out­side the bed­room door, with the win­dow open in the hope there might be a breath of air mov­ing through the screen. 

Ray had dis­liked the ani­mal since the day he and Sandy had moved in. He had been lug­ging an arm­ful of dish­es from his brother's bor­rowed truck when the dog ran up sniff­ing at his ankles, so he had eased the box­es down and knelt on the grav­el dri­ve to scratch behind its ears. But the dog had snarled, show­ing him its yel­lowed teeth, and backed away from his hand, low to the ground, as if he had come at it with a stick. Then Mrs. Maelin – Ray had nev­er heard any­one call her Ani­ta, couldn’t imag­ine her as an Ani­ta – turned from eying their fur­ni­ture and picked her lit­tle dog up and cra­dled it against her well padded breasts with a few stiff, unmeant words of apol­o­gy, all the while eying Ray sus­pi­cious­ly as she car­ried her pet back inside.

The dog barked. 

Sandy stiff­ened when Ray put his hand on her shoul­der. She didn’t move or inter­rupt her breath­ing, but Ray sensed her joints lock­ing, as if she were tens­ing to flee some threat, the mus­cles in her back tight­en­ing against him like pan­els of wood, wait­ing. Her shoul­der was damp and hot beneath his palm, and sex­u­al ener­gy moved there, too, desire, though he didn't need to be told, now that he was touch­ing her, that the desire moved in one direc­tion only, from him, noth­ing return­ing. He drew his hand away and lay on his back. He felt a moment of some­thing like anger or a lit­tle dust-dev­il twist of deep-down, tired and direc­tion-less despair. But he told him­self Sandy was prob­a­bly right, any­way, it was too hot for sex, even if it would be the first time in weeks. Ray wasn’t exact­ly sure just how many weeks it had been. He wasn’t going to start keep­ing a tally.

After anoth­er half-hour, he went back to sleep, but it was a shal­low, unsat­is­fy­ing rest, cracked at inter­vals by the light blows of sound that ruined his dreams long into the dawn.

***

The morn­ing light was like cig­a­rette ash tipped into their pouched eye­lids, light as grainy and unaspir­ing as that of worn black and white news­pa­per pho­tographs. Ray and Sandy ate break­fast almost with­out speak­ing to each oth­er, no words beyond the mechan­i­cal oper­a­tion of lay­ing out two bowls and pour­ing milk, crunch­ing corn flakes and drink­ing cof­fee that could not do enough to cut through the grog­gi­ness of the night's poor sleep.

It was still ear­ly, as famil­iar pieces of the world set­tled into place. Through the win­dow, Ray watched trees across the road becom­ing clear­er against the sky, the dark sil­hou­ettes draw­ing col­or from some­where as they went from black to green, and elec­tric lights in the win­dows of the sur­round­ing trail­ers grew faint. The street­light at the cor­ner where the dri­ve­way met the road into town sput­tered and went dark, para­dox­i­cal­ly mak­ing the faint nat­ur­al sky seem brighter. Bird song skirled in. Most days, Ray would have enjoyed lis­ten­ing to the birds, would maybe even have car­ried a cup of cof­fee out­side to stand under the trees where they had built nests in the spring, but this morn­ing he was tired and try­ing to cor­ral his irritability.

Ray and Sandy could hear Ani­ta Maelin talk­ing to Buzzer next door, a spoon rat­tling inside a can as she fixed break­fast for the dog and then poured water into its dish. They heard her voice soft and sooth­ing as she spoke to the dog. Lat­er in the morn­ing, they both knew, she would bring him out­side and walk through the trail­er park, let­ting him lift his leg against the wheels of cars, iden­ti­cal expres­sions of chal­lenge on the Pekinese and on the woman, both dar­ing any­one to object, both allowed to do as they pleased through some unspo­ken com­pact of indul­gence among the neigh­bors. Then in the after­noon she would let the dog out for anoth­er walk by him­self, while she sat in front of the after­noon soap operas. Even after spend­ing most of the day, no mat­ter the weath­er, shut up in Mrs. Maelin’s trail­er, the dog would take care of what­ev­er busi­ness he had out­side and scratch to be let back in as soon as pos­si­ble. Ani­ta Maelin and Buzzer were, as hap­pens with old peo­ple and dogs, per­fect match­es, pass­ing an atti­tude toward the world back and forth like fac­ing mir­rors. Ray had nev­er been sure if their appar­ent bel­liger­ence was real or a mask for some­thing soft­er that need­ed guard­ing, though his attempts at friend­li­ness had nev­er been any more wel­come than on the first day. Offers to shop for Mrs. Maelin and Buzzer had been rebuffed on the grounds that there was noth­ing they need­ed. When­ev­er Ray out got out the lawn­mow­er, he includ­ed, unasked, the strips of weedy grass around Mrs. Maelin's door, care­ful not to run over flow­ers, though she had nev­er acknowl­edged his efforts. In fact, she sel­dom spoke to any­one at all, except Buzzer, unless you want­ed to talk about her flow­ers, in which case she would not let go until you were exhaust­ed. On her small plot, she had ros­es and tulips and tiger lilies and many bright and col­or­ful things that Ray couldn't have named. She had cov­ered a small slope in back with red and pur­ple phlox, and though the slope was not tech­ni­cal­ly a part of her prop­er­ty, no one seemed to mind. Nei­ther Ray nor Sandy was inter­est­ed in flower gardening.

Ray guessed the old woman could be in her eight­ies. They had heard, just after mov­ing into the park, that she had lost her hus­band to can­cer only a cou­ple of years earlier.

Lucky dog,” Ray said, as they lis­tened to the morn­ing rit­u­al going on just a few feet from their win­dow but out of sight some­where inside Mrs. Maelin’s kitchen, where nei­ther Ray nor Sandy had ever been. “Wish I could get that kind of attention.”

Ray had meant it as a joke — a joke about the absurd degree of affec­tion their neigh­bor devot­ed to the unat­trac­tive Buzzer, not a com­ment on their own mar­riage — but it didn’t sound like a joke to him when he heard the words com­ing from his mouth. He looked quick­ly at his wife. He didn’t want to be bit­ter toward Sandy, and he didn't desire an argu­ment. The fatigue and grit­ti­ness of the morn­ing were not her fault, and it wasn’t real­ly even her fault that he was feel­ing lone­ly and rest­less only a year and a half into their mar­riage. But he was weary of being for­ev­er care­ful with the things he said, as if all the respon­si­bil­i­ty fell to him to avoid any­thing that would draw atten­tion to the empti­ness grow­ing between them. Sandy didn’t seem to take his words bad­ly, anyway.

Some­body ought to give that damned stu­pid dog some real atten­tion,” she said, a sur­pris­ing blaze of anger in her voice. “Some­body ought to shut it the hell up for good.”

Ray nod­ded, more to him­self than to Sandy, and went back to his cere­al with­out speak­ing. It seemed to him that the tone that came into her voice when she was talk­ing that way was a new thing, some­thing he could not remem­ber hear­ing dur­ing their first months togeth­er, nev­er before the mis­car­riage. He wasn't at all sure where that tone might go if he respond­ed to it, wel­comed it, encour­aged it. He thought it might lead to a con­fronta­tion with Mrs. Maelin, and Ray didn't want that. Even though Sandy was cer­tain­ly right about the unfair­ness of hav­ing to live next to the dog's bark­ing, and even though Mrs. Maelin had nev­er giv­en them any rea­son to like her, Buzzer was still quite pos­si­bly the only bright spot in her life. 

He had to be clocked in at the fac­to­ry by 7:00, so he brushed a kiss onto Sandy’s cheek and left her sit­ting at the table, wait­ing the few extra min­utes until she would have to leave, too. Dri­ving into town, Ray began to feel bet­ter. Just out­side the trail­er park, he sur­prised a pair of deer graz­ing in a field beside the road, and they bound­ed across the high­way, just miss­ing his car. The sun was high­er now and burn­ing off a light fog that had col­lect­ed around the bot­toms of the hills. It was the first fog Ray had seen in a while. Maybe the heat was going to break. 

***

It had been a tri­fling bound­ary dis­pute a few weeks ear­li­er, or at least a dis­pute that Ray would have called trifling. 

Come here. I want to show you some­thing,” Sandy said, ges­tur­ing from the open door. Ray was sit­ting in front of the TV, soak­ing in a Sat­ur­day morning's peace as if sub­merged to his chest in a warm bath. Her lips were twist­ed up on one side, sardonic.

What is it?”

Just come. You'll see,” she said. She led him around to the side of their trail­er that faced Mrs. Maelin's.

Just look at this shit,” Sandy kicked at the ground. “This is what hap­pens when you give peo­ple an inch, Ray.” 

Some­one had dug up a brown row of earth all along the base of the cin­derblock under­pin­ning and had set out a dozen or so plants, five-inch green stems branch­ing into lacy leaves, seem­ing to trem­ble in their del­i­ca­cy as the spring air held them. The line of palm-sized, round inden­ta­tions in the soft dirt par­al­lel­ing the row of plants must have been left by the knees of who­ev­er plant­ed them, Ray real­ized, like small cups set into the ground for receiv­ing offerings.

Did you —” he began.

No.”

Well,” he laughed, “there's no harm.”

But Sandy moved down the row, yank­ing the plants from the dirt — Ray didn't know what they were — and fling­ing them away at ran­dom. Ray heard a soft gasp and turned to find Mrs. Maelin watch­ing, her mouth a tight, dis­mayed circle.

I thought, I thought they would make the wall look nice,” she said.

Sandy stepped very close to Mrs. Maelin, lean­ing for­ward, as if con­cen­trat­ing all of her weight into the words, slow­ly: “Not your fuck­ing property.”

Mrs. Maelin's gray face col­lapsed, like a wrin­kled paper bag snatched and clutched into a fist from inside.

Ray did not want to see that again.

***

Ray spent the morn­ing sort­ing lengths of planed oak as they came down the belt from the saws and stack­ing the dif­fer­ent lengths on carts to be wheeled over to the mold­ers, where they would be shaped into chair rounds or table legs or pieces of bed frames. It was repet­i­tive, tir­ing work, but sooth­ing in its way, requir­ing lit­tle con­cen­tra­tion and exact­ing just enough phys­i­cal effort to work the kinks out of his limb and his mood. He was glad, on this day, that the drone and rat­tle of machines made casu­al con­ver­sa­tion impos­si­ble while the fac­to­ry was working.

He decid­ed, again, that he wasn’t angry with Sandy. They both had been stiffly cir­cling each oth­er for a while now, and it only seemed to be get­ting worse, as small argu­ments flared into big argu­ments with no warn­ing or appar­ent rea­son. He felt as if he were try­ing to repair some small and pre­cious machine, an intri­cate clock, that kept falling apart in his hands. Maybe, if he had the mon­ey, Ray could take her away for a long week­end, and that would help, even if they were only gain­ing some dis­tance from the rou­tine sights and peo­ple of every­day life, the kind of thing they had talked of doing before they got mar­ried, as if it had been a cer­tain­ty that they could over­come any obsta­cle. He would have liked to take her up into the moun­tains some­where, imag­in­ing one of the gat­ed resorts he had dri­ven past a few times in the fall on the way to hunt along the West Vir­ginia bor­der, some place in the sharp­er, fresh­er air of great alti­tude, and rent a cab­in beside a lake. Maybe they could swim naked in the cold water and lie in front of a fire­place all night, like lovers in a movie. He would like to give Sandy that. But he didn’t have the mon­ey, and the pos­si­bil­i­ty that she might laugh at his fool­ish­ness or dis­miss the idea with blank indif­fer­ence was worse than not hav­ing the money.

Things had been hard for Sandy since the mis­car­riage, and Ray was sick with guilt when­ev­er he sensed that he had been short with her. It was easy at any time for him to con­jure back the agony he had felt when he had gone to the hos­pi­tal that day, breath­less and scared, called away from work in the mid­dle of his shift, to find her pale and drained on the hos­pi­tal bed, the col­or flat­tened out of her face as if by a hard slap. They had lost their baby in the fourth month of her preg­nan­cy, and it some­times seemed to Ray that she was angry with him because she thought he had got­ten over the loss more quick­ly than she had, though the baby’s death had stunned him, too, leav­ing him as hurt and hol­low-feel­ing as if he had tak­en a ham­mer blow between the eyes. 

She had gone into weeks of mop­ing grief, lying late in bed, even though she could not sleep, drink­ing in the after­noon, then return­ing to work only when mon­ey got too tight for her to take any more time off. One thing she would nev­er get over, she had told him, was that it had all seemed so rou­tine, an every­day hap­pen­ing. It seemed to her that every­one at the hos­pi­tal, the doc­tor and nurs­es and fam­i­ly com­ing to vis­it, her moth­er includ­ed, were act­ing as if she had lost a tooth, not a baby. She felt that the baby’s death should be marked with some­thing peo­ple would remem­ber, at least a funer­al, but there wasn’t any­thing to bury. The doc­tor hadn’t even shown them what he had tak­en from her. Ray secret­ly believed they should be grate­ful for that, and he didn’t want to have a funer­al with an emp­ty box.

Sandy was qui­et when she came home, which she had nev­er been before. She seemed to be con­cen­trat­ing on some­thing far inside her, where Ray could not look, where, maybe, he was shy about try­ing to look, would rather not see.

It ought to be a big thing,” she said once. “Some­body died, but they all want to act like I just had my appen­dix cut out, or some­thing. It’s awful, see­ing the way peo­ple are at a time like that. I was so alone, lying there and not one damned per­son with any idea how it felt.” Ray didn’t ask if she was includ­ing him among the peo­ple. He want­ed to remind her how he had come to her, his wife lying small and bro­ken on the hos­pi­tal bed, as if he had found her aban­doned at the cen­ter of a vast, white plain, and she had pulled free and tuned away to curl around the coal-black stone of her own grief when he took her hand– but he said noth­ing of that.

Now, despite his guilt, hat­ing him­self for thoughts he couldn’t say out loud, Ray felt that she was tak­ing too long to get over the mis­car­riage. That even if there was no such thing as get­ting over it com­plete­ly, she was tak­ing too long to be real­ly func­tion­al again. That –- and he couldn’t help sham­ing him­self for the betray­al the thought rep­re­sent­ed –- she might now be pro­long­ing her mourn­ing because she got some­thing out of the sym­pa­thy peo­ple showed her, the mar­gin of com­pas­sion­ate space they allowed around her behav­ior, even while she com­plained that no one under­stood or cared. 

At noon, Ray ate lunch, sit­ting on the edge of the load­ing dock that opened into the lum­ber yard. It was cool­er there than inside the build­ing, when­ev­er a breeze shift­ed in the right direc­tion, sooth­ing the sweat from his fore­head and inside his col­lar. Out­side, sun­light pound­ed straight down to bake the same dust that had been bak­ing there since the last rain. It seemed very dim under the shed that cov­ered the dock, and star­ing out into the sun­light left daz­zling spots danc­ing before his eyes when­ev­er he looked back into the shade. As he ate, Ray’s head was still ring­ing with the noise of the saws, qui­et now while the oper­a­tors had their half-hour break. When the breeze was not com­ing though the big doors of the load­ing dock, Ray could feel heat from the machin­ery inside the fac­to­ry push­ing out against his back.

Elmer Hor­ton ate his sand­wich­es and drank from a ther­mos at the oth­er cor­ner of the dock, scrawny and gray with beard and age, who had been work­ing at the same fac­to­ry since before Ray was born, but whom Ray had known sin­gle-hand­ed­ly to pick up a twelve-foot length of eight-quar­ter oak and flip it unto the plan­er he oper­at­ed, as if han­dling card­board. Appar­ent­ly he had not been in the mood for the noise and bravu­ra talk of the break room, either, qui­et­ly chew­ing as he watched clouds pass. Now Elmer stood and knocked crumbs from the front of his shirt and arched in a long stretch, fin­gers laced togeth­er behind his back, so that Ray could hear his joints pop, even across the yards that sep­a­rat­ed them.

Well, it's about that time, I guess,” Elmer said, mean­ing time for the whis­tle that would call them back to their work sta­tions. He nod­ded at the sky. “Rain soon.”

Hope so,” Ray said. He glanced at the clouds, fluffy and bright, no obvi­ous promise of any weath­er in them except more of the same.

How's that wife of yours?” Elmer asked.

Fine,” Ray said. He had a sud­den impulse to tell the old­er man every­thing. “Bet­ter.”

Elmer spat off the end of the load­ing dock, his spit­tle rolling a lit­tle ball of black mud in the dust.

Shit. Life's just life, ain't it?” he said and went inside. 

The gar­ment mill where Sandy worked across town took lunch break at the same time. Maybe she was sit­ting at a table in the lunch­room, eat­ing what­ev­er she had brought from home and talk­ing with oth­er women about the things women dis­cuss. He didn’t want to think that she might be eat­ing alone, or let­ting her lunch sit there uneat­en in front of her, star­ing out into space while she wait­ed for the sig­nal to get back to work. He had found her like that some­times, alone in a room.

Ray thought about tak­ing the rest of the after­noon off. He didn’t want to go home, though. He would have liked to dri­ve out to the edge of town and rent a motel room, but he didn’t imag­ine tak­ing any­one with him, not even Loret­ta Lewis, whom Ray often watched smooth­ly feed­ing wood into the mold­er near his own sta­tion, her grace­ful long hands and the motion of her hips, and who would prob­a­bly have gone with him, if he want­ed. But he would rather have been alone. He would turn the air con­di­tion­ing on high and maybe have a six-pack to him­self, lie on the bed watch­ing tele­vi­sion and think­ing of a way to make things bet­ter. It seemed he could do that –- dis­cov­er a way of mak­ing things bet­ter, a way to fit the del­i­cate, slip­ping parts of the mech­a­nism back in place –- if he could only get some good time to be qui­et, time out of the con­stant heat. He might be able to find some direc­tion for his thoughts that late­ly seemed to take him around and around with­out get­ting any­where. Ray had saved some mon­ey with­out telling Sandy, not much, not near­ly enough for a week­end in the cab­in he fan­ta­sized about, only a few bills tucked in the back of his wal­let, but he knew he could get the room, if he real­ly want­ed to.

But Ray also knew he would go back to work as soon as the whis­tle blew. And he did.

***

Ray hit Sandy once, and when he did, he sud­den­ly knew thy were near the end. He had nev­er expect­ed to hit her at all.

When he came home from work, the first thing he heard was Ani­ta Maelin sobbing. 

After the quit­ting-time whis­tle, Ray had gone by a junk shop down­town and bought a used air con­di­tion­er, the portable kind that sits in a win­dow and keeps at least one room cool. The pro­pri­etor, who wore over­alls with the knees ground to threads and pulled a dirty rag from his back pock­et to wipe grease off his right hand before shak­ing Ray’s, had assured him the air con­di­tion­er had been com­plete­ly over­hauled and would work. No guar­an­tee, of course. Ray didn’t both­er ask­ing. The pur­chase had tak­en all the mon­ey Ray had cached away, mon­ey which might have been bet­ter spent on a new paint job for his rust­ing car, but he guessed it would be worth the expense for even one night of deep, nour­ish­ing sleep.

Ray had parked the car and gone around to get the air con­di­tion­er from the trunk when he heard Mrs. Maelin through an open win­dow of her trail­er. At first, he thought she was laugh­ing, then he rec­og­nized the sound for what it was — the cry­ing of a lost child, low, throaty, clogged weep­ing which had gone on too long, now hitch­ing with fatigue. He thought maybe he should knock on her door, find out what the prob­lem was and whether he could help, but he wouldn’t have known what to say to her. She would be embar­rassed that any­one had heard, he supposed.

He lugged the air con­di­tion­er inside, its weight pulling at his tired shoulders.

Ray hadn't expect­ed Sandy to be home yet, had been expect­ing to sur­prise her with his pur­chase, but she must have left work ear­ly. She was sit­ting at the kitchen table, star­ing at an open can of beer in front of her. Ray could still hear Mrs. Maelin through the win­dow in the kitchen. Her voice, though not very loud, seemed to fill the room.

Set­ting the air con­di­tion­er down, he nod­ded at the window.

What’s going on over there?”

Sandy shrugged.

Maybe some­body should go check on her,” he said. Though Ani­ta Maelin had repulsed any attempts at neigh­bor­li­ness they had ever made, Ray still hat­ed the idea that she was sit­ting alone and cry­ing with no one but Buzzer to lis­ten to the rea­sons for her sadness.

Sandy shook her head and said, “No. I don’t think so.”

He paused, an empti­ness behind his breast­bone. “Okay. Look what I’ve got,” he said.

Ray ges­tured toward the air con­di­tion­er, but Sandy’s reac­tion was not what he had hoped for. He had been expect­ing the prospect of a good night’s sleep to cheer her up, but she mere­ly shrugged again. He had a sink­ing feel­ing, a moment’s flar­ing, des­per­ate wish that he could guess what she need­ed. But then she seemed to recon­sid­er, vis­i­bly stop­ping to think and pulling her thoughts into the room with him, back from wher­ev­er they had been wan­der­ing alone. She pushed her­self up from the table the table and walked over to put her arms around him. She kissed him, and it was the first kiss that had seemed more than a pan­tomime for weeks. She smiled and he thought it was a real smile.

It’s good, hon­ey,” she said. “You go put it in the bed­room, and I’ll start dinner.”

Ray car­ried the air con­di­tion­er into the bed­room and installed it in the win­dow, tight­en­ing the screws around the bot­tom and sides so it would stay put and not rat­tle in the win­dow frame, try­ing not to lis­ten to Mrs. Maelin. He turned the air con­di­tion­er on and was reward­ed with an elec­tric hum and a wave of air turn­ing cool across his face.

Maybe, Ray thought, this would be the night for renew­ing their love-mak­ing. He went to find Sandy, to bring her into the bed­room and show her his hand­i­work, maybe even lead her to the bed. She was sit­ting at the table once more, not fix­ing din­ner, doing nothing. 

Ham­burg­er and rat poi­son,” she said, look­ing up at him, defi­ant­ly. “It worked. Wasn't sure if it would.” She took a deep pull on her beer then looked back at the table. There was no thought in what hap­pened next. Ray found him­self across the kitchen in two long steps and his hand swing­ing open-palmed toward Sandy's face. He tried to pull back at the last moment, but the slap was still loud in the room, and the red marks of his fin­gers raised as if they were cup­ping her cheek in mock affec­tion in the motion­less sec­onds that followed. 

You bas­tard,” Sandy whis­pered, rais­ing her hand to the side of her face, but she said it with­out con­vic­tion or even real blame, as if she had been wait­ing to be pun­ished for what she had done. She had not cringed away from him. Ray thought she had raised her­self into the blow, met it as her due. He trem­bled inside his chest, hat­ing him­self for strik­ing her, and — for the moment at least–hating her.

That night Ray couldn’t sleep again, even though the air con­di­tion­er was work­ing, and it was as cool as autumn in the bed­room. He lay awake with the same thoughts as always going through his head, the same wor­ries, worse than before. Sandy didn’t seem even to need the air con­di­tion­er. She was sleep­ing sound­ly and dream­less­ly beside him, as far as he could tell, sunken deep into rest, released, as if she had giv­en her­self release from the coil that had tight­ened around her, her hand fold­ed under her cheek like a child's. Ray didn’t try to wake her. He was glad the hum from the win­dow was loud enough to drown out any sounds from next door.

jamesowensJames Owens’s most recent col­lec­tion of poems is Mor­talia (Future­Cy­cle Press, 2015). His poems and sto­ries have appeared in Blue Fifth Review, Poet­ry Ire­land, Kestrel, Appalachi­an Her­itage, and Ken­tucky Review, among oth­ers. Orig­i­nal­ly from South­west Vir­ginia, he worked on region­al news­pa­pers before earn­ing an MFA at the Uni­ver­si­ty of Alaba­ma. He now lives in cen­tral Indi­ana and north­ern Ontario. His sto­ry, "Calf," appeared here in April.

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Two Poems, by Larry D. Thacker

License

I got a fish­ing license this morn­ing. It’s good
for small game besides fish–coyote, beaver,
skunks, and ground­hogs allowed year around.

A varmint is a prob­lem beast, a nui­sance, they
say, whose exter­mi­na­tion is encour­aged, an invasive
ver­min offer­ing poten­tial guilt­less plea­sure hunting.

The last time I went hunt­ing I killed a groundhog
with a .410 shot­gun, per­haps the most inefficient
way to take a one, but I want­ed a challenge.

I stalked the cow pas­ture, spy­ing the quick starts
and stops of atten­tive move­ment, the ris­ing heads,
try­ing to esti­mate the ani­mals’ sta­tions of dens

across the field, watch­ing them enter before
creep­ing a few feet clos­er, a stat­ue when one would
pop up from anoth­er back­door hole, freezing,

mov­ing again, clos­er. We danced like this for half
an hour until I was only fif­teen feet from an entry,
sit­ting cross-legged in green and brown, waiting

for the groundhog’s bore­dom to tempt it. I made
a noise. Why would any­thing be out here to hurt it?
A slow head popped up, then the tor­so half way

high­er to see bet­ter, hindquar­ters stance of curiosity,
nose tilt­ed up, I imag­ine smelling break­fast, cigarette
smoke on my breath as I exhaled part­ly and held,

offer­ing the soft squeeze and explo­sion of shot
pep­per­ing up the instant flecks of dirt and blood,
no move­ment then but the puff of dust vanishing.

I heard the whin­ing bel­ly full of babies before
pulling her out of her hole. I verged on a panic
threat­en­ing to rush me from the field with a cry

of absolute shame. But I forced myself to stand
over her body until all was final­ly qui­et, the stretched
womb grown still. Then I snapped the stock off

my shot­gun with one strike on a stone and tossed
the weapon in the hole, toed the body in over my
sur­ren­dered gun, nudged the berm of dirt over it all.

You asked for it

God should be so kind,
and God should be so cruel,
as to grant you the exact god
you think you know, the god

you believe you and oth­ers deserve,
the per­vert­ed ver­sion of justice
you day­dream about all day
while Fox News and talk radio
screams weird­ness in the background.

You would real­ize that what
you thought you desired
was actu­al­ly an unex­pect­ed hell,
strange­ly ren­dered by your own hand,

a ter­ri­ble dis­ap­point­ment on top
of the hill, after that steep climb
of anx­i­ety with your son’s hand
in yours, the altar you work on
all night ren­dered suddenly
use­less at the moment of truth,

or a sort of pur­ga­to­ry where
you are made into a rope pulled
by two ver­sions of yourself,

one the vic­tim of your wants,

the oth­er, the guilty judge.

larrythackerLar­ry D. Thacker’s poet­ry can be found in or is forth­com­ing in jour­nals and mag­a­zines such as The Still Jour­nal, The South­ern Poet­ry Anthol­o­gy: Ten­nessee, Har­poon Review, Rap­pa­han­nock Review, Sil­ver Birch Press, Delaware Poet­ry Review, AvantAppal(Achia), Sick Lit Mag­a­zine, Black Nap­kin Press, and Appalachi­an Her­itage. His sto­ries can be found in past issues of The Still Jour­nal, Dime Show Review and The Eman­ci­pa­tor.

He is the author of Moun­tain Mys­ter­ies: The Mys­tic Tra­di­tions of Appalachia, the poet­ry chap­books Voice Hunt­ing and Mem­o­ry Train, and the forth­com­ing full col­lec­tion, Drift­ing in Awe. He is now engaged full-time in his poetry/fiction MFA from West Vir­ginia Wes­leyan Col­lege. www​.lar​ry​dthack​er​.com

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Thicker than Water, fiction by Neva Bryan

You are a beau­ti­ful tragedy. My griev­ous angel. Here, hold my eye.”

My broth­er popped his pros­thet­ic eye out of its sock­et and hand­ed it to me. I heard a girl in the crowd say, “Eww.”

I curled my hand into a fist around Dar­ling John’s eye, extend­ed my mid­dle fin­ger, and waved it at her.

My broth­er squint­ed at Bil­ly God­dard, a senior at my high school, and said, “I shall beat your ass from one end of this park­ing lot to the other.”

Bil­ly held up both hands, palms out­ward. “Whoa, Dar­ling John. I didn’t mean noth­in’ by it.”

You laid your hands on my sis­ter. Rho­da is only fifteen!”

Rho­da. I hate my name, espe­cial­ly the way my broth­er pro­nounces it “Rhody.”

Why my moth­er hung me with “Rho­da” but named my broth­er “Dar­ling” is a mys­tery. Maybe she fore­saw that the world wouldn’t love him and decid­ed to bestow on him a lit­tle extra affec­tion. What­ev­er the rea­son, I am for­ev­er hav­ing to answer the ques­tion, “Why’s your broth­er called Dar­ling John?”

The oth­er ques­tion I get asked a lot is, “How’d your broth­er lose his eye?”
What a stu­pid ques­tion. It makes it sound as if he mis­laid it some­where. Usu­al­ly I say he got hurt in a hunt­ing acci­dent or that a fire­crack­er blew up in his face, but if I’m feel­ing mean, I’ll tell the truth.

When Dar­ling John was five and I was just born, my father got laid off from the sawmill. He spent the after­noon drink­ing, so when he final­ly come home, he was in a nasty mood. My broth­er was on the porch, play­ing with his Match­box cars.

The way Mom told it, when my father walked up on the porch, Dar­ling John held up a car and said, “Play with me.” Dad­dy kicked him in the face.

Soft lit­tle eye­ball. Steel-toed boot. You get the picture.

After Dad­dy got out of jail, Mom ran him off for good. I don’t remem­ber a thing about the man, so all I have are these sec­ond­hand stories.

Mom had to work two jobs after Dad­dy was gone, so my broth­er pret­ty much raised me. He’s a lit­tle over­pro­tec­tive. Take that fight with Bil­ly, for instance.

I had a crush on Bil­ly. Even though he was a senior and I was only in tenth grade, I had high hopes that he might ask me to the home­com­ing dance. I used all my fem­i­nine wiles to per­suade him. When I wore my tight­est jeans to school, I made sure to prance back and forth in front of him and his bud­dies. When he rode the bus, I slid into the seat next to him, then scooched up as close to him as I could get. But the day I pulled a Toot­sie Roll Pop from my back pock­et, unwrapped it, and popped it in my mouth? That sealed the deal. Bil­ly asked me to the dance.

When Dar­ling John told me I couldn’t go, I sneaked out my bed­room win­dow and met Bil­ly at the foot­ball game. After­ward, we went to the dance in the gym. Frankly, I was disappointed.

The real Bil­ly wasn’t half as inter­est­ing as my dream Bil­ly. All he talked about was foot­ball and NASCAR. I hate both. He didn’t have any smooth moves, either. Couldn’t dance his way out of a paper bag. At that point, I fig­ured the only thing that could save the evening was a lit­tle hot-and-heavy.

I dragged Bil­ly out­side and we walked around to the back of the gym­na­si­um. Oth­er cou­ples were already there, fum­bling in the back seats of cars or perched on the steps of the build­ing. I pulled Bil­ly into the shad­ows at the cor­ner of the build­ing. Lean­ing against the bricks, I brought his hands up to my waist and gazed at him from beneath my eye­lash­es, which were clot­ted with black-black mas­cara. He kissed me.

That was a lit­tle dis­ap­point­ing, too. He was a mouth-breather, even when he kissed. No mat­ter how cute you are, mouth breath­ing is not attrac­tive. Just about the time I start­ed to get bored, Dar­ling John showed up.

All he saw was poor Bil­ly paw­ing his lit­tle sis­ter. He didn’t know all the trou­ble I had gone to in order to get that date. Next thing you know, his eye’s out and he’s ready to kick some ass.

What could I do? He’s my broth­er. Blood’s thick­er than water, right? I held his eye and watched him beat the shit out of my high school crush.

Poor Bil­ly.

It was a long time before I could get anoth­er boy to even look my way. And it wasn’t a boy, but a man.

I was almost sev­en­teen by then. Mom had died in June. I was work­ing at our home­town restau­rant, Big Dan’s. The man­ag­er was a guy named Ker­mit. He was sort of cute in a mar­ried-with-two-kids kin­da way. I could tell that over­see­ing a bunch of pim­ply teenagers at a burg­er joint wasn’t exact­ly his dream job. When I told him as much, he didn’t get offend­ed. Actu­al­ly, he seemed flat­tered that I had even noticed him.

It was like shootin’ fish in a bar­rel. Let’s just say Ker­mit was a small­mouth bass and I was a Rem­ing­ton shot­gun. I know a lit­tle about guns. Dar­ling John has a col­lec­tion he’s been work­ing on for years.

Any­way, Ker­mit was real nice to me. Let me eat any­thing I want­ed. Hell, one night he even cooked me my very own meal. A cheese­burg­er, medi­um-rare, with grilled onions and a fried egg on top. The Rho­da, he called it. And he pre­tend­ed not to notice if I slid a few dol­lars out of the cash reg­is­ter and into my pock­et. I didn’t do it often. Dar­ling John wouldn’t have approved.

It’s fun­ny. My broth­er won’t hes­i­tate to stomp the holy hell out of you or cheat at a card game, but he can’t abide a thief or a drunk. I don’t drink, of course, but I have been known to take the five-fin­gered dis­count. Just for fun.

Nev­er real­ly need the things I take, not even the mon­ey. Dar­ling John has always put plen­ty of food on our table and nice clothes on my back. He made good mon­ey when he worked in the mines. After he got laid off there, he worked at a garage. He’s good with cars. Loves them. Always has.

Some­times I think about him play­ing with his toy cars on the porch that day. What if he’d been inside? Or at Granny’s house? He might still have his eye. Maybe he wouldn’t have end­ed up so hard.

Notice I said hard and not bad. There’s a dif­fer­ence. Some peo­ple are born to be bad. Like me. But Dar­ling John? He’s not a bad per­son. He’s a good broth­er. He’s done right by me.

That the whole thing with Kermit…Darling John was just try­ing to pro­tect me.

I had a pret­ty reg­u­lar sched­ule most of the sum­mer, then I start­ed work­ing real late hours. After a week of that, I got home late Sat­ur­day night to find my broth­er wait­ing up for me.

I love noth­ing in the world as well as you, Rhoda…is that strange?”

Peo­ple think Dar­ling John talks fun­ny. It’s true. When we were kids, we found a molder­ing box of books in an old house in the neigh­bor­hood. It was a weird col­lec­tion: William Shake­speare, Damon Run­y­on, Ray Brad­bury, James Still, and Ron Rash. My broth­er read them over and over again. I think it warped the way he talks.

To this day he loves to read. Even though he quit school when he was four­teen, he nev­er stopped read­ing. I think he wore out two library cards. He’s not dumb, my broth­er. I should have remem­bered that.

It’s not strange, Dar­ling John. I love you, too.”

Has that chap Ker­mit been mak­ing eyes at you? Or worse?”

No.” When I shift­ed my eyes to a spot above his head, he knew I was lying to him.

It is my mis­ery. I am doomed to spend my life defend­ing you.”

Don’t be mad at Ker­mit. It’s my fault.” That, at least, was the truth.

Even though I looked him square in the face that time, looked him in his one good eye, he ignored the truth.

Dar­ling John made me text Ker­mit and ask him to meet me Sun­day morn­ing. Ker­mit replied that he had to go to church with his wife and kids, but I told him to fake being sick. He took so long to answer that I thought he wouldn’t do it, but even­tu­al­ly he agreed.

I went to bed but couldn’t sleep for won­der­ing what the day would bring. By the time my broth­er hollered at me to get up, I was already dressed. He ush­ered me into his old truck and we head­ed up the moun­tain behind our house.

The whole back­side of it had been strip-mined in the sev­en­ties. It had nev­er been reclaimed, so it was a dan­ger­ous place to be. Kudzu, hon­ey­suck­le, and sumac cov­ered the aban­doned mine site, hid­ing rusty equip­ment, high walls, and deep pits.

Dar­ling John parked the truck behind a large green mass which turned out to be an old poplar tree near­ly con­sumed by kudzu. I climbed out of the cab and wait­ed at the entrance of the old min­ing road which was now filled with gold­en rod and black­ber­ry vines. My broth­er rest­ed on the tail­gate of the truck, out of sight.

Grow­ing rest­less, I picked a bou­quet of Queen Anne’s lace, then scratched at the chig­ger bites on my ankles. Jarflies buzzed so loud around me that it felt like my teeth might vibrate right out of my head. I was just about to ask my broth­er to take me to town for a sausage bis­cuit when I heard a car approach. Kermit.

He parked his car, a used Sub­aru, at the side of the road and climbed from behind the steer­ing wheel. “Lis­ten, Rho­da. You can’t be tex­ting me when I’m home. If my wife saw that…well, I don’t want to think about what would happen.”

Before I could respond, Dar­ling John appeared from behind the weeds and said, “I reck­on it would be some­what terrible.”

Kermit’s face turned as white as the soft-serve cus­tard we sold at Big Dan’s. It struck me that he was over­re­act­ing until I saw the gun in my brother’s hand. His Sig Sauer, a com­pact lit­tle weapon he favored, was point­ed right at Kermit.

Lis­ten, Dar­ling John. I don’t know what’s going on in your head, but let’s think this thing through.” He stut­tered a lit­tle bit, his eyes nev­er leav­ing my brother’s gun.

There’s naught to talk about, you toad. Now get up that road there.”

What are you going to do?”

Do not con­cern your­self with that. Move!”

Ker­mit stum­bled through the weeds and brush with my broth­er right behind him. I fol­lowed, still hold­ing my bou­quet. It seemed an eter­ni­ty, that walk. When Dar­ling John was sat­is­fied with the loca­tion, he said, “Stop.”

We stood at a precipice, high above a deep pit: the remains of a long-dead sur­face mine. Ker­mit turned to face us. “What­ev­er you’re think­ing of doing, please don’t.”

Did you lay your hands on Rhoda?”

Ker­mit hes­i­tat­ed, appar­ent­ly try­ing to assess what amount of truth would be the least dan­ger­ous. He didn’t real­ize that the truth didn’t mat­ter to Dar­ling John. As far as he was con­cerned, any­thing Ker­mit said about me would be an untruth.

My broth­er pulled back the slide on the gun and the sound of it was loud­er than the jarflies. Ker­mit start­ed to cry, the blub­ber­ing sound of a lit­tle girl. I felt embar­rassed for him. I dropped my bou­quet. Dar­ling John took a step for­ward. Ker­mit took a step back.

When some­one falls from a high place, it’s not like you see in car­toons. They don’t hang in the air for a few sec­onds. They can’t walk across the cur­rent back onto sol­id ground. It don’t hap­pen in slow motion. Gravity’s a bitch.

When I ran to the edge, my broth­er grabbed the back of my shirt to keep me from falling over it, too. He pushed me to the ground and crouched next to me. We peered at poor Ker­mit, dead at the bot­tom of the high wall.

Come on,” Dar­ling John said.

It took us about twen­ty min­utes to make our way to Kermit’s body. He lay on his back, one leg tucked under the oth­er, his head cocked at an angle it could nev­er reach in life. His blue eyes were open wide. He looked surprised.

I kneeled next to him and pat­ted his shoul­der. I wished his eyes were shut, but I wouldn’t touch his face to close them. I stared at him for a long time. I hadn’t nev­er seen any­body dead out­side a funer­al home. In a cof­fin, they’re always pow­dered and rouged.

A but­ter­fly flit­ted from a stalk of Joe-Pye weed and land­ed on his head. I flicked it away with one fin­ger, then rubbed the pow­dery residue of its wings from my skin.

I always want­ed to go to the Bad­lands,” my broth­er said.

Where’s that?”

South Dako­ta.”

Bad­lands.” I stood up and ran my hands through my hair. “I like the sound of that.”

Let’s go.”

I fol­lowed Dar­ling John through the wild land­scape, cry­ing out when a bri­ar caught my bare leg and ripped the flesh. When we got back to the truck, he opened a bot­tle of water and poured it over the wound.

It washed away the red thread. Slowly.

After all, blood is thick­er than water.

nevabryanNeva Bryan lives in Wise Coun­ty, Vir­ginia with her hus­band Daniel and their three dogs. She is a cat per­son. Neva is the author of St. Peter's Mon­sters and Sawmill Boys. Her work also appears in the anthol­o­gy We All Live Down­stream: writ­ings about moun­tain­top removal and numer­ous lit­er­ary jour­nals, includ­ing Appalachi­an Her­itage and Appalachi­an Jour­nal. She is a grad­u­ate of the Uni­ver­si­ty of Vir­ginia. Her favorite leisure activ­i­ty is watch­ing old hor­ror movies.

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Wayne Whitaker Freezes Hope in the Sights of His Kentucky Long Rifle, poem by Roy Bentley

From the pho­to­graph in The Moun­tain Eagle
titled GUNSMOKE, you know Wayne Whitaker
wears over­alls and has a broth­er named Waylon.

The arti­cle says Wayne is a native of Hal­lie, Kentucky.
And in oth­er news, a scan­dal sheet at Wayne’s feet
says the human soul weighs 1/3000th of an ounce.

What we don’t see, beyond the gray-white billow,
is the oth­er head­line: ELVIS PICTURE WEEPS
and God’s hand in this—how else could Wayne W.

have shot an impres­sive­ly tight X and lost?
God, Thief of Har­vests, Builder of the Stars,
has fixed the Moun­tain Her­itage Black Pow­der Shoot.

That’s what Wayne says in the arti­cle, adding
that God has whis­pered to his broth­er the teller
at the Mayk­ing Chris­t­ian Bookstore—

PO Box 400, Mayk­ing, KY 41837—that Fleming-Neon
is where the trum­pets will sound and Judg­ment Day
com­mence. Still, the way Wayne eyes the target,

show­ing us, in oth­er pho­tographs, what to do,
when and how to breathe hold move—
God could do worse than pull up a lawn chair

and bet on this 1/3000th of an ounce
who may make shoot­ers of us all
before the pig roast.

roybentleyRoy Bent­ley is the recip­i­ent of six Ohio Arts Coun­cil fel­low­ship awards, as well as a fel­low­ship from the Flori­da Divi­sion of Cul­tur­al Affairs and a Cre­ative Writ­ing Fel­low­ship from the Nation­al Endow­ment for the Arts. Poems have appeared in The South­ern Review, Shenan­doah, North Amer­i­can Review, Prairie Schooner, and Wac­ca­maw among oth­er jour­nals. He is the author of four col­lec­tions of poet­ry: Boy in a Boat (Uni­ver­si­ty of Alaba­ma), Any One Man (Bot­tom Dog Books), The Trou­ble with a Short Horse in Mon­tana (White Pine Press), and Starlight Taxi (Lynx House Press) which won the 2012 Blue Lynx Poet­ry Prize.

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Baby's Breath, poem by Natalie Crick

On rainy days
I give myself permission

To touch the glass
And see your remains:

Tis­sues, shadows,
All that is left

Of you.
Danc­ing with ghosts

Over dark hills.
Sky­larks, old dear.

When I stand in your old room
I feel so sad that I mas­tur­bate myself.

Bees feast in tar­tan plumes,
Birds hang­ing on threads.

An old don­key hobbled
Into the mists.

Ring-a-ring-a-ros­es.
A pock­et full of posies.

Your tiny hands trem­ble away
From my throat. Jack-daw.

crickNatal­ie Crick has found delight in writ­ing all of her life and first began writ­ing when she was a very young girl. Her poet­ry is influ­enced by melan­cholic con­fes­sion­al women's poet­ry. Her poet­ry has been pub­lished in a range of jour­nals and mag­a­zines includ­ing Can­nons Mouth, Cyphers, Ariadne's Thread, Car­il­lon and Nation­al Poet­ry Anthol­o­gy 2013.

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Poor White Girl, poem by David Jibson

You’ve seen her before
serv­ing greasy fried pota­toes at Denny’s,
clean­ing rooms at Motel 6, or
sell­ing gas and cig­a­rettes at Mini-Mart.

One day she’ll mar­ry a boy
Who stacks lum­ber at Home Depot,
lays car­pet or dri­ves a tow truck
and knows how to fix her Monte Carlo.

They’ll have a wed­ding with keg beer,
then a divorce, a cou­ple of babies in between.
After that she’ll get a sit­ter on Fridays,
go out with her girl­friends to have a few beers,

shoot some pool, lis­ten to Kei­th Urban
on the juke­box and dance with a new boy
who’s build­ing a mon­ster truck
in his mother’s back yard.

djibson2Hav­ing grown up in rur­al Michi­gan, David Jib­son now lives in Ann Arbor where he is an asso­ciate edi­tor of Third Wednes­day, a lit­er­ary arts jour­nal, a mem­ber of The Crazy Wis­dom Poet­ry Cir­cle and The Poet­ry Soci­ety of Michi­gan. He is retired from a long career in Social Work, most recent­ly with a Hos­pice agency. He sees “sto­ry” as the most impor­tant ele­ment of his poems.

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