Tag-A-Long, fiction by Misty Marie Rae Skaggs

My fuzzy, ear­li­est mem­o­ries unfold in a sprawl­ing house on a hill. A house sit­u­at­ed at the peak of a ridge, over­look­ing a bright green holler we filled with corn and toma­toes and beans and a straw­ber­ry patch I loved to get lost in. We lived off a grav­el road, off the main road, on a dirt road, off the grid. We lived nes­tled safe­ly inside our her­itage, inside a house with character…gumption, that my fam­i­ly built from the base­ment up long before I was born. I've seen pic­tures of Mom­my lay­ing foun­da­tions. A broad shoul­dered, big-bust­ed fif­teen year old in cut-offs and pig tails, ban­dana tied tight across her fore­head. She's pre­served — sweaty and sort of tint­ed sepia and frozen in time with her mus­cles strain­ing against the weight of a fat, con­crete block. Two tow-head­ed lit­tle girls with gap toothed grins bounce around her legs. 

The lay­out of the place seems a lit­tle fun­ny look­ing back. Our rooms weren't stacked one on top of anoth­er. We weren't sep­a­rat­ed by stairs and sto­ries, by floors and ceil­ings and doors. Instead, skin­ny hall­ways wan­dered off from the kitchen and liv­ing room. Lazy, car­pet­ed paths mean­dered back to the bed­rooms and the bath­room and the brand new garage that always smelled of pine nee­dles and grease. 

On Fri­day nights, the sprawl­ing liv­ing room was filled with a fine mist of Aquanet Extra Super Hold. The kind of no non­sense hair spray that could take your breath away if you were unlucky enough to stum­ble through a fresh, pun­gent cloud of it. That was the smell of brand new fem­i­nin­i­ty being pushed to its lim­its. The cute lit­tle girls from the snap shot that stuck with me, were almost all growed up. Wield­ing two giant, shiny, pur­ple cans, they worked simul­ta­ne­ous­ly — shak­ing and squirt­ing, clink­ing and hiss­ing, gos­sip­ing and gig­gling. They ate up ozone and lift­ed lay­er after lay­er of soft blonde hair, eight­ies style. It left a strange­ly sweet, chem­i­cal scent hang­ing in the air to mix and dance with the smoke from Mamaw’s Win­ston cig­a­rettes and the strains of a Bad Com­pa­ny record blast­ing down the hall. It tast­ed like rub­bing alco­hol on my tongue if I opened my mouth too wide as I laughed loud­ly. Around the same time the sun slid down behind the ridge, my aunts start­ed get­ting ready for high school dances or rur­al route par­ties that unfold­ed in some barn or trail­er down the road a lit­tle ways. 

Papaw would set­tle into his spot at the end of the couch, lean­ing on the frayed, plaid arm, half watch­ing the local news and half watch­ing my aunts priss­ing and preen­ing. If Mamaw wouldn’t let them out the front door, they’d wig­gle through the tiny bath­room win­dow eager for Fri­day night free­dom. In spite of the fact that the win­dow was an even tighter fit than the acid wash jeans the girls loved to squeeze into. I was the look-out, perched in a wob­bly way on the toi­let seat star­ing up and out on tip­toe through the rec­tan­gle of evening air just above my head. I nev­er told, not once. And they promised one day they’d take me with them out into the night way past my bedtime. 

Twen­ty years lat­er, the phone rang. At two in the morn­ing. And it was that shrill, wor­ried kind of ring I can nev­er sleep through, no mat­ter how drunk I am. 

“Hel­lo?” I mumbled. 

“Get dressed. We’re comin’ to get you.” Shelly snapped. 

And I thought I heard angry, female voic­es in the back­ground, ris­ing and falling fran­ti­cal­ly. Stab­bing at each oth­er in the wee hours. I heard my aunt Sta­cy scream­ing words that hadn’t slipped past her lips since she found Jesus — 

“That sor­ry sonuvabitch! He thinks he can hide from me? Well I’ve got news for him, this whole coun­ty ain’t that fuck­ing big…” 

And the line clicked. 

And sud­den­ly I was scoot­ing out of bed and slid­ing into my jeans, lean­ing over to knot my beat-up sneak­ers tight with my head still spin­ning at a hun­dred proof. I rec­og­nized that tone of voice, had heard it from her before. She meant business. 

The girls must’ve flown over Stark Ridge, pick­ing up speed down straight stretch­es on Christy Creek. By the time I was snub­bing out my first cig­a­rette butt on the stoop they were squeal­ing through the red light on Bridge Street and slam­ming to a stop in front of me. Fif­teen min­utes flat. 

“You ready?” Shelly asked, whip­ping the sil­ver car door open. 

“What’re we doin’ guys?” I mum­bled, already shuf­fling towards them with an uneasy feel­ing in the pit of my stomach. 

Shelly and Sta­cy had been in bed by mid­night for the last decade. They were respon­si­ble, respect­ed women now. Women who brought some of the best dish­es to church potlucks and doled out sound advice to fel­low mem­bers of the con­gre­ga­tion and the com­mu­ni­ty at large. My aunts were the beau­ti­ful, blunt, hill­bil­ly ver­sions of sub­ur­ban soc­cer moms. With a venge­ful, Bap­tist, God on their side. But I still remem­bered the days when they were big­ger than me, strad­dling my chub­by wrig­gling form in the front yard, apply­ing Char­lie hors­es and Injun burns lib­er­al­ly until they extract­ed the secret or promise they expect­ed. I remem­bered before. 

“You’re dri­ving. We’re rid­ing. Are you going or what?” Shelly was already squeez­ing into the back­seat of her Toy­ota Camry. 

I was slid­ing behind the wheel.

It was nev­er real­ly a question. 

Sta­cy hadn’t spo­ken a word. The only move­ment from the pas­sen­ger seat was the insis­tent bounce of her right knee. It was a steady, auto­mat­ic jerk force­ful enough to jig­gle the whole car in an anx­ious shiv­er. I inched out of the park­ing lot of my apart­ment build­ing and turned onto US 60. 

“You know where Blue Stone’s at?” Shelly asked. 

Click­ing the turn sig­nal down, I nod­ded and fum­bled in the floor­board look­ing for the lighter my trem­bling hands couldn’t quite hold onto. But instead of a light, my fin­gers found about a foot of cool, lead pipe crammed between the seats. Sta­cy smacked my hand away and I was six years old again. Slouch­ing guilti­ly and hunch­ing my shoul­ders, I cracked my win­dow open wider, ready for the sticky air to hit my face. My sweat smelled like cheap vod­ka and all I could think was, I need a drink. Or those last two val­i­um stashed in the bot­tom of the Band-Aid box at the back of my med­i­cine cab­i­net. We crept through every aisle in every trail­er park in the out that wind­ing road. Crunch­ing up and down grav­el aisle after aisle, we were look­ing for some­one we loved. 

When I was six years old, Sta­cy was twen­ty one. She was a brand new moth­er and a wife of five years at that point. I can’t imag­ine. Here I am, inch­ing up on thir­ty and bare­ly able to take care of myself, an under­grad with an alco­holic gene and a bro­ken heart in a one bed­room apart­ment next to the water treat­ment plant. When I was twen­ty one, I was busy dis­cov­er­ing booze and loud, punk rock bands at hole in the wall bars halfway across the coun­try. Sta­cy was work­ing full time and com­ing home to care for a two year old girl with her Daddy’s big, brown eyes and a typ­i­cal only child atti­tude. Twen­ty years lat­er, that adorable lit­tle girl, the one who would lip sync to Dol­ly Par­ton and strut her stuff on the cof­fee table, is the rea­son we were out that night. She’s the rea­son Sta­cy was twitch­ing and Shelly was pok­ing me from the back­seat, sig­nal­ing for me to slow down every time we passed a lit­tle red sports car with big, gaudy rims. 

He hit her, she said. Her frat boy boyfriend, her first seri­ous boyfriend, the one with the loud mouth and even loud­er cologne. He choked her and beat her and threat­ened her life and she had man­aged to hide it from all of us. I think that’s the part we couldn’t under­stand, the part that real­ly pissed us off. How could we not see it? A fam­i­ly as close as ours. A sad­ness in her eyes or a trem­ble in her voice that meant so much in hind­sight. For months he had moved among us unde­tect­ed, bull­shit­ting about the Giants at fam­i­ly birth­day din­ners and bring­ing Mamaw flow­ers. I think I knew the moment I got into the car we were out late look­ing for revenge. We were tak­ing advan­tage of the few hours when my aunts could slip away from their lives and their selves and their sleep­ing hus­bands and chil­dren. Our search was damn near exhaust­ed when we hap­pened across what we’d been look­ing for. 

Sta­cy spot­ted the souped up car he loved to spend the rent mon­ey on in the park­ing lot of a pop­u­lar restau­rant. I could feel my pulse in the palms of my hands as I gripped the steer­ing wheel, eas­ing up behind the unsus­pect­ing cou­ple. My teenage cousin pulled out of his arms and looked back and for a split sec­ond, I saw her face cap­tured in the head­lights. She was ter­ri­fied, eyes wide and swollen from cry­ing. But I couldn’t real­ly tell if she was afraid of him or of us. 

“Leave it run­ning,” Sta­cy said, open­ing the door and step­ping out. 

Shelly slid across the back­seat to fol­low her as she stormed toward the hot, red, car.

Sud­den­ly, I felt dis­con­nect­ed. Mov­ing with­out thought, oper­at­ing on auto pilot I leaned for­ward, grab­bing the pipe and drop­ping it in the driver’s seat as I got out. The car door became a flim­sy shield posi­tioned between myself and what was about to unfold ten feet in front of me. 

Shelly was always the tallest of the females in our fam­i­ly. And she was bean pole skin­ny since birth, all arms and legs and long neck. But those arms were decep­tive­ly strong for her slight frame. They were mus­cled up from years of lift­ing and pulling and stitch­ing count­less bales of heavy den­im at the sewing fac­to­ry. Her work­outs sprang from sweaty sum­mers yank­ing ten­der tobac­co plants from their unsus­pect­ing beds and heft­ing ten pound, blonde haired, blue eyed babies along with her every­where she went. Once she wrapped those arms around Kelly’s waist, I knew there’d be no escape. 

“Get the hell out of that car!” Shelly commanded. 

And I watched, in slow motion. Her arm reach­ing out and then com­ing back, grasp­ing his striped shirt col­lar tight. Even the back of his head looked scared and sur­prised some­how as she snatched him out of his pre­cious auto­mo­bile and deposit­ed him on his ass on the con­crete. Scram­bling to his feet, he opened his mouth — 

“You crazy bitch!” 

Sta­cy stood stock still in front of him, her fists clenched into rocks and plant­ed on her hips. I nev­er saw his face that night. He didn’t dare to look away from her, a woman pos­sessed and bathed in lamp light and head lights and raw, unedit­ed anger. 

“Now son,” she began. I could tell she had been prac­tic­ing this par­tic­u­lar speech in her head as we were dri­ving around the curves across Blue Stone. “You know you’ve got a whip­pin’ comin’.”

“Bull­shit!” he protest­ed, mov­ing clos­er to her with his chest puffed out. 

“You can either stand here and take it like a man or I can tell my sis­ter to get that .45 out of the back floor­board,” she offered the ulti­ma­tum simply. 

He stepped back and dropped his head and Sta­cy cocked her arm at an awk­ward angle. She issued a hard right hand to the side of his face, to a sen­si­tive spot right above his ear, and he dropped to his knees. 

And then she fell on him — both fists fly­ing through the thick July air with pur­pose. She con­nect­ed again and again, his head and neck and shoul­ders. The sin­gle dia­mond of her engage­ment ring snagged pieces of his scalp. Dark droplets of his blood splat­tered and drib­bled down over the car’s pearl­ized paint job. The red didn’t match. All I could hear were the sounds Stacy’s grunts of exer­tion and the hol­low, dead crack of his skull when she hit him. And hit him. And hit him. 

Misty Marie Rae Skag­gs, 30, is a two-time col­lege drop-out who cur­rent­ly resides on her Mamaw's couch in a trail­er at the end of a grav­el road in East­ern Ken­tucky. Her work has been pub­lished here on fried​chick​e​nand​cof​fee​.com as well as in print jour­nals such as New Madrid, Pine Moun­tain Sand & Grav­el, Lime­stone and Inscape. On June 9th, she will be read­ing her poems on the radio as part of the Seed­time on the Cum­ber­land Fes­ti­val. When she isn't bak­ing straw­ber­ry pies and tend­ing the back­yard toma­to gar­den, she spends her time read­ing and writ­ing damned near obses­sive­ly in the back porch "office" space she is cur­rent­ly shar­ing with ten kittens.

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Her Daddy's Money, fiction by William Matthew McCarter

Her Daddy’s Mon­ey was the hottest rock club in the Park­land; filled with Tech­ni­col­or bril­liance; a kalei­do­scope of lights puls­ing to the beat of pri­mal music that pen­e­trat­ed and inun­dat­ed the sens­es as it changed the milky white skin of young, long-haired, scant­i­ly clad women into vary­ing hues of amber, blue and then scar­let red—the col­or of sin and deca­dence. I hasti­ly inhaled the bub­ble gum scent­ed smoke from fog machines min­gled with the burn­ing tobac­co and the steady stream of alco­hol flow­ing through the air—the unmis­tak­able scent of a promis­cu­ous noc­tur­nal exis­tence, doing light speed in the fast lane of life. A sur­re­al fan­ta­sia; a mod­ern Sat­ur­na­lia; where you set aside all of your trou­bles and ride the carousel of inebriation.

As I ram­bled, stoned immac­u­late glow­ing radioac­tive in the dark, through the black lights lead­ing out to the mez­za­nine where the tables were, I sensed how all of the lights act­ed like fil­ters on a photographer's lens; dis­tort­ing real­i­ty, fil­ter­ing out the lines on your face, the minor imper­fec­tions that gave away your mor­tal­i­ty; the small gray hairs that were begin­ning to rear their ugly heads; the love han­dles that began to accu­mu­late as the years flick­ered by; the tiny crow's feet that were begin­ning to grow around the eyes, demon­strat­ing that time waits for no man, remind­ing you that not even the pyra­mids of Egypt were eter­nal. The lights, the fog, the booze, the music; they were all fil­ters, hid­ing those imper­fec­tions, inse­cu­ri­ties, incon­gruities and incon­solable emo­tions. At Her Daddy’s Mon­ey, we were all gods, each of us immor­tal, cel­e­brat­ing that immor­tal­i­ty in a land of ter­mi­nal bliss where all humans want to go and none of us seem to get there.

We found a table over by the wall and soon, a beau­ti­ful wait­ress dressed in a black mini-skirt and tight, white pullover with her are­o­la bore­alis push­ing through the thin fab­ric asked if we need­ed any­thing to drink. Roscoe, A.J. and John all got beers, but I want­ed to be dar­ing in this fil­tered won­der­land and ordered a Long Island Iced Tea, a mar­vel of mod­ern tox­i­col­o­gy. I nev­er under­stood how you could pour every kind of liquor in the kitchen sink into a tall glass, cap it off with a squirt of Coke, stick in a lemon and mag­i­cal­ly make it taste just like Lip­ton Lemon Tea. This mag­i­cal elixir was invent­ed by a real David Cop­per­field of the cock­tail glass and its sole pur­pose was to take the liba­tion bear­er into the atmos­phere – to make you so fuckin’ high that you’d have to climb a flight of stairs to scratch your balls. 

Most of us lived the greater part of our lives sub­merged – we were sub­merged in the super­fi­cial real­i­ty of our own con­scious­ness – snared by the chains of our mak­ing – entombed in the iron cages of per­son­al pris­ons that we con­struct our­selves. I didn’t drink alco­hol as a social act and I nev­er drank in mod­er­a­tion. I drank to get rid of the chains, to wake myself up, to move beyond the realms of my super­fi­cial con­scious­ness. It seemed that the uncon­scious­ness of being real­ly fuckin’ drunk was a real lib­er­at­ing expe­ri­ence for me. I was stoned and want­ed to cap off my buzz with as much alco­hol that I could take in. I want­ed to be effi­cient in my sub­stance abuse and despite the fact that I had been some­what depressed before, I was deter­mined to fin­ish off my evening in Dionysian fash­ion. “Let the mad­ness begin,” I thought as the wait­ress returned with a tray of drinks.

Did you see that girl's ass,” Roscoe exclaimed, as the wait­ress walked away. I looked up and saw the firm round cheeks of her cup­cake ass care­ful­ly framed by a pair of black panties with the very short length skirt gen­tly rest­ing on her sculp­tured flesh. “Her cheeks wig­gle around like two wild­cats wrestling in a burlap sack,” he continued.

Briefly I thought about the wait­ress with the wild­cat ass. Maybe if I could get inside that mini-skirt and feel that shrine of her per­fect flesh up close and per­son­al, then I would for­get all about los­ing Cas­sidy. Soon, I came to my sens­es and remind­ed myself that nobody picked up wait­ress­es except for peo­ple who worked in the club and the guys in the bands that played there. These vam­pires of the bar­room weren't usu­al­ly off work until three o'clock in the morn­ing and the bar closed at one, so it was pro­hib­i­tive to even try to pick them up. They were a part of the lights, the music, the fog and the liquor; they were illu­sions that just helped you to buy into the fantasy. 

"Would you like to buy a rose," another hot look­ing chick asked, hold­ing up a whole orchard full of long-stemmed ros­es neat­ly wrapped up in pret­ty paper.

"No thanks, I already ate,” I respond­ed and then gave her a sly smile. She looked back at me like she was study­ing me and I could tell that she obvi­ous­ly didn't care much for the subject. 

Love…lust…infatuation…baredickin'…it's all a lot like the ros­es that they walk around sell­ing in the barroom–some guy springs for a rose, gives it to a chick and takes her home. She puts that same rose in some water and tries to nur­ture it, but it's already dead. Slow­ly it begins to fade and final­ly with­ers away into noth­ing­ness and so does the love, lust, infat­u­a­tion and baredickin. All the leaves of the spring that are green turn to brown in the fall and with­er away, crum­bling in the wind. Your pas­sions burn to ash­es. You spend your whole life look­ing for love and all you ever get is pussy. I guess that's not so bad though–when life gives you a lemon and some girl comes along and squeezes it for you, you got­ta make some lemonade.

As I watched the flower girl walk away, I took care­ful note of the out­line of her fig­ure that poked through the tights she was wear­ing. All of the girls who worked at Her Daddy’s Mon­ey were some real hot­ties. I sup­pose that was a pre­req­ui­site to get­ting the job: If you couldn't be one of the beau­ti­ful peo­ple, at least you could be pam­pered and wait­ed on by them. As the flower girl con­tin­ued strolling around the tables, ped­dling her tokens of love, I won­dered if she was in love with some­one, or if she had ever been.

Quick­ly, I dis­missed that thought. Bar­tenders, wait­ress­es, dancers, and near­ly all of the crea­tures of the night weren't allowed to fall in love. It was some kind of unspo­ken or unwrit­ten rule. If they did fall in love, then their careers were pret­ty much over. Their appeal lied in their patron's belief that he or she could get in their pants. As soon as the crea­ture of the night became attached, then they became untouch­able and as soon as they became untouch­able, they lost their appeal and then lost their liveli­hood as a result. Love is a lux­u­ry they can't afford. I soon came to the real­iza­tion that I was a crea­ture of the night as well and I couldn't afford to love any­one either. The best I could hope for would be sev­er­al strings of mid­night rendezvous–an end­less road of lust wind­ing on into eter­ni­ty, lead­ing nowhere. At first, the thought of this seemed pret­ty depress­ing, but then, I thought that it was very lib­er­at­ing as well. Crea­tures of the night nev­er had to wor­ry about get­ting their hearts bro­ken. There would be no more Cassidy’s let­ting down the toi­let seat of my dreams. 

Roscoe and I were the first ones to fin­ish our drinks and decid­ed to walk up to the bar to get anoth­er round. Although the wait­ress was beau­ti­ful and I would have liked to watch that wild­cat ass of hers walk away at least one more time, she was pret­ty over­whelmed with the crowd she had on her hands and we drank much faster than she wait­ed. While I was wait­ing for my sec­ond Long Island Iced Tea, Roscoe ran into Zero at the bar. He and Zero were talk­ing about leav­ing the bar to go road hunt­ing so I left him there and walked back over to the table where John and A.J. were siz­ing up the crowd and talk­ing about this new song by a band called Col­lec­tive Soul that the DJ was play­ing. As I got back to the table, I thought to myself, "John will be up in the DJ booth hang­ing out with Crys­tal before too much longer.”

Although John was mar­ried, he was a ter­ri­ble flirt and I think hang­ing out with Crys­tal stroked his ego a lit­tle bit. Sure enough, John ran off to the DJ booth and A.J. ran off to the men's room to take a piss and pow­der his nose with some booger sug­ar, leav­ing me sit­ting at the table try­ing not to think about the "c" word and look­ing around at all of these women who could pos­si­bly help "salve over my wound," so to speak. Before I had the oppor­tu­ni­ty to ful­ly explore all of my options, John came back from the DJ booth and start­ed jump­ing my ass about appear­ing depressed.

"You bet­ter cheer up, moth­er fuck­er," he start­ed, "There's more skanky bitch­es where Cas­sidy came from." 

"John," I plead­ed, "Just get off it. I’m just chill­in’ out with my tea and takin’ in the scenery."

"I'm seri­ous man–if you don't start being your drunk­en hap­py self, I'm going to go up to the DJ booth and have Crys­tal embar­rass you in front of all of these peo­ple." he threatened.

"Go ahead and do what­ev­er you want," I replied.

"Fine, I will," he said, walk­ing away toward the DJ booth.

I didn't think there was any­thing that John could do, so I just sat back in the chair and enjoyed the mon­strous buzz that I had going on. The next few min­utes seemed to race by like a thor­ough­bred horse at Louisiana Downs as I began to feel my teeth get­ting numb from all the chem­i­cals I had put in my body. Just as I start­ing rid­ing this killer buzz, a spot­light hit me right in the face, near­ly blind­ing me and Crystal’s loud voice came echo­ing through the PA system — 

"Ladies–what we have here is a bro­ken pathet­ic man,” Crys­tal said as she shined the light on me.

"This man was sup­posed to be get­ting mar­ried this after­noon, but the girl that he has been dat­ing for the last sev­en years stood him up at the altar–John, here, was sup­posed to be the best man at the wed­ding and he says he'll pay any of you ladies a dol­lar just to dance with this poor jilt­ed groom and maybe Bil­ly can get past it all."

I could have killed him. That cock­suck­er real­ly did it this time. All I real­ly want­ed to do was sit in the cor­ner, feel my teeth get­ting numb and ride out this kick ass buzz I had going and he had to go and mess it up for me–the moth­er fuck­er even used my real name! Now what was I going to do?

No soon­er than she had made the announce­ment, this chick with the biggest tit­ties I had ever seen walked over to me and asked me to dance as Crys­tal blast­ed "Far Behind" by Can­dle­box from behind the DJ booth. I thought that “Far behind” was a good choice giv­en the imag­i­nary cir­cum­stances and would have com­pli­ment­ed her on her excel­lent choice of music if I hadn't been swept away by the giant rack that was attached to the girl I was danc­ing with. She smiled at me and it was obvi­ous that she was in dire need of some den­tal work–she could eat a peanut but­ter sand­wich through a set of Venet­ian blinds. By that time, I was too far gone to care about her teeth (as long as she didn't bite) and want­ed to make a good show of the whole mas­quer­ade so that John wouldn't have felt like he had got­ten over on me with his prac­ti­cal joke.

The song end­ed and the girl and I kept danc­ing while I played along with the cha­rade, lay­ing it on thick­er and heav­ier as the music played on. With her light blue and some­what blood­shot eyes, she gazed direct­ly into the heart of the decep­tion that my com­ic soul had been weav­ing. We kept look­ing at each oth­er and smil­ing. For a moment, I felt as if I could fall down inside of her eyes, but then real­ized that I was just real­ly drunk and could prob­a­bly fall down just about anywhere. 

I soon dis­cov­ered that she was at least as drunk, if not drunk­er than I was. Pick­ing her up seemed a whole lot like shoot­ing fish in a bar­rel. When things seemed easy like that, I had more con­fi­dence than Don Juan scal­ing the walls of a nun­nery and con­se­quent­ly, got the same kind of results. It didn't sur­prise me at all when I offered to take her out to the van and get her stoned that she accept­ed. I knew I had it made after that. I always believed that if I could get a girl stoned or make her laugh, I could do almost any­thing to her. I had already got this chick to laugh a lot so I was sure that any­thing short of stick­ing my dick up her ass was fine with her.

You know, most of the time, I thought of myself as being a pret­ty good guy. Usu­al­ly, I wasn't so devi­ous about pick­ing up women and didn't resort to elab­o­rate schemes such as that one, but the elab­o­rate scheme seemed to be work­ing and so I just decid­ed to say, "There but before the grace of God go I," and roll with it. One of life's lit­tle ironies was that if you real­ly want­ed to be a good guy (and I believed that I did), then you had to be able to think like a bad guy because although girls want to be with a good guy, they are some­how attract­ed to bad ones. That's why at your twen­ty-year high school reunion, you find out that the prom queen is still mar­ried to the high school quar­ter­back who is still beat­ing her up when he gets drunk on Fri­day nights and is still work­ing at the IGA or sell­ing insurance. 

As the girl and I walked out the back door and head­ed toward the van, the music…the lights…the fog…the filters…all seemed to be stripped away and fad­ed into the sul­try silence of the Mid­west mid­night. Despite her snag­gle­tooth smile, the night seemed almost becom­ing of the girl. Either that or the Long Island Iced Tea's had kicked in and cloud­ed my vision in the fog of ine­bri­a­tion. Either way, it didn't real­ly matter.

A.J. had left a joint stashed in a com­part­ment in the back of the band­wag­on that used to be where the para­medics kept some gauze or some­thing. We sparked up the joint, huffed, puffed, and blew our brains out. Soon, I was feel­ing up the iron works inside of her dress. She was wear­ing one of those skin tight, span­dex kind of things that looked more like a rain­coat than a dress. This all weath­er fuck suit was so tight that it held every­thing in – her waist, her hips, and her ass… all of it. For a minute, I was ret­i­cent to unhinge the thing. I was scared that if I was crazy enough to unwrap her, there would be this huge sound and I’d sud­den­ly have a life raft on my hands, but then decid­ed that I had just smoked too much pot and was para­noid. I unleashed the beasts that she had hid­ing in her blouse and was amazed at how big they real­ly were. Tit­ties always seemed to look big­ger up close and personal–unless the chick tried to trick you by wear­ing some kind of push up bra or stuff­ing or some­thing. Bitch­es like that were evil. It was false adver­tis­ing and they deserved noth­ing bet­ter than to wind up pick­ing up some schmuck with a sock shoved down his pants.

Her body felt unex­pect­ed­ly good. Before too long, we were going at it all hot and heavy while Otis Red­ding sang "Try A Lit­tle Ten­der­ness" on the stereo. About half way through "These Arms of Mine," I heard the door begin to open, but couldn't answer it because I was in the mid­dle of something–actually, it was more like somebody–the girl that I had been danc­ing with–and yeah, I knew her name–even though I was wast­ed, but I couldn't tell you that–something about pro­tect­ing the inno­cent or try­ing to pre­serve the dig­ni­ty of the guilty–actually, it's more like who gives a shit: life was just a car­ni­val; she was just anoth­er ride and I was just anoth­er squir­rel try­ing to get a nut so what does it real­ly mat­ter any­way? Well, since gos­sip­ing dra­ma queens from White­trashis­tan need some­thing to talk about and you can't call her "Oh, God" when you're not pound­ing her pee hole, let's just call her Melinda. 

"You see, Bil­ly gets real­ly drunk and then comes out to the van and falls asleep–It nev­er fails. The fun­ny thing is," he paused with laugh­ter, "he curls up in the fetal posi­tion and looks just like a lit­tle baby–watch," John said as he opened the door to the van and much to his sur­prise, found me bang­ing Melin­da. Most peo­ple would have shut the door and let it go, but John didn't fit the def­i­n­i­tion of what most peo­ple would call most peo­ple and social nuances like not inter­rupt­ing your bud­dy while he's try­ing to knock off a piece of ass were nev­er his strong point. Even if John had been born of noble blood and had pos­sessed the traits of a gen­tle­man, I was his best friend and the temp­ta­tion of bust­ing me bang­ing some­one in the band­wag­on on top of the peck­er track blan­ket would have been too much of a temp­ta­tion for him anyway. 

With Melin­da and me stuck togeth­er and shiv­er­ing like a cou­ple of dogs shit­ting peach seeds as the cold wind rushed in the open door and pound­ed our bod­ies, John act­ed like noth­ing was hap­pen­ing and reached in the side door grab­bing sev­er­al beers from the cool­er. He then passed them out to his entourage and smiled mis­chie­vous­ly as he sparked up a joint that he had stashed in his pock­et. I wasn't sure if Melin­da didn't notice what was going on or if she was just too far gone to give a shit, so I just pre­tend­ed like noth­ing in the world exist­ed but the uglies we were bang­ing togeth­er and kept pound­ing her as the mad­ness went on around us.

When Roscoe start­ed singing a verse to "She'll be com­ing round the moun­tain when she comes." the jig was up; Melin­da dis­cov­ered our audi­ence and she tried to kick me off her with the feroc­i­ty of a farm ani­mal. "She'll be rid­ing six white hors­es when she comes…" and then I did, whipped it out and erupt­ed all over those enor­mous tit­ties. After I snow­capped her Rock­ies, I got real­ly self-con­scious about being naked in the back of the band truck. Although I didn't real­ly mind the spec­ta­tors when I was wear­ing her–after all, what could they see — bare ass in the moon­light; I didn't like the feel­ing of being some sort of side show attrac­tion and grabbed the peck­er track blan­ket to cov­er myself up with, leav­ing her with only a crew sock to try and stretch across her enor­mous tits. The crew sock didn't do much good and I soon real­ized what an evil thing grav­i­ty could be if you were a girl. Either that or I was begin­ning to sober up a lit­tle bit and saw her in the light with all of her human foibles because those bar­room fil­ters were wear­ing off.

John and our entire entourage were stand­ing out in front of the band truck, laugh­ing, drink­ing beer and smok­ing as I strug­gled to put my pants back on. Melin­da was holed up in the back cor­ner of the band truck try­ing to get dressed when I got out of the van and slipped on my shoes. When I climbed out of the band­wag­on, I noticed that A.J. had walked away from the whole scene and was stand­ing at the rear of the van and felt oblig­at­ed to com­ment on his noble behavior.

"You guys are a bunch of Cretins–At least A.J. had the good breed­ing to walk over to the rear of the van," I said as John con­tin­ued to laugh hys­ter­i­cal­ly about the sit­u­a­tion that Melin­da and I had found our­selves in. The truth was that we were all a bunch of Cretins. There were cen­turies of peas­ant blood and peas­ant cul­ture cours­ing through us. If there was any­thing noble about our blood­line, it like­ly would have been thinned by the gen­er­a­tions of us who had sur­ren­dered our lives for the illu­so­ry gains that we had received over the years – illu­so­ry gains that didn’t amount to enough to keep us sub­se­quent gen­er­a­tions from being bot­tom feed­ers as well. 

"A.J.'s got noth­ing on you two," John said in between his hys­ter­i­cal laugh­ter, "There was some pret­ty good breed­ing going on right here in the back of the van.”

Roscoe grabbed a note­book out of the front seat of the van, wrote some­thing on it and then held it up like he was show­ing us a chart or a graph and, appro­pri­at­ed his best Dick Clark Amer­i­can Band­stand impres­sion, said, “I give it a five. It has a pret­ty good melody line, but you real­ly can’t dance to it.” 

William Matthew McCarter is a writer and a col­lege pro­fes­sor from South­east Mis­souri. After com­plet­ing the PhD at The Uni­ver­si­ty of Texas-Arling­ton, he has been busy writ­ing and pub­lish­ing work that brings atten­tion to rur­al Amer­i­ca. McCarter has recent­ly pub­lished aca­d­e­m­ic work in The Atri­um: A Jour­nal of Aca­d­e­m­ic Voic­es, Teach­ing Amer­i­can Lit­er­a­ture: A Jour­nal of The­o­ry and Prac­tice and Fast­cap­i­tal­ism. He has also pub­lished crit­i­cal work in The Ascen­tos Review and in The Steel Toe Review. McCarter pub­lished a short sto­ry, “On the Road in ’94,” in A Few Lines and was nom­i­nat­ed for a Push­cart Prize. His most recent cre­ative pub­li­ca­tions have been in Stel­lar­ia and Mid­west­ern Goth­ic.  McCarter has also pub­lished book reviews in Wilder­ness House Lit­er­ary Review and in South­ern His­to­ri­an. In addi­tion, his first aca­d­e­m­ic book, Homo Red­neckus: On Being Not Qwhite in Amer­i­ca was pub­lished in March of 2012.

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Poor Town, fiction by Kathryn Kulpa

It’s a poor town. Garbage piles up on side­walks, burst­ing out of split bags, sour and milky donut shop cof­fee run­ning in brack­ish rivers to the curb. Nobody comes to pick up the garbage, or some­times they do, not every week: there are strikes, lay­offs, nobody knows. Peo­ple would com­plain, but who would they com­plain to? No one owns these hous­es, or maybe some­one does, but he doesn’t live here.

It’s a poor town. Skin­ny cats slink through over­grown grass on the edges of pot­holed park­ing lots that have seen too many win­ters. The park­ing lots are nev­er full. The store signs have let­ters miss­ing. Their win­dows are plas­tered over. Out of Busi­ness. Going Out of Busi­ness. Sad­dest of all, sun-fad­ed and once hope­ful: For Lease. The peo­ple in this town don’t shop. They have no mon­ey. But of course this isn’t true. Peo­ple shop. They take their pay­day loans against a pay­day that might in the­o­ry arrive some­day and buy dead men’s sweaters, recon­sti­tut­ed mat­tress­es, watered-down paint. They shop where the poor shop, Only a Dol­lar, Fam­i­ly Dol­lar, Dol­lar Daze, Dol­lar Knights, Dol­lar Demen­tia, Fist­ful of Dol­lars, Dol­lar Dol­lar Dol­lar. They eat dent­ed cans of can­died yams, box­es of pow­dered milk with labels in a lan­guage they can’t read, failed mer­chan­dis­ing exper­i­ments pulled from the shelves of rich people’s delis after their expi­ra­tion date. Squid ink ramen noo­dles. Pome­gran­ate coffee.

It’s a poor town. Peo­ple smoke. You see their tired arms dan­gling out the win­dows of their aged, blast­ed-look­ing Amer­i­can cars, trail­ing tox­ic clouds. You see their faces and you know: they are the faces of peo­ple for whom the worst has already happened.

It’s a poor town and a warm night and there is a boy sit­ting on the cracked cement stairs of a shut­tered lunch­room, his fin­ger on a plas­tic straw, twirling an emp­ty soda can on its axis. Some­where, not too close, a dog barks. A dusty-blue Cadil­lac dri­ves by, win­dows open. A song flies out, sweet and breath­less, urgent with desire. The singer a young black man, dead at an ear­ly age, like this boy’s broth­er, last year; like the boy him­self, next year, or next month, but that’s not in this song now, in this voice that yearns and still believes. The boy looks up. Some­thing guard­ed and old slips from his face. The song ris­es into the ear­ly sum­mer dusk, the same here as anywhere. 

Kathryn Kul­pa is believed to be indige­nous to Rhode Island, although her true ori­gins and pur­pose are shroud­ed in mys­tery. Her short sto­ry col­lec­tion, Pleas­ant Drugs, is a pop­u­lar item with shoplifters, who may or may not find what they seek in its pages.

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HUCK & TOM in SOUTHERN ILLINOIS circa 1983, fiction by Joey Dean Hale

In 1977 Huck­le­ber­ry Finn top­pled into a salt water pit, reach­ing for the cap that had dropped off his head as he stooped over while attempt­ing to catch a bull­frog with his bare hands and Tom Sawyer reached down from the bank and pulled him from the taint­ed water. Or was it the oth­er way around? The blue cap read “Lester Pfis­ter Seed Corn” and both boys were ten and the boy who had fall­en in could not yet swim. So that must have been Tom Sawyer.

They were neigh­bors, with Tom liv­ing on a grain farm with his uncle and aunt, Silas and Sal­ly Phelps, while Huck stayed at his dad’s old house though his father was rarely there and when he was home he was bit­ter and cussed and hit Huck with the fore­arm crutch­es he used to walk because of the polio that had plagued him since before time. Tom helped his aunt and uncle in their gar­den and even­tu­al­ly joined 4‑H though his aunt nev­er allowed him to bring Huck along when the fam­i­ly trav­eled to the Ducoin State Fair in August.

The boys rode an ancient Blue-Bird school bus an hour to school and then rode the same route in reverse on the way back home. The sun shined hot through the side win­dows of the bus and made the boys sleepy though they still wres­tled and joked around in their assigned seats and one day when they rode the bus across the low-water bridge they wit­nessed a truck dri­ver dump­ing salt water into the riv­er, right where they some­times refilled their can­teens on their hik­ing and fish­ing excursions. 

When they weren’t in school or doing chores they explored the remain­ing woods, those woods not yet pil­laged by farm­ers and devel­op­ers. They walked, then biked, then lat­er rode Hon­da three-wheel­ers down trails and lease roads, across fields and some­times into town to buy sodas and cig­ars and Hawken chew­ing tobac­co at the gas sta­tion on the high­way. Often they would see the man every­one just called Wal­ter, who had been arrest­ed for win­dow peek­ing sev­er­al times, using the out­side pay­phone though he was nev­er talk­ing, mere­ly lis­ten­ing, scratch­ing his gray whiskers and wip­ing his nose on the sleeve of his filthy shirt or jack­et, depend­ing on the sea­son, but no mat­ter what the weath­er Wal­ter always sat astrad­dle of his bicy­cle. And usu­al­ly when Wal­ter encoun­tered teenage boys he ped­aled away quick­ly to avoid their ver­bal abuse and the occa­sion­al rock or bottle.

The boys fished every farm pond and every good camp­ing spot on the riv­er that slid by their home­town and down along their rur­al neigh­bor­hood, although when­ev­er Huck and Tom tres­passed on Fred McDougal’s land, the farmer who owned and farmed most of the land in the coun­ty, they were more cau­tious and always dou­ble-checked to make sure they left no signs of them ever being there. 

In the fall and win­ter they coon hunt­ed with Huck’s dog Rock­ford until Huck’s dad took Rock­ford hunt­ing while Huck was asleep and the hound fol­lowed a coon across Route 50 and was killed by a pass­ing semi.

In the spring the boys hunt­ed mush­rooms in the woods along the riv­er and every year Huck got poi­son ivy on his legs and fin­gers. Or was that Tom? In the woods they car­ried emp­ty bread sacks to fill with mush­rooms, sneak­ing onto McDougal’s prop­er­ty for those big morels, and one year they grew thirsty as they bicy­cled back up the road and stopped to refill their can­teens at the church on the coun­ty line where Tom attend­ed ser­vices with his fam­i­ly though Huck had nev­er been inside and in the base­ment they dis­cov­ered sug­ar and pack­ets of cher­ry Kool-Aid and mixed up a pitch­er using water from the faucet. Then a few weeks lat­er the school bus broke down and those kids who lived rel­a­tive­ly close got off and walked home, traips­ing past this church, and when Tom sug­gest­ed they go inside and make some Kool-Aid the old­er kids said, “Don’t you pay atten­tion in church? You’re not sup­posed to drink that water. Some kind of chem­i­cal run-off from Fred McDougal’s fields ruined the well.” 

They fished all spring and sum­mer and squir­rel hunt­ed in the fall and when they dis­cov­ered the oil field tank truck down by the low-water cross­ing, dump­ing salt water into the riv­er then reload­ing with fresh water — though there were two signs stat­ing, “No load­ing or dump­ing water” — they wait­ed in the weeds like snipers and after the truck dri­ver stashed the intake hose under the edge of the decrepit and unus­able iron bridge the boys blast­ed that long black rub­ber tube full of holes. 

They fished con­stant­ly and hoard­ed pack­ets of salt from restau­rants in town and used the salt to sea­son chan­nel cats they caught and cleaned and rinsed in the same water from which they had been tak­en and roast­ed the fish on sharp­ened sticks, foil-wrapped pota­toes bak­ing in the coals of their fire.

They fished non-stop in good weath­er and at four­teen knew every­thing. They knew Wal­ter was a per­vert and a win­dow-peek­er but more than like­ly posed no threat to them. They knew Fred McDou­gal to be a coun­ter­feit-Chris­t­ian who would do any­thing for a dol­lar. They knew Becky Thatch­er was pret­ty and kind and tru­ly reli­gious but Amy Lawrence was much more fun to take into the trees at the edge of the park at night dur­ing the Fall Fes­ti­val. They knew every­thing about every­thing until they brought up the day’s last trot-line, the riv­er water like choco­late milk, and they saw the evil mys­tery fish snagged on a 50 hook, crawdad’s tail hang­ing out one side of his mouth like Castro’s cig­ar. Huck stead­ied the boat while Tom lipped the fish as one would a bass — or did Tom steer the boat while Huck removed the fish? — but this beast sank his fangs deep into the fish remover’s thumb. Their lit­tle jon­boat rocked and jerked and six eyes grew wide and a pre­vi­ous­ly caught bull­head flopped over the tran­som. And so they stashed their holey boat, ban­daged the hand with an oily rag, and bicy­cled out of the riv­er bot­toms with that mys­te­ri­ous evil fish and five cat­fish, twist­ing on a stringer tied to the han­dle­bars, col­lect­ing dust and flop­ping less the fur­ther they ped­aled up the path. When Uncle Silas met them on the coun­ty line he said, “That’s a gren­nel. They ain’t good for noth­in. Huck, your dad’s gonna be in jail quite a spell this go round. You’re prob­a­bly gonna have to go stay with your aunt in town.”

So Huck had stayed with his aunt occa­sion­al­ly though he often slipped out and stayed at his dad’s old house, alone but com­fort­able, and when he did stay in town he would get up ear­ly and wait for the bread man to leave his truck unat­tend­ed behind the gro­cery store and then Huck would snag one or two box­es of donuts for Tom and his oth­er friends at school. Then at noon he would walk up town and spend his lunch mon­ey on two-cent pieces of green-apple gum and var­i­ous fla­vors of nick­el Jol­ly Ranch­ers, sell­ing most of it lat­er back at school for a dime or some­times a quar­ter apiece to any kid with a sweet tooth and cash.

Huck smoked weed with the old­er kids in the park while Tom took sports too seri­ous­ly and hung out with the jocks but the boys main­tained their friend­ship and Huck often rode his three-wheel­er to Tom’s house and once when Huck was kicked back on Tom’s bed, read­ing a fish­ing mag­a­zine, wait­ing for his friend to fin­ish the put­ter-but­ter and jel­ly sand­wich­es they were tak­ing with them fish­ing, Tom’s Aunt Sal­ly stepped out of the show­er and into the hall­way, think­ing she had the house to her­self, and Huck saw her in all her glo­ry as she strolled down the hall­way naked, and after­ward he liked her much more and was even more polite to her though he knew he was still not one of her favorite people. 

And lat­er when they got their driver’s license the boys roamed the coun­try roads in the dark­ness. In 1983 large coons would bring twen­ty to thir­ty dol­lars at the fur buy­ers, even road kill coons if the fur was not dam­aged, so they cleaned the roads of any car­cass worth sell­ing. Then when muskrats invad­ed the riv­er and began to destroy the riv­er banks and the large lev­ee around the near­by fields the boys began trap­ping muskrats and sell­ing them for eight bucks apiece. The farm­ers who owned the acres inside the lev­ee praised the boys and thanked them and gave them per­mis­sion to hunt and fish and what­ev­er else they want­ed. So every morn­ing at day­light the two boys, both juniors in high school at this point, made their way along the top of the lev­ee, down the rough nar­row trail that seemed to con­sist entire­ly of lime and mud and relent­less thorn bush­es. And even though Huck was against it, when Fred McDou­gal flagged them down, want­i­ng them to trap the rats on his prop­er­ty adja­cent to the lev­ee Tom agreed. 

One par­tic­u­lar Wednes­day morn­ing the taller of the boys car­ried two muskrats in each hand, his blond hair blow­ing in the cold wind where it flut­tered down past his brown sock cap. Thorns and bris­tles scratched against his cov­er­alls and hip-boots. The oth­er boy wore stained and fad­ed over­alls and a heavy tan coat with a long tear across the shoul­der where red insu­la­tion peeked through, three muskrats in each of his hands. A black cap cov­ered his scrag­gly brown hair and the bri­ars clung to his clothes and vines laced around his thigh-high rub­ber boots and when they reached the place where they usu­al­ly descend­ed into the woods onto the trail that led to Tom’s truck Huck said, “Wait up.” 

The teenag­er dropped the wet rodents and retrieved a pint bot­tle of Jim Beam from his hip pock­et and took a swig. The whiskey glugged with­in the clear glass then warmed his chest.

“Give me a shot of that,” Tom said. He tossed down his dead rats, wiped his hands across the back­side of his cov­er­alls and took the bottle.

White rib­bons of clouds streaked the gray sky and though it was sev­en o’clock in the morn­ing the sun was nowhere to be seen on the murky hori­zon. Even the birds remained qui­et and after anoth­er quick drink the boys moved on toward the rusty blue 4×4 Chevy that sat parked on a dirt road a quar­ter mile into the trees, their crunch­ing foot­falls the only noise in the cold soli­tude of the woods.

They tossed the ani­mals in the bed of the truck among five oth­er muskrats and shucked out of their over-clothes and trad­ed the rub­ber boots for ten­nis shoes. Then Tom stuffed his trap­ping attire into the front cor­ner of the truck bed before he hopped in, fired up the motor, and flipped on the heater and the radio. After a quick weath­er report the DJ spun Cen­ter­fold by The J. Geils Band and Tom said, “Have you seen this video?”

“I don’t guess so. Do they play it on chan­nel 13?” Huck took anoth­er drink of the whiskey then tucked the pint bot­tle deep into one rub­ber boot. 

“I doubt it. Me and Becky saw it in town there at Willie Temple’s the oth­er night. They got cable, ya know.”

“Willie Tem­ple?” He rolled up his over­alls and stuck them in the floor­board beside his boots, then climbed up in the 4×4 and slammed the door. “What was you doin at that peckerhead’s house?”

“His folks were out of town so he had a lit­tle par­ty. No big deal. Just a pony-keg. We just stopped in for a lit­tle while.” When Huck said noth­ing Tom said, “I bet you’d like that video.”

Both boys had got­ten their hands wet ear­li­er, set­ting the muskrat traps under water, and though their hands were now dry they remained dark red and painful­ly cold, as were their feet. Huck leaned for­ward and held his hands over the warm air from the defroster vents in the dash as they drove out of the woods. 

“So when are we gonna go sell that fur?”

“Well, I can’t today,” Tom said. “I got­ta take Becky to Eff­in­g­ham after school. You wan­na go sell it?”

“I’m not sure when my aunt’ll get home with the car,” Huck said. He gazed out the filthy pas­sen­ger win­dow at the bleak mud­dy fields and the leaf­less trees. “She don’t real­ly like me haulin dead stuff around in her trunk anyway.” 

When they reached Huck’s dad’s old place they tal­lied up their take out in the garage. Tom said, “Well, let’s see. If old Muff gives us the same price as last week we’ll have twen­ty-three muskrats at eight bucks.” He found a small scrap of paper and an old ink pen on the oily dis­as­ter of a work bench and after swirling the pen around a few times to get the ink flow­ing he mul­ti­plied the price by the ani­mals. “One eighty-four. And then ten coons at — say, twenty-five.”

“He ain’t gonna give us no twen­ty-five dol­lars for those run-over coons.”

“They ain’t too bug­gered up. But let’s just say, sev­en coons at twen­ty-five and then maybe twelve bucks for those others.”

“He prob­a­bly won’t even buy that possum.”

“Oh yeah Huck, they get five or six bucks out of em. And he might give us thir­ty for a cou­ple of those big coons.” He fig­ured on the paper then said, “We might get a cou­ple hun­dred bucks apiece.”

“That’d be handy,” Huck said.

After hang­ing his boots and over­alls on a hook in his dad’s old garage Huck hopped in with Tom and the boys hit the road again. Fif­teen min­utes lat­er when they reached the city lim­its Huck said, “Run up by the gro­cery store so I can get a Mt. Dew.”

“Hang on. I got­ta swing by and pick up Becky. Then we’ll all stop and get a drink.”

“So you and Amy Lawrence are done with, huh?”

“Oh yeah. Me and Becky are the real deal. I’ll prob­a­bly end up mar­ryin that girl one of these days.”

“Good luck with that.” Huck had no inter­est in Tom and Becky’s love life though he had been con­tem­plat­ing Amy Lawrence more and more all the time.

They took a left on Jef­fer­son Avenue and when they pulled up into the yard at Becky’s house she imme­di­ate­ly stepped out­side in her brown suede coat and pink stock­ing cap and gloves, books clutched tight­ly against her chest. Her father the judge stepped out on the porch and waved to them in the truck and they waved back.

Both guys opened their doors but she walked around and climbed in on the driver’s side and she and the dri­ver kissed. “Hey, Huck,” she said to the passenger.

“Hey there,” he said.

As they turned back onto Main Street Tom squirt­ed some win­dow wash­er flu­id on the wind­shield and the dried mud streaked and smeared and grew much worse before it final­ly got a lit­tle bet­ter but before Becky could com­plain about not see­ing the road Tom said, “You sure smell good today.”

“Thanks,” Huck said.

“I meant her perfume.”

“Thank you,” she said then wrin­kled her nose. “But some­thing def­i­nite­ly reeks in here. What is that?”

“It’s Huck’s aftershave.”

“That’s bull­shit. I don’t even wear aftershave.”

They all three laughed and Huck said, “Real­ly, it’s that coon scent we use to cov­er up our smell.” He pulled a tiny round glass bot­tle from Tom’s glove com­part­ment. “Here, try a little.”

Becky pushed his hand away and said, “Don’t you even open that while I’m in here.” Her blond hair was pulled back and she wore Tom’s class ring which she had resized by wrap­ping blue yarn around the side oppo­site the azure stone. She said, “Ya know, that smells just like Study Hall did last week. Like some­one poured some of that nasty stuff down in the heat reg­is­ter or something.”

“I wouldn’t know noth­in bout that,” Tom said. He parked on the street in front of the gro­cery store and the guys bought Mt. Dews from the machine. A few kids they knew cruised by and honked and across the street a few under­class­men hun­kered down in their coats and trudged south down the side­walk toward the school, book-bags in hand. 

Becky said, “What are we doing this week­end, Tom?”

“Don’t you remem­ber? Me and Uncle Silas are goin deer huntin down south in Pope Coun­ty. I been tellin ya for a month now.”

“Well crap,” she said. “I want­ed to go see An Offi­cer and A Gen­tle­man at the movies.” She sipped her soda. “Maybe I’ll just get Huck here to take me.”

“He’s prob­a­bly got oth­er plans.”

Huck said, “Hope­ful­ly.”

By late Sat­ur­day after­noon the tem­per­a­ture had risen to 47 degrees but a fog set­tled over the land­scape and the air hung damp and sur­re­al. After his aunt left her house with her new boyfriend Huck loaded the coons and muskrats into the trunk of her old car, leav­ing the run-over pos­sum to lie beside the conibear traps they had tak­en up Fri­day morning. 

Then he took a show­er before dri­ving south-east to Potter’s Fur Shed which sat way back in the riv­er bot­toms but up on a high bluff so that even though the dri­ve­way flood­ed almost every time it rained no water ever reached the build­ing. Huck wore his new gray boots and blue jeans and a black west­ern shirt under his den­im jack­et and his hair was still damp and combed in place when he stepped into Muff Potter’s amid the dis­plays of rub­ber boots and over­alls and hunt­ing coats and knives and traps and calls and scents and lures and an out­ra­geous­ly huge bear trap lean­ing in one cor­ner just for show. 

Behind the desk old Muff, deep in con­ver­sa­tion with a rough look­ing coon hunter, stopped him­self in mid-sen­tence and said, “Good Lord. Look at that.” He slurped cof­fee from a heavy ceram­ic cup. “You got­ta hot date tonight, Mr. Finn?” 

“Not real­ly. Just takin some­body to see a movie here after­while.” The room smelled of raw flesh and musk and new rub­ber boots. “I got some coons and rats out in the trunk for ya.” 

Muff said, “A movie? Well, my land. Now don’t you go han­dlin that fur. You’ll get your­self all greasy.” 

He pushed back from the desk and as if on cue the rough look­ing guy dis­ap­peared behind the cur­tain that divid­ed the office from the skin­ning room.

“You been deer huntin, Huck?”

“Naw, Tom went down south huntin with his uncle. I just been busy helpin one of my neigh­bors feed hay. You go?”

He point­ed to the orange pin on his hunt­ing cap. “Killed out this mornin.”

“Get a big buck?”

“No, I shot a young doe. But she’ll be bet­ter eatin anyway.” 

Muff fol­lowed Huck out­side to study the ani­mals in the trunk. There were splotch­es of blood and fat on his Carhartt jack­et, the cuffs of his gray work pants tucked half-heart­ed­ly into his black engi­neer boots. 

“Boy, you and Tom sure been busy, ain’t ya?” he said. He heft­ed a few of the larg­er coons and brushed their hair back and held them out at arms length and then he blew a part into the fur of a few of the muskrats, as if mere­ly a formality. 

He inspect­ed the road kill coons a lit­tle more close­ly then scratched his chin stub­ble. “Tell ya what. I’ll give four hun­dred for the whole lot. How bout that?”

“How bout four-twen­ty-five?” Huck asked.

Muff smiled. “How bout three-seventy-five?”

“I guess four hundred’ll be alright.” He fol­lowed Muff back inside. A young man, not much old­er than Huck, in greasy blood-streaked over­alls and a flan­nel shirt with the sleeves rolled up car­ried the fur in from the trunk to the skin­ning room. 

“So, is this young lady you’re takin to the pic­tures some­one spe­cial or just a passin fancy?”

“Oh, I don’t know.” He cleared his throat as Muff brought out his check­book. “Think you could make it out for three-fifty, then just give me fifty in cash?”

“I don’t think that’d be a prob­lem.” He smiled and hand­ed over the long blue check and then removed a fifty from his ragged bill­fold. “Now you kids have a good time at your picture-show?” 

That Sun­day evening when Tom returned from deer hunt­ing with his uncle he imme­di­ate­ly drove to Huck’s dad’s old place where he found his friend watch­ing a black-and-white tele­vi­sion and eat­ing Vien­na sausages out of the can.

“Get a deer?”

“Shot a but­ton buck,” Tom said. “Here’s some pictures.”

Huck picked up the Polaroids and flipped through images of Tom squat­ted down beside the deer in the bed of the pick­up, his cousin Sid smil­ing with his nine-point buck.

“Them deer’s hangin down there in the shed if ya wan­na go see em.”

“Maybe after this movie’s over,” Huck said.

“You get that fur sold?”

“Yeah, got four hun­dred even. We’ll have to cash the check tomor­row but I had Muff give me fifty in cash so I’d have a lit­tle spendin money.”

Tom plopped down in the only oth­er chair in the run down liv­ing room. “So what all did you do this weekend?”

And so Huck told Tom about tak­ing Amy Lawrence to the movies, leav­ing out most of the film’s plot and how he spent too much on sodas and Twiz­zlers and Bot­tle­caps. He skipped to the part about get­ting some wine from Old Joe out­side the tav­ern and dri­ving around in the riv­er bot­toms with Amy.

“I didn’t even know she drank wine,” Tom said. 

“We had a pret­ty good time, I guess.” There had been a Cheech & Chong and a Richard Pry­or and a few oth­er movies play­ing that Huck would have much rather seen than An Offi­cer and a Gen­tle­man but that was the film Amy had want­ed to see so that was the one they watched. 

Huck said, “Lat­er when we was dri­vin around we found an old lease road that goes back in behind the lev­ee. Back on McDougal’s land. There’s a lit­tle low-water crossin there too, so we can use it to get across the riv­er down there.”

“No way.”

“I’ll take you down there tomor­row after school when we put the traps back out. You are givin me a ride to town in the mornin, ain’t ya? I took my aunt’s car back to her house last night after I took Amy home, then just rode my three-wheel­er back out here.”

“Well, I am sup­posed to take Becky to Flo­ra tomor­row but we do need to get those traps back out.”

“Yep,” Huck said, think­ing to him­self, that girl always needs to go some­where. He guz­zled a can of pop and then tried to get the tele­vi­sion sta­tion to come in bet­ter by adjust­ing the rab­bit ears.

“Me and Uncle Silas stopped in up there at the gas sta­tion on the way back into town — he gassed up my truck since we drove it down there huntin — and them guys in there was sayin there’s been some more break-ins here late­ly. Ben Rogers’ dad had a bunch of tools stoled out of his shed and then old what’s‑his-face over there by Wilcox Bridge had a three-wheel­er and some chain­saws ripped off.”

“Yeah, I heard about that,” Huck said. 

“I heard they’s try­ing to blame Wal­ter but I don’t know.”

“Now where would Wal­ter hide that stuff? In his lit­tle room there behind the Laundromat?”

“That’s what I was thinkin. But who knows.” 

“Well, he is a weirdo but I don’t imag­ine he stole nothin.”

“Yeah, you’re prob­a­bly right.”

That Mon­day after­noon they loaded the traps back into the bed of Tom’s pick­up and drove down to the lev­ee. This time they went down the same lane as usu­al. They set the traps in the muskrat runs on the inside of the lev­ee and took turns point­ing at the deer and turkeys roam­ing around the enclosed fields. They count­ed thir­ty-sev­en deer and eigh­teen turkeys among the bean stub­ble and corn stalks and the sev­en or eight pump­jacks pump­ing oil into the tank bat­ter­ies over by the east bank of the lev­ee. The flares beside the wells seem to bright­en and grow larg­er as the sun set and dark­ness took over for the evening. 

Tom point­ed to the gun case hang­ing in the rack in the back win­dow of his truck. “Still got the 12-gauge here if ya wan­na poach one.”

After­ward they sipped a lit­tle whiskey as they drove out of the woods in Tom’s truck. As per Huck’s direc­tion they head­ed east at the coun­ty line until they reached the church, then cut back south, drop­ping back down into the bot­toms. They fol­lowed along the out­side of the lev­ee, the road scarred deep with pot­holes and washouts. The path curved around a bend in the riv­er then stopped at a T. They hung a right and crossed Jackson’s Bridge.

“Go on up the road a ways here.” He point­ed ahead. “Okay, turn in that lit­tle road up there on the right.”

Tom said, “I nev­er have been back in here. I fig­ured the road just end­ed at this old well.”

“So did I. But keep on goin. I made it okay in my aunt’s junker so we won’t have no prob­lems get­tin down through here in this.” 

It was now dark as they drove down this unex­plored lease road cov­ered with the typ­i­cal hard dusty/oily road pack, trees thick on both sides and over­hang­ing the path except at the wide place where sat an old rusty pump­jack like a dead dinosaur. They ven­tured fur­ther and fur­ther back into the woods then drove through a low-water cross­ing Tom had nev­er seen.

Sud­den­ly the road forked and Tom stopped. “So what was you and Amy doin way back in here?” 

Huck ignored the ques­tion and said, “See, if ya just keep goin to your right, you’ll come to the back­side of the lev­ee, the south side. Okay? But see, if you took this here road to the left, you’ll come out right behind McDougal’s farm.”

“Oh bullshit.”

“I’m tellin ya. This comes out at that oil well behind McDougal’s house. Back behind his sheds. The pumper has to go down his dri­ve­way to get back there to pump that well. He don’t come this way.”

But Doubt­ing Thomas had to see it for him­self. He veered to the left and head­ed toward McDougal’s farm as Huck lit a cig­ar and rolled down his win­dow. Soon the path widened and they could see the oil well flare glow­ing just over the next rise but as they topped that hill they sud­den­ly drove up on Fred McDougal’s pick­up parked cross­ways in the lease road. “Oh hell. There’s McDou­gal,” Huck said.

Tom shut off his truck and cranked down the win­dow, lis­ten­ing to that labor­ing pump­jack, like a trib­al drum. Huck said, “Let’s get out­ta here,” but Tom had already climbed out. 

They heard voic­es among the sil­hou­ettes and as they walked clos­er to Fred McDougal’s truck they saw Fred point­ing a shot­gun in the face of a man on the ground while his son-in-law Archie aimed a flash­light in the same direc­tion. Fred and Archie were dressed alike in prac­ti­cal­ly new Carhartt jack­ets and work­pants. Caps on their heads. 

The filthy man on the ground wore dark thin dress pants and an old black sports jack­et. His ivory ankles shin­ing between the cuffs of his pants and his cheap blue ten­nis shoes. No socks. A red and blue sock-cap askew on his head. 

Huck puffed on his cig­ar. He could tell it was Wal­ter from town and noticed a bicy­cle lying in the weeds. The flare from the oil well blazed a dull orange, cast­ing a goth­ic glow over the imme­di­ate land­scape. Beyond that the world seemed dis­tant and dark to the east. On the oth­er side of the lease road a com­bine sat idling in the corn­field. Up ahead Huck could see a trac­tor hooked to a grain wagon.

McDou­gal said, “You boys been trappin?” 

“We sure have,” Tom said. “We uh… we just come in a dif­fer­ent way this time cause we’s thinkin about set­tin a few traps on the south end of the lev­ee here.”

McDou­gal said, “You should’ve hung to your right where the road splits back there. That’ll take ya to the back­side of the levee.”

The boys stared at Wal­ter who seemed to be regain­ing con­scious­ness, as if he had been knocked out.

Tom said, “What’s happened?”

“You boys might as well go on home and for­get about all this,” McDou­gal said. “No need for you to get mixed up in it.”

Huck noticed Wal­ter didn’t have any teeth and then he real­ized the bloody mouth and the bro­ken den­tures on the lease road. He tossed his cig­ar down and mashed it out with his boot. 

“Don’t leave me with em, boys,” Wal­ter slob­bered. “They’ll kill me.” 

“Shut up, dumb ass,” Archie said. 

Wal­ter leaned up on one arm. “They’s fix­in to kill me before you all got here.”

“No, we was gonna call the sher­iff and have him haul you back to the nut­house,” McDou­gal said.

“What did he do?” Tom inquired as if work­ing for the local newspaper.

McDou­gal turned to Tom but kept the gun in Walter’s face. “He was up at the house, nosin around. Lookin in the win­dows like he does. When I seen him, he took back down through here and I hollered at Archie there on the CB. He was shellin corn right yon­der and then when I come down the lease road here in the pick­up Wal­ter here run right into Arch.”

“I’m tellin ya,” Wal­ter said. “I was ridin by on my bike and saw two guys slip­pin into that west shed of yours. They’s gonna steal some tools or somethin.”

“Then why’d you take out down this way when I hollered at ya?” McDou­gal said.

“The way you was wavin that there gun I fig­ured you was gonna shoot me.”

Arch said, “He ain’t as dumb as he looks.”

“So I guess we was lucky you just hap­pened to be ridin by on your bicy­cle. You was pro­tectin us from those thieves.”

“That’s right,” Wal­ter said.

“Well, I didn’t see nobody else run through here,” Archie said.

“Them guys didn’t come this way,” Wal­ter said. “They head­ed west. Prob­a­bly had some­body wait­in to pick em up in a car down the road.”

Archie kicked him in the ribs and said, “How many times you been caught lookin in on some old lady changin clothes? How many times you been arrest­ed for makin obscene phone calls? How many times you done been down to Anna to the nuthouse?”

Tom said, “Have you already called the Sher­iff or…”

“We’ll haul him back up to the house and use the phone here in a minute,” Fred said.

“Don’t leave me, boys,” Wal­ter called out again. 

In town Wal­ter usu­al­ly scur­ried across to the oth­er side of the street just to avoid Huck and Tom. Not that they would ever have punched him or any­thing, just maybe unleashed their vul­gar teenage mouths. But now here Wal­ter was grov­el­ing, beg­ging for help, as if he thought for some rea­son they were on his side.

“Shut up, Wal­ter,” Archie said. He kicked Wal­ter in the head. Then the ribs and groin.

“Hey, now,” Tom said. “Hey!” He could not fea­ture them actu­al­ly killing Wal­ter but Archie just kept stomp­ing him until final­ly Huck stepped back toward Tom’s truck. He reached in the open win­dow and pulled Tom’s 12-gauge out of the unzipped case. When he stepped back around the truck he said, “Get off him.”

Archie stepped back and said, “What are ya doin, takin up for that sick bastard?” 

“Look here, Huck­le­ber­ry,” McDou­gal said. “You bet­ter think about this for a second.”

The pump­jack con­tin­ued drum­ming its trance-like rhythm. Thump thump thump thump thump thump BAM thump. 

After Wal­ter some­how man­aged to sit up on his knees McDou­gal pushed the bar­rel of the shot­gun against his whiskered cheek.

“What’re ya gonna do if we just shoot him?” Archie asked him. “Are ya gonna shoot us?”

Huck had not thought that far ahead but he knew he did not want to shoot anybody. 

“Maybe,” he said. 

“You boys got your head in the clouds,” Fred McDou­gal said. “Takin up for this pervert.”

“We’re not takin up for nobody,” Tom said. “But you need to either call the cops or… or somethin.”

“Don’t tell me what to do, boy,” McDou­gal said. “I work my ass off to raise a fam­i­ly and do what’s right and then ya got peo­ple like this. Or ya can’t even call em peo­ple, real­ly. Run­nin around — rapin — doin what­ev­er the hell they want.”

“Then let’s call the cops,” Tom said, already envi­sion­ing his name in the paper once again. 

“What’re they gonna do, lock him up again for a cou­ple months? It obvi­ous­ly didn’t help the last time. He just can’t con­trol his urges,” McDou­gal said.

“Go ahead and call the law,” Wal­ter said. “Maybe they can catch them real thieves before they get plumb away, then you’ll see.”

“Shut up, Wal­ter,” they all said.

“Ough­ta lynch ya right here and now and be done with it,” McDou­gal said.

“I thought you was sup­posed to be real reli­gious or some­thin,” Huck remind­ed him sarcastically. 

“Hey now, I am a God-fearin man,” McDou­gal said. My whole fam­i­ly — we’re good peo­ple. Unlike this thing. So don’t even start that nonsense.”

Tom did not real­ly know what to say but for some rea­son he said, “Uncle Silas said the rea­son every­body out here start­ed dri­vin into town for church now is because your fam­i­ly ran em all off.”

“Your uncle can kiss my ass,” Archie said. 

McDou­gal said, “Hey now, we work hard down here at the church. All of us. Me and Lav­erne. And Tina and Archie here. Dar­ren and his wife Car­la. Dar­ren even fills in for the preach­er some­times. But that ain’t got noth­in to do with this.”

“Your son Darren’s a preach­er?” Huck asked. “The one who embez­zled all the mon­ey from the Co-op?” 

“Now… that was just a mis­un­der­standin. And every dime of that was paid back. We’re good people.”

“So I guess it ain’t stealin if you pay it back, huh?”

“You don’t know noth­in about it, Huckleberry.”

“I know if it’d been me or any of my friends we’d been in jail, not some­where fill­in in for the preacher.” 

Wal­ter chuck­led weak­ly and spit blood onto the lease road.

Fred McDou­gal, Archie, Wal­ter, and even Tom were all star­ing at him and Huck was not sure where he was going next. What should he say and do? What was Tom thinking?

Sud­den­ly Wal­ter made a clum­sy grab for the gun in his face and a shock­ing blast explod­ed in the coun­try night. 

Noth­ing much remained of Walter’s face. It remind­ed Huck and Tom of a bust­ed watermelon.

Final­ly Fred McDou­gal said, “He just… he just pulled on the bar­rel… he… I… I wasn’t real­ly gonna shoot him.” 

The boys stepped back toward Tom’s truck.

“Where are you goin?” Archie said.

“Home.” Tom tast­ed bile in the back of his throat. “You can call the cops yourself.”

“You’re wit­ness­es,” McDou­gal insist­ed. “You got­ta tell the law it was an accident.”

“Oh, I’m sure they’ll believe what­ev­er you tell them,” Huck said. “You’re good peo­ple, remember?”

Archie start­ed after them but McDou­gal said, “Let em go.”

So the boys quick­ly left the scene, know­ing this time they would not be heroes in the news­pa­per. The town would not cel­e­brate them and their class­mates would not be impressed. 

Though the boys did won­der what would became of Walter’s body. Would McDou­gal call the sher­iff? And if so would he men­tion Huck and Tom had been there? Would the sher­iff decide keep­ing the whole mess qui­et was the best res­o­lu­tion for every­one. That McDou­gal had per­formed a pub­lic ser­vice by rid­ding the com­mu­ni­ty of a per­vert? Or would Fred and Archie sim­ply and qui­et­ly chain Walter’s corpse to a con­crete block and sink it in the riv­er? Along with his old bicy­cle? Nev­er telling any­one, not even their own wives, what real­ly hap­pened? Should the boys head straight to Becky’s father the judge with this sto­ry? Or should they sim­ply for­get it ever happened? 

But none of that real­ly mat­ters. If the sto­ry con­tin­ues Huck and Tom become adults and that sto­ry is not meant to be. 

Tom does not mar­ry Becky Thatch­er and even­tu­al­ly become a veg­e­tar­i­an and Huck nev­er lives long enough to die in a car wreck or any oth­er unfor­tu­nate mishap. In some form or anoth­er Huck and Tom are des­tined to relive those years from age ten to sev­en­teen for eter­ni­ty. The name of the riv­er does not mat­ter. Nor does the year or the name of the town. Nev­er will Huck or Tom grow up or grow old and right now they are out there some­where liv­ing the only way they know how. And that is the way it should be.

Joey Dean Hale is a musi­cian and writer in the St. Louis area. He received his MFA from South­ern Illi­nois Uni­ver­si­ty at Car­bon­dale and has pub­lished sto­ries in sev­er­al mag­a­zines, includ­ing Tem­po­rary Infin­i­ty Press, Mar­co Polo Arts Mag, and Octave Mag­a­zine, which also has his song “High Noon” post­ed online. In Sep­tem­ber 2012 he was the fea­tured writer in Pen­du­line Press — Issue 6 “WTF” — which includ­ed four flash fic­tion pieces and an inter­view with the author.  He has sto­ries forth­com­ing in The Dying Goose and Foli­ate Oak Lit­er­ary Mag­a­zine.

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The Stonekings, fiction by Willi Goehring

Once, when I was naked, run­ning around in the woods, I could have sworn I saw an old friend I used to play fid­dle with. He'd been out there for months, the way I saw him, and had only the small­est notion that he'd been any­where at all; cov­ered in mud, naked too, and play­ing an instru­ment made out of sticks and half a log he'd gnawed into a bow of his own long hair. He ground his teeth at me and hissed like a snake, and I spent the next few min­utes try­ing to con­vince him to play me a tune we used to pick called "Who Shit in Grandpa's Hat." "I'll dance," I kept telling him, laugh­ing, but he respond­ed by hiss­ing and jerk­ing his hair across the thing, bat­ting it like that was a small curse budg­ing me away, lift­ing his foot to do a big stomp like at the end of a dead­ly con­tra. Our encounter was pro­longed but even­tu­al­ly I backed away, cau­tious that he might come at me with his long fin­gers or begin to play a whirl­wind dance.

This was Old Pete, hus­band to Old Melin­da, who played in the Ozarks' big expanse maybe two hun­dred tunes by ear and by mem­o­ry, some said three hun­dred. They learned from the Stonek­ings, Lee and Buck and Whirly, down near Osage Coun­ty, and used to put their big rafts into the White Riv­er for god knows what rea­son and just float in the sun­shine. They grew car­rots that came out pur­ple instead of orange and knew the kinds of mush­rooms that you could eat and which ones were mag­ic. They had a chick­en with three eyes they named Coot­er who they shot instead of wring­ing its neck when the time came. Melin­da wasn't quite blind, but used to tell us that when she looked at peo­ple their eyes were big black pits and their mouths looked like gap­ing ass­holes. "Pur­ty close," Pete would say.

When I got back to my camp I put on some clothes and Noël was sit­ting there, still naked, long penis dan­gling obtru­sive­ly close to the only warm part of our tiny fire. I'd used my keys as a rat­tle and we'd done some danc­ing, and then found a few sticks that we admired. When I ran off, Pete emerged as if from the grave, but why did he refuse over and over? It was a fight, but what the hell he was doing, what tunes he was play­ing, where are they from, where did he learn them? In this thought I recalled I'd brought my own vio­lin, and took care to play as sor­row­ful of an air as I knew at the fire, but then the fire went out, and I had no way to see my fin­gers, so it was as if I had no fin­gers at all. Noël and his knife-like penis dis­ap­peared, prob­a­bly in disgust.

Melin­da died while we were play­ing once on Old Pete's porch, the sum­mer of 1995. We'd just come from the caves near­by on a back­pack­ing trip, and were sore and all worn out. Melin­da had been drink­ing moon­shine and fell flat down on her own still, and I guess the pres­sure from all of her weight caused the still to rup­ture and blow. A bit of glass got lodged in her throat and she went into the bed­room and fell down with the cord­less phone in her hand and bled out before we'd fin­ished play­ing "Four and Twen­ty Black­birds", a tune that Pete beat out so fast and with so much slid­ing and embell­ish­ment we sat on the roots and tried hard to fol­low. Some­where there was an extra mea­sure, a float­ing note, out of time, a swag­ger or a hold he made up or fucked his way through, but we could nev­er find it. When we heard the tiny explo­sion faint­ly on our stumps, we fig­ured it was just Melin­da let­ting the pres­sure out of the still to speed up the binge, but when we came to shine our­selves, we saw a trail of blood lead­ing to their pull-out bed, bare­ly big enough for her. She'd shat­tered some things in either des­per­a­tion or frus­tra­tion. Her hair was tan­gled. 9−1−1 was on the line say­ing "Is some­one there?" and "is some­one there?" and "your number's not reg­is­tered. Where are you located?"

At the funer­al, if you can call it that, Pete lit her on fire with ethanol after a real preach­er had come over to do some protes­tant things with the body, talk at it and talk to Pete. He left us the hell alone but we tried to lis­ten. A bunch of rel­a­tives had come up from Spring­field but we didn't know them and they didn't know us, and they had big belt buck­les and very combed hair. The state was sup­posed to han­dle the body and she was sup­posed to get a death cer­tifi­cate, but if Pete kept her alive we fig­ured he'd keep get­ting her wel­fare for at least a lit­tle. Before night fell we chopped a bunch of wood for him and left a bot­tle of whiskey under the moon­light by the well. He'd see it when he'd come-to and went to take a piss in the morning.

But now it was com­plete­ly dark, and there was no whiskey to con­sole any­one over their loss­es. I start­ed to want to go uphill to try to find some moon­light, but I was scared because then I'd nev­er find our camp again. I checked my phone- it was all but dead, and Noël didn't have his up his ass prob­a­bly. There was always 9−1−1 if some­thing bad hap­pened, I've always told myself. Chances were noth­ing would hap­pen at all.

Of all the tunes she could've explod­ed the still dur­ing, "Four and Twen­ty Black­birds Danc­ing on a Fawn Skin" as like­ly as any, but not like­ly at all. Every tune name comes some­where out of the dark recess­es of either mem­o­ry, learnt from the Stonek­ings or the Leonards or Emmett or Pos­sum, or some cru­el­ly made-up joke. Some of the tunes go by a dozen dif­fer­ent names. Some of them are made up by the per­son who has no idea what they're play­ing in a sort of good-ol-boy joke. Pete used to do this, ges­tur­ing wild­ly with his bow over his pigeon toes. Some­times he would fuck with us for hours only to tell us he'd made a sto­ry or a tune up. Some­times a whole con­ver­sa­tion would be a big lie with a dirty joke at the end. Some­times he'd just show us where the horse bit us, smack­ing our balls.

I real­ized sud­den­ly, walk­ing up that hill, that "Who Shit in Grandpa's Hat" is more of a dit­ty than a tune, and I don't know if Pete learned it from the Stonek­ings or made it up by his lone­some. It's not that catchy, and you couldn't dance to it, and it isn't very long. "Who did it", it goes, "Who did it," and then "Who dida shit in grandpa's hat?" I wouldn't dare to sing it unless I was some­place less than alone, enter­tain­ing peo­ple or try­ing to be fun­ny. A minor provo­ca­tion for vulgarity's sake. That kind of thing. No won­der Pete was pissed I asked for it. Sud­den­ly I was wor­ried about Noël. He liked to hang him­self a bit, or choke him­self to feel high, and in the woods it was pos­si­ble I'd find him scrunched and pruny in the sogged-up morn­ing in some ditch with a vine around his neck, horny Old Melin­da mess­ing with him. That would be seri­ous among all this fool­ish­ness. That would ruin every­thing like an explod­ing still and the ground­ward march of an old house.

But I went uphill any­ways, towards the moon, not full, not even half-not dark, peek­ing through the dis­cernible ring of light it made at the edges of its pit. I breathed heav­i­ly and almost sang, but wait­ed till I reached the peak, sod­den-crotched, where maybe I could see an amenable high­way light. But this is not like any oth­er place where the high­ways are every­where, not like the corn­fields where the cell-phone tow­ers blink like ele­phant skele­tons. Here you go up one hill and you're gone for good in their mud­dle, and god isn't even look­ing for you because he knows you're already knee-deep up in it and you will either turn up some­how or you wont. "Who gives a shit," Pete would say, when we asked him almost anything.

Sud­den­ly I remem­bered a dream that I'd had a long time ago while look­ing at the over­cast sky, the hills in the dis­tance invis­i­bly black. I took my pants off and ran my ass across the grass to itch it. In the dream I was in a cave alone with no escape, and there was a mas­sive pool of water trem­bling on the floor. A great whale emerged, breach­ing the water and fill­ing the cave with such an enor­mous sound the whole place rat­tled and shook, and I had a fid­dle in my hand and was play­ing it on my chest and singing the same note with the whale. I start­ed to cry and the whale leapt up again and again in a mas­sive duet. I sobbed and sobbed. When I woke I was late to where I was going, and couldn't even shave.

When I remem­bered this I wished it had been per­fect to sing out again, as if the hills were whales, as if Pete was out there to teach me about what life is, about things that mat­ter or at least pre­tend to mat­ter. But these things weren't true. If I couldn't see, I could sing out and lis­ten for the echo to return and give me a place, but, god­damn it, I wasn't lost, and maybe I nev­er would be. I could hum a name­less tune in the dark if it would com­fort me, and the joke might be remem­bered, even writ­ten down in the light of day. I'd come down going uphill, and every piece of rev­el­ing left in me was expend­ed in being imper­fect in that moment. Will I remem­ber all the times I remem­bered a bunch of bull­shit I des­per­ate­ly want­ed to mean some­thing? I'd rather lis­ten to the air, I think, if the air could ever be like Pete's inter­minable squawk. But ah, Pete is prob­a­bly dead, in his grave with all those tunes. I think that's all right. Soon I will be too.

Willi Goehring is a mid­west­ern poet and ban­joist purs­ing an MFA at the Uni­ver­si­ty of Arkansas, where he is a Wal­ton Fel­low. He enjoys study­ing folk­lore and teach­ing Eng­lish almost as much as he enjoys home­made wine and square dances.

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Redneck Raindance by Willie Smith

It threat­ened rain,
so I got out my gun, got in the car
and gunned it on down to the graveyard,
where it was dark and nobody would know,
but I knew the clouds would see clear.

I got out and got my gun out,
fired myr­i­ad rounds at the atmosphere
and gunned down the clouds.
Fog fell in patch­es, then cleared.
I got my gun down,
head­ed for the car;
over­head stars start­ed to appear
and I again began to breathe in fear.

The more fired at, the more the stars broke out.
I shot more and more flared up. I shot up
the sky, then drove home, sad as hell.
Shot the dog, shot the wife, shot my Playboys;
final­ly reloaded and wait­ed for the sirens,
that nev­er came. It began to rain.
I got in the car, backed out over the dog,
laid a patch on the wife’s ass,
got going real good and
gunned it on down to the graveyard,

where it was dark and nobody would know,
but I knew the clouds would see clear.

Willie Smith is deeply ashamed of being human. His work cel­e­brates this hor­ror. His sto­ry anthol­o­gy NOTHING DOING is here: http://www.amazon.com/Nothing-Doing-Willie-Smith/dp/0956665896/ref=sr_1_1?s=books&ie=UTF8&qid=1343352354&sr=1–1&keywords=nothing+doing+willie+smith .

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Sparks on the Turnaround, fiction by Marsha Mathews

With her hands clapped over her ears, Birdie Dee tried to read Hobart’s lips. Thick and pink, they curled and stretched, puck­ered and part­ed. But she couldn’t fig­ure if he was com­pli­ment­ing her or cussing her. All she could hear was the roar of stock cars – red, blue, green, some with Tide box­es, m&ms, or oth­er graph­ics. She nod­ded like she under­stood so he’d quit bug­ging her. Besides, not hear­ing him suit­ed her just fine. Hadn’t he said his fill at sup­per? Hadn’t he and his mama said enough, giv­ing their two cents plus about abor­tions and the way­ward girls that had them?

Hobart’s leg brushed hers, so she inched away. Behind sparse black hairs, his neck blotched red. He gulped air, then belched. The air smelled like dead fish.

Jeeze.” Birdie Dee stood, shook out her yel­low slick­er, moved down the bleach­er a bit, away from him. Because there was always mist in the South­west Vir­ginia air, she took it almost every­where. Now it came in handy again, sav­ing her butt from tobac­co spit, gum, spilled soft drinks, or any oth­er nasty thing that might be on a bleacher.

Hobart turned back to the race. She liked Hobart; his mama, Imo­gene, too. Even if she did act like she owned the church and had a lock on every­thing right. Now, Hobart, well, she could imag­ine him lift­ing the “WE KILL BABIES” signs from the truck and prop­ping them in front of abor­tion clin­ics, Imo­gene with arms crossed over her enor­mous bosom, direct­ing him.

Birdie Dee, want a Coke?”

What?” she yelled, over the speed­ing cars.

Want a Coke?” He made a chug-a-lug gesture.

Before she could answer, he pulled a fiv­er out of his wal­let and waved it. The ven­dor strut­ted up the steps, a tray of drinks strapped to his neck.

Hey. Over here.” Hobart held up two fin­gers. “Two Cokes.” He looked at Birdie Dee. “Care­ful, loose lid,” Hobart shout­ed. He hand­ed one to her. The cars squealed past.

Thanks.”

Hobart jumped to his feet. “Yeah, bud­dy,” he bel­lowed from deep with­in his throat. “Yippee-yipee-yi-yi!” The Hooter’s car whirled around the track.

Peo­ple turned to look at Hobart, and Birdie Dee felt her face flush. They think we’re togeth­er, she thought. Me and this guy who’s Mom’s age and about as classy as a dump truck.

When she agreed to come with Hobart to the races, she assumed Imo­gene was com­ing, too. They’d stuffed them­selves like ticks with her coun­try ham, fresh corn, fried okra, and sweet pota­to casse­role, not to men­tion but­ter bis­cuits and what Imo­gene called her berry-D-licious pie.

After eat­ing, Birdie Dee took a walk along the grav­el road that curled around the boul­ders and ridges. She need­ed a break from Hobart’s invit­ing glances; and now, the added pres­sure of those fool signs. She came across them when she stepped out to the car­port for a smoke. They said, “WE KILL BABIES,” not the kind of thing you’d expect in an old lady’s garage. Birdie Dee need­ed time to think, to shake off din­ner, their talk, the truth accord­ing to Imo­gene-Knows-Every­thing. So she took off run­ning, and once Hobart ran out of wind and turned back, she eased into a quick, delib­er­ate stride.

In the dusk, the view was one not eas­i­ly for­got­ten, a feath­ery pink and vio­let sky, and if she could just climb about thir­ty yards or so, she would be able to see the full sash of Coeburn’s twin­kling lights curv­ing around the moun­tain like glit­tery wool tossed around someone’s neck. She swerved away from the road, and clutch­ing some ropey twigs, she pressed through the scratchy brush, found footholds, and began to climb.

From a jut­ting rock, she looked out over the hol­low. Imogene’s roof had not one cat, but four, all curled near the chim­ney of the wood stove. And there was Hobart, tak­ing the porch steps, two at a time.

Birdie Dee climbed high­er, tak­ing her time, mov­ing up the moun­tain the way Grand­fa­ther Laugh­ing Horse once showed her, not shift­ing her weight until her toe was lodged.

After what seemed a few sec­onds, a gun­shot! Her foot slipped. She rolled. Down she slid through bri­ars; rolled, bounced rock, rolled. Thir­ty feet lat­er, she cried out for him. “Hobart!”

Embar­rassed, she lay on a ridge not ten feet from the dirt road. Crim­iny! She thought. Some­body shoot­ing? A hunter? She lift­ed her head but saw only fet­ter­bush­es. Sure­ly, Hobart was too far to hear her. Yet, in the moun­tains, sound car­ried, as it would over a lake. The last thing she want­ed was for Hobart to hear her cry for him, but in her moment of fear, that’s what she’d done, and she couldn’t pull it back.

She wait­ed for the dust to stop swirling. Just enough light, she could see coal flecks set­tle on twigs, the yel­low dirt. She smelled ramps and sti­fled a cough, her breaths drawn and raspy from her tum­ble. Unleashed, grav­el con­tin­ued to slip, crack­ling. She lay, unmov­ing. Hobart’s truck rum­bled toward her.

Holy Jesus on a moun­tain,” he said, jump­ing out. “You okay?”

I heard a gunshot.”

Ain’t no nev­er mind, just me. I lost sight of you. I want­ed to wave you back.”

She felt a jab­bing pain in her leg when she tried to put weight on it but refused his hand, fell back against the slope. “Ouch!”

Good thing for you, Mama’s a nurse. Well, an aide. Used to be, any­how, in her hey­day. Don’t fret. She’ll fix you up good so we can go to the races.”

The races?”

Sure, hear that?” He paused, looked across the hol­low. “It’s them, doing the prac­tice rounds. That’s why I come up from Bryson City. There’s a spe­cial con­test tonight where you can win a dri­ve around the track. And I aim to win it.”

You seri­ous?”

Yeah, bud­dy. Mama thinks I come up to fix her wash­er, but this con­test, this shot’s only once a year.”

And me? What about me? I might get to dri­ve a race car?”

Birdie Dee didn’t see it com­ing. She felt his hands slide beneath her. He swooped her up. She was in the air, in his arms, against his chest.

Dern toot­ing. You know how it is today, women get equal footing.”

She smelled some­thing. Shoe pol­ish? He reeked of it.

He pulled her clos­er. Every nerve in her body stood up inside her and poked her from the inside. “Crap, Hobart. Put me down.”

Look, do you want to go to the races or not?”

Okay, okay. I’ll go.” His skin, dark behind his side­burns, a sil­ver hair flag­ging her, she real­ized he had col­ored his tem­ple hair with brown shoe pol­ish. Gross, she thought. “But put me down. I’ll go, already.”

Birdie Dee pound­ed on Hobart’s chest. She pound­ed and spat every mean word she could think of: “You ten-ton tub of lard,” the whole way down the moun­tain to his 4 X 4.

That’s how she end­ed up at the races. But it was just the two of them, with­out Mama. To make things worse, Hobart had insist­ed on pay­ing her way in, like it was a date or some­thing. Birdie Dee pulled out her mon­ey, but Hobart pushed it back into her bag. Guys always the big shots, she thought. Throw­ing mon­ey around. Birdie Dee sipped her Coke. She didn’t even like Coke. She liked Sprite, but he didn’t both­er to ask.

At least she was right where she always dreamed of being — at the stock car races. Her Dad had told her girls didn’t belong in such places. “But look at me now,” she thought. To her, just being in a place Dad said was off lim­its was rea­son to be there. With the noise and the smoke and the fiery smells, Birdie Dee came alive.

I’m hav­ing fun.” Birdie Dee stretched her arms into the air. “Holy crap. I’m hav­ing fun,” she shout­ed to the whir of the tires. Her mom kept prod­ding her to go some­where, some­where cool. She couldn’t wait to tell her.

This was so much bet­ter than sit­ting in her lit­tle room above the video store where she worked, mak­ing sculp­tures out of pack­ing mate­r­i­al. She had just as much chance as any­one there to win that raf­fle. Birdie Dee imag­ined her­self strapped into the low seat of a stock car, push­ing the throt­tle – whoosh!

Trou­ble.” The loud­speak­er crack­led. “Trou­ble on the sec­ond turn.”

The Downy car spun twice. It backed into the wall.

Every­one jumped up.

He okay?” Birdie Dee inched clos­er to Hobart.

Hobart didn’t answer. Smoke gushed from the engine.

Can he get out?” Birdie Dee grabbed Hobart’s arm. He stood stiller than a tur­tle on a log. Wasn’t he aware of her touch? Or had fear sucked his feel­ings into his boots?

When had the moun­tains on the far side of the track dark­ened to a sil­hou­ette? High Knob now looked like card­board against the ash sky. The crash caused fuzzi­ness inside Birdie Dee’s head.

The car door popped open.

The dri­ver stag­gered out.

Phew!” Birdie Dee bent over to tuck her cup under­neath her seat. She count­ed to ten, sat up.

Hobart’s mouth moved, but his words weren’t reg­is­ter­ing. His eyes wouldn’t turn her loose. She start­ed to hear him. “When we was at Mama’s, look­ing at the foun­tain?” She nod­ded. She knew what he was get­ting at. “We was get­ting along pret­ty good, me and you. I mean, no mat­ter how I look at it, I just don’t see why you run off like you did.”

Her face flushed, and she exhaled as she spoke, “I don’t, I was, confused.”

About what?” Hobart looked at Birdie Dee as if try­ing to under­stand. “The abor­tion thing? Mama’s real set on things like that.”

Look, Hobart. It’s not like peo­ple who have abor­tions want them.” “Gimme some cred­it. I know, I know it ain’t like run­ning up to Wal-Mart for batteries.”

My best friend.…” She could see her friend Angel’s eyes just after it hap­pened, fad­ing from gems to flat gray slate.

I hear what you’re say­ing about your friend or who­ev­er, I hear what you’re say­ing, and I want you to know, I ain’t Mama.”

Birdie Dee’s mind was back on ninth grade. “If my best friend Angel couldn’t have had an abor­tion, I believe she would’ve dug the fetus out with her fingernails.”

Hobart’s eyes dipped like fish­ing sinkers.

A big guy holds a stink­ing fish­ing knife to you as he, you know.” She coughed.

Dis­gust­ing.” His eyes flamed.

She gulped and cleared her throat. Her face burned.

Are you all right?” Hobart reached over to pat her back.

She spread out her hands. “I’m okay, I’m okay. But it’s more than that. It tore Angel up.I mean, it tore her up.”

They’ll get him.”

Phys­i­cal­ly, men­tal­ly, every way.” Beads of sweat formed on Hobart’s fore­head. His words were mea­sured, but kind. “He’ll strike again, that snake. And they’ll get him. You’ll see. They’ll get him.”

Nei­ther spoke dur­ing the next race. After­wards, Hobart said, “I want you to know, I don’t blame you.”

Birdie Dee’s brow creased.

Your friend, I mean. I don’t blame your friend for hav­ing the abor­tion. I don’t blame her one bit. I’d do the same thing.”

Jeez! She thought. He thinks it was me got raped. They sat with­out talk­ing. Peo­ple moved up and down the bleach­ers. Moths flit­ted about the lights. A baby whim­pered. Cars posi­tioned them­selves for the next race.

Hobart raised his voice. “Case like that, hell, it’s all you can do.”

See, Hobart, it’s not always about pre­vent­ing a life. Sometimes – ”

The announc­er intrud­ed. “Sparks on the turn. Trou­ble. Trou­ble.”

The nine car, its roof paint­ed like a Tide box, trailed gray smoke.

Some­times it’s about pre­vent­ing a—an—explosion.” Birdie Dee jumped to her feet along with every­one else. The car spun twice, knocked three oth­er cars that, in turn, hit two more. Smoke licked the left front fend­er. The door flung open.

The dri­ver is still strapped in,” the announc­er said. “Smoke’s pour­ing from his radiator.”

He’ll burn up,” Birdie Dee cried.

Hobart smiled, and his cheeks balled.

He’ll burn up.” She trembled.

Sure pumps your blood, don’t it?” She want­ed to smack him. He was get­ting off from the poor guy’s pain. She stood, nib­bling on her thumbnail.

The audi­ence whis­tled and stomped as the final race roared.

Stock cars, one after the oth­er, shot across the fin­ish line and then tax­ied off to the pit. News cam­eras con­verged as the win­ner, Spud Neece, said a few words: “Did what I could … lay in there real nice … had a great run.” From Miss Lone­some Pine, he accept­ed a tro­phy and a kiss before strut­ting off with a wave and a grin.

Folks?” the announc­er said. A hush fell over the stands. “It’s time for — ” Cheers shot up from the crowd. “You all sound ready for this.” The crowd hoot­ed and stomped.

Yeah, bud­dy,” Hobart yelled. “Yeah, bud­dy. You got that right. Yoooo-heee.” He grabbed Birdie Dee’s hand.

The sound sys­tem whis­tled. The announcer’s voice broke in and out of the high-pitched squeal, but his mes­sage was clear: “Time for the Grand Drawing.”

The sky was so dark now, the moun­tains had van­ished. Halos glowed about the lights. Miss Lone­some Pine’s tiara sparkled. Hobart let go of Birdie Dee, smacked his hands togeth­er. “This is it, this is it,” he said.

From the loud­speak­er: “One of you is about to win a ride of a life­time.” Birdie Dee held her breath. The beau­ty queen dipped her hand into the gold­en cup, drew the win­ning tick­et. Except for a few coughs and a baby’s bab­ble, not a sound from the crowd. What would it be like to be Miss Lone­some Pine and to hold someone’s dream in your hand? Birdie Dee wondered.

Hobart grabbed Birdie Dee’s hand and squeezed.

8931,” Miss Lone­some Pine said. Her voice twanged.

Hobart drew in a breath. “8931?” “Yep.” Birdie Dee won­dered at the light in his eyes.

8931?” His voice was sandy. “You’re sure?” She nod­ded, and ver­te­brae popped in her neck.

He pulled out his wal­let, flipped it open. “Pos­i­tive?”

Her lips part­ed. “8931.”

8931,” said the announc­er. The micro­phone blared. “Will the own­er of tick­et 8931, please come for­ward?” He stepped away from the mike, but every­one could hear him say to Miss Lone­some Pine, “What the yokels is tak­ing so dang long?”

Birdie Dee’s eyes hung onto Hobart’s wal­let. He removed a tick­et from the right side. His tick­et. Yours is on the left, he had said ear­li­er. He’s just play­ing, she thought. He doesn’t fool me. If he real­ly won, he’d be jump­ing out of his seat like a crazy per­son. She could stand it no longer. “Did you win?”

No,” he said, hand­ing her the tick­et. Her heart felt as if it had been kicked.

You did.”

"What? No way.”

Yes way.” Her hand trem­bling, she inspect­ed the num­bers: 8931. “Oh, my god.” Adren­a­lin surged. “For real?” Hobart’s face beamed. “You serious?”

His eyes shuf­fled joy.

8931,” the announc­er said. “Last call for 8931. Does any­one here have tick­et stub num­ber 8931?” Birdie Dee jumped to her feet. “Here,” she screamed. She hob­bled down the steps. “Here!” When she reached the gate, she turned, looked at Hobart. His tick­et was on the right, not hers. This was his dream, and she was no dream steal­er. She took a few steps back to him.

No! Go on with you.” He sig­naled with his hand.

Do I dare? She smiled and then hob­bled the rest of the way, through the gate, and across the track, her legs aching from her fall down the moun­tain. She breathed deep the scent, gaso­line and pine. She held the tick­et in the air, Hobart’s tick­et, the tick­et of the guy who might not be such a bad do, after all. And for tonight, at least, her father’s face and the cut­ting sor­row of abor­tion buried in her back pocket.

Mar­sha Math­ews teach­es Cre­ative Writ­ing and Appalachi­an Lit­er­a­ture and oth­er inter­est­ing cours­es at Dal­ton State Col­lege, in Dal­ton, GA. Her most recent poet­ry chap­book, Hal­lelu­jah Voic­es, presents a South­west Vir­ginia con­gre­ga­tion as they expe­ri­ence piv­otal moments and also deal with their new “lady” preach­er. Marsha’s nov­el excerpt “More than a Mess of Greens” was a final­ist for the 2012 Rash Awards and appears in The Broad Riv­er Review. “Sparks on the Turn­around” was pre­sent­ed to a chuck­ling audi­ence at the South­ern Women Writ­ers Con­fer­ence at Berry Col­lege in Sep­tem­ber. The sto­ry is also a mod­i­fied seg­ment of her nov­el-in-progress A Secret to Kill For, which she one day hopes to sell like crazy.

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Sheldon Compton's The Same Terrible Storm

One of the ways I judge my fic­tion is by its rel­a­tive verac­i­ty. It bugs the hell out of me when writ­ers get easy things wrong: gun details, car details, wildlife, you name it. In Shel­don Compton's The Same Ter­ri­ble Storm is that there's nev­er a mis­step, nev­er even an implic­it hes­i­ta­tion. With all the details in place, the sto­ries have room for lan­guage, plot, and char­ac­ters to move in ways unusu­al and fine.

Take "First Timers," for instance, a short and sharp piece from the book's middle.

The guy behind us, stand­ing with Josh, looks like he just walked out of a tree and turned to rock. It's Hank, Amy's dad. I fig­ure if he stood by the fence and the pen, he'd blend into the wood (56).

Qui­et­ly, these few words do a great deal of work for the sto­ry. The sto­ry begins with a few young men (I'm guess­ing late ado­les­cence, since it's not made explic­it) speed­ing down a road while hung over, it's the appro­pri­ate place for the young ones to begin to get their come­up­pance. It's safe to say none of them would look as if they'd walked out of a tree and turned to rock; they won't be threat­en­ing Hank for primacy.

The two brief scenes in the full sto­ry high­light the dif­fer­ence between the nar­ra­tor and his bud­dies. They play at being hardass­es by drink­ing and think­ing, more or less. Josh is "soft as a couch cush­ion" com­pared with Hank, even as he holds a shot­gun and shells in readi­ness to do the pig in. Almost need­less to say, Josh can't do it, and the plot turns to Hank and our sure­ty that he will be able.

Compton's skill in bring­ing life to char­ac­ters via the small and telling detail is superb. In near­ly every sto­ry here, no mat­ter the mode, third per­son, first per­son, omni­scient or not, the plot ris­es and falls from those char­ac­ter details, and not by the engine of a cocka­mamie tacked-on plot.

Sheldon's a friend of mine, so in the end this is an appre­ci­a­tion real­ly, not a review. I am pos­i­tive­ly gid­dy to see what he can do with­in the con­text of a nov­el, which I know will come soon­er than lat­er. This is an excel­lent col­lec­tion, though, worth your time and hard-earned mon­ey. Send me a mes­sage at proprietor@​friedchickenandcoffee.​com with The Same Ter­ri­ble Storm in the sub­ject line, and I'll send the first two peo­ple who respond a copy of the book for their very own.

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Sevier Juvenile,fiction by Matthew Funk

Andy kept knock­ing his head against the wall. Every­body in the cour­t­house lob­by just watched. Some held hushed con­ver­sa­tion, stared down the clock, pumped their leg. 

Jolene scoot­ed away from the damp slap of the boy beat­ing his sim­ple head against the cream-paint­ed brick. She crossed her Vans near the spread of Gary’s Nike high-tops. He sat straight as his hair-cut but his eyes dived for the floor when­ev­er nobody saw them.

“You here for the thing at school?” Jolene said. 

Gary glanced at her. “Bomb threat? Yeah.”

That’s pret­ty seri­ous, huh?”

His broad­en­ing shoul­ders hiked. “I ain’t guilty. Got put up to it. School’ll prob­a­bly drop charges. What’re you here for?”

Jolene pursed her glossed lips, cook­ing up an answer that tast­ed bet­ter than the truth. Andy’s dad, Har­lan, near­ly stepped on her feet storm­ing by. Har­lan cra­dled the boy’s head.

Hey, Andy,” Har­lan said in a lul­la­by tone, “it’s all right. Easy there.”

I want to go home, Dad,” Andy said, eyes dull under heavy lids.

Jolene and Gary wait­ed, their silent moth­ers flank­ing them like grave­yard angels, for Harlan’s reply. Har­lan just pet his son’s over­sized head and turned his wor­ried face away. A court clerk wad­dled out of Hear­ing Room 201 to call the next docket.

Jolene start­ed to stand. Her moth­er stayed her with a touch.

Not us yet, hon­ey,” she said. Jolene didn’t have time to relax before her mother’s next words made her tense as a coon trap. “Besides, when it comes time, you won’t be expect­ed to speak.”

Jolene twist­ed her face back to Gary, to hide the look of shock and protest on it. Gary was star­ing at the hear­ing room. In its door­way, an offi­cer stood, all meat-red size under a razor­back haircut.

Ain’t that Offi­cer McMa­han?” Jolene said to Gary.

Gary’s fea­tures answered, qui­et and sharp as a cor­nered animal.

#

After a half-ton boy was led from the hear­ing room in hand­cuffs, atti­tude angry as his acne, the lawyers arrived. It was late already, but each man act­ed like time was a force they were immune to.

Noth­ing to wor­ry about,” said the tow­er­ing lawyer to Gary’s moth­er, casu­al as the fit of his Knoxville-tai­lored suit. “We’ll raise the issue of the police officer’s son, Chance, putting Gary up to the bomb threat and yet not get­ting punished.”

Offi­cer McMahan’s here, though,” Gary whis­pered. “He was the one who stuck it on me and let Chance go. If the school’s going to drop it, why’s he here?”

The lawyer left with bare­ly enough time to smile.

Harlan’s lawyer sat by him, pick­ing his blue jeans’ fray. “This ain’t the kind of charge they’ll let slip, Har­lan. Your boy’s tes­ti­mo­ny could sink you.”

How?” Harlan’s teeth worked his lip like his hands did his knees. He watched Andy beam­ing at the police offi­cers lined up to speak at the hear­ing. “The boy’s slow. Retard­ed. It’s plain to see, even if it ain’t on record because I home school him.”

The lawyer shook his head as if just to see his beard sway.

Every­body has to be on deck here,” said the bean­pole boy of a lawyer to Jolene’s moth­er, cup­ping her wilt­ed shoul­der. “Speak­ing for Simon your­self will help. But if Jolene can speak on his behalf, that could make the dif­fer­ence between los­ing cus­tody of him and a home arrest.”

Jolene’s moth­er tensed her­self like a fist before lay­ing a soft look on her daugh­ter. “Jolene’ll speak for Simon. She knows he didn’t touch none of them kids a bad way.”

Jolene just nod­ded. She couldn’t raise her eyes for fear of let­ting her moth­er see what wailed, chained, with­in them.

The hear­ing room clerk called the next dock­et. Har­lan and Andy went inside to stand before Judge Rader.

#

Jolene pumped her bare leg four hun­dred times, count­ing each, as the clock spun until the Hear­ing Room door opened again. Gary drank down two bot­tles of Pow­er­ade, the blue kind, shar­ing half of each with Jolene. Their moth­ers stared at the absences left by their lawyers as if still try­ing to bar­gain with them.

Mr. Dar­ius,” the clerk called. “We’re ready to here the Sum­n­er case.”

Gary looked to his moth­er, already on her feet, and straight­ened his pressed shirt. “That’s us, Mama. Where’s Mr. Darius?”

She shook her head, mouth and eyes gap­ing, feast­ing on the crowd­ed lob­by. “Try and go find him. I’ll wait here.”

Gary bolt­ed like he did on the field try­ing to avoid a sack. Jolene trot­ted behind. 

I’ll help you look,” she said.

He shot a look back to her, but any con­fi­dent reply dried up and blew away under the hot shock on his face. 

They walked the hall, flanked by cheap print-out posters of smil­ing fam­i­lies, ads for com­mu­ni­ty out­reach embla­zoned with Sher­iff badges, tacky daisy-orange fly­ers trum­pet­ing the U of Ten­nessee Volunteers. 

The end of the hall had no lawyers, only sad, fat women and the rain-frost­ed glass doors where jail­house vans sat. Gary cir­cled, dart­ing, refus­ing to be still.

Jolene tapped his arm and point­ed up to where the Child Ser­vices offices were.

I’m going up there.”

Why?” Gary asked, only glancing.

Got some­one I need to see.”

The dock­et was called again. Gary looked down the hall and back, and Jolene was already most of the way upstairs.

Har­lan came out of the hear­ing room alone with his head bowed.

I nev­er did any of those things,” he mut­tered, his lawyer’s atten­tion buried in his Rolex knock-off, deaf. “I was the best father I could be to that boy and no less.”

He turned back to Judge Rader’s cham­bers to watch the bailiffs cuff his son.

#

Jolene felt the scorch of her mother’s stare all the way down the hall. She unfo­cused her eyes, like they taught her in school to watch an eclipse, and walked into it.

Andy sat, cuffed and with his head cra­dled in both Harlan’s hands, beside Jolene’s mother.

Where you been, girl?” Jolene’s moth­er said. Jolene just shrugged and sank down and watched the rain chase smok­ers mak­ing fran­tic phone calls out­side the lobby.

You got to go, Andy,” Har­lan said, voice care­ful­ly knead­ing any trace of his sobs from it, refin­ing it into some­thing strong enough to reach his retard­ed boy. “I’ll vis­it you soon as I can.”

Why, Pa?”

Because you burnt up that house, boy. I tried my best. It was just one too many things for the Judge.”

I want to stay with you, though,” Andy said, echo­ing it again and again as the bailiffs smirked to one anoth­er, idling away the time with a talk of col­lege football.

The hear­ing room opened and Gary came out with moth­er and lawyer in tow. His shoul­ders were lev­el but his eyes stared out as if he were laid on his back.

Dar­ius and Gary’s moth­er drift­ed to a cor­ner and talked—him smooth, her all anx­ious speed. The clerk called for Jolene’s mother.

You com­ing?” Jolene’s moth­er asked her. 

Jolene shook her head. She drift­ed clos­er to Gary, star­ing at his hand as if she were hold­ing it. 

You ain’t going to say your piece for Simon?” Jolene’s moth­er hissed. 

I said it already,” Jolene said. She didn’t watch as her moth­er entered the hear­ing room, spine sag­ging more with every step.

You get off, Gary?” Jolene asked, find­ing enough hope in her­self for a smile. 

Nah,” Gary said. “But they didn’t con­vict me nei­ther. Trial’s been post­poned a third time. School won’t drop it but they won’t make a case.”

Jolene fol­lowed Gary’s stare. She saw it frac­ture as it met Offi­cer McMahan’s. The School Resource Offi­cer glared back at Gary, just to watch the quarterback’s con­fi­dence crum­ble. Then he went into the rain with his bailiff bud­dies haul­ing Andy away.

Gary and Jolene sank down onto the bench by Har­lan. Harlan’s cop­per hair screened his face as he stared at his John Deere hat, work­ing it in scarred hands.

Been here all my life,” Har­lan said to his hat. “And they take my son, just like that. Just like I was nothing.”

How about you?” Gary said to Jolene, look­ing away from where Dar­ius was try­ing to get his Mama to share a smile. 

How about me?”

Did you get out of trouble?”

Jolene looked up, teeth releas­ing her lip as she saw the Child Ser­vices offi­cer come from upstairs and head to join her moth­er in the Hear­ing Room. The CS woman laid a look of sym­pa­thy on Jolene, all the pity of a saint in stained glass shin­ing on her.

Pity didn’t make Jolene feel good, but it was all she had. It straight­ened her up. Her hand slid with­in brush­ing dis­tance of Gary’s. Her smile found his hard­ened eyes.

For now, maybe,” she said. “For as long as you can ‘round here.”

From with­in the Hear­ing Room came her mother’s wails of loss.

 

Matthew C. Funk is a social media con­sul­tant, pro­fes­sion­al mar­ket­ing copy­writer and writ­ing men­tor. He is an edi­tor of Nee­dle Mag­a­zine and a staff writer for Plan­et Fury and Crim­i­nal Com­plex. Win­ner of the 2010 Spinet­ingler Award for Best Short Sto­ry on the Web, Funk has work fea­tured at numer­ous sites indexed on his Web domain and print­ed in Nee­dle, Grift, Pulp Mod­ern, Pulp Ink and D*CKED.

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Two Poems by Glenn Hollar

Bot­tle Rock­et Ars Poetica

And if we banged
into the absurd,
we shall cov­er our­selves with the gold of own­ing nothing.
—Cesár Vallejo

I won­der if the great poets ever had this problem
I think, as a bot­tle rock­et cuts a hole in the night

next to my right ear. Sure, Wil­fred Owen
was pinned down more than once, and Pound

found his gods in the land­scape out­side Pisa,
but nei­ther chose that. I step out from behind the corner

I’m using for cov­er, and set light to the fuse
of anoth­er scream, this one leav­ing a show­er of sparks

as it skips off the screen door he’s hid­ing behind.

We’re the only peo­ple for miles.

Yeats was a dream­er and Dylan Thomas was a drunk,
but nei­ther was this stu­pid. Soon, very soon, we will tire

of bang­ing into the absurd. We’ll go back inside
to grab anoth­er beer from the Farm­house fridge

and we will drown our­selves in gold.
I’ll leave it for tomor­row to find the poem—

the com­bus­tion of tiny fireworks,
the new hole burned through my favorite shirt.

The Death­mo­bile

I.
Col­or of a Metal­li­ca album,
I can almost see the lack
of shirt sleeves and good sense

due at signing
on an El Camino like this.
How proud he must have been!

How sen­su­al that first touch
of chamois cloth to sheen,
trac­ing the seam

around the driver’s side door
as if in blessing.
He must have felt

like he had two cocks
when he’d rev it to redline,
dump the clutch, and peel

a strip of hide
off the grav­el drive,
the pull of inertia

or some oth­er fun­da­men­tal Law
he didn’t comprehend
yank­ing him with a lurch

toward the main road,
and the high­way that leads
to all highways.

II.

The car was all she left him in the divorce.

She had always said he spent more time with it,
and now he wouldn’t have her to stand between
him and his one true love. She was cheat­ing on him
but didn’t want to admit it. So he lost himself
in its intri­ca­cies, the del­i­cate interdependencies
of a hard­er heart than his. That sum­mer he dismantled
the entire engine block, cleaned and pol­ished every piece
with a relent­less eye—then rebuilt the whole thing, just like new.

This is the part of the poem where I’m sup­posed to say
his cathar­sis was com­plete, that he man­aged to repair
the bro­ken-down wreck of his life—because hasn’t the car
been a sym­bol all along for his psyche?
I don’t know. All I know is that, come fall,
that El Camino may have looked a lit­tle beat up
on the out­side, but under the hood it ran like a Swiss watch.
Like some­thing that hadn’t been pulled apart inside. Like new.
And that he sold it to Bran­don for fifty bucks.

III.

And so it is written,
The Deathmobile,
in algae-col­ored spray paint
against the flat black primer
of the rest of the body,
tat­tooed across the dent­ed tailgate—
only slight­ly more garish
in its audacity
than the skull and cross­bones on the hood.

IV.

Bran­don is a collector
of stray cars, in the same way
some peo­ple choose pets
they see them­selves in.

After Amber dumped him
to mar­ry her sec­ond cousin, he wanted
to cel­e­brate mediocrity.
He want­ed to own a stereotype

he could beat the shit out of.
So he gave that car the worst half
of a paint job, got drunk
every day, and took it out

on the rough­est roads in the county.
Fun­ny thing, how love can echo
itself. Like hand-me-down clothes
that nev­er quite fit right.

Fun­ny how they tell alcoholics
that the def­i­n­i­tion of insanity
is repeat­ing the same action,
expect­ing dif­fer­ent results—

but fail to men­tion that flip­ping a car
into a riv­er in Jan­u­ary isn’t too sane either.
Fun­ny how blurred the trees are,
how riotous the engine pounds

with the ham­mer down,
as he speeds home to the Farmhouse,
The Black Album
blow­ing the speak­ers out,

win­dows wide open, almost doing ninety.
Glenn Hol­lar is a biographer's night­mare. Not for the rea­son you're think­ing. This much is cer­tain, though: he received his MFA from the Uni­ver­si­ty of Mary­land in 2011, he cur­rent­ly lives in Tam­pa, FL, which he's not entire­ly con­vinced isn't hell in dis­guise (what hap­pened to the moun­tains?), and he has had one of his poems pub­lished in Inch. Which is exact­ly the amount of news­pa­per col­umn space his obit­u­ary will occupy.

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