The Hammer Not the Hog, fiction by David Jaggers

The Ham­mer Not the Hog

So, Mr. Bro­gan, it says here that you were deemed ful­ly reha­bil­i­tat­ed by the state.” The fat man behind the desk looks over his wire rimmed glass­es at me. Scan­ning my scarred exte­ri­or for cracks, look­ing for a peek under the armor, look­ing for a hint of the fire that once raged there. I show him noth­ing. “Do you think you’re ready?” he says.

I sit erect, shoul­ders back and chest out, just like they taught me in basic train­ing a thou­sand years ago. I look the fat weasel in the eyes and resist the urge to reach over the desk and pull his throat out. I remind myself that I’ve wait­ed a long time for this. I remind myself that prison was just a pause, like a breath held in the bot­tom of my lungs. Now I’m out and I’m breath­ing, and I ain’t nev­er going back.

As ready as I’ll ever be.”

Good, I think I’ve got just the thing for your particular…skill set. Tell me Mr. Bro­gan, how do you feel about work­ing out­side with your hands?”

***

The ther­mome­ter in the barn reads just north of nine­ty and I’m shirt­less and cov­ered in sweat and blood. It’s not my blood, but the over­spray from the sledge ham­mer. I’m stand­ing over a live­stock shoot with a twen­ty pound ham­mer raised over my head. As the hogs come down the line I bring the hard steel down between their eyes, send­ing bone frag­ments into their tiny brains. It’s fun­ny, this job’s not much dif­fer­ent from what I did for my old boss; what I did that put me in prison.

Two rangy look­ing His­pan­ics with blue green prison ink pull the car­cass­es over to a hoist where they’re hauled up and bled out. We do this eight hours a day six days a week. At the end of my shift I wash the blood and brains off with a water hose and put my shirt back on. I walk out to the back lot and wait for my ride because I can’t afford a car on what they pay me.  Being broke don’t both­er me none though, I’m hon­est­ly just glad to be work­ing. Keep­ing busy is the key to stay­ing out of trouble.

Damn Reed, you smell like a god­damned death sand­wich. You’re gonna have to ride in the back today. I can’t be comin’ home with that stink on me, Tri­na won’t let me sit down at the din­ner table.” Ricky Basham’s my neigh­bor and a real standup guy. He catch­es hell from his old lady for giv­ing me a ride to and from work, but he does it any­way. I can hear them fight­ing about it at night from over the fence. She screams at him for being stu­pid and get­ting mixed up with a con­vict­ed mur­der­er. He just drinks his beer and tells her to fuck off, say­ing he can’t just dri­ve by every morn­ing and watch me walk the six miles to the slaugh­ter house. Like I said, Ricky’s a standup guy.

Trina’s makin’ pot roast tonight. She won’t let me invite you over Reed, but I’ll slip out lat­er and bring you a plate if you like,” Ricky shouts through the open win­dow between the cab and the bed of the truck. I give him a thumbs up so I don’t have to try and yell over the rush­ing air and the rum­ble of the engine. Truth is I’m not the talk­er I used to be. Put a man in soli­tary con­fine­ment long enough, and some parts start to wither.

Ricky drops me off at the curb in front my shit­ty lit­tle garage apart­ment so Tri­na won’t see me get out of the truck. If she catch­es sight of me, he won’t hear the end of it until he pass­es out drunk on the couch. As I walk up the rot­ted stair­case that leads to my place, I see some­thing move and look over into Ricky’s back­yard. I see a man in a deputy’s uni­form leav­ing out with his belt undone and his boots cra­dled under one arm. He looks around before jump­ing the back fence and dis­ap­pear­ing into the thick­et on the oth­er side.

***

You ever think about get­ting a divorce?” I say look­ing out the pas­sen­ger win­dow of Ricky’s truck. The sun is com­ing up over the kudzu cov­ered tree line, paint­ing the broad leaves a red that reminds me of splat­tered blood.

Leave Tri­na? Shit man, she dri­ves me fuck­ing crazy, but I couldn’t leave her. Hell, I doubt she could get along with­out me.” Ricky hands me the ther­mos of steam­ing cof­fee and I pour anoth­er cup.

It’s none of my busi­ness, it just seems you two fight all the time.”

Aw hell, she fuss­es and scratch­es like a wet hen, but she knows she’s got it good. I make enough at the garage to let her stay at home all day. She ain’t gonna fuck that up.” Ricky knocks back his cof­fee and lights a smoke. “Your stinky ass is my biggest prob­lem right now.”

About that,” I say. “Why don’t you stop pick­ing me up. It might make things eas­i­er on you.”

Ricky squints at me through the smoke from his Camel. “That ain’t gonna hap­pen broth­er. Every damn one of us has made a mis­take or three in our lives and after a man has done his time and paid what he owes, he deserves a break. So until your ass can afford a car, you’re stuck with me.”

After Ricky drops me off at the slaugh­ter house, I go to the tool shed, like I do every morn­ing, and get the twen­ty pound ham­mer from the rack. The cold weight gives me com­fort, like it’s the only steady thing in the world. I grip the smooth ash han­dle and a curi­ous feel­ing runs over me. I think about what Ricky said, about how every man deserves a break and it dawns on me that I can’t go to the barn, not today, not ever again. It slow­ly becomes clear in my mind what I have to do.

***

It only takes me an hour and a half to walk back to Ricky’s house. I slip around the back and push open the mold stained gate. I notice a pair of brown boots, a cou­ple of sizes big­ger than Ricky’s feet, sit­ting at the back door. I grip the sledge a lit­tle tighter and take a moment to think about my life. I’ve nev­er been good for noth­ing but break­ing bones. I’ve blood­ied and buried more bod­ies than I can count, and I know exact­ly what’s gonna hap­pen if I open that door and step inside.

To be clear, I don’t want to go back to jail. But it’s like I’ve been hold­ing my breath all these years, wait­ing for some­thing to hap­pen. Maybe this is it. Maybe this is my chance to set things right. I think about Ricky and how he’s helped me out. How if any­body in this world deserves a break, it’s that man. Anger starts build­ing up in my chest, burn­ing my throat as I reach out for the door han­dle. For once in my mis­er­able life I’m going to do some­thing that makes a dif­fer­ence. I’m not going to be a los­er any­more. For once I’m gonna be the ham­mer and not the hog.

jaggersDavid Jag­gers lives and writes just out­side of Nashville Ten­nessee. His sto­ries have been pub­lished in Thuglit, Shot­gun Hon­ey, and Flash Fic­tion Offen­sive among oth­ers. His work can be found in var­i­ous antholo­gies includ­ing Last Word, a project to raise aware­ness for prison reform and Pal­adins for Myelo­ma Can­cer aware­ness. His col­lec­tion of inter­con­nect­ed short sto­ries Down in the Dev­il Hole is avail­able on Ama­zon from Near to the Knuck­le press. A full list of cred­its can be found at www​.Straigh​tra​zor​fic​tion​.com

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Chief Whitefeather Arriving Unprepared, fiction by Stefanie Freele

On the day Clive returns, four months after his last tur­bu­lent vis­it, Olive opens the door and can smell him, a thick mix­ture of burned sage and fer­men­ta­tion. This scent is not good, but bet­ter than the dead-body stench com­ing from the vent in her hatch­back parked out front, the one she just drove home with the win­dows open despite the Feb­ru­ary weath­er. Clive is in her bed, face down, green under­weared butt stick­ing up like a tod­dler, snor­ing. A scar­let patch of dark skin cov­ers his tat­toos, his shoul­ders, his upper arms. His face is the pur­ple of strangulation.

She thinks – in the time it takes to shake him – that this time he’s done it. When she asks what med­ica­tions he’s tak­en, he responds with a blur­ry list, using that baf­fled yet hon­est tone a per­son uses when they know they’ve blown it and have noth­ing to lose, Vicodin, migraine med­i­cine, Vod­ka, Advil, oth­er stuff. The pur­ple-red mot­tled appear­ance of his skin seems to be already dark­er and spread­ing as if it is tak­ing over his body. I’m good, he slurs with eyes closed, headache gone.

She takes a pic­ture of his skin and tries to show the cam­era to his squin­ty eyes. I’m call­ing the VA or the Clin­ic or someone.

The Pres­i­dent, he mum­bles.

The nurse, a woman with mere­ly a mod­icum of enthu­si­asm in her voice, needs to talk to him direct­ly, pri­va­cy and all that. Olive hands him the phone, think­ing he’ll hang up. Instead, with eyes closed and a loud voice, he tells her how fine he is and how Olive is para­noid. From across the bed Olive can hear the tin­ny voice of the nurse state she may be para­noid but our physi­cian says you need to be seen in the Emer­gency Room.

Noooo, he says like a child who has been told to get off the swing set much too ear­ly, noooo! I’m fine here.

As instruct­ed, Olive calls 911 and waits out­side for the ambu­lance. While she’s gaz­ing down the dirt road, the medic on the phone asks if Clive took this com­bi­na­tion of pills on pur­pose. I don’t know, she says, even though she’s think­ing, of course he did.

They arrive quick­ly but park far down toward the creek. Olive waves them up, think­ing it is obvi­ous where the call is from, but they don’t move. 

In a moment two Sher­iff cars also arrive, sirens off, park­ing in the mid­dle of the road, like offi­cers can. She pic­tures her­self at an inter­view for the police acad­e­my, why do I want to join law enforce­ment? So I can park in the mid­dle of the road.

The deputy, John Shrib­ble, one of those tall, bul­let-proof, semi-burly type who have an aura of con­fi­dence a val­ley-wide sashays into the yard, right up to Olive as if she’s caused trou­ble, points to the ambu­lance, What’s going on with Clive? He needs med­ical atten­tion but doesn’t want it?

She explains, invites him in, and John Shrib­ble square­ly stands at the foot of the bed look­ing as out of place as a sky­scraper in the mid­dle of a small town. Clive, what did you do? He says this as if he’s talk­ing to a hard-of-hear­ing frail elder­ly per­son, not an over-dos­ing well-mus­cled poten­tial­ly-armed man. 

As para­medics and oth­er uni­formed guests enter, Clive’s butt remains in the air and for a moment she hopes that he pass­es gas just to make this scene more whim­si­cal than it is. Their seri­ous pres­ences, hands on guns, walkie-talkie chor­tles, and grim faces make the farm­house seem small, weak, disorganized. 

After one of the kit­tens runs up an officer’s leg, cling­ing with nee­dle-sharp nails on his pants, she shoos them into the bath­room and shuts the door, lov­ing how the ani­mals aren’t tak­ing any of this emer­gency busi­ness seri­ous­ly. When she returns to the scene of Clive, the old­er one-eyed cat has set­tled on his back, giv­ing her­self a bath, as if this is an aver­age day, hav­ing sev­en peo­ple stand around the small bed­room while the warm body beneath lan­guish­es in a drugged stu­por and a pecu­liar woman wraps a pulse-tak­er around his arm. 

Clive, the deputy tries again in a flat tone, Clive, can you hear me.

Grunts, moans and an adjust­ment to his side. His hair is long enough now to cov­er up most of the scars on the back of his head, although a patch or two of whiteish skin is vis­i­ble if you try to find one. The woman with the cuff says this is good that he’s on his side in case he needs to throw up.

Don’t you dare throw up Clivey, this is a new mat­tress Olive says, as one of those ha-ha cri­sis-jokes. It comes out sound­ing uncar­ing and super­fi­cial as no one laughs. 

Can you try to jos­tle him a bit to wake him up? The deputy asks and she real­izes Shrib­ble doesn’t want to touch him.

Clive, she says, vis­i­tors! The deputy is here, John Shrib­ble, you know him, wake up.

A slow flick­er of eye­lids and Clive turns his pur­ple head toward the deputy, Shrib! What are you doing here? Clive says this in a how-won­der­ful-fan­cy-meet­ing-you-here type of voice that makes Olive gig­gle from the absur­di­ty of it. I was sleep­ing and here you are!

What did you take Clive? We got a call from the doc­tor that you wouldn’t come in to the Emer­gency. It is clear­er than clear; the deputies enforce the med­ical care of the belligerent.

Noth­ing, he says, med­i­cine for my headache. I need air. He maneu­vers his almost-nude grotesque­ly half-pur­ple body out of the bed and stag­gers to the door, falling for­ward through the liv­ing room and catch­ing the next door just before he collapses. 

Olive lets go of her frozen state and helps John help Clive out­side to the pic­nic table where Clive howls and stud­ies the sky. Who are all these peo­ple? Where is my nap? Why are they inside my beau­ti­ful nap?

She gets the feel­ing that the pro­fes­sion­als want to talk to the patient alone, and so she calls in the dogs who sniff the guests with friend­li­ness; one dog tries fear­less­ly to thrust a ball into the leg of an armed deputy who ignores him. The two geese how­ev­er side-eye the strangers, refus­ing any sort of round­ing up or wav­ing away.

Clive dis­re­gards the atten­tion of the offi­cers and the para­medics as they ask ques­tions. His only response is to sing with his eyes closed in a bad Irish-pub accent, I’m Irish, Chero­kee and I shouldn’t drink!

John tells him not to take all these med­ica­tions with­out doctor’s orders, as if this is a genius idea Clive must have nev­er con­sid­ered. Next time you have one of those headaches Clive, don’t mix these. Okay? This plea seems about as con­vinc­ing as telling a horse to go ahead and now be a cow.

When Clive final­ly focus­es on them, he declines to go to the emer­gency room — actu­al­ly his skin does look bet­ter, almost nor­mal now that he’s out­side and awake — and they hand him forms declar­ing he is reject­ing treat­ment. He signs them with a flour­ish, singing, I’m refus­ing treat­ment, I refuse! I refuse! I object! As he slumps back into a crum­pled pile of him­self with his chin on his chest, he mut­ters, every­one should sing with me.

The vom­it­ing begins short­ly after their parade of col­or­ful vehi­cles leave, and she is grate­ful he is puk­ing in the yard, rather than in the house. He is one of those loud melo­dra­mat­ic throw­er-uppers: on his knees, alter­nate­ly heav­ing and moan­ing, stop, stop.

From the steps she watch­es him until he says quit, go away. She thinks about when the oth­er deputy asked what her rela­tion­ship with Clive was and she respond­ed, friends. Friends since we were kids. She didn’t tell him they used to be step-broth­er and step-sis­ter. She left out details, mounds of details. 

That night she is in her own bed, he is on the oth­er side and it is a wide king, they are not lovers, but they’re on the same mat­tress. He has just giv­en out a load of gar­bled non­sense about how dumb it was to call the cops on him.

You are a Grade‑A idiot. She tells him as the kit­tens wres­tle on his chest. I didn’t call the cops. The clin­ic did.

He is breath­ing heavy, yet shal­low­ly and falling in and out of sleep. My soul is sit­ting next to me. I think I’m going to die tonight.

As they lay there in the dark while the wind whips along the win­dows and the shad­owy smell of storm flows in, she has a vision.

She’s not expect­ing one and hasn’t had one in a long time. A man, in jeans and a gray t‑shirt sits where she can see his pro­file. He has long shiny black hair and she com­pre­hends that this man is grave­ly con­cerned about Clive and maybe dis­ap­point­ed, but that part could be her own inter­pre­ta­tion. He sits between two paths, to the left is green grass and moun­tains, clear streams, the right is a trem­bling and decom­pos­ing city, with harsh pol­lu­tion. The city is dead. The man taps with his left hand, a long white feath­er wait­ing for Clive to get it. Per­haps the man is impa­tient, but that might be Olive’s impatience.

You need to get the white feath­er, she tells Clive. 

He agrees before she even has a chance to tell him about the vision. I do! I need the white feath­er before I die. I might die tonight if I don’t sleep.

She gets up and finds her green and red unakite stone, used for ground­ing. Hold this, she says, and you’ll fall asleep. He does and his snor­ing shakes the bed.

When she gets out of the show­er in the morn­ing, she finds him sit­ting up in bed, with the phone book, the phone, the com­put­er, a note­book spread around him. He is on the phone, say­ing, I need the white feath­er or I’m going to die. Do you have a white feath­er? How can you have an Amer­i­can Indi­an Store when you’re British? You’re a Limey! Can’t you get the white feather?

He makes many phone calls look­ing to var­i­ous orga­ni­za­tions, church­es, stores, for the white feath­er while I make break­fast. I can hear him say, Let me talk to the pro-pro-pri­a­tor. Are you the boss? I need the boss. Tell him I’m going to die.

As she eats and he ignores his eggs she explains that she had a vision and she thinks the man in the vision is a sym­bol, you’re not sup­posed to just buy a feath­er, you need to go on a jour­ney and earn it.

The white feath­er means brav­ery. I looked it up. I’m not brave.

She stud­ies him, scarred, dis­ori­ent­ed, unground­ed, cracked and thinks he is the bravest per­son she knows when the phone rings and it is some­one return­ing his call, they have a white turkey feather.

No! An eagle feath­er. I AM NOT A TURKEY. He shouts as if he’s explained this a thou­sand times and no one is lis­ten­ing. After toss­ing the phone, he leans back on the pil­low, look­ing exhaust­ed, wretched. I don’t want to earn it. 

After an hour’s climb in the driz­zle, she is halfway up the moun­tain at her rock. Here is where she always stops to either have a snack or a moment. Every time she’s here, even in the win­ter, she thinks a rat­tlesnake might be under the rock and to make sure she doesn’t offer her­self as bait, she cross­es her legs to keep them from dan­gling. Okay, so maybe she is para­noid, but when this lat­est bout is over, Clive will be mak­ing her a steak with mush­rooms and vow­ing nev­er to behave like that again.

While she rests the vision returns. This time, the man, who is stern and unhu­mored has a piece of his skull cut in a cir­cle at the top of his head. A sil­ver riv­er rush­es out of the top of his head, pro­jec­tile-vom­it like. The sil­ver has chunks of black. He is vom­it­ing out from the top of his head every­thing that builds up, thoughts, mem­o­ries, real­i­ties, par­tic­u­lars, every­thing that makes a migraine.

When she returns home, waters and feeds all the fos­ter ani­mals, drops a load into the wash­er, cleans the lit­ter box­es and pens, bot­tle-feeds the two baby squir­rels, she saves look­ing in on Clive for last.

He is still in the bed, small­ish, sal­low. He asks to check in with that vision, tell me please, he begs, what do I need to do to get the white feather?

What should she say to a man who has been offered a thou­sand ver­sions of help and ignored most of them? 

Chief White­feath­er, she laughs, you need to keep watch for guides. The words sound humor­ous, yet right. You’ll have many guides along the way. Who could argue with hav­ing many guides along the way of life?

He hides his head under a pil­low while the kit­tens try to paw their way to him. 

On the next squir­rel feed­ing she asks him to help. They scram­ble over that bot­tle and if I had anoth­er set of hands it would be easier.

He show­ers and makes him­self ready for feed­ing even though she tells him he’ll get messy and might as well wait until after. He says that the wildlife peo­ple called while she was out to ask if she’d take in a red-tailed hawk with an eye injury. 

She nods, I’ll take as many as I can and then I can’t take any more.

The squir­rels are sleep­ing when she opens the cage, hid­den in the cor­ner under pil­low­cas­es, but she soon hears small grunts. When she puts her hand in, they peek out with sharp black eyes and gray whiskery faces to climb up an arm, look­ing for the bot­tle. She has for­got­ten to put her hair up and one of them quick­ly nests itself above her neck. She shows Clive how to hold the bot­tle and hands him the squir­rel on her leg while she care­ful­ly un-nests the oth­er. The lit­tle rodent face stares up at him while suck­ing on the bot­tle, like a baby with a father. He seems rel­a­tive­ly clear-eyed this morn­ing and sings to the squir­rel a song about grow­ing up to escape the cage, the page, the knees and go climb trees.

He mar­vels, they don’t bite me.

After they feed, they always want to sit qui­et­ly on a shoul­der, often poop­ing or pee­ing, but Olive remem­bered her squir­rel shirt. One of them sits on Clive’s shoul­der, still, the stat­ue-like way squir­rels do. Clive removes him gen­tly and press­es the squirrel’s cheek to his own. He’s cry­ing and Olive lets him with­out interruption. 

In the morn­ing Clive is almost back to him­self which is a con­tra­dic­tion because how many shades of Clive are there and which one is nor­mal? He is out of bed on the couch and in that I’m‑sorry-Its-never-going-happen-again mood, as soon as I’m bet­ter, I’ll dig in that engine and find your dead mouse.

Don’t waste words on me, she tells him pinch­ing her fin­gers in the air. Every word is a pre­cious gem. Plus, she is in no hur­ry to have her car torn apart in the dri­ve­way with Clive cussing and throw­ing wrench­es across the yard.

He looks at the pho­tos of his pur­plish skin and admits she was cor­rect in call­ing the VA. I know I was right, she says, pleased that he under­stands. In com­par­i­son, now he looks pale, bloat­ed, scared. There was a time he found a doc­tor for Olive when she didn’t want one and they both know that.

She hears him in The Wild-Room as he calls it, the nurs­ery, singing and talk­ing to the squir­rels, telling them how they will be released in the woods soon, after they eat as much avo­ca­do and broc­coli as their tum­mies can han­dle. You’re going to love these sweet pota­toes, he says. You’re going to love the forest.

Chief White­feath­er, she says when he comes out, point­ing at a few brown rice-size poops on his shirt, take a walk?

I should have got things in order he says. I need­ed to work, not to be stupid.

She doesn’t want to hear remorse. Walk? She says insis­tent­ly, irritably.

They hike into the woods where he search­es for the per­fect tree to release the squir­rels, one where their squir­rel box can be placed with a view of the riv­er. We’ll release them ear­ly in the morn­ing he says, right at sunrise.

She notes that he is talk­ing about the future, as if he’ll be alive in four weeks. You’re not dying then between then and now?

He’s trudges in untied boots. I want to see them run along that tree, their first freedom. 

Four weeks from now they’ll be ready. Can you make it? What she means is, can you keep focused, keep on it, keep your­self togeth­er? Chief?

He doesn’t look con­fi­dent what­so­ev­er. Hop­ing.

I’m not say­ing thank you, he shouts while tak­ing off his shoes and pants to wade in the cold win­try riv­er, because you real­ly didn’t save my life this time. Halfway across, he ducks sound­less­ly beneath the surface.

I mere­ly made you break­fast, she says to the shim­mer­ing water, while he is under, down deep longer than you’d would think a man like Clive could hold his breath.

freeleSte­fanie Freele's pub­lished and forth­com­ing work can be found in Five Points, Wit­ness, Glim­mer Train, Mid-Amer­i­can Review, Wigleaf, West­ern Human­i­ties Review, Sou'wester, Chat­ta­hoochee Review, The Flori­da Review, Quar­ter­ly West, and Amer­i­can Lit­er­ary Review. Ste­fanie is the author of two short sto­ry col­lec­tions, Feed­ing Strayswith Lost Horse Press and Sur­round­ed by Water, with Press 53. www​.ste​faniefreele​.com

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The Silence of January, fiction by Frank Reardon

Before Arnie San­dlin could drop a fist­ful of ice melt out­side the door­way of The Ranger Lounge, his stom­ach explod­ed and he was thrown five feet across the room into a pok­er table. Dutchie Sel­by stepped into the lounge, ice crunch­ing under his feet, a Benel­li M‑4 in his hands.

Dutchie walked over to Arnie's corpse and eye­balled the intestines hang­ing from his gut. Dutchie's head cocked to the right when he noticed Arnie's blood-splat­tered face smil­ing back at him, his hand still grip­ping the ice melt.

Cold out this mornin', ain't it, Arnie?” he asked the corpse with a laugh. “I know you're not open, but you don't mind If I get a drink?”

Dutchie leaned the Benel­li against a table and walked around the bar. Where's the good stuff? he asked him­self. Ahh­hh, there it is he thought, grab­bing the Jame­son. He poured a dou­ble and took a seat in the emp­ty lounge.

Busi­ness isn't too good this mornin', Arnie.”

He took off his brown cattleman's hat and placed it on the table. He took a swig and looked at the badge on the hat that said Ward Coun­ty Sheriff's Depart­ment, the state sym­bol for North Dako­ta in the mid­dle. The Ranger Lounge was dark and emp­ty. One TV in the cor­ner had a crum­pled up look­ing weath­er­man on the screen. Dutchie lis­tened as the weath­er­man went on about it being minus twen­ty degrees in north cen­tral North Dakota.

What an ass­hole,” he said after the weath­er­man men­tioned the tem­per­a­ture would be the same and a storm was com­ing. “No relief in sight? What a jack-off,” he said down­ing the rest of his drink.

Dutchie grabbed the Benel­li, walked back over to Arnie, and crouched down.

Where's Jim­my Red Bear?” he asked. “You don't know?”

He smacked his lips when the open door wel­comed in the Dako­ta win­ter wind. It felt like tiny pins stab­bing him in the back.

No mat­ter,” he said. “When Red Bear finds you, let him know I was look­ing for him.”

He stood up and stepped over Arnie's body. Before he walked out into the park­ing lot, he snatched up the shell casing.

Wouldn't want to for­get that.”

The Ranger Lounge was five miles out­side the city lim­its, out in the prairie where the wind was fierce. Dutchie jumped into his patrol car, shiv­er­ing. He looked in his rear view. The open door of the lounge was swal­lowed by the silence of Jan­u­ary, van­ish­ing from his sight once he turned the cor­ner onto 83.

***

Jim­my Red Bear grew up on the Fort Peck Reser­va­tion in Mon­tana, but after he took con­trol of the Rez drug trade he even­tu­al­ly made enough to buy a house and a few busi­ness­es in Minot, leav­ing his cousin Har­ri­son in charge of the busi­ness back home. One of the busi­ness­es Jim­my bought was a piz­za joint called Chief's Piz­za. He also owned a few ware­hous­es and The Ranger Lounge. It was mid­day when Lar­ry the Pigeon knocked on Jim­my Red Bear's door.

What the hell do you want?” he asked the Pigeon.

Some­one shot up your place.”

What place?” Jim­my asked with­out emotion.

The Ranger…fuckin' Arnie Sandlin's dead.”

Jim­my Red Bear opened his front door wider, let­ting the Pigeon inside.

Thanks, Jim­my. It's damn cold out there.” The Pigeon start­ed to walk up the stairs, but Jim­my blocked his way.

My damn kids are home. Just tell me here.”

Got any cof­fee? It's real cold, Jimmy.”

No. No, I don't have any cof­fee, you mutt. Tell me.”

Larry's face straight­ened up. “Yeah, okay, Jim­my. Minot PD is all over The Ranger. Some­one opened the door and blast­ed Arnie.”

How do you know about Minot PD?”

Mer­ry went in for her shift and found Arnie. She's the one that called the cops.”

Jesus, how's she doing?”

Pret­ty shak­en up. Cops took her state­ment and sent her home.”

Go to her house and bring her to my ware­house office over on North Broadway.”

You ain't gonna hurt her, are ya, Jimmy?”

Jim­my snapped his hand back and punk-slapped the Pigeon across the face. Jim­my showed no emo­tion when the Pigeon grabbed his cheek.

No, I'm not going to hurt her. Are you stu­pid? I need to know what she knows. I don't need any heat com­ing down on me or my fam­i­ly. Christ, Lar­ry, you dumb son-of-a-bitch. I have no idea how you even walk on two legs. You must be at least three-quar­ters retarded.”

Sor­ry, Jimmy…”

Why are you still here?”

***

Dutchie sat inside Lilly's Din­er on the north end of town wait­ing on his third cup of cof­fee and the check. Butch Car­son walked over to Dutchie, who was gaz­ing into a street light watch­ing the snow fall out from the dark of the sky.

Com­ing down hard today. The weath­er­man said we could wake up with six inches.”

So I hear,” Dutchie replied, watch­ing Butch fill his cup.

Same as usu­al, Sher­iff Sel­by,” Butch said slap­ping the check face down.

Butch, let me ask you something.”

Any­thing,” he replied.

Is there a Lil­ly Car­son?” he asked, still watch­ing the snow fall.

Sure ain't,” he said.

Not a Mrs. Lil­ly Car­son?” Dutchie asked, tak­ing his head away from the snow.

Nope, divorced. The for­mer Mrs…or, should I say the many for­mer Mrs. Car­sons have all moved on.”

How many Mrs. Car­sons have there been?”

Five. Six, if you count that one-night mar­riage to the show girl in Vegas.”

Six times,” Dutchie replied shak­ing his head in amaze­ment. “How come none of them ever stuck around?”

I dun­no, Sher­iff. I guess they couldn't take the cold. The seclu­sion does some­thing to a person's mind if you're not used to it. Nev­er both­ered me much. I couldn't real­ly say. They always get up and leave.”

Any kids?”

Three daugh­ters and one son. They've all moved out.”

Local?”

Nah. The clos­est one is in Far­go, but she's get­ting ready to move down to Nashville.”

The iso­la­tion get to them, too?”

If I knew, Sher­iff, I'd tell ya, but I haven't got the slight­est idea. One minute you're their every­thing. The next minute, they hate you. Then moments lat­er they get mar­ried, move to Tam­pa, and want to love you from a dis­tance. They call and all but only once every few weeks.”

Why not move your­self, Butch?”

What? And leave this Shangri-La?” he said look­ing around the emp­ty diner.

Dutchie reached into his coat and pulled out a bot­tle of Oxy he had tak­en from a drunk he arrest­ed the day before.

You okay, Sheriff?”

Huh?” Dutchie replied, look­ing at the name on the bot­tle of Oxy.

The pills. Are you sick?”

Dutchie swal­lowed two with a swill of coffee.

Nah, just a sinus thing. The damn cold, it gets to you. Ya know?”

You betcha, Sher­iff. My sci­at­i­ca acts up every day before it snows. It's like a warn­ing or some­thing,” Butch said, fill­ing up Dutchie's mug again, “I meant to tell you…”

What?”

Offi­cer Belichick from Minot PD was in here this after­noon. You know him?”

Yeah, decent enough guy.”

He said Arnie San­dlin was gunned down in the front door of The Ranger. You hear any­thing about that?”

Minot PD men­tioned it to us.”

Who would do such a thing? Arnie was a good old guy. Nev­er both­ered any­one. He said that who­ev­er popped Arnie didn't take noth­in'. No mon­ey, no liquor, noth­ing. It's strange to me.”

What's strange?” Dutchie asked.

Nev­er mind me, Sher­iff. I talk too much. I'll leave the polic­ing to you guys.”

No, go ahead. What's strange?”

Butch sat down in the booth across from Dutchie.

Well, back when he sold the bar to Jim­my Red Bear, you know, after his wife died and he didn't want to take care of the place because he was always over at the ceme­tery, grief strick­en and all…”

Go on…”

Well, he became very strange. Out there, real­ly. He wasn't him­self any­more. He let the place go to pot. It used to be us good old boys always over there. You know. The shop own­ers. The farm­ers. The fire­men. You know, Sher­iff. You've been in there.”

He was mar­ried for 40 years. That would dri­ve any man over the edge.”

Not if you knew Arnie like I did. He was always up for a laugh and a drink. I tell ya. Sher­iff, as soon as Jim­my Red Bear was involved Ol' Arnie turned recluse. Qui­et. He wasn't the same.”

Well, you know as well as I do that Jim­my Red Bear is, and always has been, on the wrong side of the bar. If you know what I mean.”

You betcha, Sher­iff. I know. It was that fuckin' prairie nig­ger that did it to him is what I'm get­ting at. I have no proof, but I'd bet my life on it. I don't know why. I don't wan­na know. But I wouldn't blink an eye if some­thing hap­pened to Jim­my Red Bear. Ass­hole, if you ask me.”

The Oxy start­ed to take hold of Dutchie. He felt the per­fect still­ness seep into his bones.

Hold on, Butch. Don't go talk­ing crazy.”

I ain't gonna do nuthin', Sher­iff. I was just sayin' that it's sad is all. Minot PD has no idea who did it either. Might be they nev­er find out. And you know why? Because Red Bear has half of Minot PD in his pocket.”

Now you're talk­ing crazy, Butch.”

Butch looked at Dutchie–his sidearm rest­ing in its hol­ster, the gold badge on his jacket.

Well, maybe some­one ought to do some­thing about Jim­my Red Bear.”

What you just said to me, Butch. Don't ever say that to anoth­er per­son. You hear me?”

Butch waved his hand, “Don't mind me, Sher­iff. I was jus' think­ing out loud. You know me. Any­how, I got to get ready to shut down,” Butch said.

Hey, Butch.”

Yeah, Sher­iff?”

You nev­er men­tioned why.”

Why what?”

Why Lilly's?”

Butch put down the cof­fee pot and looked around at the crusty old din­er, and all the pho­tographs hang­ing on the wall that remind­ed him of a bet­ter time. He noticed how they had fad­ed and hadn't been dust­ed by him or his employ­ees in years. He looked at the snow and mud mix melt­ing into the rug he left at the front door, and the once fresh coat of yel­low paint now brown and black. Butch sighed, maybe for his dilap­i­dat­ed din­er. Maybe for his kids. Maybe for Arnie Sandlin.

I guess to give the place a lit­tle class,” he replied.

Dutchie left the mon­ey on the table and pinned it down with a salt shak­er. He put his hat on and head­ed out into the dark snow. What a bas­tard, he thought, his shoes slop­ping through the snow and muck. Before get­ting into his cruis­er, he took one last look at the snow falling through the glow of the street­lamp. He liked that it was some­thing falling from noth­ing. He smiled an Oxy-smile and climbed into his cruis­er. He looked at the clock. 8:55. Butch had turned off the lights to the front of Lilly's by the time Dutchie turned over the engine and drove off. He hit a side street about a hun­dred yards away from Lilly's, parked next to a bunch of old stor­age facil­i­ties, and opened his cellphone.

***

The Pigeon and Mer­ry opened the door to Jim­my Red Bear's ware­house. It was emp­ty and cold. In the far cor­ner was a giant throw-rug where a few stand­ing lamps stood along with a few chairs and a couch. Jim­my stood on the rug, smok­ing a cigar.

Final­ly, Lar­ry. All day, you mutt,” Jim­my said.

Sor­ry, Jim­my. I had trou­ble find­ing her place.”

In this tiny city? With GPS and all that junk?”

Jim­my, it wasn't…”

Nev­er mind,” Jim­my said, rolling his eyes.

Mer­ry, in her usu­al dark jeans and blonde hair done up in one large braid, walked by Jim­my with­out say­ing a word. She took her puffy win­ter coat off and took a seat.

How are you doing, dear?” Jim­my asked.

She sized Jim­my up but didn't say any­thing to him.

It must've been trau­mat­ic. I'm sor­ry you had to find Arnie like that.”

Tell Jim­my what you told me, Mer­ry. Tell him.”

Will you shut the fuck up,” Jim­my said. “In fact, go stand over there.”

The Pigeon, all six feet, two inch­es, and one hun­dred and fifty pounds of him, walked twen­ty feet away. With each step he took his head bobbed like a pigeon's.

No, you dumb mutt! Go stand in the cor­ner of the build­ing. Far away!” Jim­my yelled.

The Pigeon bobbed to the far cor­ner. When he got there, he looked back at Jim­my like a pup­py who just got whacked across the ass with a news­pa­per after it had pissed all over the new rug.

Great! Now you look like a creep stand­ing over there.”

What's that? I didn't hear you!” the Pigeon yelled.

Go shit in a hat, Larry.”

What? I didn't catch all of that! All I heard was you look great, Larry.”

Oh yeah, that's it, Larry.”

What?”

SHUT UP!” Jim­my shout­ed across the ware­house. The Pigeon dropped his head.

Sor­ry about that,” Jim­my said.

It's your place. You can say and do what you want.” Mer­ry replied.

This both­er you?” he asked, hold­ing up the cigar.

Nope.”

Jim­my tight­ened his lips and shook his head. He was try­ing to see if she was ner­vous, but she seemed more aggra­vat­ed than both­ered, like she could've been home watch­ing her shows. Or out on a date. Or drunk. Any­where but the cold warehouse.

All right then, how about I cut to the chase?” Jim­my said.

That would be fantastic.”

What did you tell the cops?”

Just what hap­pened,” she said, cross­ing her legs.

And that was…?”

That I went to work. Got out of my car. The front door was open. And Arnie was dead with a fuckin' pok­er table on top of his head.”

Did the cops look around?”

Sure, every­where.”

Did they ask you any­thing else?”

Like what?”

About me or my fam­i­ly? Maybe about some of the peo­ple who drink there?”

Just about you hard­ly ever being there. A few ques­tions about Arnie.”

What did they want to know about Arnie?”

Just typ­i­cal kin­da stuff, ya know?

No. What's typical?”

If he always opened the lounge. If he had any ene­mies. If he ever men­tioned any­one sus­pi­cious. You know, jus' crap like that,” Mer­ry said, stuff­ing a piece of pep­per­mint gum into her mouth.

Jim­my stood up from the edge of the couch that was next to the chair Mer­ry was sit­ting in. He stamped out his cig­ar in an ash­tray and fold­ed his arms. He looked up at the ceil­ing and rocked back and forth on his feet. He looked to be in deep thought for a few min­utes, then let out a breath.

Now this is very impor­tant. I want you to real­ly think when I ask you this one.”

Okay.”

What did you say about me when they asked about me?”

Like I said, Jim­my. I just told them you're hard­ly around.”

They didn't ask any­thing about Fort Peck, or maybe my cousin Harrison?”

No. What the fuck does Fort Peck have to do with Arnie? Wait, did some­one from the Rez kill Arnie?”

High­ly unlike­ly,” Jim­my said, unfold­ing his arms.

I only met your cousin Har­ri­son once or twice. He only came in when you were there. I don't think Minot PD has any idea who he even is. He's a hand­some man, always polite.”

Oh, yeah. Har­ri­son is a good kid. But no, he didn't have any­thing to do with Arnie.”

Jim­my was anoth­er local busi­ness man to those who nev­er met him, anoth­er guy sit­ting on a stool in the Ranger Lounge count­ing mon­ey. Some of the locals knew who he was, and knew what he was capa­ble of doing to them if they crossed him. But he tried to fit in with the com­mu­ni­ty, tried as hard as he could to come off as an upstand­ing cit­i­zen. He spon­sored a Lit­tle League team. He even gave both time and mon­ey to The Saint Vin­cent DePaul. To those who didn't know him, he was a saint, but up close, under­neath the skin, most saints are capa­ble of atroc­i­ties. Mer­ry knew it.

We almost done here?” Mer­ry asked.

Almost. Your dad, Matt, used to own the farm out towards Max. The Shaw place?”

Yeah. What of it?” she said.

He died not long ago?”

Been two years now,” she replied.

That's too bad. He used to come into The Ranger a lot.”

He was a fuckin' no-good drunk. Drove my moth­er to an ear­ly grave.”

Nev­er knew Vanes­sa. She was gone before I moved here.”

I was twelve.”

I'm sor­ry.”

I'm not. The ass­hole drank away all the prof­its. All of his time at the bar, rather than spend­ing time with his only child. And if he did make his way out into the fields, it was because the whiskey with break­fast straight­ened him out. He put us in the poor house. My moth­er died because she couldn't stand her own thoughts anymore.”

How did she go, if you don't mind me asking?”

Pills.”

I'm sor­ry to hear that, “Jim­my said. “And your father?”

Liv­er dis­ease,” Mer­ry said. “I'm sor­ry, but what does this have to do with anything?”

You're tough as nails, Mer­ry. You've been through a lot. It's no won­der why see­ing Arnie dead didn't both­er you much.”

I'm not with­out a heart. I liked Arnie. Of course it both­ered me.”

Jim­my refold­ed his arms. He knew he wasn't get­ting any­where with her. He was piss­ing her off.

You got a cig­a­rette?” she asked.

He walked over to a desk, pulled out an old pack of Win­stons, and tossed them on her lap.

They're a bit stale. I don't smoke cig­a­rettes. Some­one left them here.”

You got a light?”

Jim­my lit the cig­a­rette for her with a Zip­po. Mer­ry noticed the Sioux Trib­al dec­o­ra­tion on the old sil­ver lighter.

Smok­ing will kill you,” he said.

Yeah, I'll try not to make a habit out of it.”

Jim­my was about to ask her more ques­tions when the phones rang. He had sev­er­al phones through­out the ware­house. One was on a table where he was stand­ing. One was over by the Pigeon, and a few oth­ers were scat­tered through­out the build­ing. They all had dif­fer­ent and dis­tinct rings. Mer­ry kept smok­ing. Jim­my looked at the phone on his desk then lift­ed his head towards the Pigeon.

Want me to get that, Jim­my?” the Pigeon shouted.

Jim­my nod­ded his head yes. The Pigeon picked it up. In the dis­tance Mer­ry and Jim­my could hear the Pigeon say­ing, “Hel­lo.” “Hel­lo?” “Hel­lo?” The Pigeon lis­tened and then hung up.

Who was it?” Jim­my asked.

I dun­no. No one said a thing.”

What?”

No one said anything!”

Jesus Christ, get your ass over here and tell me!” Jim­my shouted.

Yeah. Right,” the Pigeon said, run­ning over.

Mer­ry put out the cig­a­rette on her hik­ing boot and dropped the butt on the floor. She felt the cold steel of the straight razor hid­den in her bra. Months back, a drunk man at the lounge got rough with her when she went out to her car. He would've raped her in the back­seat if it wasn't for Arnie press­ing some steel up against his head. A Minot police offi­cer had to try and restrain the man, but when the man began wav­ing around a pis­tol, the cop called in for back-up. A Ward Coun­ty Sher­iff zipped into the park­ing lot after he heard the call. Mer­ry watched the no-non­sense dark-haired Sher­iff drop the guy with a sin­gle shot.

She lis­tened to Jim­my and the Pigeon dis­cuss the ring­ing phones, and when they gave up and fig­ured who­ev­er it was must've had the wrong num­ber, the phone start­ed to ring again. This time Jim­my picked it up.

Hel­lo,” he said. “Hel­lo?”

Who was it?” the Pigeon asked.

No one said anything.”

The phone rang again. Mer­ry couldn't help but crack a smile when the two men kept answer­ing and then bash­ing the phones down.

Some­thing fun­ny, bitch?” the Pigeon said.

Watch your damn mouth,” Jim­my said.

I didn't mean…the damn phones.”

One more word out of your mouth, and I swear,” Jim­my said mas­sag­ing his hip. The Pigeon knew under Jimmy's shirt was a .38 Spe­cial. He kept quiet.

The phone start­ed to ring. Jim­my ripped the cord out of the wall, but it didn't stop the oth­er phones from ring­ing through­out the ware­house. He leaned into the desk on his fists. Mer­ry could see his white bones push through brown skin.

Lar­ry, go have a look out­side,” Jim­my said.

I don't have no piece, Jim­my,” the Pigeon replied.

Here, take mine,” Jim­my said, reach­ing under his shirt and hand­ing the Pigeon his .38 Special.

***

The Pigeon stepped out into the cold. The snow was com­ing down hard, and the wind that car­ried it made it hard to see. He walked out into the small park­ing lot with the bro­ken street­lamp and tried to look around, but the force of the wind pushed his head down. He gripped the pis­tol and made his way into the mid­dle of the park­ing lot.

Is any­one out here?” he asked with a cold tremble.

He stepped out into the dark­ness a lit­tle fur­ther, his hand over his eyes in a salute, attempt­ing to see into the silent dark. When he looked to the left, a street­lamp glowed at a dead end. The soft beer col­or illu­mi­nat­ing from the pole pissed all over the snow.

Fuck this,” the Pigeon mum­bled. “I'm going back inside. Jim­my can han­dle this shit.”

The sound of feet crunch­ing in the snow sound­ed off in the dis­tance. The Pigeon turned to look and tried to make out the dark fig­ure mov­ing towards him. The snow crunched loud­er. He moved towards the sound, his fin­ger on the trigger.

Who the fuck is out there?” he asked.

The dark fig­ure stepped onto the edge of the lot and stopped.

The hell” The Pigeon raised his pis­tol. “Who­ev­er you are, I got a gun.”

Keep flap­pin' those wings, lit­tle birdie,” the fig­ure replied.

The Pigeon gripped the .38 and walked toward the figure.

This is your last…Fuck, Dutchie, is that you?” he asked.

Dutchie, half run­ning, moved right up to the Pigeon with an emp­ty 2‑liter soda bot­tle, put his Glock 22 inside, and pulled the trig­ger. The bul­let popped the bot­tle and hit the Pigeon in the neck, knock­ing him to the ground. Blood flowed in raw streaks from his shred­ded neck and emp­tied into a tiny pool inch­es from his head. Dutchie stood over his body. The black cen­ter of his eyes stud­ied the minia­ture red riv­er. The Pigeon's dead face held a look of con­fu­sion as Dutchie dipped his index fin­ger into the bloody snow.

Aki­ta mani yo, moth­er fuck­er,” Dutchie said, paint­ing his cheeks with the Pigeon’s blood.

***

What's tak­ing that ass­hole so long?” Jim­my said.

He prob­a­bly took off. Left you here all alone with me. You gonna kill me now?”

Keep your mouth shut.”

Mer­ry stood up and start­ed to walk for the door. “I've had enough of this shit.” Jim­my grabbed her by the arm as she passed.

Sit your ass down,” he said, forc­ing her back into the chair.

Screw you, Jimmy.”

One more fuckin' word out of your mouth, and I swear to god…”

What, Jim­my? What? You gonna kill me? Bury my body some­where out in the Bad­lands like you do with every­one else? It's why you brought me here, isn't it?”

One more word,” Jim­my said, with his back­hand raised to her.

The door to the ware­house flew open. Jim­my stood up straight, look­ing in the direc­tion of the door. Mer­ry stood up behind him. Dutchie tossed Jimmy's .38, and it slid close enough for Jim­my to see the blood-caked grip.

What the hell did you do to Lar­ry, you crooked son-of-a-bitch?”

He's wait­ing for you in the park­ing lot,” Dutchie replied.

Jim­my was too far to snatch up the .38, and he could see Dutchie's fin­ger tap­ping on the trig­ger of his Glock.

What the hell is that on your face, you damn lunatic?” Jim­my asked.

War paint.”

You're bent side­ways, Sher­iff. A branch scrap­ing a win­dow from dif­fer­ent directions.”

Come again? I don't speak in Indi­an riddles.”

You're no dif­fer­ent than me, Sher­iff. Fuckin' crooked bastard.”

Dutchie nod­ded and smiled. Jim­my looked down at the pis­tol. He weighed his options. He won­dered if he'd have enough time to leap to the pis­tol and put one in Dutchie's stomach.

Don't think you'll make it, Jim­my,” Dutchie said, as he watched Jim­my cal­cu­late. “But here, let me help you.” He kicked the .38 a lit­tle clos­er to Jim­my. Jim­my looked but didn't make a move.

You kill me, Sel­by, and you'll have all of fuckin' Fort Peck crawl­ing all over this god­damned town. They'll scalp every crooked ass­hole in this town until they get to you. I'm the moth­er fuck­er in this town. I'm the one every­one goes through. I own you. I own her. I own the shit you flush down the toi­let in the morning.”

Mer­ry leaped for­ward, grab­bing Jim­my by his salt and pep­per hair, and moved her razor across his throat with ease. Blood poured down his chest and all over Merry's fore­arms. She dropped Jim­my to the floor, chok­ing. Blood shot out and paint­ed her shirt, face, and the tips of her blonde braid.

Jim­my, chok­ing hard breaths, looked up from the ground, watch­ing Dutchie and Mer­ry stand over him.

That's one fucked Injun,” Dutchie said, pulling Merry's thin frame into his body. Jim­my watched them kiss while he choked on his blood.

Did you talk to Har­ri­son?” Mer­ry asked, kiss­ing Dutchie again.

Yup,” he replied, kiss­ing her back. The blood on her shirt soaked into his uniform.

Everything's good then?” she asked, mov­ing her blood-crust­ed arms over his chest.

My guy Bil­ly Printz will be tak­ing over con­trol of the ship­ments and sales as soon as Har­ri­son can start send­ing the goods in.”

Baby,” Mer­ry said, “you're gonna own this town. No one is going to be able to touch you.” She kissed him again.

Jim­my kicked his feet when he heard that his own fam­i­ly had betrayed him. He lift­ed his hands to his neck and tried to stop the bleed­ing, but the breath was leav­ing his body. His eyes went in and out as he watched them stand above him.

There's no loy­al­ty among tribes,” Dutchie said, watch­ing Jim­my cling on the last sec­onds of his life. “You hear me, Jimmy?”

He looked at Dutchie and flinched and kicked when Dutchie raised his Glock. Jim­my nar­rowed his eyes into the barrel's dark hole. The wind from the storm slammed against the met­al sid­ing of the ware­house. Mer­ry leaned her body into Dutchie's. He wrapped his arm around her blood soaked jeans and pulled the trigger.

reardonFRANK REARDON was born in 1974 in Boston, Mass­a­chu­setts, cur­rent­ly lives in Minot, North Dako­ta. Frank has been pub­lished poet­ry and short sto­ries in many reviews, jour­nals and online zines. His first poet­ry col­lec­tion, Inter­state Choke­hold, was pub­lished by NeoPoiesis Press in 2009 as well as his sec­ond poet­ry col­lec­tion Nir­vana Hay­mak­er 2012. His third poet­ry col­lec­tion Blood Music was pub­lished by Punk Hostage Press late 2013. In 2014 Rear­don pub­lished a chap­book with Dog On A Chain Press titled The Bro­ken Halo Blues. Frank is cur­rent­ly work­ing on more short fic­tion, with a nov­el in mind.

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Earlene and the Witch, fiction by Misty Skaggs

Ivy swad­dled the sapling oak in the tat­tered remains of a patch­work quilt that got washed one too many times. The stuff­ing seeped out and clung to the young branch­es in worn white puffs, like tired clouds. She was care­ful not to tuck it in too tight around the roots. Dank dirt clods and frayed, stray threads lit­tered the kitchen table. She rubbed her grub­by hands over the fad­ed fab­ric and let her cal­lus­es catch and snag tight, resilient stitch­es final­ly worked loose. Her thoughts grazed across the needle­work, too tiny and del­i­cate for a scrap quilt. And then they wan­dered back to the patient woman who must’ve made those stitch­es. Ivy had giv­en fifty cents for the thing at a yard sale, talked ‘em right down from three bucks. Somebody’s sweet lit­tle Mamaw had been so care­ful, made such nim­ble moves with arthrit­ic fin­gers. That woman had to have been the kind of Mamaw who made drop dough­nuts while you slept in late and filled the kitchen with the smells of sug­ar and lard and cof­fee brew­ing. The kind of Mamaw with a puff of white hair pulled back in a bun, a woman who pre­ferred to be called Nana. Nana, who gave hugs freely and touched and loved on her grand-babies who grew up to be inap­pre­cia­tive ass­holes who sold her quilt at a god­damned yard sale.

Ivy’s Mamaw had raised her and she pre­ferred to be called Ear­lene. By all. There were no con­ces­sions for the grand-babies, no cute nick­names or hand­made quilts. No get­ting spoilt. They were expect­ed to pull their weight and help make the ends meet and to pay extra for the mis­takes of their father. The biggest one of all being run­ning away and leav­ing Ear­lene and her tat­tered twen­ty acres behind him. Dad­dy dis­ap­peared from the home­stead and slunk off into some big city and six months lat­er they sent his body back to the holler, cold as a wedge and stiff as a board and rid­dled with nee­dle marks and bruis­es. Mom­my killed her­self six months on after that. Slop­py, with a shot­gun in the cel­lar of Earlene’s house. In the cel­lar right below Ivy’s feet. Ivy didn’t remem­ber the dou­ble dose of death that had been her birth right, but peo­ple talked.

Ear­lene made damned good deer jerky. That was as close as she got to bak­ing treats. If you won her approval, you were reward­ed with a way­ward tou­sling of the hair and a mum­ble. Some­thing akin to “You done good, kid". Ear­lene had a coarse, gray head of hair, stained with nico­tine and nap­py, slapped back in a per­ma­nent pony tail. She was tall and broad, even in her old age when her spine humped up and she slumped over ever so slight­ly. The boys, Ivy’s lit­tle broth­ers, they didn’t stick around to watch Ear­lene get old and die. They broke loose as soon as they were old enough and she nev­er heard from either of them again. Ivy missed them. The way they had laughed often and easy and kept things around the house all riled up. Ear­lene blamed Ivy’s Papaw. Said he had bad blood, the kind that wan­dered. Said he passed it down. Papaw went to work in Detroit when Ear­lene was a young woman and nev­er sent for her and nev­er come back. Nev­er sent her a nick­el towards rais­ing her son, nei­ther. That’s what Ear­lene said. In this house, by her­self, Ivy could almost hear that famil­iar grav­el voice, grit­ty in her ear.

Ivy watched her grand­moth­er age, the two of them alone in the mid­dle of all those acres. They plant­ed a gar­den by the stars and the almanac and ate what they grew and bare­ly used the elec­tric. Towards the end, Ear­lene took to the out­house. Walk­ing through the cold night air to squat over a ply­wood hole instead of using her own, warm, toi­let down the hall. Togeth­er, they were cling­ing to the past, hold­ing on so hard they might rip a hole in the right now. So tight they might tear through the fab­ric of time with their dirty fin­ger­nails and bring back the dead. Ear­lene got super­sti­tious. She sprin­kled salt water around her bed and tacked up horse shoes above all the doors. She refused to clip her toe­nails on Sun­day and slept with a pock­et Bible in her pil­low case, even though Ivy nev­er remem­bered her set­ting foot in a church.

Ear­lene was still stout and stur­dy and she tromped around in boots that her grand­daugh­ter could still hear, haunt­ing a huffy path over loose floor­boards at night. One time, the only time Ivy ever saw Ear­lene scared, a bird got into the house. She cried. Ivy’s Mamaw, the woman who would kill a cop­per­head with one swift strike of her hoe and then hang it on the fence for all the oth­er snakes to see, hun­kered down on a stool in the cor­ner of the kitchen and stared at the lit­tle wren and wept and trem­bled. A bird in the house is bad luck of the worst kind. A bird in the house brings death. Ear­lene said she learned to look for omens.

Ivy went to the gro­cery store and bought packs of pork chops and bacon and packs of ground ham­burg­er meat, but Ear­lene still went hunt­ing. Said she pre­ferred the taste of some­thing wild. Ivy stood at the kitchen win­dow one fog­gy Octo­ber morn­ing and wait­ed up into the bright after­noon and then until the dusky evening mist rose up again. Ear­lene nev­er came back. Ivy expect­ed to dis­cov­er that well water and out­door toi­lets and Vir­ginia Slims were the secret to eter­nal life. She nev­er expect­ed her Mamaw to die at all. Ivy had expect­ed to make squir­rel dumplings or maybe rab­bit stew for sup­per. She nev­er expect­ed to dis­cov­er her Mamaw hav­ing a heart attack under an oak tree, clutch­ing her chest with one hand and her shot­gun with the oth­er. Ear­lene had a hor­ri­fied look on her face and her tough voice cracked into whis­pers and she blamed the witch for the way her hard heart burst. Said she saw her, stand­ing there at the edge of the clear­ing. A pale woman, fuzzy around the edges, call­ing to her from some­where else, some­where far away. Earlene’s last breath was a curse against a curse. A damna­tion of some female pow­er only she had wit­nessed, the vision of a beau­ti­ful beast who took away her boys, her men. Earlene’s last breath was a whirl­wind — a hex and a damna­tion and an extri­ca­tion of a promise from the only per­son who stuck around to hear it.

Ever since that bird got in the house, Ear­lene want­ed to trek out to the ceme­tery after every thun­der­storm, any time she thought she saw a stab of light­ning cut through the air and land on the ridge. She was scared of the omens. Ivy fol­lowed her through the wet woods to the most haunt­ed place. On many a morn­ing when the rain­drops were still caught in the trees, Ivy watched her tired Mamaw lean against the trunk of a tree, reas­sured to find it still stand­ing. Ivy shook her head and shook off a shiv­er and took up her bun­dle. Deter­mined to find the old grave­yard on the fur­thest cor­ner of the prop­er­ty, she head­ed out into the sun­rise light of day. She remem­bered the way.

Today, there was no mist seep­ing down off the foothills, just pink and orange light chas­ing the night away. No, Ivy thought, Ear­lene wasn’t the kind of woman who made quilts. She was the kind of woman who knew when to slaugh­ter a hog, accord­ing to how the plan­ets aligned. The kind of woman who didn’t want to be called Mamaw, the kind of woman who’s final wish­es involved plant­i­ng a brand new tree on an old witch’s grave.

skaggsMisty Skag­gs, full time writer and part time her­mit, was born and raised in the back­woods of east­ern Ken­tucky where she still lives. Her poet­ry and prose are root­ed firm­ly in Appalachia and have been pub­lished in lit­er­ary jour­nals such as New Madrid, Inscape, Pine Moun­tain Sand & Grav­el, Kudzu and The Pikeville Review. Her inter­ests include junk shop­ping, porch swing­ing, and cats. You can find more of her writ­ing and pho­tog­ra­phy at her blog — http://​lip​stick​hick​.tum​blr​.com

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Down by The River, poem by Charles Swanson

(A poet­ic com­ment on Breece D’J Pancake’s short sto­ry “A Room Forever”)

Between cold build­ings, out to the slate gray river
a view as flat as old year’s end. A room,
a room for­ev­er, not because of heaven—
instead because of death. Rose blood blooms
at her small wrists. The man waits at the river,
his tug a means down fur­ther, down with dumped
waste to the Delta. But his frozen vision
sees the fog­gy riv­er, the driz­zle as the same.
These pages!—why do I feel this man’s heart?
Every­thing is cold, the town, the river,
the fog­gy rain, the woman, not much more
than a child, yet a pros­ti­tute. He takes her
nonethe­less. An ache beats against the river.
She tries to end it, he just stares some more.

View More: http://andrealeephotos.pass.us/swansonsCharles A. Swan­son teach­es dual enroll­ment Eng­lish in a new Acad­e­my for Engi­neer­ing and Tech­nol­o­gy, serv­ing the South­side region of Vir­ginia. Fre­quent­ly pub­lished in Appalachi­an mag­a­zines, he also pas­tors a small church, Melville Avenue Bap­tist in Danville. He has two books of poems: After the Gar­den, pub­lished by Motes­Books, and Farm Life and Leg­end, from Fin­ish­ing Line Press.

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Tsunami, poem by Melissa Helton

My entire nation pitch­es for­ward, ocean water turned violent.
It was a slow rise that we couldn’t detect in the open sea.

But now we can see it, an air­less wall at crest peak,
that moment of full lungs ceas­ing to breathe in any more,
that split sec­ond as the cup fills and bulges toward overflow,
that moment the elec­tric­i­ty begins its charge down the synapses,
that pause when the gui­tar string is bend­ing, before it thwacks to hum.
That big glow­ing wave poised and hold­ing, and in one more millisecond,

it will snap into the next frame of time, it will begin to fall, to fold,
begin­ning to break and fray, the dark, glow­ing water sep­a­rat­ing into bro­ken pieces,
white and gold in the light and the roar will begin,
loud­er and loud­er as more col­laps­es and crashes,

pushed far under the sur­face by all that is falling on top of it,
like folks being car­ried away in a stam­pede of crowd.
And once it has fall­en, bro­ken, crashed, plunged, then the under­tow begins,
the demands of the ocean pulling back, demand­ing all its water return,
and the emp­ty lungs begin to expand and pull the air down the throat,
Right now, my nation is that big frozen, glow­ing wave.
It is hold­ing high and ready to unleash all its force
in this inevitable direc­tion it has been thrown.

heltonMelis­sa Hel­ton is Assis­tant Pro­fes­sor of Eng­lish at South­east KY Comm &  Tech Col­lege and her work has appeared in Anthol­o­gy of Appalachi­an Writ­ers vol. VIII, Pine Moun­tain Sand and Grav­el, STILL: The Jour­nal, Motif v. 4, and more. Her first chap­book, Iner­tia: A Study, is avail­able through Fin­ish­ing Line Press. She lives and farms in the moun­tains of south­east Kentucky.

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Of My Great Uncle, poem by Amanda Kelley

Now that you are gone what I remem­ber most
is the size of your hands—as big as oven mitts
I see them wrapped around a hoe handle,
then imag­ine them in box­ing gloves when you were young:

The sound of the bell and
your frame tow­er­ing over the oth­er man.
You drove an hour to get there—
a ring in the cen­ter of a park
moths dot­ting the lights
faces shin­ing in the sum­mer night—
some­one pass­es around a quart of moonshine
your broth­ers cheer you on, then
your oppo­nent falls like a sack of feed
your hand is raised over your head.
You catch your breath
and it’s over.

kelleyAman­da Kel­ley has worked as a grad­u­ate assis­tant, adver­tis­ing sales rep­re­sen­ta­tive, sub­sti­tute teacher, news­pa­per reporter, deliv­ery dri­ver, prop­er­ty man­ag­er, and retail sales­per­son at a hard­ware store and at a lin­gerie shop. She is cur­rent­ly an MFA can­di­date at the Uni­ver­si­ty of Ken­tucky. Her work has appeared in The Acco­lade, Inscape, JMWW, Ken­tucky Monthly’s Writ­ers’ Show­case, and Eunoia Review. She lives in Lex­ing­ton, Ken­tucky with the poet Sean L Corbin and their two sons.

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Trinity Ridge Zoological, poem by Todd Mercer

The Holy Roller Church of Serpents
is set in a notch of a steep knob. You cross
a rope-bridge to get there, remove
your think­ing cap to roll with the irrational
spec­ta­cle when Rev­erend Righteous
taunts the snakes, tests his faith against venom.
He pro­vokes and wor­ries a pair of rattlers
held in each hand, stokes the backwoods
parish­ioners with his calls for supplication.
They fall into the aisles, shout­ing gibberish.
The hiss sharp­ens before one sinks fangs in,
poi­son doing what it’s known to do. Here’s hoping
a con­fed­er­ate milks these monsters
before the ser­vice, a mea­sure of dilution.
Some­one asked the Rev­erend if belief
was suf­fi­cient fix. Should they sum­mon EMTs?
He let the Almighty save him,
but Dar­win­ism culled him from the herd.
Amen. Self-select­ing know-nothings
pick up those dropped snakes, they tempt fate
fur­ther, slain in the spir­it, rolling.
Now and then one’s lit­er­al­ly slain.

toddmercerTODD MERCER won the Grand Rapids Fes­ti­val of the Arts Flash Fic­tion Award for 2015. His dig­i­tal chap­book, Life-wish Main­te­nance, appeared at Right Hand Point­ing. His sto­ry, “Because Hip­sters” was read at Liars’ League NYC. Mer­cer won the first Wood­stock Writ­ers Festival’s Flash Fic­tion con­test. Mercer's recent poet­ry and fic­tion appear in Apoc­rypha & Abstrac­tions, Bartle­by Snopes, Blast Fur­nace, Cheap Pop, Dunes Review, Eunoia Review, Grav­el, Ken­tucky Review, The Lake, The Leg­endary, Lit­er­ary Orphans, Main Street Rag Antholo­gies, Misty Moun­tain Review, SOFTBLOW Jour­nal and Two Cities Review.

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Two Poems by Tim Peeler

Rougher Beast

I took my train­ing from daddy,

Drunk­en wak­ing me at three am

With a belt buck­le across my legs.

First three or four licks left red welts;

Then I numbed and hardened,

Nev­er giv­ing in when he screamed

Cry you lit­tle bas­tard, cry,

So’s I can stop, but he didn’t

And I grit­ted my teeth

And dug my knuckles

Into the bed roll

Till he fell into a cough­ing fit

Then began to cry hisself.

 

Rougher Beast 14

That preach­er said if you try

Hard enough you can feel it

And I watched my broth­er walk

Down to the altar call, fall

On his knees blub­ber­ing prayers

And I tried talk­ing to God

I said please let me feel it

Let me know that this is real

The wid­ow played the organ

And the con­gre­ga­tion moaned

But I sat my head ringing

With the com­mo­tion till the

Build­ing and peo­ple vibed

Togeth­er like a mess of

Hogs smelling the feed barrel

When I opened up the lid

And I felt noth­ing but a

Hard knot form­ing inside me.

peelerTim Peeler's most recent books are Hen­ry Riv­er: An Amer­i­can Ruin from Lum­mox Press and Knuck­le Bear from Red Dirt Press.

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Cheaha, fiction by A.M. Garner

THE MAN WHO LOANS TOOLS IS OUT. The hand-let­tered sign hung dead cen­ter of the rear wall of the cement block garage. Lendon Philpot—the man who didn’t loan out his tools—leaned over the motor of a red ’67 Ford Galax­ie, try­ing his best to loosen the rust­ed bolts on the red Ford’s water pump. Yel­low jack­et wasps buzzed his face every time he squirt­ed sol­vent on the stub­born parts before yank­ing his hands, arms, and tor­so in a gut-wrench­ing tug.

The group of men gath­ered near the red cold-drink machine either sat on mule ear chairs—homemade wood­en chairs with two back posts that curved out like mule’s ears—or  propped on wood­en Coca Cola crates set on end. They watched care­ful­ly and mar­veled, hard­ly able to believe Lendon wasn’t cursing.

Lendon’s done got religion.”

A Ford could cause a man to lose his salvation.”

A red Ford is Satan’s hand work.”

Lendon gave the wrench one last red-faced mon­u­men­tal tug.  His hand filmed with engine grease slipped, crash­ing his right hand knuck­les into a pro­trud­ing piece of met­al that cut a gash at the same time his body shift­ed in such a way that Lendon’s right cheek pressed on a yel­low jack­et.  It buried its stinger an inch from the cor­ner of his right eye, the cat­a­lyst for the show about to occur.

Son of a BITCH.”

This was more like it.  The mule ear chair gang set­tled in to watch. Lendon shot up out of his crouch over the motor and hit his head on the propped up hood. When he set­tled steady on his feet beside the car, he danced around like a man who had lost his mind and threw his wrench with such force it glanced the top edge of the Ford Galaxie’s wind­shield, spi­der­ing the glass.  Lendon removed the dead yel­low jack­et from his face with his right hand while rub­bing the top of his head with his left, all the while roil­ing out epi­thets so fierce that some of the men gath­ered around the cold drink machine cringed, one whis­per­ing “oh no, you shouldn’t say things like that about somebody’s mama, Lendon.”

Clyde Colvin—the mem­ber of the gang always giv­en the best mule ear chair not sim­ply because of his advanced age and role as leader and spokesman but main­ly because he was by far the best local boot­leg­ger in a dry county—summed it up best. “The dev­il is present and account­ed for this morning.”

A firestorm of com­men­tary erupt­ed from the mule ear chair gang who’d all had at least two cups of cof­fee from the per­co­later that sat on a small met­al cart beside Lendon’s desk and who were wait­ing to combust.

It’s sure hot as hell. August in Alaba­ma might be hell.”

Not exact­ly. The Bible describes hell as a lake of fire that will con­sume the flesh but not end exis­tence or eter­nal suffering.”

Pull them shoes off your feet and walk down that black top yon­der and see if you don’t think you’re being con­sumed by fire. Burnt, but not kilt.”

That don’t make no sense.  Only a fool would take his shoes off and walk down the hot pave­ment in August.”

Up on top of a hill is where you need to be when it’s this hot.  My ol’ grand­dad­dy said always build a house on a hill to catch the breeze.”

We need to be up on Chea­ha Mountain.”

Yessir.  You can catch some breezes up on Cheaha.”

Ain’t nev­er been to Chea­ha, have you, Clyde?”

Clyde paused before speak­ing.  Every man there fol­lowed the pause, wait­ing to see what Clyde would say. “Nev­er seen no need.”

Hell, man, it’s just over in the next coun­ty.  Not more’n thir­ty mile.”

All you have to do is go out Hollins Road and cut through that road by the Bap­tist church with the red winders.”

Naw you don’t. That ain’t the way.  Just go up town and turn right at the red light past the bank and go out that way to Clair­mont Springs.”

You boys couldn’t tell a blind man sit­ting on a toi­let how to find his rear.  There’s more than one bank up town.  And what if the light ain’t red?  What if it’s yeller or green? When then?  And besides, roads have numbers.”

Clyde, you still scared of heights?  That why you nev­er been to Chea­ha? I heard you won’t buy a new pick­up ‘cause the new ones sit too high off the ground.”

Every­one had a laugh over that, but Clyde didn’t answer.

A nice-look­ing young woman wear­ing a starched and ironed dress and with neat bobbed hair walked up and looked around, wide-eyed.  “I’m look­ing for Mr. Philpot,” she said.

Clyde Colvin stood like a gen­tle­man and nod­ded in the direc­tion of Lendon. “That would be him.”

When the young woman walked up to Lendon, he who had been curs­ing like the damned changed gears and smiled like a Sun­day school teacher, found a rag in his pock­et and wound it around his bleed­ing knuck­les.  “Yes ma’am. How can we help you?”

They could all tell just by look­ing at her she was a good coun­try girl, qui­et and the kind who spends hours at hard work tend­ing her gar­den, her chil­dren, and her own business.

My hus­band, Pete Boshell, he said for me to drop off his old truck.” She sound­ed like she was apologizing.

Lendon looked out in the shop yard and didn’t see any­one wait­ing with anoth­er vehi­cle as her ride, just Pete Boshell’s old blue cat­tle truck left where she had parked it.

You got a way to get home?”

No sir.  I’ll be walkin’. Ain’t but ‘bout a mile.”

Lendon turned to the men whose mouths were for the most part hang­ing open.  “How ‘bout one of y’all fetch the keys to my truck there”—he nod­ded in the direction—“and dri­ve Miz Boshell home. Too hot to be out walk­ing bare­head­ed, and I sus­pect Miz Boshell’s got plen­ty a work at home just wait­in’ on her.”

Lendon saw his port­ly cousin Hubert, one of the mule ear chair reg­u­lars, wob­ble out of his chair so fast he turned it over back­wards on his way to the peg board that held keys in the cor­ner that Lendon called his office.

Lendon con­tin­ued.  “Pete Boshell’s a hard-work­ing man.”

Every man there knew Pete Boshell was one of the locals who arose before dawn every morn­ing to tend what­ev­er cat­tle he had that sea­son on his few fenced ragged acres, eat break­fast, and be on the job up at the cot­ton mill in Syla­cau­ga for the sev­en AM shift.

Least we can do is keep his truck run­ning for him.”

Of course every man there also knew that it was Pete Boshell work­ing at Avon­dale Mills right over the coun­ty line that pro­vid­ed the mon­ey to pay Lendon Philpot, who was not in the busi­ness of hand­outs unless it was that time the school bus broke down right in front of his shop and he gave all the kids free cokes and snacks from his Lance cook­ie jar, which was a dif­fer­ent sto­ry alto­geth­er. Lendon hat­ed to see a preach­er com­ing is what he told the mule ear gang. Espe­cial­ly Bap­tist preach­ers. They always thought you should do their work for free and expect noth­ing more than a prayer in return. Mon­ey was always hard to come by in Coosa Coun­ty.  You had to bring mon­ey into the coun­ty, not the oth­er way around.

Lendon believed in hard work, keep­ing mov­ing, lin­ing up the jobs and the day’s work.  That’s how a man got ahead in the world.  A few years back he’d had four bays in his shop, but it was too much to jug­gle, hav­ing three mechan­ics besides him­self on pay­roll and the shop yard lined with so many cars need­ing repair that it looked like a used car lot. Plus, with all those cars parked around all the time, some rumored he was boot­leg­ging. And when he had to dri­ve the five miles up town to pick up parts in his pick­up, upon his return he found no work at all had been done.  So he’d closed up the two back bays, parked his tow truck in one, and kept the one mechan­ic Bil­ly Banks who worked slow but steady and could rebuild a trans­mis­sion bet­ter than new.  And Lendon set to giv­ing respon­si­bil­i­ties to the chang­ing brigade who sat around in the mule ear chairs, nev­er doing any­thing but watch­ing him work, swap­ping lies about cars and fish­ing, and wait­ing to see if Lendon would pitch a con­nip­tion fit or join them.  He did join them about four every after­noon when the men all bought short cokes in thick glass bot­tles from the machine that still just charged a dime. The cokes were just to chase the swigs of whiskey each man took from what­ev­er bot­tle Lendon Philpot had stashed in the bot­tom right draw­er of his desk. They would pour the neck out and fill it up with the fla­vor whiskey of the day. Thanks to Clyde Colvin. And no one knew exact­ly where Clyde got his stash, though many—including state law enforcement—had sur­mised. Local law enforce­ment didn’t have to sur­mise since Clyde was pay­ing them off to let him know when state or fed­er­al law might show up.

But it was just mid­morn­ing, a long time until four p.m.  The day was already so hot the heat shim­mered off the black top on the high­way out front, and burn­ing sweat rolled into Lendon’s eyes.

Lendon was in pain but attacked the Ford again, this time with more focus, as if sheer human will could tame it.  The Ford had been noth­ing but prob­lems. When Bil­ly Banks changed the oil in the red Ford and the oil plug was stuck, he’d stripped it as he forced it out.  Then there was an elec­tri­cal short in the starter that had plagued the car for months.  Lendon had replaced the starter twice and had checked for oth­er shorts in the wiring. Each time it appeared he’d fixed the car.  But when the owner’s wife drove the red Ford to the gro­cery store and bought ice cream, the starter had anoth­er spell, strand­ing her with melt­ing ice cream in a hot park­ing lot.  Lendon began to think of the red Ford as an epilep­tic whose attacks were unpre­dictable.  And now this episode with the water pump.  Plus when Bil­ly Banks had sat in the driver’s seat of the red Ford to dri­ve the car into the bay, a screw­driv­er he for­got he put in his hip pock­et punched a hole in the uphol­stery and ripped it a cou­ple of inch­es.  Lendon was back under the hood, wrestling with the water pump, the mule ear chair gang watch­ing and tak­ing turns narrating.

I wouldn’t have no ’67 Ford Galax­ie if some­body give me one.”

Cars got­ta be sexy now.  It’s all about the Mus­tang, all right.”

Espe­cial­ly a red Ford Galax­ie.  They’s the worst kind. Wouldn’t have one.”

Half them Fords these days turn into great big fire­balls in a wreck.  Like them Pin­tos.  Death traps on wheels.  That Cor­ley gal over near Clan­ton and her lit­tle sis­ter burned up in one of them Pin­tos.  Wasn’t their fault.  Hit from behind.”

I wouldn’t let my dog dri­ve no Pinto”

Since when did your dog start dri­ving, Charlie?”

Just give me a good Chiv­o­let, anytime.”

Yessir.  A good Chivolet.”

Gen­er­al Motors.”

Yessir.  GM.  All the way.”

The mule ear gang was bet­ter than a cho­rus, singing Lendon’s own sen­ti­ments back to him as sweat dropped from his brow onto the Ford’s dusty motor.  By the time Lendon had the old part off and the new part on, he was red-faced and his eye had swollen close to shut.

Back it out, Bil­ly,” Lendon called.

Bil­ly Banks wiped his hands with a clean rag and crawled into the driver’s seat of the red Ford once again.

Lendon went over to the water cool­er and drank his fill, the cho­rus call­ing to him.

Hey, Lendon, come over here and let Char­lie here look at that eye for you.”

You know I was a medic in the army.”

Wet tobacco’ll take that sting out.”

I don’t believe nobody would want none of that chew out’n your mouth.”

Take that Prince Albert can in your pock­et and drib­ble some water on a wad —let it get good and wet—then put that wad up against the stung place and tie a hand­ker­chief over it.”

Well, now, hold on.  I heard you take kerosene and sprin­kle that on some clean Prince Albert and tie that on the stung place with a clean handkerchief.”

That don’t make no sense at all.  The yel­low jack­et stung him up side the eye.  You want me to blind­fold him?”

Course I ain’t sayin’ blind­fold him. How can a man walk around—even in his own shop—if  he’s blindfolded?”

About that time Lendon heard a loud sick­en­ing sound of met­al crash­ing into met­al and turned, expect­ing to find that some poor unsus­pect­ing soul had slowed down on the high­way to turn into the grav­el yard of Lendon’s place of busi­ness and been hit from behind by a speed­ing tractor/trailer, its dri­ver hell­bent on mak­ing his load to Mont­gomery on sched­ule. Instead, what he saw was Bil­ly Banks at the wheel of the red Ford with his face mov­ing in rapid sequence through five emotions—surprise/disbelief/outrage/anger/fear.  The rear end of the red Ford sat mashed into the side of Pete Boshell’s old blue cat­tle truck.  Even from this view, Lendon could tell the red Ford had more dam­age than just a bro­ken tail­light. The rise of the trunk lid was now at an angle more like that of a chopped off race car, only crooked.

Bil­ly Banks stum­bled out of the car.  “I swear I had my foot on the brake, Lendon.  I swear.  I took it off the gas and put it on the brake.  It was like the car was pos­sessed or some­thing.  I couldn’t stop it.  It was like it had a mind of its own.”

Clyde Colvin was stand­ing right beside Lendon now, his hand on Lendon’s shoul­der, help­ing Lendon sur­vey the dam­age.  “Well one thing’s for sure,” Clyde said.

What’s that?”

Pete Boshell’s truck sure as hell stopped it.”

 

* * * * * *

 

Paint’s going bad any­way.  Hood’s already turned pink.”  Clyde Colvin, try­ing to hold up his end of a one-sided con­ver­sa­tion, sat behind the steer­ing wheel of Lendon Philpot’s truck.  Lendon sat with his right arm perched in the open win­dow, star­ing ahead and occa­sion­al­ly offer­ing one word answers.  Between them on the seat, a brown paper bag held pot­ted meat, sar­dines, Saltine crack­ers, and a bot­tle of hot sauce Clyde had stopped and picked up from the store down the road from Lendon’s shop.

Not even a real air con­di­tion­er they’re run­ning in that thing.  It’s a after­mar­ket.  And them kind don’t nev­er work too well.  Or last too long.”

After Bil­ly Banks had backed the red Ford into the side of Pete Boshell’s cat­tle truck, the mule ear chair gallery had wait­ed for the fire­works show that was sure to fol­low.  Talk halt­ed and all eyes and ears were on Lendon.

But Lendon had not chewed out Bil­ly Banks or fired him on the spot or thrown wrench­es or turned even red­der in the face than he already was. He had not launched into his usu­al cre­ative spon­ta­neous recita­tion of curs­es invent­ed on the spot to fit the cir­cum­stances, curs­es so rich in imagery and rhetoric as to awe those whose ears were already accus­tomed on Sun­days to hear­ing the very best preach­ers describe sin­ners in the lake-of-fire hell in the hands of an angry God in such a histri­on­ic man­ner as to bring even the most stub­born-willed sin­ners to their knees.  Lendon was more enter­tain­ing than a preach­er and didn’t even pass the plate for an offer­ing. The mule ear chair gang hung in sus­pend­ed motion await­ing the show of shows.  But no. Lendon sim­ply turned from where he and Clyde sur­veyed the crushed rear end of the red Ford Galax­ie, went to the tiny sink in the bath­room at the back of the garage, poured kerosene onto his hands from a coke bot­tle sit­ting in the cor­ner, and pro­ceed­ed to lath­er up his hands thor­ough­ly with Gojo and rinse them before tak­ing out his pock­et knife to clean under his fin­ger nails.  Then he walked right past the mule ear chair gang as he dried his hands with a clean shop rag, walked to the oak office chair beside the desk in his office, sat down, and began shuf­fling papers.

The gang looked at each oth­er and made them­selves busy whit­tling, rolling cig­a­rettes, clean­ing out a pipe with a pock­et knife, inspect­ing the freck­les on the backs of their hands, one tak­ing a comb out of a pock­et and smooth­ing his hair.

Bil­ly Banks shuf­fled over from the work bench where he’d returned after back­ing the red Ford into the truck to stand in the framed two by fours that passed for Lendon’s door­way, as if offer­ing him­self as a sacrifice.

Lendon had not even looked up at Bil­ly Banks.

Lendon’s pat­tern was not to sit at his desk in the mid­dle of the day.  Even at the close of the day when he went into his office to retrieve the whiskey bot­tle du jour from the desk draw­er, he didn’t sit down for long.  Now he sat .  He looked at the big stack of billing tickets—money peo­ple owed him—he kept speared onto a tall steel spike anchored by a heavy iron plate bot­tom that sat on his desk­top.  He had tak­en off the entire stack and stud­ied each one indi­vid­u­al­ly, as if check­ing his math before stab­bing it back onto the steel spike. This had gone on for a good twen­ty minutes.

At that point, Clyde Colvin had tak­en his cap off the back of the mule ear chair he sat in,  perched the cap on his head in the jaun­ty angle he wore it, and stood in Lendon’s door.  He opened up his pock­et watch and looked at it.

C’mon, Lendon.  Time to go up town to the parts houses.”

Lendon looked up at Clyde and then back down at the stack of tick­ets in his hands for a while before he took the entire stack and pushed them back onto the spike and retrieved his own cap from the peg board and fol­lowed Clyde out a front bay door to Lendon’s blue Chevro­let pick up.

Clyde spoke up.  “Key’s in it.  Guess I’ll dri­ve if it’s alright with you.”

Lendon had not said a word, just opened the pas­sen­ger door and sat down on the pas­sen­ger side of the bench seat on which he had rid­den maybe a total of twice in the his­to­ry of the 142,000 unal­tered miles on the odometer.

So Clyde had stopped at the store, bought the sup­plies, and head­ed north, dri­ving right past the parts hous­es and right on by the bank and the city hall and turned right and head­ed out the oth­er side of town where the city lim­its end­ed and the bound­aries of the nation­al for­est began.  Since they now drove through copses of tall trees, the air blow­ing through the but­ter­fly win­dow vents of the pick­up was not exact­ly grow­ing cool­er, but the shade offered relief from the August sun of a cloud­less sky, and Clyde had start­ed talk­ing and kept right on doing so, though he was get­ting lit­tle response oth­er than an occa­sion­al grunt from Lendon.

I know for a fact that the driver’s side win­dow in that Ford quit work­ing about six months so that ever time it rains the seat gets wet. When the sun bakes it dry, it just rots the whole thing.  So Billy’s screw­driv­er might not even been what split that seat.  And have you heard them brakes?  They squeal like a stuck hog.”

Clyde con­tin­ued.  “Now the front wind­shield being broke, that part is your fault all right.” Clyde looked over at Lendon. “Oth­er than a few road chips, that glass was sound as a dol­lar until you took that wrench and slung it.  Nobody’s sayin’ you meant to break it, but you know what I mean.”

Clyde kept right on talk­ing as he guid­ed the truck through the turns and curves, dri­ving by the old springs where the folks with mon­ey used to come stay at the old hotel and take the baths for what­ev­er ailed them, then dri­ving right on up the side of the moun­tain.  They passed fields aban­doned so long with no one to bush hog that the saplings had tak­en over.  They passed fields plant­ed in straight rows of pine for pulp­wood.  But most­ly they were in deep for­est that in places offered a total canopy for the tun­nel the road made.  Soon they had climbed enough to feel the first cool breeze.

Lendon seemed to come out of his trance. “Where the hell you going, Clyde?”

I guess where I’m going with this is that Bil­ly Banks don’t need to get fired over a red Ford.  That car’s been jinxed since it came off the line in Detroit, for one thing.  And for anoth­er, nobody’s ever done much to take care of it.”

Lendon seemed tak­en aback by the thought. “I’m not about to fire Bil­ly Banks.  He’s got a fam­i­ly.  And besides, he makes me mon­ey. What I mean is right here and right now.  In this truck.  Where the hell you takin’ me?”

We’re rid­ing to the top of Chea­ha.  To catch us a cool breeze.”

Lendon seemed to take this in.  “But you’re afraid of heights, Clyde.”

I ain’t plan­ning on lookin’.  And besides,” Clyde reached under the seat and pulled out a flat pint bot­tle and put it on the seat and then anoth­er, “I brought along a lit­tle some­thin’ to ease the pain of the view.”

So they kept climb­ing in the old straight shift truck with their arms perched in the win­dows to catch the breeze, fol­low­ing the CCC road clear to the rock tow­er the CCCs built on the top and then found a squat oak tree with dense shade across the road from the tow­er where they parked and hitched the tail gate flat and fash­ioned a kind of pic­nic out of the sar­dines and crack­ers and pot­ted meat which they ate with their pock­et knives and made a big show of hav­ing two lit­tle Coca Cola bot­tles promi­nent­ly dis­played in case a ranger hap­pened by.  Clyde had put one pint bot­tle back under the seat and kept the oth­er stashed in the front of his over­alls, one gal­lus left loose, and after they fin­ished the food, they threw the debris in an old oil drum left there for that exact pur­pose, holes punched in the met­al near the bot­tom so that the rain­wa­ter would drain and mos­qui­toes couldn’t breed.  And when Lendon said he might as well climb up to the top of that tow­er, since they were there, and have a look see, Clyde replied that he believed he’d just sit there in the truck and pol­ish off what was left in the first pint, if it was all the same to Lendon.

When Lendon got back into the truck and Clyde had backed the truck out from under the tree and they sat at the edge of the pave­ment once again, Lendon point­ed to a turnoff a hun­dred yards away.

Let’s dri­ve over there and check it out.”  As they drove out the grav­el lane, it was plain to see that this was where the real view was, the sheer drop off that made the moun­tain seem like the tallest thing in the whole South, any­one would imag­ine, the val­ley below stretched out in a faint blue haze with lit­tle roads like strips of string and a shiny lake and mov­ing cars look­ing some­thing like red bugs look crawl­ing up your arm.   Clyde drove slow­er and slow­er and had almost shut his eyes until Lendon had him pull over at a wide place in the road and had him get out and come around and stand with him with the hood of the truck between them and the drop off.  Lendon had Clyde place his hands on the hood to hold on to and start­ed point­ing things out to Clyde, the roads/lake/tiny cars.  A lit­tle band of clouds had appeared in all that blue sky, and in the far dis­tance they could see a gray thun­der­head like a child’s fist and Clyde asked him reck­on where that was and Lendon said Indi­ana for all he knew.

Back out at the CCC road, they did not go back the way they had come and instead took the road that seemed to drop off the moun­tain, the rest of the world laid out before them like a green rug just wait­ing for them to roll off the moun­tain onto it. Clyde closed one eye and held the truck between the ditch­es while Lendon talked about Pat­sy Cline and Cow­boy Copas and Hawk­shaw Hawkins all dying in that plane crash and that he didn’t think it was on a moun­tain like Chea­ha, where there had been more than one plane crash, but that still it was not too far away where the plane car­ry­ing Pat­sy had gone down, and one day he and Clyde might just dri­ve up to Cam­den, Ten­nessee, and check it out, all the while Clyde hold­ing firm­ly onto the steer­ing wheel with both hands.  As they neared the bot­tom of the moun­tain, a man on a motor­cy­cle swerved around the truck and leaned into the next curve before mov­ing on beyond their sight, the only oth­er soul they had seen.

Now that’s one crazy feller.”

Lendon smiled just a bit. “I rode a motor­cy­cle in ’42 before they sent me over­seas. I thought I would get to do that all the rest of my life.  Wear a leather jack­et and a shiny pair of boots.”

We all used to be some­thing or oth­er.  Just none of us knowed what we’d end up being.”

At the bot­tom of the moun­tain, Clyde opened both eyes for the first time and reached under the seat for the sec­ond pint bottle.

*******

 

When Lendon and Clyde returned, every­thing was as before.  The rear of the red Ford Galax­ie still sat crushed into the side of the stur­dy met­al frame of the bed of blue cat­tle truck, which seemed rel­a­tive­ly unharmed. The two front bay doors of the shop stood open wide, and in front of the coke machine sat the same cir­cle of men, two or three mem­bers of whom had left but oth­ers had appeared to take their places so that the tableaux remained unal­tered.  When Lendon and Clyde walked inside, Bil­ly Banks hov­ered over the trans­mis­sion on his work bench. The gang seemed relieved to see them.  They had all enter­tained them­selves spec­u­lat­ing about wild women, whiskey, alco­hol con­trol agents, and fatal car crash­es, none of which was reflect­ed in their cur­rent comments.

We’d about done give up on y’all.”

Was it a flat tire, Lendon?  I said it was a flat tire.”

Bil­ly yon­der said the parts truck with today’s ship­ment was pro­l­ly late.”

Yeah, that’s what Bil­ly said.”

A man smok­ing a hand-rolled cig­a­rette got up out of the best mule ear chair in order to give Clyde some­where to sit.

The gang was so busy telling Clyde what all had gone on while the two men were gone that no one seemed to notice Lendon take a gray met­al gas can with him when he went out to dri­ve the red Ford over to the edge of the shop yard and lift the hood or even saw him walk back in and replace the can on the shelf, much less watched him walk back out to the car, roll a cig­a­rette and light it before flick­ing the match in the direc­tion of the red Ford.  They did not even see the first flash of flame, but all turned at once when the gas tank explod­ed like a thing that had flirt­ed flame with petro­le­um all its life final­ly to have gone too far.

Next day when the insur­ance claims man out of Birm­ing­ham showed up with his check­book, the gang sat anx­ious to answer his ques­tions.  First he had talked to Lendon.  And now he ques­tioned the mule ear gang. And he had had many ques­tions, maybe ten min­utes worth of ques­tions so far.

So let me get this straight.  Was Mr. Philpot with the car when it explod­ed?  Was he sit­ting in it? Stand­ing beside it? In front of it? Behind it?”

He had been in it.”

He had been beside it.”

And in front of it.”

I’d say he’d also been behind it.  Wouldn’t you fellers agree that he had also been behind it?”

Every­one agreed.

The insur­ance man seemed amused.

What did it appear Mr. Philpot was doing in all those places?”

They all looked at the insur­ance man for a while before some­body spoke slow­ly, like explain­ing some­thing to a child.

Well, this here is a garage, sir. Peo­ple bring their cars here when some­thing is broke on ‘em.  Lendon fix­es cars for a liv­ing. He walks all around ‘em and crawls all over ‘em all day long.”

The insur­ance man was not fazed.

So Mr. Philpot was sit­ting in the car when it first began to burn?”

The gang looked at each oth­er, some over their glass­es. This fool out of Birm­ing­ham appar­ent­ly thought a man could be sit­ting in a red Ford while it explod­ed and live to tell about it.

Nawsir.  He had been sit­ting in it.  But he weren’t sit­ting in it when it burnt up.”

Could any of you tell me why that car sud­den­ly explod­ed.  Oth­er than the fact that it was a hot day in August.”

Well that one’s easy to answer.  Didn’t have noth­in’ to do with how hot it was. Them Fords is bad to burn when they wrecked from behind.  Them Cor­ley sis­ters over near Clan­ton, they burnt to death in a Ford wrecked from behind.”

Sure did.  Two lit­tle gals not doing one thang wrong.  Just dri­ving down the road.  Then some­body just bumped ‘em from behind and that Ford turned into a fireball.”

A death trap.”

A fire­ball death trap.”

Just lucky we were all sit­tin’ here next to this Coke machine or else no telling what would of hap­pened to us.”

I was a medic dur­ing the war, and I can tell you that it would not have been a pret­ty sight.”

Had it been a Chiv­o­let, damned thing would still be here today.”

Pete Boshell’s truck there is a GMC and you don’t see much wrong with it, now do you?”

The insur­ance man went out to his car in the hot sun­light and sat for a minute before com­ing back in and hand­ing Lendon a check. “You’re very for­tu­nate, Mr. Philpot, to have had the pres­ence of mind to dri­ve that car to the edge of your prop­er­ty before it just hap­pened to have burst into flames, as luck would have it.”

The gang lis­tened to hear what Lendon’s reply would be.

Damned straight,” Lendon said. “If it had been inside this shop, your com­pa­ny would be pay­ing for a hell of a lot more than one red Ford.”  Lendon slow­ly looked around and let his gaze linger on his build­ing, the cars inside, all his equip­ment, his tow truck and his weld­ing truck.   He let that sink in real good before he looked the man dead in the eye, shook his hand, and took the check.

Of course, the gang told this tale for years, embell­ish­ing the size of the red Ford’s fire­ball on occa­sion.  In some ver­sions, Lendon bare­ly made it out of the car before it explod­ed, the hair on his head still smok­ing as he ran back inside the garage. In oth­er ver­sions, Lendon was back inside the garage and drink­ing a Coca Cola with them when they all saw the red Ford sud­den­ly burst into flames.

Only some months lat­er did Bil­ly Banks remem­ber to ask where Lendon and Clyde had been that day, before the red Ford Galax­ie explod­ed into anoth­er world. It was almost 6 pm, almost clos­ing time, and Clyde had brought his own bot­tle with him to sup­ple­ment the usu­al swigs.

Chea­ha,” Clyde replied.

The gang had a good chuck­le over that.

Naw, we’re seri­ous. Real­ly, Lendon.  What kept y’all so long?”

Like Clyde said. He drove me up to Chea­ha.  Drove me up there, stood on the top, looked all around, and then closed one eye and drove me down the oth­er side.”

The men laughed.

Even had a pic­nic while we were there, didn’t we Clyde?”

They laughed out loud.

No telling where Lendon and Clyde might take off for next.”

New York.”

Cal­i­for­nia.”

I’m bet­ting Alaska.”

Lendon’s truck would make it there and back, even with as many miles as it’s got on it, wouldn’t it Lendon?”

Lendon looked at them all and smiled.  “You take good care of a Chiv­o­let truck, and it’ll take good care of you.”

It was a line he made up on the spur of the moment but one no doubt he would hear many times repeat­ed to him in return.

garnerA. M. Gar­ner grew up on the bot­tom edge of Alaba­ma Appalachia—near Chea­ha, the high­est point in Alabama–and now lives and teach­es on the bot­tom edge of the Upper South on the Ten­nessee Riv­er in North Alaba­ma. She is flu­ent in red­neck.  She has eat­en squir­rel fried in lard and served with a cup of steam­ing black cof­fee. For breakfast.

 

 

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